Dance.

The JVC video anthology of world music and dance = Middle East & Africa / by: (Projected and video material)

Choreography observed by: (Electronic resources)

Anthropology and the dance : = ten lectures / by: (Language materials, printed)

Conditioning for dance / by: (Language materials, printed)

Dancing dreams into reality. by: (Language materials, printed)

The dance on paper. by: (Language materials, printed)

Seventh-fire children: Gender, embodiment, and musical performances of decolonization by Anishinaabe youth. by: (Language materials, printed)

"Daddy, root me in": Tethering young sons in the context of male, inter-generational, child-centered, dance education. by: (Language materials, printed)

The power of image: Hijikata Tatsumi's scrapbooks and the art of buto. by: (Language materials, printed)

The World's Columbian Exposition of 1893: The production of fair performers and fairgoers. by: (Language materials, printed)

Carnaval in Brazil, Samba Schools and African culture: A study of Samba Schools through their African Heritage. by: (Language materials, printed)

Style, fashion, politics, and identity: The Ballets Russes in Paris from 1909 to 1914. by: (Language materials, printed)

Reclaiming the dancer: Embodied perception in a dance performance. by: (Language materials, printed)

Resembling life, threads of reality. by: (Language materials, printed)

A look at four dances. by: (Language materials, printed)

Refining a choreographic voice. by: (Language materials, printed)

Toward a metaphysics of performance, and transdisciplinary implications. by: (Language materials, printed)

The choreographic journey. by: (Language materials, printed)

The contradiction of the modern Cuban nation: The institutionalization of a national hybrid identity, danza moderna, and spaces of blackness in revolutionary performance spheres. by: (Language materials, printed)

Hybrid bastards. by: (Language materials, printed)

Expressive arts therapy: Powerful medicine for wholeness and healing. by: (Language materials, printed)

The "Dansical": American musical theatre reconfigured as a choreographer's expression and domain. by: (Electronic resources)

Dance/movement therapy as a couples treatment modality for working with trauma. by: (Electronic resources)

Gendered dance modes in Malang, East Java: Music, movement and the production of local senses of identity. by: (Electronic resources)

A pedagogy of spiraling: Envisioning a pedagogy for dance in Korean higher education. by: (Electronic resources)

Dancing with my self: Performing autobiography in (post)modern dance. by: (Language materials, printed)

The body is like an ocean. by: (Language materials, printed)

The mind in motion: An examination of children's cognition within the creative process in dance. by: (Electronic resources)

Knowing in the body: A dancer's emergent epistemology. by: (Electronic resources)

Aisha Ali and the art of presenting dance on film: An ethnochoreological approach. by: (Electronic resources)

Decolonizing the body: An international perspective of dance pedagogy from Uganda to the United States. by: (Electronic resources)

A case study of the multicultural practices of two United States dance educators: Implications for Indonesian K--9 dance education. by: (Electronic resources)

"The Dreamer": The creative process. by: (Electronic resources)

Body-presence: Lived experience of choreography and performance. by: (Electronic resources)

On the move: Researching dance in a multiply-cultured world. by: (Electronic resources)

The state of Canadian dance and dancing with the state from 1967--1983. by: (Electronic resources)

Choreographing the peacock: Gender, ethnicity, and national identity in Chinese ethnic dance. by: (Electronic resources)

Hanya Holm in America, 1931--1936: Dance, culture and community. by: (Electronic resources)

Toward a contemplative theatre: Body and mind in the art and pedagogy of Pacific Performance Project. by: (Electronic resources)

Toward embodied education, 1850s--2007: Historical, cultural, theoretical and methodological perspectives impacting somatic education in United States higher education dance. by: (Electronic resources)

Aesthetics and representation in neo-Afro modern dance in the late 20th century: Examining selected works by Jawole Willa Jo Zollar, Ronald K. Brown, and Reggie Wilson. by: (Electronic resources)

Understanding university dance administrators through organizational framing analysis: A mixed-methods approach. by: (Electronic resources)

Choreographing identity: Modern dance and American Jewish life, 1924--1954. by: (Electronic resources)

Choreomania. by: (Electronic resources)

Between cinema and performance: Globalizing Bollywood dance. by: (Electronic resources)

The body as a material in the early performance work of Carolee Schneemann, Yvonne Rainer, and Vito Acconci. by: (Electronic resources)

Impure movement (mundane body techniques in 20th century American choreography). by: (Electronic resources)

A conversation with dance history: Movement and meaning in the cultural body. by: (Electronic resources)

Writing dancing together by: (Electronic resources)

Social application of the arts: Making a difference through art. by: (Language materials, printed)

Development and product: Three methods of choreography. by: (Language materials, printed)

Glen Tetley: Contributions to the development of modern dance in Europe, 1962--1983 (The Netherlands, Great Britain, Germany). by: (Language materials, printed)

Chilean undergraduate dance curricula: Somatic-based course. by: (Language materials, printed)

Four dances: A dance educator's culminating project. by: (Language materials, printed)

Four dances: The fruition of a dance educator's master's project. by: (Language materials, printed)

Mobilizing to empower and restore dance/movement therapy with children affected by war and organized violence. by: (Language materials, printed)

Learning through the art of teaching dance. by: (Language materials, printed)

Emerging artistry from process to product (Original choreography). by: (Language materials, printed)

Cultural congruence and aesthetic adult education: Teaching dance-movement therapy in Seoul, Korea. by: (Language materials, printed)

"A fala que faz/Words that work": Performance of Black power ideologies in Bloco Afro Carnaval in Salvador, Bahia-Brazil, 1968 to the present. by: (Language materials, printed)

Put Your Mother on the Ceiling: Feminist dance-making as a worldmaking process of three women choreographers. by: (Language materials, printed)

The irrepressible dance: A choreomythology. by: (Language materials, printed)

Figurations of women dancers in Weimar Germany (1918--1933): Hannah Hoech, Otto Dix, and Paul Klee. by: (Language materials, printed)

At home in the world: Bharata Natyam's transnational traditions (India). by: (Language materials, printed)

Black ballerinas dancing on the edge: An analysis of the cultural politics in Delores Browne's and Raven Wilkinson's careers, 1954--1985. by: (Language materials, printed)

Off the page: Children's creative dance as a response to children's literature. by: (Language materials, printed)

In the dancing is the stillness: An inquiry into the nature and meaning of spiritual experiences that occur during movement therapy. by: (Language materials, printed)

Dance for the world is dead: Dance aesthetics in modern epics (Hilda Doolittle, William Carlos Williams, James Joyce). by: (Language materials, printed)

Organizing bodies: Creating and funding experimental dance in the United States, 1965--2000. by: (Language materials, printed)

The development of a creative arts/social action project: "Showtime Aerobic Dance". by: (Language materials, printed)

A study of on-line collaborative choreography using LifeForms and Internet communication. by: (Language materials, printed)

Talking dancing: The choreography of space and character in contemporary United States dance. by: (Language materials, printed)

The experience of female ballet dancers: A grounded theory. by: (Language materials, printed)

Persistence and change in gender role-reversal phenomena in American social dancing. by: (Language materials, printed)

Choreographic ritual in early modernist art, 1886-1910. by: (Language materials, printed)

Moving in high circles: Courts, dance, and dancing masters in Italy in the long sixteenth century (Guglielmo Ebreo da Pesaro, Cesare Negri). by: (Language materials, printed)

Negotiating nationalism: Scottish dance in post-Culloden literature. by: (Language materials, printed)

Choreographing Asian America: Club O' Noodles and other mis-acts. by: (Language materials, printed)

A wink and a smile: Titillation and the alienation of sexuality within the occupation of male erotic dancing. by: (Language materials, printed)

Light in the heels: The emergence of the effeminate male dancer in eighteenth-century English history (William Hogarth). by: (Language materials, printed)

The development of a genre: Pina Bausch and late twentieth-century dance theater (Germany, Reinhild Hoffmann, Susanne Linke, Anne Teresa De Keersmaeker, Martha Clarke). by: (Language materials, printed)

Meditations on public performance and pregnancy: A feminist dance analysis. by: (Language materials, printed)

The choreography of modernism in France: The female dancer in artistic production and aesthetic consumption, 1830--1925. by: (Language materials, printed)

Wrestling with the angels: Choreographing Chinese diaspora in the United States (1930s--1990s). by: (Language materials, printed)

Re-framing the vernacular: The dance praxis of Zora Neale Hurston. by: (Language materials, printed)

A model for implementing artistic creativity and production techniques in a dance concert. by: (Language materials, printed)

A paradigm of the properties of the human spirit expressed through the creative process and production of dance. by: (Language materials, printed)

A paradigm of the virtual transitions and celebrations of the human spirit through the creative process and production of dance. by: (Language materials, printed)

A study of high school dance performance as a method of enhancing student growth and understanding in dance education. by: (Language materials, printed)

Four dances: A dance educator's culminating project. by: (Language materials, printed)

Four works: The closing efforts of a dance educator. by: (Language materials, printed)

Using dance/movement therapy techniques to augment the effectiveness of therapeutic holding with children. by: (Language materials, printed)

Stories of safe voices and dangerous fun: Introducing middle school students to the art of making dances. by: (Language materials, printed)

Subversive women: Female performing artists in Zuerich Dada (Switzerland, Emmy Hennings, Sophie Taeuber, Katja Wulff, Suzanne Perrottet). by: (Language materials, printed)

Erotic triangles: Sundanese men's improvisational dance in West Java, Indonesia. by: (Language materials, printed)

Choreographing socialism: Bodies and performance in East Germany before, during, and after the fall of the Wall. by: (Language materials, printed)

Cultural memory and the Mexican diaspora in the United States: The role of the corridos about immigration and the shared aesthetics in their performance by conjuntos nortenos. by: (Language materials, printed)

Moving without the colonial mirror: Modernity, dance, and nation in the works of Vera Mantero and Francisco Camacho (1985--1997) (Portugal). by: (Language materials, printed)

Nihon Buyo: Classical dance of modern Japan. by: (Language materials, printed)

Lanna music and dance: Image and identity in northern Thailand. by: (Language materials, printed)

Choreography as feminist strategy: Three approaches to Hindu feminism in the dance of Chandralekha, Manjusri Chaki-Sircar, and Daksha Sheth (India). by: (Language materials, printed)

Baakisimba: Music, dance, and gender of the Baganda people of Uganda. by: (Language materials, printed)

Dance curricula in higher education. by: (Language materials, printed)

Academic achievement, self-concept, and dance in 8 to 12 year olds. by: (Language materials, printed)

Postmodern reflections on dance modernism: Modernist currents of primitivism, dimensional reality, and the artist as seer on Martha Graham's "Heretic", "Lamentation", and "Primitive Mysteries". by: (Language materials, printed)

Using dance to teach math: The effects of a co-teaching arts integration model on teacher practice and student learning. by: (Language materials, printed)

From the margins to the mainstream: Contact improvisation and the commodification of touch. by: (Language materials, printed)

