Painting.

Walk into the Spirits: Exploring the Possibility That Perception and Cognition Can Be Influenced by the Form and Content of Interior Space and the Psycho-Spatial Relationship between the Subject and Object. by: (Electronic resources)

C. G. Jung's Reception of Picasso and Abstract Art. by: (Electronic resources)

What Lies Beneath Art World Fame: A Study of the Impact of Race, Gender, SES, and Prestige of Art Schools on Gallery Representation, Museum Collections, and Exhibitions in the US. by: (Electronic resources)

Traces and Echoes: A Methodology for the Making of Embodied Performance. by: (Electronic resources)

Students with Physical Disabilities in High School Drama Education: Stories of Experience. by: (Electronic resources)

Undulations of Memory. by: (Electronic resources)

Intoxicating Women of the Belle Epoque: Absinthe's Influence on Painted Depictions of Women During the Bohemian Golden Age. by: (Electronic resources)

Paintingphotogdigital : = From Hybridity to Synthesis in the Age of Medium Equivalence. by: (Electronic resources)

Museum of Infinite Relations : = Artists' Spaces, Worlds and Models of the Universe. by: (Electronic resources)

A Comparative Study of the Approach Followed Towards Parody in the United States of America and South African Copyright Systems. by: (Electronic resources)

Painter's wild workshop : = expand your creativity :: inspiration from 4 master artists / by: (Language materials, printed)

Three essays on the painting of our time / by: (Language materials, printed)

Painting and the inner world / by: (Language materials, printed)

Oils / by: (Language materials, printed)

Up close / by: (Language materials, printed)

Comparative aesthetics / by: (Language materials, printed)

Comparative aesthetics.. volume 2,. the representative significance of form. 2d ed. rev. 1909. / by: (Language materials, printed)

Comparative aesthetics.. volume 3,. poetry as a representative art. 7th ed. rev. 1910 / by: (Language materials, printed)

Jean Haines' atmospheric watercolours : = painting with expression, freedom and style. by: (Language materials, printed)

Picture titles = how and why western paintings acquired their names / by: (Electronic resources)

Marginalized yet Devoted: Buddhist Paintings Commissioned by Nuns of the Early Joseon Palace Cloisters. by: (Electronic resources)

Place for Entourage. by: (Electronic resources)

Claiming the Louvre: Kingship, Revolution, and Empire in Early Modern France = = Revendiquer le Louvre: royaute, revolution et empire au debut de la France moderne. by: (Electronic resources)

Modernity and Utopia in Camille Pissarro's Countryside Markets. by: (Electronic resources)

Reconfiguring a Black American Identity: The Art of Amy Sherald. by: (Electronic resources)

A Bigger Picture: The Making of Artists in Contemporary China. by: (Electronic resources)

Associations with the Visual Arts in the Music of Debussy. by: (Electronic resources)

Shakespeare's Paragones. by: (Electronic resources)

A Comparative Analysis of Debussy's Ondine and Ravel's Ondine. by: (Electronic resources)

A Contemporary Adaptation of America's Musical Heritage: The American Folk Set by Steven Mark Kohn. by: (Electronic resources)

The Role of Color in Determining Visual Complexity in Abstract Images = = Rengin Soyut Imajlardaki Gorsel Karmasiklik Uzerindeki Rolu. by: (Electronic resources)

Er:YAG Laser Interactions with Natural and Synthetic Varnishes for Paintings. by: (Electronic resources)

Experimental Pedagogies: The Art and Politics of the Scandinavian Neo-Avant-Garde (1961-1972). by: (Electronic resources)

A Virtue Theory of Art. by: (Electronic resources)

Alternative Abstractions: Art and Science in Twentieth-Century Los Angeles. by: (Electronic resources)

Frederick Sommer: Photography at the Limits of the Avant-Garde. by: (Electronic resources)

A Psychic Landscape : Reimagining Personal Identities Within Local Landscapes. by: (Electronic resources)

Banksy's Multimodal Representations: A Cultural-Rhetorical-Cognitive Analysis. by: (Electronic resources)

Machine Learning for Deep Image Manipulation. by: (Electronic resources)

Immersive Media, Social Change, and Creativity: A Framework for Designing Collaborative 360° Video Productions. by: (Electronic resources)

Parametric Interpretation and Generation of Historical Chinese Courtyard Dwellings. by: (Electronic resources)

Landscaping the Power Matrix : = Inventing and Manufacturing Chineseness Through Landscape Performing Arts. by: (Electronic resources)

History, Memory, and Islam through the Animal : = The Zoomorphic Imaginary in Cirebon. by: (Electronic resources)

Beyond Boundaries : = The Aesthetics of the Scream in the Music of the Second Viennese School. by: (Electronic resources)

Subjectivity, (Self-)reflexivity and Repetition in Documentary. by: (Electronic resources)

Community Involvement as an Aspect of School Management : = Implication for Whole School Development. by: (Electronic resources)

Maximilian Voloshin Between Spirit and Matter. by: (Electronic resources)

Art for a N[ot]Ation: An Ethics of Curating the Group of Seven and Their Contemporaries. by: (Electronic resources)

Identity-Oriented Brand Positioning: An Analysis Drawing on an Ethnographic Case Study of a Contemporary Visual Arts Organisation. by: (Electronic resources)

A Self-Study of Need-Supportive Teaching in Elementary Art. by: (Electronic resources)

Digital Cues in Multimedia Forensics = = Digitale Spuren in der Multimedia-Forensik. by: (Electronic resources)

Know Your Artist: A Critical Exploration of the Effects of Artist Identity Knowledge on Viewers' Aesthetic Emotions. by: (Electronic resources)

The Presence of Copley: Animacy, Magic, and Afterlife in American Painting, 1765-1925. by: (Electronic resources)

The Synthetic Museum. by: (Electronic resources)

Urban Rhythm. by: (Electronic resources)

Exhibition Next : = The Future of Exhibition Design. by: (Electronic resources)