American fiction - History and criticism. - 20th century
Overview
| Works: | 294 works in 41 publications in 41 languages | |
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Titles
The contemporary American short-story cycle : = the ethnic resonance of genre /
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Demand the impossible : = science fiction and the utopian imagination /
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Part blood, part ketchup : = coming of age in American literature and film /
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After the vows were spoken : = marriage in American literary realism /
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The Gold standard and the logic of naturalism : = American literature at the turn of the century /
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Claiming the heritage : = African-American women novelists and history /
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Yesterday's stories : = popular women's novels of the twenties and thirties /
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Ethnic passages : = literary immigrants in twentieth-century America /
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Gatsby's party : = the system and the list in contemporary narrative /
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In a dark time : = the apocalyptic temper in the American novel of the nuclear age /
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Notes on nowhere : = feminism, utopian logic, and social transformation /
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The Web of iniquity : = early detective fiction by American women /
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Black and white strangers : = race and American literary realism /
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Blank fictions : = consumerism, culture and the contemporary American novel /
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Dirt and desire : = reconstructing southern women's writing, 1930-1990 /
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Archival reflections : = postmodern fiction of the Americas (self-reflexivity, historical revisionism, utopia) /
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Terminal identity : = the virtual subject in postmodern science fiction /
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Witness through the imagination : = Ozick, Elman, Cohen, Potok, Singer, Epstein, Bellow, Steiner, Wallant, Malamud : Jewish American Holocaust literature /
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The green breast of the new world : = landscape, gender, and American fiction /
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Feminism and its fictions : = the consciousness-raising novel and the women's liberation movement /
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Invalid women : = figuring feminine illness in American fiction and culture, 1840-1940 /
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Invalid women = figuring feminine illness in American fiction and culture, 1840-1940 /
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Pragmatist realism : = the cognitive paradigm in American realist texts /
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The self-conscious novel = artifice in fiction from Joyce to Pynchon /
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Insanity as redemption in contemporary American fiction = inmates running the asylum /
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Literary subversions = new American fiction and the practice of criticism /
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Feminist alternatives = irony and fantasy in the contemporary novel by women /
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The gold standard and the logic of naturalism = American literature at the turn of the century /
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Nat Turner before the bar of judgment = fictional treatments of the Southampton slave insurrection /
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Percyscapes = the fugue state in twentieth-century southern fiction /
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Prophets of recognition = ideology and the individual in novels by Ralph Ellison, Toni Morrison, Saul Bellow, and Eudora Welty /
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The comedy of redemption = Christian faith and comic vision in four American novelists /
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Recalling the wild = naturalism and the closing of the American West /
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The naturalistic inner-city novel in America = encounters with the fat man /
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Women without men = female bonding and the American novel of the 1980s /
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A question of character = scientific racism and the genres of American fiction, 1892-1912 /
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Black family (dys)function in novels by Jessie Fauset, Nella Larsen, & Fannie Hurst
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Around quitting time = work and middle-class fantasy in American fiction /
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Constructing a world = Shakespeare's England and the new historical fiction /
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Maternal body and voice in Toni Morrison, Bobbie Ann Mason, and Lee Smith
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Masculinist impulses = Toomer, Hurston, Black writing, and modernity /
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White diaspora = the suburb and the twentieth-century American novel /
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Negative liberties = Morrison, Pynchon, and the problem of liberal ideology /
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Psycho paths = tracking the serial killer through contemporary American film and fiction /
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Driving women : = fiction and automobile culture in twentieth-century America /
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The dandy in Irish and American southern fiction : = aristocratic drag /
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America the middlebrow : = women's novels, progressivism, and middlebrow authorship between the wars /
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The quest for epic in contemporary American fiction : = John Updike, Philip Roth and Don DeLillo /
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Postmodernism and its others : = the fiction of Ishmael Reed, Kathy Acker, and Don DeLillo /
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Postmodern counternarratives : = irony and audience in the novels of Paul Auster, Don Delillo, Charles Johnson, and Tim O'Brien /
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Empire of conspiracy : = the culture of paranoia in postwar America /
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Fantasy and reconciliation = contemporary formulas of women's romance fiction /
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Worrying the line : = black women writers, lineage, and literary tradition /
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From modernist entombment to postmodernist exhumation : = dead bodies in twentieth-century American fiction /
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Deleuze and American literature = affect andvirtuality in Faulkner, Wharton, Ellison, and McCarthy /
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The culture of soft work = labor, gender, and race in postmodern American narrative /
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Beautiful bottom, beautiful shame : = where "Black" meets "queer" /
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Lovers and beloveds : = sexual otherness in southern fiction, 1936-1961 /
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A cultural history of the American novel : = Henry James to William Faulkner /
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Safe at last in the middle years : = the invention of the midlife progress novel : Saul Bellow, Margaret Drabble, Anne Tyler, and John Updike /
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Freak shows and the modern American imagination : = constructing the damaged body from Willa Cather to Truman Capote /
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Sacred groves and ravaged gardens : = the fiction of Eudora Welty, Carson McCullers, and Flannery O'Connor /
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Ghetto images in twentieth-century American literature = writing apartheid /
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Violent affect : = literature, cinema, and critique after representation /
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The Contemporary African American novel : = its folk roots and modern literary branches /
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The Wedding complex : = forms of belonging in modern American culture /
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Language, gender, and community in late twentieth-century fiction = American voices and American identities /
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Shadowing the white man's burden = U.S. imperialism and the problem of the color line /
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Of space and mind = cognitive mappings of contemporary Chicano/a fiction /
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Abandoning the Black hero = sympathy and privacy in the postwar African American white-life novel /
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T.S. Eliot and the failure to connect = satire on modern misunderstandings /