Intertwining choreography and writing workshop methods in a dance class: Qualitative action research of teacher and student experiences. by: (Language materials, printed)

The effects of participation in selected dance activities on self-efficacy and movement skills in children with educable mental retardation. by: (Language materials, printed)

Physicality and the Edmonton electronic dance music experience (Alberta). by: (Language materials, printed)

Choreography as curriculum and knowing in education. by: (Language materials, printed)

Dance video aesthetics: The videographic aesthetics of Adrian Ravarour for recording the dancing image. by: (Language materials, printed)

Supplemental strength training and the relationship to injury prevention for college-level dancers: Attitudes and beliefs regarding issues within the topic. by: (Language materials, printed)

An evaluation of measures of depression to provide recommendations for their use in dance/movement therapy outcome research. by: (Language materials, printed)

A sense of place in danced plays (Martha Graham, Lee Strasberg). by: (Language materials, printed)

The tango: Icon of culture, music, and dance in Argentina, Europe, and the United States from 1875 to 1925. by: (Language materials, printed)

Embodying change: The transformative power of expressive arts and ritual. by: (Language materials, printed)

National dance festivals in India: Public culture, social memory and identity. by: (Language materials, printed)

The bridge from the past to the present in three contemporary Taiwanese dance works inspired by literature: Hwai-Min Lin's "Nine Songs" (1993), Fu-Lann Tao's "On the Way to the Peony Pavilion" (1991), and Sunny Pang's "Kwaidan/Emaki" (1996) (China). by: (Language materials, printed)

An introduction to medical dance/movement therapy. by: (Language materials, printed)

Liberty dances: Women's movements and the revival of faith in American capitalist-democracy (Isadora Duncan, Martha Graham, Madonna). by: (Language materials, printed)

Composing in dance: Thinking with minds and bodies. by: (Language materials, printed)

Cultural performance in China: Beyond resistance in the 1990s. by: (Language materials, printed)

Audience development: Adult education programs in three dance organizations. by: (Language materials, printed)

An analysis of student satisfaction with dance curriculum in universities in Taiwan. by: (Language materials, printed)

Creative dance and cognition: A study on physical expression of concepts. by: (Language materials, printed)

What does dance have to do with it? Parent perceptions of four-year-old girls' general self-esteem, social skills, and the relationship to participation in a dance class. by: (Language materials, printed)

The creation and evolvement of Chinese ballet: Ethnic and esthetic concerns in establishing a Chinese style of ballet in Taiwan and Mainland China (1954--1994). by: (Language materials, printed)

The politics of culture: Folk critique and transformation of the state in Hungary. by: (Language materials, printed)

Dancing on the mass grave: Cultural reconstruction post Indonesian massacres. by: (Language materials, printed)

Following the natural pathway: Integrating Barbara Clark's somatic principles with modern dance technique. by: (Language materials, printed)

Developing a somatic teaching method for Korean traditional dance. by: (Language materials, printed)

Dancing Jewish: Jewish identity in American modern and postmodern dance. by: (Language materials, printed)

Native Emergence Theater, 1975--1985, and the enactment of Indian theatrical space by Red Earth Performing Arts Company, Daystar Dance Company and American Indian Theater Company of Oklahoma. by: (Language materials, printed)

Kinesthetic culture: A comparative study of the movement practices of Spanish bullfighting and Flamenco dance. by: (Language materials, printed)

Border insurrections: How IndoHispano rhetorics revise dominant narratives of assimilation. by: (Language materials, printed)

"Representin' the forbidden": The Punany Poets, black female sexuality, and HIV and performance. by: (Language materials, printed)

The influence of individualism and professionalism on American contemporary concert dance. by: (Language materials, printed)

A way out of madness: An experiment in theatre. by: (Language materials, printed)

The long term effects of divorce on professional adult dancers. by: (Language materials, printed)

Queer pathography: A comparison of illness narratives by Eve Kosofsky Sedgwick and Bill T. Jones. by: (Language materials, printed)

Competition dance: Redefining dance in the United States. by: (Language materials, printed)

An American songwriter in Paris: Cole Porter's ballet "Within the Quota" with comparison to Darius Milhaud's "La Creation du monde". by: (Language materials, printed)

The Ruination of Atlantis: A ballet for virtual orchestra. by: (Language materials, printed)

Like a moth to the flame: Modernity and Mary Wigman, 1886--1973. by: (Language materials, printed)

Engendering meaning within the high school experience: A consideration of movement and dance. by: (Language materials, printed)

Effects of aerobic dance on self-esteem, academics, behavior, and social skills. by: (Language materials, printed)

Speaking and sensing the self in authentic movement: The search for authenticity in a 21st century white urban middle-class community. by: (Language materials, printed)

Teaching dance: Multisensory instruction addresses learning diversity and enhances dance skill learning. by: (Language materials, printed)

Dancing with little spirits: A journey towards enhancement of pedagogical relationship and intersubjectivity in a third grade dance education setting in Taiwan (China). by: (Electronic resources)

Dance education at risk in New York City public schools: A study of early childhood teachers' use of creative dance in the curriculum. by: (Electronic resources)

Guidelines for creative dance instruction for kindergarten children in Korea. by: (Electronic resources)

The Simonson technique: A qualitative assessment of the technique through Laban Movement Analysis (Lynn Simonson, Florence Kendall). by: (Electronic resources)

Dance in Boston, 1860--1950: Converging influences on expressive and contemporary American dance (Massachusetts, Dio Lewis, Genevieve Stebbins, Ted Shawn, Miriam Winslow). by: (Electronic resources)

"If necessary, use words": Modern dance as critical contributor to liturgical renewal. by: (Electronic resources)

Transforming bodies: Tango in the Michigan Argentine Tango Club. by: (Electronic resources)

A new deal for progress: The 1933 Chicago World's Fair (Illinois). by: (Electronic resources)

Accessing dance materials: An evaluation of library archival methods and dance preservation methods with applications for ritual dance. by: (Electronic resources)

Spectres of the dark: Embodying borders through Chicana dancemaking. by: (Electronic resources)

Alexander Pushkin's influence on the development of Russian ballet. by: (Electronic resources)

Characteristics of female collegiate modern dancers pre and post concert. by: (Electronic resources)

Virtual power and kinetic bodies: Re-thinking twentieth century dance aesthetics. by: (Language materials, printed)

An analysis of kinesthetic learners' responses: Teaching mathematics through dance. by: (Language materials, printed)

Structuring collaborative improvisation: Reflections from contact improvisational dance. by: (Language materials, printed)

Notation systems and dance style: Three systems recording and reflecting one hundred years of western theatrical dance. by: (Language materials, printed)

Bodies, souls, and ordinary people: Three essays on art and interpretation. by: (Language materials, printed)

The relevance of Newton's laws and selected principles of physics to dance techniques: Theory and application. by: (Language materials, printed)

Dance history and cultural politics: A study of contemporary dance in Taiwan, 1930s--1997 (China). by: (Language materials, printed)

The attitude of school teachers concerning dance as a regular curricular component in elementary education in Taiwan (China). by: (Language materials, printed)

An analysis of Dance Suite for Orchestra by Bela Bartok and an analysis of an original dance suite for jazz orchestra: "Listen with Your Feet" (Hungary). by: (Language materials, printed)

Mapping Irish movement: Dance, politics, history. by: (Language materials, printed)

Orientalism, representations, and created fantasies: The transformation of traditional Middle Eastern dances to belly dance. by: (Language materials, printed)

Martha Graham's legacy: Analysis of intellectual property law protection for dance. by: (Language materials, printed)

Charles H. Williams and the Hampton Institute Creative Dance Group and their use of African diasporic dance, 1934--1948. by: (Language materials, printed)

The effects of a behavioral movement-training package on dance performance. by: (Language materials, printed)

"Sitting at the feet of gurus": The life and ethnography of Claire Holt. by: (Language materials, printed)

When ballet meets Taiwan: The development and survival of the Taiwanese ballet. by: (Language materials, printed)

Bodies of the avant-garde: Modern dance and the plastic arts, 1890--1930. by: (Language materials, printed)

Shiva's Divine Play: Art and literature at a South Indian temple . by: (Language materials, printed)

A study of the relationship between the yoga teaching environment and university yoga students' learning satisfaction in selected universities in Taiwan. by: (Language materials, printed)

Night shifts: Moral, economic, and cultural politics of Turkish belly dance across the fins-de-siecle. by: (Language materials, printed)

Dancing, drawing, and crossing ethnic boundaries: Colombian youth acculturation, ethnic identity and social awareness. by: (Language materials, printed)

Dance undergraduate curriculum in Body Knowledge in Israel: Based on American courses. by: (Language materials, printed)

Women's solo performance: A new genealogy of modernism. by: (Language materials, printed)

An examination of selected piano works by Francisco Mignone, Lorenzo Fernandez and Marlos Nobre using the corresponding Brazilian dances as a guide to their performance. by: (Language materials, printed)

Moving bodies and political movement: Dance in German modernism. by: (Language materials, printed)

Docile devils: Performing activism through Afro-Peruvian dance. by: (Language materials, printed)

Silenced practices: A politics of dancescapes. by: (Language materials, printed)

Ethnographic videoconferencing, as applied to songs/chants/dances/games of South Indian children, and language learning. by: (Language materials, printed)

Ambiguous Bodies in Motion: Representations of Female Identity in Contemporary Screendance. by: (Language materials, printed)

Nineteenth-century Italian ballet music before national unification: Sources, style, and context. by: (Language materials, printed)

Constraints on performance and tactics of comic improvisation in the Thai dance/drama genre of lakhon chatri. by: (Language materials, printed)

Laban Movement Analysis in Actor Training and Rehearsal. by: (Language materials, printed)

Nat&dotbelow;&dotbelow;ya "from within": A practical theology-based analysis of classical Indian dance pedagogy in the United States. by: (Language materials, printed)

"Freedom from the Earth's gravity": The ballet collaborations of Richard Strauss (Germany). by: (Electronic resources)

Perceptions of dance instructors regarding general dance education curricula in Taiwan (China). by: (Electronic resources)

Penasar: A central mediator in Balinese dance drama/theater (Indonesia). by: (Electronic resources)

"Anina asi a mavaru kavamu": We don't dance for nothing. Solien Besena cultural retention in urban Australia. by: (Electronic resources)

Spirit-dancing through qi-body. by: (Electronic resources)

The rule of nature: Dance, physiocracy, and poetic language in Hoelderlin's "Hyperion" (Friedrich Hoelderlin, Germany). by: (Electronic resources)

Music, dance, and family ties: Ghanaian and Senegalese immigrants in Los Angeles (California). by: (Electronic resources)

Unexpected synchronicities: Exploring Cunningham's choreography through Derrida's theory of deconstruction. by: (Electronic resources)

The information needs and the information requirements of senior citizens who are social dancers (SCSDs). by: (Electronic resources)

