English fiction - Women authors - History and criticism.
Overview
| Works: | 84 works in 6 publications in 6 languages | |
|---|---|---|
Titles
Unbecoming women : = British women writers and the novel of development /
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Masquerade and gender : = disguise and female identity in eighteenth-century fictions by women /
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Reading from the heart : = women, literature, and the search for true love /
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(Language materials, printed)
A literature of their own : = from Charlotte Bronte to Doris Lessing /
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(Language materials, printed)
Desire and domestic fiction : = a political history of the novel /
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(Language materials, printed)
Hawthorne and women : = engendering and expanding the Hawthorne tradition /
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(Language materials, printed)
Feminism and the postmodern impulse : = post-World War II fiction /
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Matricentric narratives : = recent British women's fiction in a Postmodern mode /
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The domestic revolution : = Enlightenment feminisms and the novel /
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(Language materials, printed)
Revising women : = eighteenth-century "women's fiction" and social engagement /
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Lesbian panic : = homoeroticism in modern British women's fiction /
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(Language materials, printed)
Gendering classicism = the ancient world in twentieth-century women's historical fiction /
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(Electronic resources)
Engendering the subject = gender and self-representation in contemporary women's fiction /
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(Language materials, printed)
Feminist alternatives = irony and fantasy in the contemporary novel by women /
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(Language materials, printed)
Hawthorne and women = engendering and expanding the Hawthorne tradition /
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(Language materials, printed)
Ambiguous discourse = feminist narratology and British women writers /
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Colonial strangers = women writing the end of the British empire /
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(Language materials, printed)
Imagining characters : = conversations about women writers : Jane Austen, Charlotte Bront鋀, George Eliot, Willa Cather, Iris Murdoch, and Toni Morrison /
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Fairy tales and the fiction of Iris Murdoch, Margaret Drabble, and A.S. Byatt
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Matched pairs = gender and intertextual dialogue in eighteenth-century fiction /
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The feminine middlebrow novel, 1920s to 1950s : = class, domesticity, and bohemianism /
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Love and eugenics in the late nineteenth century : = rational reproduction and the new woman /
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Fantasy and reconciliation = contemporary formulas of women's romance fiction /
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The awkward age in women's popular fiction, 1850-1900 = girls and the transition to womanhood /
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(Language materials, printed)
Spiritualism and women's writing = from the fin de siáecle to the neo-Victorian /
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(Electronic resources)
Secrecy and sapphic modernism : = reading Romans à clef between the wars /
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Secrecy and sapphic modernism = writing Romans {grave}a clef between the wars /
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(Electronic resources)
Women's authorship and editorship in Victorian culture = sensational strategies /
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(Electronic resources)
Women writers and detectives in nineteenth-century crime fiction = the mothers of the mystery genre /
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(Electronic resources)
Sapphic primitivism : = productions of race, class, and sexuality in key works of modern fiction /
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(Language materials, printed)
Dream revisionaries : = gender and genre in women's utopian fiction, 1870-1920 /
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The woman's historical novel : = British women writers, 1900-2000 /
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(Language materials, printed)
Women and 'value' in Jane Austen's novels = settling, speculating and superfluity /
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(Electronic resources)
Women's domestic activity in the romantic-period novel, 1770-1820 = dangerous occupations /
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(Electronic resources)
The epistolary Muse = women of letters in England and France, 1652-1802 /
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(Electronic resources)
British women's writing from Bronte to Bloomsbury.. Volume 2,. 1860s and 1870s
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(Electronic resources)
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