Motion pictures.
Overview
| Works: | 205 works in 31 publications in 31 languages | |
|---|---|---|
Titles
The "I" of the camera : = essays in film criticism, history, and aesthetics /
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Great flicks = scientific studies of cinematic creativity and aesthetics /
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(Electronic resources)
Bela Balazs : = early film theory : Visible man and The spirit of film /
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The lord of the films = the unofficial guide to Tolkien's middle-earth on the big screen /
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Falling between Worlds: The Comings and Goings of a Virtual Itinerant Wayfarer in a Creative Community.
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(Electronic resources)
How to read a film : = the world of movies, media, and multimedia : language, history, theory /
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How to read a film : = the art, technology, language, history, and theory of film and media /
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Fields of vision : = essays in film studies, visual anthropology, and photography /
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The second century of cinema = the past and future of the moving image /
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Camera obscura, camera lucida = essays in honor of Annette Michelson /
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The architecture of vision : = writings and interviews on cinema /
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Contemporary world cinema : = Europe, the Middle East, East Asia and South Asia /
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Awake in the dark : = the best of Roger Ebert ; forty years of reviews, essays, and interviews /
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Adventures of perception : = cinema as exploration : essays/interviews /
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The technique of film and video editing = history, theory, and practice /
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Cinema and experience : = Siegfried Kracauer, Walter Benjamin, and Theodor W. Adorno /
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Film festivals : = culture, people, and power on the global screen /
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Remapping world cinema : = identity, culture and politics in film /
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From Pinewood to Hollywood = British filmmakers in American cinema, 1910-1969 /
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European cinema in motion = migrant and diasporic film in contemporary Europe /
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How East Asian films are reshaping national identities : = essays on the cinemas of China, Japan, South Korea, and Hong Kong /
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All that Hollywood allows : = re-reading gender in 1950s melodrama /
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Minding movies : = observations on the art, craft, and business of filmmaking
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Cognitive approaches to German historical film = seeing is not believing /
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Pop with gods, Shakespeare, and AI = popular film, (musical) theatre, and TV drama /
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Space of Time: Understanding Time as a Spatial Component an Urban Place of Reflection on Death-Revealing an Awareness of Time.
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Performance Guide to Selected Solo Violin Works of Sergei Prokofiev and Krzysztof Penderecki.
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Affective Dramaturgies in Contemporary Dance Leaky Encounters and Turbulent Spectating.
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A Semiotic Approach to Visual Analysis of Dress: Symbolic Communication of Clothing Color, Cut, and Composition Through the French Film Costumes of Anais Romand.
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Employing a Genre-Based Approach to Teach Written Communication in Italian as a Foreign Language.
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Closely watched films = an introduction to the art of narrative film technique /
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Television and British cinema : = convergence and divergence since 1990 /
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Contemporary cinema and 'old age' = gender and the silvering of stardom /
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Variations of virtual reality in theatre and film: Truth and illusion via art and technology.
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Creating an Augmented Reality Museum Experience for Cultural Heritage Using a Textile-Based Capacitive Sensor as the Interactive Input.
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Air Traffic Leadership Perceptions on the Use of Machine Learning for Air Traffic Safety.
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Virtual Dungeons: Performance and Performative Play in Role-playing Games.
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The Digital Performer : = Performance, Technology and New Performance Paradigms.
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Performative Modernity : = Shanghai Style Peking Opera in Pre-war Shanghai, 1872-1937.
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