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The undeclared war between journalism and fiction : = journalists as genre benders in literary history /
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No Accident, Comrade = Chance and Design in Cold War American Narratives /
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Contemporary Mexican-American women novelists : = toward a feminist identity /
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Narratives of love & loss : = studies in modern children's fiction /
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Present-tense narration in contemporary fiction = a narratological overview /
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British and American school stories, 1910-1960 = fiction, femininity, and friendship /
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Black Atlantic speculative fictions : = Octavia E. Butler, Jewelle Gomez, and Nalo Hopkinson /
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Samuel Beckett's legacies in American fiction = problems in postmodernism /
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Intersectional trauma in American women writers' incest novels from the 1990s
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Mere reading : = the poetics of wonder in modern American novels /
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Freak shows and the modern American imagination : = constructing the damaged body from Willa Cather to Truman Capote /
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Conflicting stories : = American women writers at the turn into the twentieth century /
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Writing the Apocalypse : = historical vision in contemporary U.S. and Latin American fiction /
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Beautiful chaos : = chaos theory and metachaotics in recent American fiction /
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Feminism and the postmodern impulse : = post-World War II fiction /
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New Latina narrative : = the feminine space of postmodern ethnicity /
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Postmodern characters : = a study of characterization in British and American postmodern fiction /
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Extraordinary bodies : = figuring physical disability in American culture and literature /
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Intimate violence = reading rape and torture in twentieth-century fiction /
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Unruly tongue = identity and voice in American women's writing, 1850-1930 /
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Hardboiled mystery writers : = Raymond Chandler, Dashiell Hammett, Ross Macdonald : a literary reference /
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Post-war Jewish fiction : = ambivalence, self-explanation and transatlantic connections /
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The descent of love = Darwin and the theory of sexual selection in American fiction, 1871-1926 /
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Show and tell = identity as performance in U.S. Latina/o fiction /
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Twentieth-century American literary naturalism = an interpretation /
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Late modernism = politics, fiction, and the arts between the world wars /
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Who says this? = the authority of the author, the discourse, and the reader /
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Epistolary responses = the letter in 20th-century American fiction and criticism /
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Passionate doubts = designs of interpretation in contemporary American fiction /
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Gender and genre = an introduction to women writers of formula westerns, 1900-1950 /
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Readings from the new book on nature = physics and metaphysics in the modern novel /
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Mother without child = contemporary fiction and the crisis of motherhood /
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Hollywood fictions = the dream factory in American popular literature /
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Comic visions, female voices = contemporary women novelists and Southern humor /
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Narcissus from rubble = competing models of character in contemporary British and American fiction /
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America noir = underground writers and filmmakers of the postwar era /
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Literary luxuries = American writing at the end of the millennium /
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Understanding contemporary American science fiction = the formative period (1926-1970) /
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Bridging the Americas = the literature of Paule Marshall, Toni Morrison, and Gayl Jones /
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Bodies in a broken world = women novelists of color and the politics of medicine /
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Writers of conviction = the personal politics of Zona Gale, Dorothy Canfield Fisher, Rose Wilder Lane, and Josephine Herbst /
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Postethnic narrative criticism = magicorealism in Oscar "Zeta" Acosta, Ana Castillo, Julie Dash, Hanif Kureishi, and Salman Rushdie /
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Beautiful chaos = chaos theory and metachaotics in recent American fiction /
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Murdering masculinities = fantasies of gender and violence in the American crime novel /
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Latent destinies = cultural paranoia and contemporary U.S. narrative /
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Gumshoe America = hard-boiled crime fiction and the rise and fall of New Deal liberalism /
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The novel art : = elevations of American fiction after Henry James /
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Sex theories and the shaping of two moderns : = Hemingway and H.D. /
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Modern primitives : = race and language in Gertrude Stein, Ernest Hemingway and Zora Neale Hurston /
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The contemporary Anglophone travel novel : = the aesthetics of self-fashioning in the era of globalization /
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The Gun and the Pen. = Hemingway, Fitzgerald, Faulkner and the Fiction of Mobilization.
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The city's end : = two centuries of fantasies, fears, and premonitions of New York's destruction /
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Rereading the Harlem renaissance = race, class, and gender in the fiction of Jessie Fauset, Zora Neale Hurston, and Dorothy West /
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Yesterday's stories = popular women's novels of the twenties and thirties /
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The program era : = postwar fiction and the rise of creative writing /
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The American novel now : = reading contemporary American fiction since 1980 /
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The hero in contemporary American fiction = the works of Saul Bellow and Don DeLillo /
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Race and White identity in southern fiction = from Faulkner to Morrison /
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The anti-hero in the American novel = from Joseph Heller to Kurt Vonnegut /
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Popular feminist fiction as American allegory = representing national time /
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Haunting and spectrality in neo-Victorian fiction = possessing the past /
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Deleuze and American literature : = affect and virtuality in Faulkner, Wharton, Ellison, and McCarthy /
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Die angloamerikanische okotopie : = literarische Entwürfe einer grünen Welt /
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The contemporary Anglophone travel novel = the aesthetics of self-fashioning in the era of globalization /
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Conjuring moments in African American literature = women, spirit work, and other such hoodoo /
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Disciplining girls = understanding the origins of the classic orphan girl story /
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Reading embodied citizenship = disability, narrative, and the body politic /
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Romances of the white man's burden = race, empire, and the plantationin American literature, 1880-1936 /
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The genius of democracy = fictions of genderand citizenship in the United States, 1860-1945 /
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Diasporic representations : = reading Chinese American women's fiction /
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How to read African American literature : = post-Civil Rights fiction and the task of interpretation /
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Writing the republic : = liberalism and morality in American political fiction /
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