Literature, Medieval.
Overview
| Works: | 187 works in 7 publications in 7 languages | |
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Titles
Getting medieval : = sexualities and communities, pre- and postmodern /
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Studies in early Germanic Biblical literature: Medieval rewritings, medieval receptions, and modern interpretations.
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Of sagas and sheep: Toward a historical anthropology of social change and production for market, subsistence and tribute in early Iceland (10th to the 13th century).
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Language made visible: The invention of French in England after the Norman Conquest.
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Theodcwidas: Compound words, language, and social context in early English literature.
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Forms of speculation: Religious genres and religious inquiry in late medieval England.
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Los libros de acedrex dados e tablas: Historical, artistic and metaphysical dimensions of Alfonso X's "Book of Games".
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Need not necessity: Purgatorial torment and healing in medieval and early modern drama.
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Powerful women in medieval times: The rebirth of the female heroine in popular culture.
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Hereward and outlawry in fenland culture: A study of local narrative and tradition in medieval England.
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The mystery of men: Performing masculinity in the drama cycles of medieval York and Chester (England).
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LUST AND LORE: FIGURES OF SPEECH IN JOHN GOWER'S "CONFESSIO AMANTIS.".
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THE PATRISTIC BACKGROUNDS OF OLD ENGLISH GREED (AVARICE, CUPIDITY, VICE).
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Fighting words: The language of power/the power of language in "Beowulf".
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The coexistence of paganism and Christianity in the Arthurian legends.
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The problems of power: Constructions of leadership from the Anglo-Saxons to Elizabeth I.
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The passions of Sir Gawain: Patience and the idiom of medieval romance in England.
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"Contending with Spring": The poets and poetic practice of "The Collection from among the Flowers" ("Huajian Ji").
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A literary analysis: The interlace structure in the romance of "The Three Kingdoms".
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Civil and spiritual disobedience in the early drama of East Anglia.
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Rhetorical invention in the Book of Kells: Image and decoration on their flight to meaning.
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Wandering voices: Refrain citation in thirteenth-century French music and poetry.
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Between gods and churches: Christianity, paganism, and the trajectory of belief in Old Norse myth, literature, and the later folktales.
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Sacred eroticism, rapturous anguish: Christianity's penitent prostitutes and the vexation of allegory, 1370-1608.
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Impermanence and retribution: A re-examination of two unifying themes in the "Tale of the Heike".
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Buddhism and the supernatural tale in early medieval China: A study of Liu Yiqing's (403--444) "You ming lu".
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The falcon, the beast and the image: Dante's "Geryon" and W. B. Yeat's "The Second Coming".
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The Old Irish hymns of the Liber Hymnorum: A study of vernacular hymnody in medieval Ireland.
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Voice lessons: Violence, voice, and interiority in Middle English religious narratives, 1300--1500.
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Culture and literature in an early medieval Chinese court: The writings and literary thought of Xiao Tong (501--531).
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AElfric's "Catholic Homilies": Discourse and the construction of authority.
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Fictions of evidence: Witness testimony and late-medieval literature.
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Battle-brave beyond women-kin: Women warriors in medieval English literature.
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To die and not decay: Autobiography and the pursuit of immortality in early China.
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Two examples of the construction of noble masculinity in English literature at the end of the fourteenth century.
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The Old Saxon Leipzig "Heliand" manuscript fragment (MS L): New evidence concerning Luther, the poet, and Ottonian heritage.
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Organizing Scripture: Organum melos, composition, and memoria in a group of Notre-Dame responsories.
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Ciascun saria di color vinto: The philology and philosophy of terms for color and light in Occitan and Italian poetry from the troubadours through Petrarch.
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All the world's a market: Economic life on English stages, c. 1400--c. 1625.
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English laws and customs in Sir Thomas Malory's "Le Morte Darthur".
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Virtuous vengeance: Anti-Judaism and Christian piety in medieval England.
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The Reception of the Acts of Thecla in Syriac Christianity: Translation, Collection, and Reception.