Choreographing empires: Aztec performance and colonial discourse (Toribio de Motolinia, Diego Duran, Bernardino de Sahagun, Spain, Mexico). by: (Electronic resources)

Emic etic interaction: Processes of cross-cultural dance study in an online learning environment. by: (Electronic resources)

Performing Indian dance in America: Interrogating modernity, tradition, and the myth of cultural purity. by: (Electronic resources)

Performing Irish identities through Irish dance. by: (Electronic resources)

Doing she own thing: Gender, performance and subversion in Trinidad calypso. by: (Electronic resources)

Grassroots globalization, queer sexualities, and the performance of Latinidad. by: (Electronic resources)

Lingering lights from America's black Broadway: Negro Renaissance to the Black Arts Movement, African-American concert-theatrical dance in Washington, D.C. by: (Electronic resources)

Re-forming the lines: A critical analysis of Alonzo King's LINES Ballet (California). by: (Electronic resources)

Running at the Sunshine: Ballet for percussion ensemble (Original composition, Jesse Jarnow). by: (Electronic resources)

"Fail again, fail better": Contemporary performance theatre and the poetics of failure. by: (Electronic resources)

Dancing a fine line: Gender, sexuality and morality at women's tours in Dakar, Senegal. by: (Electronic resources)

Shall we dance? The choreography of cultural change: 1900--1945 (Ruth St. Denis, Ted Shawn). by: (Electronic resources)

Non-representational performance and spectating consciousness: The play of Dis-plays (Gutai artists, Japan, Living Theatre, Elizabeth Streb, Leslie Scalapino). by: (Electronic resources)

Dance, movement, and the emergence of a modernist poetics: Balzac, Mallarme, Claudel, Valery, and Cendrars (Honore de Balzac, Stephane Mallarme, Paul Claudel, Paul Valery, Blaise Cendrars, France). by: (Electronic resources)

Aesthetic dissidence: Feminist ballet historiography and the boundaries of the classical (Marie Salle, Ruth Page, Josephine Baker). by: (Electronic resources)

Building bodies politic: Community dance in the contemporary United States. by: (Electronic resources)

A survey of the loure through definitions, music, and choreographies (France). by: (Electronic resources)

Adverse Camber: A ballet for questionable ensemble (Original composition). by: (Electronic resources)

Exploring behavior in three dances. by: (Electronic resources)

Unraveling artistic influence and collaboration in early twentieth century Paris: "Daphnis et Chloe" as staged by the Ballets Russes, 1912. by: (Language materials, printed)

Mind-body connectivity: Foundations in dance for the user-experience. by: (Language materials, printed)

Interrupting the cycle of violence through the arts: A grant proposal project. by: (Language materials, printed)

Matachines dancers in the Midwest: Religion, gender and Mexican-American identity. by: (Language materials, printed)

Dancing power: Examining identity through Native American powwow. by: (Language materials, printed)

Dancing in the street: Danza Azteca as cultural revitalization and spiritual liberation for Chicanos. by: (Language materials, printed)

Embodied learning: The case for incorporating conceptually-based dance in modern education. by: (Language materials, printed)

Reconsidering writing across the curriculum: Language as a contested site in the discipline of dance. by: (Language materials, printed)

Four dances from the music game show: A dance educator's culminating project. by: (Electronic resources)

Dances in pursuit of excellence: A Master of Arts project (Original dance production). by: (Electronic resources)

Sporting subjection, sporting subjectivity: Race, representation, and women's artistic gymnastics. by: (Electronic resources)

Examining the effects of creative dance on social competence in children with autism: A hierarchical linear growth modeling approach. by: (Electronic resources)

Managing change in a nonprofit corporation: A professional problem. by: (Electronic resources)

Theorizing dance practice: Toward an ethnography of movement. by: (Language materials, printed)

La escuela cubana: Dance education and performance in revolutionary Cuba. by: (Language materials, printed)

Writing as a curriculum component in dance education and dance programming. by: (Language materials, printed)

How "The Sleeping Beauty" awoke in Philadelphia: Classical ballet in the modern American context, historicizing the canon of classical ballet. by: (Language materials, printed)

Teaching and assessing using Multiple Intelligences theory: A classroom-based action research study. by: (Language materials, printed)

The changing faces of drum and dance in Senegal---jembe and sabar repertoire in traditional and contemporary contexts, from Dakar to Boston. by: (Language materials, printed)

The relationship among bone density, menarche onset and regularity of menstrual cycle in adolescent female ballet dancers as compared to sedentary peers. by: (Language materials, printed)

Aesthetic dancing / by: (Language materials, printed)

Physical theatres = a critical introduction / by: (Electronic resources)

Batuku dance and Creole language: Cape Verdean women respond to economic globalization. by: (Language materials, printed)

Into the labyrinth: Unraveling Ariadne's thread. Cretan music identity and aesthetics. by: (Language materials, printed)

''You better work.'': Music, dance, and marginality in underground dance clubs of New York City. by: (Language materials, printed)

"Batuko" and "Funana": Musical traditions of Santiago, Republic of Cape Verde. by: (Language materials, printed)

A validation of resilient progression in the general population and in ballroom dancers. by: (Electronic resources)

The serious art of funny business: A critical study of comedy in dance (Paul Taylor, David Parsons, Mark Morris, Jean Dauberval, Sir Frederick Ashton, England, France). by: (Electronic resources)

A teacher's resource guide addressing health and dance issues: A Delphi study. by: (Electronic resources)

Using the four elements of hip-hop as a form of self-expression in urban adolescents. by: (Electronic resources)

"Take wings": The history of dance education concentration at Morgan State University, 1953--2004 (Maryland). by: (Electronic resources)

Identity and perspective in dramatic choreography. by: (Electronic resources)

Never alone: Three aspects of self, creation, therapy and art. by: (Electronic resources)

Mirror between extremes. by: (Electronic resources)

Young people and performance arts in Washington, D.C. by: (Electronic resources)

The waltz: A musical interpretation through the steps. by: (Electronic resources)

Applications of Taoist principles and practices in the evolution of American modern dance (Ruth St. Denis, Merce Cunningham, Steve Paxton, Janet Adshead). by: (Electronic resources)

Resistant corporealities: Contemporary British dance-theater. by: (Electronic resources)

Dance as a project of the early modern avant-garde (Ruth St. Denis, Ted Shawn, Waslaw Nijinsky, Russia). by: (Electronic resources)

The fine line between clarity and confusion (Original choreography). by: (Electronic resources)

Dance and movement therapy: An intervention for improving the body image of survivors of sexual abuse. by: (Electronic resources)

Eating disorders and high-risk behaviors among dancers. by: (Electronic resources)

Moving beyond the Baumol and Bowen Cost Disease in professional ballet: A 21st century Pas de Deux (dance) of new economic assumptions and dance history perspectives. by: (Electronic resources)

Dance as research: The experience of surrender. by: (Electronic resources)

Choreographies of gender and nationalism in contemporary South Korean dance. by: (Electronic resources)

Student perceptions of Luigi jazz dance technique as an introduction to postmodern performance. by: (Electronic resources)

The development and commercialization of Afro-Cuban mambo in postwar American popular culture. by: (Electronic resources)

A healthy model of the arts. by: (Electronic resources)

Dance as self, culture, and community: The construction of personal and collective meaning and identity in competitive ballroom and salsa dancing. by: (Electronic resources)

Flow and motivation in male ballet dancers. by: (Electronic resources)

Physical and psychological effects of belly dancing: A multiple case study. by: (Electronic resources)

Dynamic qualities of motion: Crosslinguistic semantics through Laban analysis. by: (Electronic resources)

Dance and community: A new focus for dance appreciation courses. by: (Electronic resources)

The use of movement as an instructional technique in choral rehearsals. by: (Electronic resources)

The effects of selected dance activities on the self-esteem and perceptual motor skills of adolescents with learning disabilities. by: (Electronic resources)

Tracking the dream figure: A systems approach to understanding meaning in movement. by: (Electronic resources)

Laban Movement Studies and actor training: An experiential and theoretical course for training actors in physical awareness and expressivity. by: (Electronic resources)

Handle with care: A pedagogical theory of touch in teaching dance technique based on four case studies. by: (Electronic resources)

"Dancing the tales of China": An ethnographic case of embodied construction of ethnicity. by: (Electronic resources)

Yearning for a distant music: Consumption of Hawaiian music and dance in Japan. by: (Electronic resources)

The cultural politics of performance: Women, dance ritual, and the transnational tourism industry in Bali. by: (Electronic resources)

Exotica, ethnicity, and embodiment: An ethnography of Latin dance in United States popular culture. by: (Electronic resources)

Interfacing dance and technology: A theoretical framework for performance in the digital domain. by: (Electronic resources)

Effects of formal dance training and education on student performance, perceived wellness, and self-concept in high school students. by: (Electronic resources)

Kathak dance: A critical history (India). by: (Electronic resources)

Dressing the dance: The art and artistry of Webster Catherwood. by: (Electronic resources)

Making dance that matters: Dancer, choreographer, community organizer, public intellectual Liz Lerman. by: (Electronic resources)

Dance, the body, nature and society: Somatic ecology. by: (Electronic resources)

Four works: A dance educator's culminating project. by: (Electronic resources)

The making of art through the unfolding of time. by: (Electronic resources)

Open Floor: Dance, therapy, and transformation through the 5Rhythms. by: (Electronic resources)

Dance as a discipline of study in the new millennium of liberal arts education: Searching for a larger purpose. by: (Electronic resources)

Bodies, statues, and machines: Dance and the visual arts in France, 1900--1925 (Isadora Duncan, Emile-Antoine Bourdelle, Vaslav Nijinsky, Fernand Leger). by: (Electronic resources)

Emancipative bodies: Woman, trauma and a corporeal theory of healing in Jamaican dancehall culture. by: (Electronic resources)

Somali women moving through tradition in Ethiopia: An embodied ethnography of the female dancing body negotiating sociocultural ex/change. by: (Electronic resources)

The 2-step tales of Hahashka: Experiences in corporeality and embodiment in Aboriginal California. by: (Electronic resources)

The dance dramas of Ruth St. Denis, 1910--1931: Spectacles of the "Orient," American style (Ted Shawn). by: (Electronic resources)

Choreographing a flexible Taiwan: Cloud Gate Dance Theatre and Taiwan's changing identity, 1973--2003 (China). by: (Electronic resources)

Dying to be alive: Portraits of the intimacy between life and death. by: (Electronic resources)

The feminization of physical culture: The introduction of dance into the American university curriculum. by: (Electronic resources)

Health in motion: Women, health paradigms, and expressive physical culture. by: (Electronic resources)

The knowledge, attitudes, and behaviors of dancers in regards to diet and nutrition. by: (Electronic resources)

One hundred and four steps, eleven flights: Women's experience of identity and community through dance. by: (Electronic resources)

Process and perspective: A choreographic journey. by: (Electronic resources)

