German literature.
概要
| 作品: | 152 作品在 4 項出版品 4 種語言 | |
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書目資訊
"Play Your Broken Music to My Broken Song?" Contemporary Implications of Performing Schubert Lieder in English Translation.
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The Colors of Modernity : = Limning the Margins in Walter Benjamin, Rainer Maria Rilke, and Peter Altenberg.
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Elemente der illuminatischen Ideologie in einigen vorklassischen Werken von Goethe und Schiller.
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Dramaturgies of the imagination: The theatre as a laboratory of spectatorial agency in Lessing and Kleist.
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Mysticism & confessional conflict in post-Reformation Germany: The mystical theology of Valentin Weigel (1533--1588).
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Venice as no-place: Liminality and the modernist interpretation of the myth of Venice.
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Wie ein unsichtbarer Schleier schwebt er mit: Eine Analyse zur Todesmetaphorik in fruheren Werken Christa Wolfs.
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Bildung und Rebellion. Jugend in literarischen und philosophischen Texten von Johann G. Herder bis Friedrich Nietzsche.
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Inside the city: Gender and the production of interior space in Weimar Republic German literature, 1929-1933.
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Dissolving Linguistic Borders? Contemporary Multilingual Literature in German-speaking Countries.
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STEM Education in the Foreign Language Classroom with Special Attention to the L2 German Classroom.
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The spirit in the flesh: The translation of German Pietist imagery into Anglo-American cultures.
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Schiller und Freud: Vom Erhabenen zur Sublimierung. Eine Wissensgeschichte intellektueller Leidbewaltigung.
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Bertolt Brecht's Furcht und elend des dritten reiches = a German exile drama in the struggle against fascism /
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Living and Judging: Studies in Pragmatic Reasoning in Philosophy, Literature, and Law.
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Persecution and Resistance: The Carinthian Slovenes and Memories of the Second World War.
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Natures of Color : = The Literary Environments of Adalbert Stifter and Paul Scheerbart.
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Vergangenheitsbewaeltigung- und Aufarbeitung in "Der Verlorene", "Am Beispiel meines Bruders" und "Pawels Briefe".
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Communicative Efficacy of Myth and Das Gesamtkunstwerk: Transcending the Limitations of Art.
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The Shape of Things : = Reading Culture Through Form in Wilhelmine and Weimar Germany.
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Mediated Benjamin : = An annotated selection and translation of Walter Benjamin's radio texts.
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Modern Spaces and Cinema : = Movie Theaters and City Films in Wilhelmine and Weimar Berlin.
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Behold the Kingdom of God: The intellectual and theological origins of National Socialism.
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Negotiating constructions of femininity, subjective agency and resistance in select prose by Kaschnitz, Bachmann and Wolf.
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Considerations on the use of authentic children's and youth literature in the foreign language classroom.
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Social criticism in traditional legends: Supernatural women in Chinese zhiguai and German Sagen.
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A comparative and critical analysis of seventeen German versions of "Little Red Riding Hood".
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Threatened masculinity in English fiction (1883-1915) and Cold War German cinema (1966-1986).
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The Space of Alterity: Language and National Identity in Theodor Adorno and W.G. Sebald.
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May hammers and hearts ring out in unison. Exploring Heimat in GDR literature and film of the 1950s and 1960s.
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"IDEAL" VERSUS "REAL": WOMANHOOD AS PORTRAYED IN THE LITERATURE AND CORRESPONDENCE OF EARLY GERMAN ROMANTICISM.
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THE RICHLY SOWN FIELD: THREE ESSAYS ON SEMIOLOGY IN THE WRITINGS OF FRIEDRICH VON HARDENBERG (NOVALIS).
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"THE VISIBLE SOUL OF POETRY: " WOMEN AND THE POET IN NOVALIS'S "HEINRICH VON OFTERDINGEN" (GERMANY).
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The embodiment of the absolute: Theories of the feminine in the works of Schleiermacher, Schlegel, and Novalis.
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"Rilke und kein Ende": Zur Rilke-Rezeption in Schweden von 1904 bis in die 1960er Jahre.
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Envisioning the transcendent: The complementarity of Darstellung and Vorstellung in English and German Romanticism.
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Objects of Veneration: Music and Materiality in the Composer-Cults of Germany and Austria, 1870-1930.
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Freud and the problem with music: A history of listening at the moment of psychoanalysis.
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"Sind Eben Alles Menschen Gewesen". Plutarch Und Shakespeare in Goethes "Goetz von Berlichingen.
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Melancholie in Uwe Timms Romanen "Rot" und "Morenga" = = Melancholy in Uwe Timm's novels "Rot" and "Morenga".
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Creating the Third Reich through film, press, and pageantry (1933--1934): A myth-ritual analysis.
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Genealogical Modernism: Family Structures, Identity, History, and Narrative in the 20th-Century "Long" Novel.
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Emil Franklin Rudebusch: Ein deutsch-amerikanischer Autor zwischen Anarchie und Sexualreform.
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Sunken II Chords and Inwardness: A Correspondence Complex in Robert Schumann's Liederjahr Songs.
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Ethnischer Humor im Mainstream: Deutschturkische Filmkomodien und Sitcoms aus transkultureller Perspektive.
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Weisse weiblichkeiten: Afrika, deutschsprachige schriftstellerinnen und ihre (Post-)koloniale verortung von geschlecht.
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The critic as magician: The music tales of E. T. A. Hoffmann in the context of the "Allgemeine Musikalische Zeitung".
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The real and the imaginary in the literary works of E. T. A. Hoffmann, Joseph Eichendorff, and Vladimir Odoevsky.
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Schuld ist immer zweifellos: Strafe und poetische Gerechtigkeit in deutsch-juedischer Literatur des fruehen 20. Jahrhunderts.
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Igor Strawinsky und Bertolt Brecht: Zur Poetik des epischen Musiktheaters. [German text].
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Musikphilosophische Konzepte in Robert Schneiders "Schalfes Bruder": Postmoderne Strukturen bei der Darstellung von Musik.
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A Feeling Unlike Any Other: Reactionary Rhetorics of Rechtsgefuhl in Kleist, Droste-Hulshoff, and Fontane.
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(Un)doing and (Un)becoming: Temporality, Subjectivity, and Relationality in Twenty-First-Century German Literature and Film.
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Making History in High Medieval Styria (1185-1202)-The Vorau Manuscript in its Secular and Spiritual Context.
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Picture Books and Photo Albums: Visual Memory of the First World War in the Weimar Republic.
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Unexpected Journeys: At the Crossroads of Collaborative Filmmaking and Feminist Scholarship.
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The Narrowest Path: Antinomic of Form in Adorno's Aesthetic Theory Analysed Through Kleist, Hegel, and Marx.
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