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Chaucerian representations of human behavior: Determined and free action in the "Knight's Tale" and the "Wife of Bath's Prologue and Tale".
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The image of the wanton Christ-Child in the apocryphal infancy legends of late medieval England.
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Imagining empire: Maxen Wledic, Arthur, and Charlemagne in Welsh literature after the Edwardian conquest.
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Reforming maternity: Childbirth, religion, and the Renaissance stage.
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Ark and Archive: Narrative Enclosures in Medieval and Early Modern Texts.
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Re-discovering literature in medieval China: Mid-T'ang literary theories and political discourse.
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Structural interrelations of theory and practice in Islamic law: A study of takhrij al-furu` `ala al-us&dotbelow;ul literature.
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Mary between God and the devil: Jurisprudence, theology and satire in Bartolo of Sassoferrato's "Processus Sathane" (Italy).
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The origin and function of female divinity in pre-Christian Germanic Europe.
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Increasing like the moon: Structure and meaning in medieval Mary legends.
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Medieval death iconography in the portrayal of AIDS in "Angels in America".
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The ethics of courtly love: Narrative transformations in the later Middle Ages (Jacques Lacan).
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Figuring melancholy: From Jean de Meun to Moliere, via Montaigne, Descartes, Rotrou and Corneille (Pierre Corneille, Michel de Montaigne, Rene Descartes, Jean Rotrou, France).
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"What mine eyes have seen and my ears heard": Testimony in Old English literature and law.
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The "Fabulae" of Walter of England, the medieval scholastic tradition, and the British vernacular fable.
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Death and dying in the Middle Ages: A psychoanalytic analysis of the old man in "The Pardoner's Tale" as a manifestation of the death instinct (Geoffrey Chaucer).
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Soul as self and mediator from Plotinus to Eriugena (Roman Empire, John Scotus Eriugena, Ireland).
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Chaucer and the crusades: A study in late medieval literary and political thought (Geoffrey Chaucer).
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Conditioning the soul: Spiritual athleticism in medieval English theology and literature (England).
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The rhetoric of interlacing in 13th century Arthurian prose romances and Jacques Roubaud's "Le Grand Incendie de Londres" (France).
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The discourse of hysteria: The topoi of humility, physicality, and authority in women's rhetoric (France, Helene Cixous, Sojourner Truth, Aphra Behn, Margery Kempe, Saint Hildegard von Bingen).
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For a modern medieval literature: Gaston Paris, courtly love and the demands of modernity (France).
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Du gveras a.b.c./An pen can henna yv d: Cornish verse forms and the evolution of Cornish prosody, c. 1350--1611.
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Kalendes of chaunge: Thinking through change in Middle English poetry (William Langland, John Gower, Geoffrey Chaucer, Gawain poet).
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Missing histories: The absence of late medieval literature (Geoffrey Chaucer, Francesco Petrarca, Giovanni Boccaccio, Italy).
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A critical edition of the Middle Irish saga "Aided Guill meic Carbada ocus Aided Gairb Glinni Rigi".
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An edition of "Cain Lanamna": An Old Irish tract on marriage and divorce law.
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Cultural transformations in medieval translations: French into Norse and English.
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Configurations of trickery in Boccaccio's "Decameron", Marguerite de Navarre's "Heptameron", Masuccio's "Il Novellino" and Shakespeare's "Othello".
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The relationship of theology and literary form in "The Dream of the Rood".
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A vision of her place: Julian of Norwich and the contemplative's role in the Christian community.
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The role of the female guide in medieval portraits of monarchy: A study of medieval historiography, translatio studii et imperii and illuminations in Alfonso X, El Sabio's "Cantigas de Santa Maria" and Christine de Pizan's "Epistre d'Othea".
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The transmission and reception of "The Cloud of Unknowing" and the works of the "Cloud"-corpus.
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How to recognize a Gospel when you see one: Canonical systems and the intersection of signification between biblical interpretation and art in late medieval Europe.
