Theater History.
Overview
| Works: | 63 works in 0 publications in 0 languages | |
|---|---|---|
Titles
The English novel's cradle: The theatre and the women novelists of the long eighteenth century.
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The circulation of blackface: Nostalgia and tradition in US minstrel performance of the early 1920s.
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Developmental dramaturgy in the emerging Asian-Canadian playwriting community in Toronto.
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Stage(d) communities: Representations of New York, sexuality, and (auto)biography in contemporary American musical theater.
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Representing the Midwest in American stage and film musicals, 1943-1962.
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Exporting America: Theatre, gay male identity, and anti-Americanism in Denmark and West Germany.
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Shakespeare in 3D: The depth, dimensionality and doubling of Shakespeare's actors.
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How to Do Things with Hard Words: The Uses of Classical Borrowings in the English Renaissance.
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Rogues and the utopian imagination in early modern English literature.
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Serving at the Pleasure of the Queen: Staging Counsel in Elizabethan England.
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Rewriting the Greeks: The translations, adaptations, distant relatives and productions of Aeschylus' tragedies in the United States of America from 1900 to 2009.
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In the flesh: The representation of burlesque theatre in American art and visual culture.
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Forbidden Bodily Knowledge: Transformative Bodily Violence in Early-Modern and Postmodern Entertainment.
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"Looking to its Laurels": Representations of Cinema in Theatre, 1915--1927.
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Capital Complex: Valuations of Femininity in 1920s Stage Adaptations from Women's Culture.
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Three faces of destiny: An analysis of the modern Medea figure on the American stage.
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A grounded theory study of contemporary Christian attitudes to theatre.
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Deceived from within: Monstrosity and villainy in William Shakespeare's "Richard III".
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How novels act: The dramaturgy of nineteenth-century American fiction.
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Between object and interpretation: Allan Kaprow's Happenings and environments.
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Pure Artistry: Ingmar Bergman, the Face as Portal and the Performance of the Soul.
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The everyday feast: Recreational consumption and social status in early modern English drama.
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Masculinity, desire, and disarmament in four of Shakespeare's comedies.
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Towards a poetics of violence: The Early Modern and postmodern English stage.
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Histories, Horizons, and the Theatre Arts A Hermeneutic Study of the Theatre Texts "An Actor Prepares" and "Theatre of the Oppressed"
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The Paradoxical Peking Opera: Performing Tradition, History, and Politics in 1949-1967 China.
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Staging Chicago: Performative urbanism from the White City to the Entertainment Machine.
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Uniting commedia dell'arte traditions with the spieltenor repertoire.
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The Spirit of Marlowe: Creating an ethics on the English Renaissance stage.
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Performing Culture: Representations of Commoner Performance in Early Medieval Japan.
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History as Meta-theater: Kong Shangren's (1648-1718) The Peach Blossom Fan.
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Embodying the Rite[s]: Performing Bodies and Somatic Praxis in Vaslav Nijinsky, Pina Bausch, Marie Chouinard, and Hilary Bryan.
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Embodied Nostalgia: Early Twentieth Century Social Dance and U.S. Musical Theatre.
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Magic Performances: Rituals and Practice in Italian Theatre and Culture 1520 - 1650.
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Chatter and Chant: Religion and Community on the Renaissance English Stage.
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Show Me What Democracy Looks Like: Brechtian Dramaturgy and the Modern Protest Theater.
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The temporary nature of health: The humoral body in early modern drama.
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Reforming maternity: Childbirth, religion, and the Renaissance stage.
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The Comedies of Opera Seria: Handel's Post-Academy Operas, 1738--1744.
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Resonant Readings: Musicality in Early Modern Chinese Adaptations of Traditional Poetic Forms.
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The Gold Mountain Theater Riots a social history of Chinese theater riots in San Francisco during the 1870s and 1880s.
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"In the beaten way of friendship": Horace Howard Furness, Edwin Booth, and the New Variorum Shakespeare.
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A theater of the senses: A cultural history of theatrical effects in early-modern England.
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Politicizing Nostalgia: Cold War Theater in Taiwan and the US from the 1950s to the 1960s.
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Resistant Utopias: Gender Difference and Radical Queer Subjectivity in Post-Gay American Drama.
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