Ballet in China: 1954--2008. by: (Electronic resources)

Implications for dance/movement therapy in forensics: A nonverbal communication training module. by: (Electronic resources)

Rehearsal to performance: A study of chroeographer/dancer communication. by: (Electronic resources)

Dance and masculinity: Shifting social constructions of gender. by: (Electronic resources)

Three processes in choreography. by: (Electronic resources)

Staging songs of my life: Five approaches to choreographic explorations. by: (Electronic resources)

The survival of variety: The impact of audience on flamenco performance in Granada, Spain. by: (Electronic resources)

Four dances: A dance educator's culminating project (California). by: (Electronic resources)

Common Ground (Original dance production). by: (Electronic resources)

Middle school dancers: A dance educator's culminating project. by: (Electronic resources)

An exploration of Life FormsRTM-generated choreography and computer-enhanced dance performance. by: (Electronic resources)

Alvin Ailey and the southern black experience as portrayed in "Blues Suite" and "Revelations". by: (Electronic resources)

Exporting Taiwanese dances: The touring of Taiwanese ideologies through the Chinese Youth Goodwill Mission. by: (Electronic resources)

Mapping movement to musical rhythm: A study in interactive dance. by: (Electronic resources)

Clothing the corps: How the avant-garde and the Ballets Russes fashioned the modern body. by: (Electronic resources)

The process of developing a dance resource pack to supplement the teaching style of an elementary physical educator in Warren County, Kentucky: An alternative Ed.D. project. by: (Electronic resources)

The social worlds of exotic dance: Social organization and commitment development in a deviant career. by: (Electronic resources)

"Grandma always danced": The mime theatre of Lotte Goslar. by: (Electronic resources)

Avant-garde and center: Devetsil in Czech culture, 1918--1938. by: (Electronic resources)

Hearing the dance: Learning the community aesthetics of rhythm/jazz tap. by: (Electronic resources)

Dance assessment and national standards: 1994--2002. by: (Electronic resources)

Awakening the choreographic voice. by: (Electronic resources)

A dance educator's journey. by: (Electronic resources)

Embodied practices of active imagination: Moving towards wholeness. by: (Electronic resources)

Connections and parallels between humanistic psychology and modern dance at Jacob's Pillow: An archival/qualitative study (Massachusetts). by: (Electronic resources)

Dancing the Torah: The role of performance in extending understanding. by: (Electronic resources)

The dancing voice of culture: An ethnography of contemporary dance in Vitoria, Brazil. by: (Electronic resources)

Discover Dance CD-ROM for dance education: Digital improvisation and interactive multimedia. by: (Electronic resources)

Dalcroze by any other name: Eurhythmics in early modern theatre and dance (Emile Jaques-Dalcroze, Konstantin Stanislavsky, Rudolf von Laban). by: (Electronic resources)

Unlocking the groove: Rhythm, meter, and musical design in electronic dance music. by: (Electronic resources)

Examining psychosocial issues of adolescent male dancers. by: (Electronic resources)

Performing disability: Representations of disability and illness in contemporary American performance. by: (Electronic resources)

jn4.gesture: An interactive composition for dance (Original composition, Multimedia). by: (Electronic resources)

Shaking big shoulders: Music and dance culture in Chicago, 1910--1925 (Illinois). by: (Electronic resources)

Geopolitics and geopoetics of identity: Migration, ethnicity and place in the Peruvian imaginary. Fiestas and devotional dances in Cuzco and Lima. by: (Electronic resources)

Gender and the forms of modernism: Dancers and painters (Isadora Duncan, Loie Fuller, Martha Graham). by: (Electronic resources)

Embodied narrative: A Laban Movement Analysis of dance oral history toward ontological awareness. by: (Electronic resources)

Glamour lessons: Race, class, and gender in the American dancesport industry. by: (Electronic resources)

Our dancing days: Developmental issues of gifted adults in the performing arts. by: (Electronic resources)

Two styles of mentoring: A comparison of vertical and horizontal mentoring in dance. by: (Electronic resources)

Dance within the Old Testament: An exegetical and theological perspective of hul and pasah. by: (Electronic resources)

Creating an interdisciplinary dance curriculum at the high school level. by: (Electronic resources)

Liberating potential for the marginalized: A critical analysis of representations of Corean Shamanist ritual based in the Minjung perspective. by: (Electronic resources)

Under a Paris moon: Transatlantic black modernism, French colonialist cinema, and the Josephine Baker Museum. by: (Electronic resources)

Transformation of human forms in Oskar Schlemmer's Total Dance Theater (Germany). by: (Electronic resources)

Making sense in movement: The dynamics of self-learning and self-change. by: (Electronic resources)

Knowing in motion, 'rightness,' and the emergence of a choreographic epistemology. by: (Electronic resources)

Traveling performance: An ethnography of a Philippine religious festival (California). by: (Electronic resources)

Eating disorders: A model for feminist treatment and prevention. by: (Electronic resources)

The seductions of dissonance: Ragini Devi and the idea of India in the United States, 1893--1965. by: (Electronic resources)

Formal dance training, cognitive ability, and academic performance of adolescent females. by: (Language materials, printed)

Cultural memory and the dance-dramas of Guatemala: History, performance, and identity among the Achi Maya of Rabinal. by: (Electronic resources)

Process-Based Aesthetics In a Product-Based World: Somatic Awareness as a Critical Lens on Art-Making and Money-Making in the Modern West. by: (Language materials, printed)

Towards a more inclusive traditional curriculum: Workshops in the performing arts as a tool for education. by: (Electronic resources)

Dance elements in Peter Maxwell Davies's opera "The Two Fiddlers". by: (Language materials, printed)

A comparison of the beat competency and rhythm pattern imitation ability of high school instrumental music students and high school dance students. by: (Language materials, printed)

The impact of literacy through movement in a 3rd grade Hispanic classroom. by: (Language materials, printed)

Matters of life and death: A comparative analysis of content in Maori traditional and contemporary art and dance as a reflection of fundamental Maori cultural issues and the formation and perpetuation of Maori and non-Maori cultural identity in New Zealand. by: (Language materials, printed)

Remembering and performing history, tradition, and identity: A multi-sensory analysis of Danza Azteca. by: (Language materials, printed)

Performance training methodology through the choreographic process. by: (Language materials, printed)

Activating the Creative, Awakening the Spirit The Making of a Method. by: (Language materials, printed)

Discovering and Defining Relationships Between Painting and Dance. by: (Language materials, printed)

Unconscious communication: The kinesthetic connection between mover and viewer in dance performance. by: (Language materials, printed)

Dancing, fighting, and staging capoeira: Choreographies of Afro-Brazilian modernity and tradition. by: (Language materials, printed)

Does the Discipline of Ballet Give its Serious Students Transferability into High Academic Achievement? by: (Language materials, printed)

The potential of a handcrafted life: Women and longevity. by: (Language materials, printed)

Flamenco and Transformations of the Cultural Public Sphere in Cuba: Race, Ethnicity, and the Performance of New Hierarchies of Difference, 1989-2009. by: (Language materials, printed)

Spontaneous embodied spiritual experience of movement and being moved: A qualitative analysis. by: (Language materials, printed)

Moving Statements: Black Youth Civic Engagement in Dance. by: (Electronic resources)

Out of the Pastel Shadows: Restoring the Artistic Legacy of Paris Opera Ballerinas in the era of Edgar Degas. by: (Electronic resources)

A study of J.S. Bach's sacred and secular vocal works influenced by popular stylized dance of the French Baroque court: A performer's guide. by: (Electronic resources)

Teacher Education: Using video documentation for Self-reflection. by: (Electronic resources)

Cultivating Mindful Leadership: Engaging Wholehearted Practices in the "Hamlet" Process. by: (Electronic resources)

Transgressing Tradition?: Unstitching Costuming in Diasporic Cambodian Classical Dance. by: (Electronic resources)

From the heart of Brahma: Preserving, innovating and queering Cambodian classical dance. by: (Electronic resources)

H(om)e. by: (Electronic resources)

"Themselves Becoming": A Dance Film Exploring Authenticity in Movement. by: (Electronic resources)

Embodiments of Korean Mask Dance (T'alch'um) from the 1960s to the 1980s: Traversing National Identity, Subjectivity, Gender Binary. by: (Electronic resources)

Proto-aesthetic movement in young children: The emergence of expressive dance in children aged one-and-a-quarter to five years old. by: (Electronic resources)

Moving cultures: Contemporary dance initiatives by cultural institutes and successful cultural diplomacy. by: (Electronic resources)

Determining the Damage State of the Electrical Distribution System Following an Earthquake. by: (Electronic resources)

The Political Kinesthetics of Contemporary Dance: Taiwan in Transnational Perspective. by: (Electronic resources)

Belly dance, pilgrimage and identity by: (Electronic resources)

Transmissions in dance = contemporary staging practices / by: (Electronic resources)

Linked Together: Creative Movement as a Way to Promote Creativity, Collaboration, and Ownership among At-Risk Youth. by: (Electronic resources)

Constant dancing in the palaces: Context and characteristics of movement in early Chinese performance. by: (Electronic resources)

The Chinese dance experience in Canadian society: An investigation of four Chinese dance groups in Toronto. by: (Electronic resources)

Limitless: Teaching and learning inclusive community dance creation and performance. by: (Electronic resources)

One Hundred Giving Way. by: (Electronic resources)

Transnationalism dancing: Exploring personal, cultural, and community identity in Afro-Cuban folkloric deity dances. by: (Electronic resources)

Dancing into the digital: Embodied performance and digital multimodal composition. by: (Electronic resources)

Choreographing Memory: Performance and Embodiment in Multimodal Narrative. by: (Electronic resources)

Dancing Where the River Meets the Sea: Ambiguous Sensuality and Liminal Cultural Geographies in Goa, India. by: (Electronic resources)

Thus Spoke the Body: The Problem of Affirmation in Nietzsche's Philosophy. by: (Electronic resources)

Bolshoi Ballerina Vera Karalli: Russia's First Film Star, the Imperial-Era Dance Film, and the Modernization of Cinema Going Practices and Perceptions in Prerevolutionary Russia. by: (Electronic resources)

Dancing Race and Masculinity Across Midcentury Screens: The Nicholas Brothers, Gene Kelly, and Elvis Presley on American Film and TV. by: (Electronic resources)

Proposal for a Culturally and Ethnically Inclusive Curriculum Design in Korean Dance Higher Education. by: (Electronic resources)

Flamenco in the City of the Angels. by: (Electronic resources)

Altered Belonging: The Transnational Modern Dance of Ito Michio. by: (Electronic resources)

Commodifying Choreography: The Sale, Licensing, and Appraisal of Concert Dance Repertory. by: (Electronic resources)

Ecstatic Dance: An Arts-Based Study. by: (Electronic resources)

Composing Histories: The Transmission and Creation of Historicity, Music and Dance in the Los Angeles Danza Community. by: (Electronic resources)