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Toward a vision of the Devil's rights in the theater of late medieval Europe.
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The evolution of the warrior hero in medieval literature (Geoffrey of Monmouth, Sir Thomas Malory).
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The cruel practice of ethics: Medieval criticism and economies of violence (Gawain-poet, Geoffrey Chaucer).
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The medical gaze in literature and history (Geoffrey Chaucer, Thomas Shadwell).
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Flesh and spirit onstage: Chronotopes of performance in medieval English theatre (Mikhail Bakhtin).
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Freedom from the press: Reading and writing in late medieval England (Geoffrey Chaucer, William Langland, Margery Kempe).
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Gendering histories: Representations of Pagan cultures in Middle English literature.
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The road to Delphi: Chaucerian poetics and the legacy of Apollo (Geoffrey Chaucer).
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Viking pronouns in England: Charting the course of THEY, THEIR, and THEM.
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Herbert of Bosham's "Liber melorum": Literature and sacred sciences in the twelfth century.
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The recovery of medieval poetry in the eighteenth century: Context, pretexts, and first editions (Spanish text).
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The dream and the book: Chaucer's dream-poetry, faculty psychology, and the poetics of recombination (Geoffrey Chaucer).
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The comitatus in the trenches: Reading the poetry of World War I through the lens of Anglo-Saxon heroism.
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Virginitas: La crisi del mito della perfezione nella tradizione letteraria italiana del Rinascimento (Italian text, Francesco Petrarca, Giovanni Boccaccio, Lodovico Ariosto).
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Places of interest: The rhetoric of space in high-medieval courtly romance and late-medieval love discourse.
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From martyr to mystic: "The Story of the Ten Martyrs", "Hekhalot Rabbati", and the making of "Merkavah mysticism" (Palestine).
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Mimetic identities: The rupture of the other in self-narratives (Saint Augustine, Jean-Jacques Rousseau, France, Philip Roth).
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The art of translation in the age of AEthelwold: A legacy of King Alfred.
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"As I hafe herde telle": Collective memory and translation in medieval English romances (Marie de France, Thomas Chester).
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Authorizing versions: The courtly politics of biblical translation (Alfred, King of England).
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Beowulf as an archetypal hero: "Beowulf", Seamus Heaney's translation and Joseph Campbell (Ireland).
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Visions, reading and identity in the monastic culture of the eleventh and twelfth centuries: Otloh of St. Emmeram and Guibert of Nogent (France).
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Ex exemplis illustribus: The influence of gender on the "Vitae fratrum" and the "Vitae sororum" (Gerard de Frachet, Katherina of Uterlinden).
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Courtly images far from court: The family Saint-Floret, representation, and romance (France).
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Writing Midrash Avot: The change that three fifteenth-century exegetes introduced to Avot interpretation, its impact and origins (Mattathias haYizhari, Joseph Hayyun, Isaac Abarbanel).
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Interrogating boundaries: Christine de Pizan and her influence in late medieval and early modern England.
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Living at the edge of the world: Marginality and monstrosity in Anglo-Saxon manuscripts and beyond (England, Ireland, Cambrensis Giraldus).
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The distinguished norseman: Snorri Sturluson, the "Edda", and the conversion of capital in medieval Scandinavia (Iceland).
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Poetry and grammar in the works of Eleazar be-rabbi Qillir: A grammatical analysis of selected liturgical poems (Hebrew text, Israel).
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Listen, o isles, unto me = studies in medieval word and image in honour of Jennifer O'Reilly /
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Embodying loathliness: The Loathly Lady in Medieval and postfeminist (con)texts.
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"A more natural mother": Concepts of maternity and queenship in early modern England.
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The Virgin Mary and the Song of Songs in medieval English literature.
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"Tha Com of More under Misthleothum Grendel Gongan": The Scholarly and Popular Reception of Beowulf's Grendel from 1805 to the Present Day.