Dance and the arts in Mexico, 1920-1950 = the cosmic generation / by: (Electronic resources)

Set in Motion: Dance Criticism and the Choreographic Apparatus. by: (Electronic resources)

A Qualitative Investigation of Young Female Dancers' Use of Imagery. by: (Electronic resources)

Dancing the archive: Rhythms of change in post-volcano identities on Montserrat, West Indies. by: (Electronic resources)

Army of Self: Dance Democracy. by: (Electronic resources)

Re-Imagining the Black Body on Screen: Using Screendance to Contest Racist Depictions of the Black Body in Film. by: (Electronic resources)

Dance Education Certification in Alabama: Issues Related to Undergraduate Degree Programming. by: (Electronic resources)

In the New Body: Simone Forti's Dance Constructions (1960-61) and Their Acquisition by the Museum of Modern Art (MOMA). by: (Electronic resources)

Performing arts for children in Hawai'i: A history of dance, puppetry, and theatre for children from 1900 to 1990. by: (Electronic resources)

Moving Archives and Choreographic Afterlives: Legacy Practice in American Postmodern Dance. by: (Electronic resources)

Dancing Within Taiwanese-ness: International Folk Dancing Communities in Taiwan and California. by: (Electronic resources)

Performance, Practice, and Possibility: How Large Scale Processes Affect the Bodily Economy of Cambodia's Classical Dancers. by: (Electronic resources)

Dancing in the margins: The politics of national and local identity among the Maranao and Kalinga in the Philippines. by: (Electronic resources)

Exploring Personal Truth: Staging a Theatre of the Body. by: (Electronic resources)

Embodying Rhythm Nation: Multimodal Hip Hop Dance as a Site for Adolescent Social-Emotional and Political Development. by: (Electronic resources)

Intersections of Anna Lawrence Halprin's Collective Creativity: Using Site-Specific Dance to Engage Post-Industrial Flint with Riverbank Park. by: (Electronic resources)

Work-in-Process: Choreographing the Feminist Archive, 1993-Present. by: (Electronic resources)

I Feel My Heart: Facilitating Bodily Experiences with Young Children through a Mindfully Somatic Pedagogy. by: (Electronic resources)

Robotic Sculpture Development through Appropriated Choreographic Strategies, Facilitating Artistic Exploration of Visual Perception, Object-ness, and Symbiosis between Physical and Virtual Media. by: (Electronic resources)

Transnational Flamenco = exchange and the individual in British and Spanish Flamenco culture / by: (Electronic resources)

Contemporary African dance theatre = phenomenology, whiteness, and the gaze / by: (Electronic resources)

Ubuntu as dance pedagogy in Uganda = individuality, community, and inclusion in teaching and learning of indigenous dances / by: (Electronic resources)

Ontology and Domain Knowledge Base Construction for Contra Dance as an Intangible Cultural Heritage: A Case Study in Knowledge Organization of American Folk Dance. by: (Electronic resources)

Dance and cultural difference in Aotearoa = finding common ground in rural dance studio education / by: (Electronic resources)

Men, masculinities and sexualities in dance = transgression and its limits / by: (Electronic resources)

Art and dance in dialogue = body, space, object / by: (Electronic resources)

Eugenics and physical culture performance in the progressive era = watch whiteness workout / by: (Electronic resources)

Ritual in the tragedie en musique from Lully's "Cadmus et Hermione" (1673) to Rameau's "Zoroastre" (1749). by: (Electronic resources)

Don't Hold Your Breath: The Creation and Performance of a Theatrical Memoir in Motion. by: (Electronic resources)

Autism Spectrum Disorder and Empathic Comprehension: A Comparative Review of Empathic Behavior and Implications for Dance/Movement Therapy. by: (Electronic resources)

From Butoh to Ballroom: Dance as Metaphor for Embodying Transformation- A Depth Psychological Perspective. by: (Electronic resources)

Accessing the Neuromyofascial Web: Embodied Pathways to Healing in Dance/Movement Therapy. by: (Electronic resources)

The Lived Experiences of Adult Male Trauma Survivors with Dance Movement Therapy. by: (Electronic resources)

Meeting Point: Partner Dancing as Couple's Therapy. by: (Electronic resources)

The Dance of Becoming: Pedagogy in Dance/Movement Therapy in the US. by: (Electronic resources)

Social Media and Its Effects in the Commercial Dance World. by: (Electronic resources)

Grace and the Evolution: Claiming Somatic Choreographic Empowerment. by: (Electronic resources)

The Influence of Professional Development on Dance Teachers' Pedagogy and Practice: A Case Study on Progressing Ballet Technique. by: (Electronic resources)

Dance Improvisation and Identity Development: Exploring the Role of the Body in Experiencing and Expressing Self. by: (Electronic resources)

Dancescapes in Dialogue: An Exploration of Indigenous Australian and Indian Classical Dance Ontologies. by: (Electronic resources)

Places That Shape You. by: (Electronic resources)

Music, Dance, and Tourism in Los Cabos, Mexico = = Musica, Danza, Y Turismo en Los Cabos, Mexico. by: (Electronic resources)

Canon the Cinematic Story Ballet (Cineballet): & How I Learned to Create Cognitive Characters from William Shakespeare. by: (Electronic resources)

Embodied Warrior Wellness: Dance/Movement Therapy-Based Mind-Body Medicine in an Integrative Medicine Treatment Program for Military Members with Traumatic Brain Injury. by: (Electronic resources)

Dance/Movement Therapy, Creative Arts Therapy, and How Dance and Performing Arts Managers Can Assist Program Participants and Employees in Times of Need. by: (Electronic resources)

Embodying the Rite[s]: Performing Bodies and Somatic Praxis in Vaslav Nijinsky, Pina Bausch, Marie Chouinard, and Hilary Bryan. by: (Electronic resources)

The Musicality of Salsa Dancers: An Ethnographic Study. by: (Electronic resources)

The Embodiment of the Unconscious, Hysteria, Surrealism and Tanztheater. by: (Electronic resources)

Claiming Ritual: Female Lion Dancing in Boston's Chinatown. by: (Electronic resources)

The Modern Physis of Leonide Massine: Corporeality in a Postwar Era. by: (Electronic resources)

Pass the Flow: The Subcultural Practice of Liquid Dance. by: (Electronic resources)

Dancing to Death: Why are Eating Concerns Endemic Among Female Ballet Dancers? A Textual Analysis of Published Memoirs. by: (Electronic resources)

Diaspora Citation: Choreographing Belonging in the Black Arts Movement. by: (Electronic resources)

Rural and Urban Explorations of Transnational Performance: A Dialogue between Traditional Southwestern Chinese and Contemporary North American Music & Dance. by: (Electronic resources)

Embodied Nostalgia: Early Twentieth Century Social Dance and U.S. Musical Theatre. by: (Electronic resources)

Ethnic and Racial Formation on the Concert Stage: A Comparative Analysis of Tap Dance and Appalachian Step Dance. by: (Electronic resources)

Social Tango Dancing in the Age of Neoliberal Competition. by: (Electronic resources)

Constructing Diasporic Identity Through Kathak Dance: Flexibility, Fixity, and Nationality in London and Los Angeles. by: (Electronic resources)

The Pragmatic Nature of Creativity: Exploring the Structuring Process of Expert Choreographers. by: (Electronic resources)

Stravinsky, Balanchine, and Agon: An Intersection of Musical Movement and Dance. by: (Electronic resources)

An Investigation of California Classroom Teachers' Beliefs and Ratings of Creativity in Dance. by: (Electronic resources)

An Investigation into the Lack of Female Leadership in American Classical Ballet Companies. by: (Electronic resources)

The Purposeful Team: Building Positive Team Dynamics through Mindfulness. by: (Electronic resources)

The Dance of the Breath: Re-evaluating Chinese Folk Dance and Modern Dance Training and Technique = = 呼吸之舞：重新评价中国民间舞蹈与现代舞蹈训练技术. by: (Electronic resources)

Embodied Hamlet: Disability, Accessibility, Gender, and Science Fiction. by: (Electronic resources)

WAKE UP BREATHING An Exploration of Breathing. by: (Electronic resources)

Creating a Dance Course: Navigating the Transition into Higher Education for Freshmen. by: (Electronic resources)

Folk Dance: An Occupation for Building Community. by: (Electronic resources)

Embodied Light: Movement as a Collaborative Necessity for Lighting Dance. by: (Electronic resources)

A Healing Space. by: (Electronic resources)

How Defense Mechanisms Move: A Qualitative Inquiry through 5Rhythms® Movement. by: (Electronic resources)

The Remembering Body: Discovering Dance and Its Healing Practice After Sexual Assault. by: (Electronic resources)

African American Sexually Abused Women and the Use of Praise and Worship Dance as a Therapeutic Healing Modality: A Qualitative, Phenomenological Study. by: (Electronic resources)

Dare to Dance: Exploring Dance, Vulnerability, Anxiety and Communication. by: (Electronic resources)

The Music, the Mirror, and the Dance: A Choreographic Analysis of "The Music and the Mirror" from A Chorus Line. by: (Electronic resources)

Cypher to Classroom: An Ethnography and Choreographic Reading on Teaching and Learning and Embodied Hip Hop Pedagogies Otherwise. by: (Electronic resources)

A Study on the Confluence of Resilience Skill Building and Contact Improvisation on Collegiate Dancers. by: (Electronic resources)

Dance/Movement Therapy to Support Self-Esteem in Mexican American Adolescents. by: (Electronic resources)

Rehabilitative Movement Approaches and Dance Interventions in Parkinson's Disease. by: (Electronic resources)

'Maybe I Can Take You by the Hand and We Can Do This': Transitions, Translation and Transformation in Creative Dance. by: (Electronic resources)

Social Texts, Social Audiences, Social Worlds: The Circulation of Popular Dance on YouTube. by: (Electronic resources)

Attending to the Sacred in the Everyday. by: (Electronic resources)

Cultural Fusion in a Religious Dance Drama: Building the Sacred Body in the Manipuri Raslilas. by: (Electronic resources)

Dance residency grants and the National Endowment for the Arts: 1971-1981. by: (Electronic resources)

Between Precarity and Vitality: Downtown Dance in the 1990s. by: (Electronic resources)

Trends and Traditions: A Mixed Methods Study of Tap Dance Education in the Private Sector Dance Studio. by: (Electronic resources)

Choreographing "One Country, Two Systems": Dance and Politics in (Post)Colonial Hong Kong. by: (Electronic resources)

Embodied Images of Suffering and Individuation in Authentic Movement. by: (Electronic resources)

Choreographing Postsocialist China: New Experiments in Screendance since the Early 1990s. by: (Electronic resources)

The bare naked leader: Authenticity as a performing art. by: (Electronic resources)

Taiwanese Eyes on the Modern: Cold War Dance Diplomacy and American Modern Dances in Taiwan, 1950?1980. by: (Electronic resources)