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How kingdoms were forged: King Arthur, queen Elizabeth, and the assimilation of self and other in the new ancient world.
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Morgan Le Fay, Nimue and Merlin in Sir Thomas Malory's "Le Morte D'Arthur": Advancement and devastation through magic.
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THE FIGURE OF MERLIN IN LEGENDARY ROMANCE (ARTHURIAN, GEOFFREY OF MONMOUTH, BRITAIN, VULGATE CYCLE, MALORY, HUTH "MERLIN").
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Story and philosophy for social change in Medieval and postmodern writing = reading for change /
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The mirror of alchemy : = alchemical ideas and images in manuscripts and books, from antiquity to the seventeenth century /
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Space in Medieval romance = constructing narrative space in the Middle English Breton lays /
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From contract to social contract: Fortescue's "Governance" and Malory's "Morte".
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Beauty and the Pilgrim soul: A study of Le Pelerinage de la vie humaine as an allegory of Cistercian aesthetics.
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'Space to Speke': Confessional practice and the construction of character in the works of Geoffrey Chaucer, Guillaume de Machaut, and Juan Ruiz.
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Gluttony and rapture: Food culture, carnal sins and mysticism in the medieval Church.
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Knowing believers: Pastoralia, the laity, and interpretive Christianity (Robert Mannyng, John Thoresby, John de Gaytryge).
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Personification, neoplatonic allegory, and Biblical typology: The syntheses of allegorical methods in Spenser's "The Faerie Queene", Books III--V (Edmund Spenser).
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Representations of the feminine in Thomas Malory's "Le Morte D'Arthur": The role of anonymous women in the chivalric society.
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The influence of classical mythology and medieval mythography on the invocations of Chaucer's "Troilus and Criseyde".
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Chaucer and the harp: Stringed musical instruments in "The Canterbury Tales".
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Riddling in the voices of others: The Old English Exeter Book riddles and a pedagogy of the anonymous.
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A discourse apart: The body of Christ and the practice of cultural subversion.
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Dialogue and disputation in medieval thought and society, 1050--1350.
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Charakterisierung, Funktion und Repraesentation der Artusfigur in Wolframs von Eschenbach "Parzival" und Adolf Muschgs "Der Rote Ritter. Eine Geschichte von Parzival".
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From the fabliaux to the "Decameron": Codicology and generic transformation.
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The limits of revelation: Visionary knowing and the medieval dream vision.
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Differently centered worlds: The traveler's body in late medieval European narrative (1350--1450).
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G. I. Gurdjieff: Textualizations of medieval storytelling and modern teachings on the soul.
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Early medieval rhetoric: Epideictic underpinnings in Old English homilies.
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Gilles Vigneault: Chansonnier medieval, troubadour moderne. Les traces du passe dans une oeuvre contemporaine.
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Imagining Izumi Shikibu: Representations of a Heian woman poet in the literature of medieval Japan.
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Slouching towards extimacy: Symbolic exchange and monstrous appetites in "Beowulf".
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Memoria agens: Verbal and visual rhetoric in late medieval English lay culture, c.1300--c.1500.
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The concept of kingship in Anglo-Saxon and Chinese literature: A comparative study of "Beowulf" and "Xuanhe Yishi".
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Reading for a conscience: Moral instruction in Saint Ambrose of Milan's commentary on Psalm CXVIII.
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The discourse of marriage in the French fabliaux and Chaucer's "Shipman's Tale".
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Loving the neighbor: Difference, desire, and aggression in the romance of late medieval England and Castile.
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Between "Ernest" and "Game": The Aesthetics of Knowing and Poetics of "Witte" in William Langland's "Piers Plowman" and Geoffrey Chaucer's "Canterbury Tales".
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Writing Conquest: Traditions of Anglo-Saxon Invasion and Resistance in the Twelfth Century.
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The Medieval Dark Horse: Challenge and Reward in the Middle English Lyric.
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The crusades and nature = natural and supernatural environments in the Middle Ages /
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