The Flex Dance Program - Exploring Pathways to Resilience: A Program Evaluation. by: (Electronic resources)

Using College Student Learning Experiences and Outcomes to Guide Teaching Modifications in a General Education Choreography Course: An Action Research Study. by: (Electronic resources)

Writing Women Dance. by: (Electronic resources)

From Community to Humanity: Dance as Intangible Cultural Heritage. by: (Electronic resources)

Breaking the Routine: Understanding the Interplay of Control Synergies and Reinforcement Learning to Improve Motor Training and Recovery in Neurologic Conditions. by: (Electronic resources)

Dancing across the lifespan = negotiating age, place, and purpose / by: (Electronic resources)

Convergence: Unveiling the Yanyue Modal System of the Tang Dynasty. by: (Electronic resources)

Emergent choreography: Spontaneous ensemble dance composition in improvised performance. by: (Language materials, printed)

Dance and the Colonial Body: Re-choreographing Postcolonial Theories of the Body. by: (Language materials, printed)

Moving Hip Hop: Corporeal Performance and the Struggle Over Black Masculinity. by: (Electronic resources)

Makyung : = the mystical heritage of Malaysia / by: (Language materials, printed)

Dance's duet with the camera = motion pictures / by: (Electronic resources)

Choreography and corporeality = relay in motion / by: (Electronic resources)

New York City and the Hollywood musical = dancing in the streets / by: (Electronic resources)

Embodied philosophy in dance = Gaga and Ohad Naharin's movement research / by: (Electronic resources)

Editing in the choreographic process: "I am a work of fiction". by: (Electronic resources)

Transformation Is...An Arts Practice-Led Research in Dance, Design and Social Transformation. by: (Electronic resources)

Interdisciplinary Collaborative Performance: A Practical Investigation and Guide to Collaboration. by: (Electronic resources)

Film dance, female stardom, and the production of gender in popular Hindi cinema. by: (Electronic resources)

Dancing into Modernity: Kinesthesia, Narrative, and Revolutions in Modern China, 1900-1978. by: (Electronic resources)

This land is your land: Performing philosophy in an American terrain. by: (Electronic resources)

Bodies that Move You: the Rhetorical Force of the Dancing Body. by: (Electronic resources)

Dance as a Vehicle for Expression in Children with Autism Spectrum Disorder: Discovering Personal Expression for Their Creative, Physical Being. by: (Electronic resources)

Merge. by: (Electronic resources)

The buck stops here: Financial management strategies in folk and traditional arts organizations. by: (Electronic resources)

Theatre and dance lighting design. by: (Electronic resources)

Sharing a Dance with You. by: (Electronic resources)

Sensing and Shaping from Within: Exploring the Integration of Somatic Concepts into the Teaching and Learning of Ballet. by: (Electronic resources)

Worth the Weight: The Sustainability of Breaking Culture in Phoenix, Arizona. by: (Electronic resources)

'Kisaeng' in the Koryo period. by: (Electronic resources)

Using dance classes for Parkinson's disease to improve quality of life. by: (Electronic resources)

War Dance as text: Reading the materiality of anti-colonial masculinity. by: (Electronic resources)

Mobile Bodies: Migration, Performance, and Social Belonging in Malian Dance. by: (Electronic resources)

The Bolshoi meets Bolshevism: Moving bodies and body politics, 1917-1934. by: (Electronic resources)

Common Ground: Performing Gay Shame, Solidarity and Social Change. by: (Electronic resources)

De-orientalized pedagogy: Educating non-Hindus about Hinduism through Kuchipudi Indian classical Hindu dance. by: (Electronic resources)

Pas de huit: An archetypal, mythological, and imaginal approach to Laban's Action Drive. by: (Electronic resources)

Dancing There: Spaces of Contemporary Choreography. by: (Electronic resources)

Peru Negro: Choreographing and performing Afro-Peruvian identity, 1969 to the present. by: (Electronic resources)

Black Power of Hip Hop Dance: On Kinesthetic Politics. by: (Electronic resources)

The Greek Body in Crisis: Contemporary Dance as a Site of Negotiating and Restructuring National Identity in the Era of Precarity. by: (Electronic resources)

Rewriting rhetorical perfection: Claiming agency and enacting embodiment within ballet's culture of perfection. by: (Electronic resources)

The surface of events: Politics and the body in contemporary Brazilian performance. by: (Electronic resources)

Performing Korea by: (Electronic resources)

Dance leadership = theory into practice / by: (Electronic resources)

Jerome Bel = dance, theatre, and the subject / by: (Electronic resources)

Exergaming: A comparison of on-game and off-game physical activity in elementary physical education. by: (Electronic resources)

From the dance floor to the swimming pool: belly dance as an intervention training method for the dolphin kick. by: (Electronic resources)

Hearing Sex: An Ethnographic and Ethnomusicological Study of Striptease in the Midwestern U.S. by: (Electronic resources)

Negotiating masculinities within dance. by: (Electronic resources)

Afro Cuban/salsa dance in bilingual education and the development of Hispanic cultural competency. by: (Electronic resources)

Summary of Dissertation Recitals: Three Programs of Flute Music. by: (Electronic resources)

On The Present, Utopia, and the Caribbean Intervention in Critical Theory. by: (Electronic resources)

Poetry and Dance: The Conscious Muse. by: (Electronic resources)

Dance/movement therapy (DMT) for cancer survivors and caregivers in Fairbanks, Alaska. by: (Electronic resources)

There is no nation without a language (Ni tir gan teanga): Language policy and the Irish Dancing Commission. by: (Electronic resources)

Social media and the undergraduate female dancer: Internet, embodied cognition, dance education, and the extended technological self. by: (Electronic resources)

Dance! The Exhibition. Re-discovering American Dance through Audience Participation and Immersion. by: (Electronic resources)

Teaching creative dance for young children in Taiwan. by: (Electronic resources)

Flirting with Global Citizenship: The Construction of Gender, Class, and National Identity in Taiwanese Salsa Practice. by: (Electronic resources)

The Againness of Vietnam in Contemporary United States Antiwar Choreography. by: (Electronic resources)

The fairy tale revisited: A survey of the evolution of the tales, from classical literary interpretations to innovative contemporary dance-theater productions. by: (Electronic resources)

Ishtyle: Queer Nightlife Performance in India and the South Asian Diaspora. by: (Electronic resources)

Belly Dance in the United States: Cultural Productions of Alternative Health Narratives and Practices. by: (Electronic resources)

Dance as a third space place: A collective case study on the impact of dance education on high school students in Hawai`i. by: (Electronic resources)

Towards the construction of a national dance education policy in Jamaica: Public education curriculum and ownership. by: (Electronic resources)

Audience Engagement in San Francisco's Contemporary Dance Scene: Forging Connections Through Food. by: (Electronic resources)

Romanticism's Moving Bodies: Literary Embodiment and Affect. by: (Electronic resources)

Claude Monet's "Water Lilies", From Paintings to Dance. by: (Electronic resources)

Dance matters in Ireland = contemporary dance performance and practice / by: (Electronic resources)

Choreographing the airport = field notes from the transit spaces of global mobility / by: (Electronic resources)

Narratives in Black British dance = embodied practices / by: (Electronic resources)

Boys, bass and bother = popular dance and identity in UK drum 'n' bass club culture / by: (Electronic resources)

Choreography and verbatim theatre = dancing words / by: (Electronic resources)

Economies of collaboration in performance = more than the sum of the parts / by: (Electronic resources)

Kinesthetic Empathy and Color: The Impact of Lighting Design on Audience Connection. by: (Electronic resources)

Elemental Essence: Dancing the Diaspora Through my Lived Body's Experiences. by: (Electronic resources)

Refined Muscle Recruitment and Self-Fascia Release: A Study on the Effects of a New Protocol for Dance Training and Injury Prevention. by: (Electronic resources)

Exploration of Practices in Partnering. by: (Electronic resources)

Dance and Dialectics: Historical Materialist Studies of Modern/Postmodern Dance in San Francisco, 1935-1985. by: (Electronic resources)

Mahari Out: Deconstructing Odissi . by: (Electronic resources)

The Effect of Tap Dance Classes on Older Adults. by: (Electronic resources)

Rhythm in Shoes: Student Perceptions of the Integration of Tap Dance Into Choral Music. by: (Electronic resources)

Interactive Tango Milonga An Interactive Dance System for Argentine Tango Social Dance. by: (Electronic resources)

Manariwa: A Filipina Perspective on Indigenous Contemporary Dance. by: (Electronic resources)

Feature Film and Dance Film: A Match Made in Movement. by: (Electronic resources)

Dancing Bodies of Central Africa: Spiritualities, Tradition, and Modernity. by: (Electronic resources)

Perceptions of Adult Christian Creative Arts Practitioners in Leadership from NY, NJ, and PA about the Practice of Music, Art, and Dance in Cultivating Christian Spiritual Formation. by: (Electronic resources)

Comparison of Nesa Results for Fifth Graders, Based on Completion of the Dancing Classrooms Program. by: (Electronic resources)

Moon Dust. by: (Electronic resources)

The sexual politics of ballroom dancing by: (Electronic resources)

Dance and the quality of life by: (Electronic resources)

The phenomenology of a performative knowledge system = dancing with Native American epistemology / by: (Electronic resources)

Women Leaders in Dance: Six Women Artistic Directors of Regional American Dance Companies Discuss Community Engagement, Dance Education, and Negotiating Personal Responsibilities. by: (Electronic resources)

Dancing to Tahitian Drums: Cultural Appropriation in the Age of Globalization. by: (Electronic resources)

Networks of Performance and Patronage: Russian Artists in American Dance, Vaudeville, and Opera, 1909-1947. by: (Electronic resources)

Integration of Technology into Dance Performance and Its Effectiveness and Impact on Artistic Quality. by: (Electronic resources)

Find your Places, Please: Gender in 21st Century U.S. Amateur Ballroom Dance Practices. by: (Electronic resources)

Colonial Choreography: Staging Sri Lankan Dancers under British Colonial Rule from the 1870s - 1930s. by: (Electronic resources)

Moving with Music: Approaches to the Analysis of Movement-Music Interactions. by: (Electronic resources)

"As We Circle the World": A Performative Ethnography of Irish Step Dance and Music in the United States and Japan. by: (Electronic resources)

Dancing Dead and Alive: Embodying Icons in Contemporary Dance. by: (Electronic resources)

The Effects of Dance on Affect Regulation. by: (Electronic resources)

An Examination of How Classical Ballet as an Embodied Art Form Instantiates and Exemplifies Transcendent Truths Consistent with a Christian Vision of Reality. by: (Electronic resources)

Moving Bodies: The Politics of Mobility in Indian Contemporary Dance. by: (Electronic resources)

Dancing Cross-Cultural Misunderstandings: The American Dance Festival in China's New Era = = 跨文化交流中的误读现象：美国舞蹈节在新时期的中国. by: (Electronic resources)

A Creative Ethos: Teaching and Learning at the Cloud Gate Dance School in Taiwan. by: (Electronic resources)

Labor and aesthetics in European contemporary dance = dancing precarity / by: (Electronic resources)

Site, dance and body = movement, materials and corporeal engagement / by: (Electronic resources)

Devotional Hindu dance = a return to the sacred / by: (Electronic resources)

Sidi Larbi Cherkaoui = dramaturgy and engaged spectatorship / by: (Electronic resources)

Kinaesthesia and visual self-reflection in contemporary dance by: (Electronic resources)

Choreographing intersubjectivity in performance art by: (Electronic resources)

Choreographing agonism = politics, strategies and performances of the left / by: (Electronic resources)

Heat and alterity in contemporary dance = South-South choreographies / by: (Electronic resources)

Dance in contested land = new intercultural dramaturgies / by: (Electronic resources)

The people's dance = the power and politics of Guangchang Wu / by: (Electronic resources)

Error, ambiguity, and creativity = a multidisciplinary reader / by: (Electronic resources)

Cultural memory and popular dance = dancing to remember, dancing to forget / by: (Electronic resources)

Une pratique performative autoreferentielle axee par une mise en jeu intime de mon corps avec un objet signifiant. by: (Electronic resources)

Losing the Center: Madrid, Flamenco, and Contested Urban Spaces. by: (Electronic resources)

Living is Resisting: An Autoethnography and Oral History of Street Dance Activism in Los Angeles. by: (Electronic resources)

Finding Multiplicity in Dance and Spoken Word: An Analysis of Works by Kidd Pivot, Cynthia Ling Lee, and Bill T. Jones. by: (Electronic resources)

Dance as an Agent of Social Change: Embodying the Affective and Kinesthetic Feelings that Make Us Human. by: (Electronic resources)

Effects of a Modified Dance Intervention on Health-Related Quality of Life, Depression, and Sleep in Older Adults. by: (Electronic resources)

Interrogation of Race and Privilege: How Dance Embodies Identity Politics. by: (Electronic resources)

No Doors: A Personal Exploration of Movement and Technology. by: (Electronic resources)

Practicing at the Intersection of Dance/Movement Therapy & Yoga: A Modified Grounded Theory Study. by: (Electronic resources)

Queer Incarnate Body: The Praxis of Counter Hegemony in the Dancing Body. by: (Electronic resources)

Dancing in Place: Site-Specific Screendance. by: (Electronic resources)

Dancing into the Chthulucene: Sensuous Ecological Activism in the 21st Century. by: (Electronic resources)

Corpora Caelestia: A Movement Opera. by: (Electronic resources)

Interpreting Musical Character in the Dances of Seventeenth-Century ballets de cour. by: (Electronic resources)

Questioning Homeland, Sensing Home: Performance and the Negotiation of Identity Construction in Cold War China and Taiwan. by: (Electronic resources)

Becomings: Pregnancy, Phenomenology, and Postmodern Dance. by: (Electronic resources)

Decolonial Moves: Re-Membering Black Women in South African Contemporary Dance. by: (Electronic resources)

Masculinity, intersectionality and identity = why boys (don't) dance / by: (Electronic resources)

Choreography as embodied critical inquiry = embodied cognition and creative movement / by: (Electronic resources)

Uday Shankar and his transcultural experimentations = dancing modernity / by: (Electronic resources)

Dance pedagogy and education in China = a personal narrative of teaching in, about and through dance education / by: (Electronic resources)

Spectacle, fashion and the dancing experience in Britain, 1960-1990 by: (Electronic resources)

Perspectives in motion = engaging the visual in dance and music / by: (Electronic resources)

William forsythe's postdramatic dance theater = unsettling perception / by: (Electronic resources)

Performance arts = research in the age of digital revolution / by: (Electronic resources)

Experimental dance and the somatics of language = thinking in micromovement / by: (Electronic resources)

Ritual #1: A Case Study in Collaborative Process. by: (Language materials, printed)

Dance training and feedback system using wearable wireless sensors. by: (Language materials, printed)

The Body: Phenomenology and Aesthetics. The Case of Dance. by: (Electronic resources)

"Nothing" There, Nothing "There". by: (Electronic resources)

The Corpse Ballet: Existentialism in Madame D'Ora's Slaughterhouse Photographs. by: (Electronic resources)

Between "Self" and "Other": The Mask in German Expressionist Painting and Dance. by: (Electronic resources)

Artistic Vision: Providing Contextual Guidance for Capture-Time Decisions. by: (Electronic resources)

Noticing and Naming: Making Visible the Invisible Space and Voices of Women of Colors Leading Dance within Higher Education. by: (Electronic resources)

Schrodinger's X: The Endless Possibilities. by: (Electronic resources)

A History of the First and Second Varieties Theatres of New Orleans, Louisiana, 1849 to 1870. (Volumes I and II). by: (Electronic resources)

The Afro-Brazilian Martial Art of Capoeira: Cultural Healing and Identity. by: (Electronic resources)

Breaking the Cycles: A Somatic Approach to Pole Dance Performance and Choreography. by: (Electronic resources)

Choreographing Social Justice: A Study of Dance Choreographers Communicating Social Change. by: (Electronic resources)

Going Gaga: Contradictions and Articulations of the Contemporary in the Work of Ohad Naharin. by: (Electronic resources)

Dr. Aban Mistry, a Renowned Tabla Maestro of Farukhabad Gharana: A Comprehensive Study. by: (Electronic resources)

Banal Creativity: Using Foucauldian Discourse Analysis to Reveal Mechanisms that Exclude Racialized, Gendered, and Disabled Creators. by: (Electronic resources)

As the Flesh Moves: Lon Fontaine, Black Dance, and Strategies for Rendering Presence. by: (Electronic resources)

Dance/Movement Therapy Approach to Emotion Regulation for College Students Exposed to Bullying: A Phenomenological Perspective. by: (Electronic resources)

A Case Study of Spirituality in Dance Training: the Dancer's Self-Perception, Perception of Others, and Well-Being. by: (Electronic resources)

Reintegrating the Dancer: Exploring the Experience of Work-Life Identity Transition. by: (Electronic resources)

Performing Paradox: Balleticized Bodies and the Construction of Modernity in Armenian Concert Dance. by: (Electronic resources)

Tacit and Kinesthetic Healing Factors in Chacian Dance/Movement Therapy. by: (Electronic resources)

Ways to Connect : = Somatic Encounters Inside the Terrestrial Zone. by: (Electronic resources)

Creative Collaboration in Immersive Dance Theater. by: (Electronic resources)

Piano Music for the Ballet Technique Class : = An Online Guide. by: (Electronic resources)

The Darwin Prospective Melioidosis Study. by: (Electronic resources)

Dance Impressions : = The Power of Practice and Pedagogy on Adolescent Identity Formation. by: (Electronic resources)

Moving Together While Being Apart : = Dance/Movement Therapy in a Virtual Platform. by: (Electronic resources)

Into the Pit : = Harnessing the Power of Punk Youth Aggression through Critical Dance Pedagogy. by: (Electronic resources)

Materiality Matters : = On the Power of 'Things' in Collective Creation. by: (Electronic resources)

Movement and Sound : = Tracing the Intersection of Dance and Music in Piano Works by Maurice Ravel, Francis Poulenc, and Badie Khaleghian. by: (Electronic resources)

Performance Phenomenology : = Unpacking the Notion of Lived Embodied Experience. by: (Electronic resources)

An Interdisciplinary Investigation of Wellness Among Collegiate Dancers : = Exploring the Intersections of Fascia, Sense Perception, Nature Imagery, and Body Image. by: (Electronic resources)

The Use of Auditory Rhythm in Dance/Movement Therapy : = A Multi-Methodological Study Utilizing Quantitative and Qualitative Measures. by: (Electronic resources)

Finding Dance Moves. by: (Electronic resources)

Technical Pursuit : = Technique and Training of Nonprofessional Dancers in Ballet, Hula, and Bachata. by: (Electronic resources)

Hidden in Plain Sight : = Women Choreographers of 1940s American Modern Dance. by: (Electronic resources)

The Livingness of Light : = A Case Study on the Lighting Design of Dance Nation. by: (Electronic resources)

Discovering the Essence of "Good" Dancing : = Looking into Dance Aesthetics, Movement Efficiency, & Performance Quality. by: (Electronic resources)

Refining Dance Curriculum Through Creative and Reflective Writing Practice to Enhance Confidence, Productivity, and Motivation. by: (Electronic resources)

Emily's dance class / by: (Language materials, printed)

HANDiMATE: Digital Puppeteering Using a Hand Depth Sensor for Animation. by: (Electronic resources)

Embodied Placemaking: The Potential for Collective Healing from Place-Based Trauma. by: (Electronic resources)

Chinese Female Representation on Short Video Applications and Their Perception : Douyin (TikTok) as a Case Study. by: (Electronic resources)

Liljan Winifred Espenak, pioneer: Her life and work in the profession of dance therapy. by: (Electronic resources)

Dance therapy: Theory, practice and training. by: (Electronic resources)

The Merrie Monarch Festival: Hawaiian Cultural Survivance Through Hula Performance. by: (Electronic resources)

Behind the Scenes and across Screens: Michael Jackson, His Dancing Chorus, and the Commercial Dance Industry / by: (Electronic resources)

Teaching Dance During a Pandemic: Qualitative Participatory Action Research. by: (Electronic resources)

Felt Design: Inclusive Practices for Movement-Based Musical Instruments. by: (Electronic resources)

Choreographic Ways of Knowing as Generative Site for Stem Learning, Design, and Analysis. by: (Electronic resources)

Embodied Artistic Inquiry Through Improvisational Movement Journaling. by: (Electronic resources)

Living on a Prayer: Dance, Music & Creative Practice for Healing & Self Realization = = Vivir en una oracion: Danza, musica y practica creativa para la sanacion y la autorrealizacion. by: (Electronic resources)

Dicotomia: Context, Aesthetic, and Performance of the Symphonic Works of Margarita Luna Garcia. by: (Electronic resources)

Reinventing the Politics of Literature: Rediscovery, Ritual, and Reference as Concepts of Repetition in the Works of Peter Handke and Lee Yangji. by: (Electronic resources)

Trauma-Informed Applied Theatre: Using Performance to Connect With Mental Dysfunction and Development for Children. by: (Electronic resources)

Let the Children Dance: Teaching to Raise Awareness of the God-Given Talents, Abilities, and Interests of All Children. by: (Electronic resources)

Shakespeare for Young Audiences Examining the Overlap in Shakespeare's Plays and Social Emotional Learning Pedagogy. by: (Electronic resources)

Alternative Choreographies: Immersive Performance as a Decolonial Pedagogical and Performance Practice. by: (Electronic resources)

Choreography of the poem = exploring poetry and prosody through dance / by: (Electronic resources)

Dance, The Human Spirit and Event: Translating the choreographic principles of "Landscape Dancing" to the interior design of a secular event space. by: (Language materials, printed)

Generative Audio Design: Emergent Sound Art for an Open World Interface. by: (Language materials, printed)

Moving the school and dancing education: Case study research of K-5 students' experiences in a dance residency. by: (Language materials, printed)

Dancing Pedagogy: Re-Imagining the Body in Education. by: (Language materials, printed)

Staging the cosmopolitan nation: The re-creation of the "Dunhuang Bihua Yuewu", a multifaceted music, dance, and theatrical drama from China. by: (Language materials, printed)

All We Have To Do Is This. by: (Language materials, printed)

Movement imagery recognition and understanding in preschoolers. by: (Language materials, printed)

The making of "Visible Seams". by: (Language materials, printed)

The impact of West African dance on positive mental health. by: (Language materials, printed)

Caribbean Traditions in Modern Choreographies: Articulation and Construction of Black Diaspora Identity in L'Ag'Ya by Katherine Dunham. by: (Language materials, printed)

Salsa dancing as an intervention increasing the self-efficacy levels of nonregular exercisers. by: (Language materials, printed)

Tessa's tip-tapping toes / by: (Language materials, printed)

Ethno identity dance for sex, fun and profit = staging popular dances around the world / by: (Electronic resources)

Transnational Circulations of "Laban" Methods: Gender, Power Relations, and Negotiated Meanings in Early Twenty-First Century South Korea's Modernity. by: (Electronic resources)

"Can you feel it, too?": Intimacy and affect at electronic dance music events in Paris, Chicago, and Berlin. by: (Electronic resources)

Reservations O.K. by: (Electronic resources)

Feeling History: Emotion, Performance, and Meaning-Making in Bill T. Jones/Arnie Zane Dance Company. by: (Electronic resources)

White Soul/Forbidden Body: Dancing Christian From Ruth St. Denis to Pole Dancing for Jesus. by: (Electronic resources)

Choreographing dirt: Performances of/against the nature/culture divide. by: (Electronic resources)

Gestural modernism: Performative choreographies in American modernist literature and modern dance. by: (Electronic resources)

Poetics and Perception: Making Sense of Postmodern Dance. by: (Electronic resources)

Acting and being = explorations in embodied performance / by: (Electronic resources)

A dancer's world : = an introduction for parents and students / by: (Language materials, printed)

The new age of electronic dance music and club culture by: (Electronic resources)

Folk dance and the creation of national identities = staging the folk / by: (Electronic resources)

Dance practices as research = approaches to the safeguarding and transmission of the intangible cultural heritage of dance / by: (Electronic resources)

Re-Material: The Club Interior as an Atmosphere of Transformation. by: (Electronic resources)

Sounding Statecraft: U.S. Cultural Diplomacy Programs in the Twenty-First Century. by: (Electronic resources)

Art of Art of Art: An Artistic Practice with Artificial Intelligence. by: (Electronic resources)

Return. by: (Electronic resources)

A Republic of Dancers: The Contredanse and the Choreography of Identity in Enlightenment-Era France = = Une Republique de danseurs: La Contredanse et la choregraphie de l'identite dans la France des Lumieres. by: (Electronic resources)

The Palais Garnier: Toward an Architecture of Dance and Music in XIX Century France. by: (Electronic resources)

A Framework for Developing Effective and Sustainable Asset-Based Community-Campus Partnerships in Dance. by: (Electronic resources)

Affective Dramaturgies in Contemporary Dance Leaky Encounters and Turbulent Spectating. by: (Electronic resources)

Towards a Feelosophy of Art. by: (Electronic resources)

Contemporary Native American Art: Contemplating Fashion and Indigenous Craft. by: (Electronic resources)

Making Dance Modern: Knowledge, Politics, and German Modern Dance, 1890 - 1927. by: (Electronic resources)

Machinal: Lighting Design and Research in the Digital Performance Era. by: (Electronic resources)

There Is a Body in the Sound: Timbre and Embodiment in the Overlap of Film, Music, and Dance. by: (Electronic resources)

What the Ear Sees: Performing Bodies, Hollywood Spectacle, and the Mass-Mediated Musical. by: (Electronic resources)

The Domestic Stage: Dance and Intimacy in the Age of New Media. by: (Electronic resources)

The history of Brooklyn's three major performing arts institutions: The Brooklyn Academy of Music, Brooklyn Center for the Performing Arts at Brooklyn College and St. Ann's Center for Restoration and the Arts, Inc. by: (Electronic resources)

From dance to text and back to dance: A hermeneutics of dance interpretive discourse. by: (Electronic resources)

An eclectic method for the analysis of concert dance forms: Adaptation, application and assessment. by: (Electronic resources)

Effectiveness of Dance Compared to Exercise Training as an Intervention for Improving Motor Function and Mobility in Parkinson's Disease: A Meta Analysis = = Eficacia del baile en comparacion con el entrenamiento con ejercicio como intervencion para mejorar la funcion motora y la movilidad en la enfermedad de parkinson: Un meta-analisis. by: (Electronic resources)

Dancing Quebradita: Transnational Belonging and Mexicanidades Across the U.S.-Mexico Border. by: (Electronic resources)

Motive-Directed Meter. by: (Electronic resources)

Circling with/in the Saint: Bahian Candomble's Feminist Poiesis and Dark Horse Kinetics. by: (Electronic resources)

(Straight) White Men Can't Dance: The Dancing Body as Racial and Gendered Ideology in American Popular Culture from 1980 to 2018. by: (Electronic resources)

Creating the Cool: Understanding the Music of Gerry Mulligan. by: (Electronic resources)

Exploring Self-Determination Theory-Based Motivational Profiles for Exercise Participation among U.S. Line Dancers. by: (Electronic resources)

Beyond the Talent Show: Exploring the Beliefs of Special Education Teachers on the Incorporation of Dance to Support the Needs of Students. by: (Electronic resources)

The Motivations for and Consequences of Performing as an Exotic Dancer: A Qualitative Study. by: (Electronic resources)

An Activist Approach to Teaching Ballet in a University Setting: Moving Beyond an Authoritarian Pedagogy = = Usando a Activist Approach para ensinar bale em um ambiente universitario: Alem de uma pedagogia autoritaria. by: (Electronic resources)

Researching First-Year Students' Lived Experiences in a University Dance Program. by: (Electronic resources)

Classicism and Romanticism in Three Ballets by Frederick Ashton. by: (Electronic resources)

Sanctuary and Revolution: Reaching toward Disability Justice in Cultural Spaces. by: (Electronic resources)

Contribution of Late Shri Kubernath Tanjorkar, Late Smt. Anjali Merh and Professor C.V. Chandrasekhar in the Development of Bharatanatyam Dance. by: (Electronic resources)

Anti-Oppressive Pedagogy in Dance/Movement Therapy Education: Embodied Experiences of Black, Indigenous, and Students of Color. by: (Electronic resources)

Setting the Stage: The Expression of the Self and the Artistic Voice in the Community College Dance Classroom. by: (Electronic resources)

Embodied Exploration of Belonging through Participation in the Hip-Hop and Dancehall Dance Cultures. by: (Electronic resources)

Danseuses as working women : = Ballet and female waged labor at the Paris Opera, 1830-1860. by: (Electronic resources)

Handstitched Electric : = Delightfully Uncanny. by: (Electronic resources)

The Space between Here and There : = A Somatic Shift in Architecture and Dance. by: (Electronic resources)

A Qualitative Case Study of the Role of Reflective Practices in Pre-Service Dance Teachers' Development of Pedagogical Content Knowledge and Critical Consciousness. by: (Electronic resources)

Dancing with Stravinsky : = Balanchine, "Agon", Movements for Piano and Orchestra, and the language of classical ballet. by: (Electronic resources)

Swing dancing : = How dance effectiveness may influence music preference. by: (Electronic resources)

Architecture through dance; the movement experience. by: (Electronic resources)

Developing a dance/movement therapy approach to qualitatively analyzing interview data. by: (Electronic resources)

Gaga as Politics : = A Case Study of Contemporary Dance Training. by: (Electronic resources)

A history of Austin Ballet Theatre at the Armadillo World Headquarters. by: (Electronic resources)

Bodies Talk. by: (Electronic resources)

Movement and Pedagogy : = Multiple Ways of Understanding Dance in Southcentral Alaska. by: (Electronic resources)

A dancing paradox : = Oral histories of dance pedagogy. by: (Electronic resources)

Using Metaphor to Unpack Traumatic Material. by: (Electronic resources)

Ballet in Ukraine : = A Site of Tension between Imperialism and Nationalism. by: (Electronic resources)

Race-ing Technology in Dance. by: (Electronic resources)

Embodying Earth : = Dance Culture, Ecology, and the Entanglement of Wellbeing. by: (Electronic resources)

Race in motion : = Reconstructing the practice, profession, and politics of social dancing, New York City, 1900-1930. by: (Electronic resources)

Re-presentations of Han, a special emotional quality, inKorean dancing culture. by: (Electronic resources)

How the waltz has won : = Towards a waltz aesthetic. by: (Electronic resources)

Audio-Visual Stress : = Cognitive Approaches to the Perceptual Performativity of William Forsythe and Ensemble. by: (Electronic resources)

Reproducible Dances : = Reconstructing the "Ephemeral" With Funding From the National Endowment for the Arts' "American Masterpieces : Dance" Program. by: (Electronic resources)

Leonard Bernstein's "Mass" : = An Introductory Guide for the Developing Conductor. by: (Electronic resources)

Nature and Dance/Movement Therapy as a Healing Practice. by: (Electronic resources)

Prokofiev and the Soviet Dilemma : = Censorship, Autonomy and the Piano Transcriptions. by: (Electronic resources)

The Dance Teacher : = Leadership Styles in the Dance Industry and Related Dancer Outcomes. by: (Electronic resources)

Mei li xin shi jie : = shang shun guang chang de guang chang wu xing dong zhe zhi she hui wang lao sheng chan, xing su yu qing gan liu dong zhi yan jiu = Wonderful World : The Study of Production of Social Networks and Affect Flow About Square Dance Actors at Tasty Open in Toufen. by: (Electronic resources)

Contemporary dance choreography and spectatorship = embodied emotion / by: (Electronic resources)

Mapping critical dance studies in India by: (Electronic resources)

Choreographic practice in online pedagogy by: (Electronic resources)

Dance, performance and visual art = intersections with material culture / by: (Electronic resources)

Embodied memory and bengali identities in Britain = gender, dance, and British Bangladeshi pasts, presents, and futures / by: (Electronic resources)

Dancing Chinese Nationalism: An Examination Into the Hybridity and Politics of Chinese Classical Dance and Ballet. by: (Electronic resources)

Women Over 50 Club: Age and TikTok Dancing in the COVID-19 Pandemic. by: (Electronic resources)

Video annotation for dance and performance = attention, thinking, and memory / by: (Electronic resources)

Dancing an embodied sinthome = beyond phallic jouissance / by: (Electronic resources)