Music theory.
Overview
| Works: | 280 works in 4 publications in 4 languages | |
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Titles
Techniques and materials of tonal music : = with an introduction to twentieth-century techniques /
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Techniques and materials of music : = from the common practice period through the twentieth century /
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The shaping forces in music : = an inquiry into the nature of harmony, melody, counterpoint, form /
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Teaching approaches in music theory : = an overview of pedagogical philosophies /
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Theory into practice : = composition, performance and the listening experience /
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The future of music = towards a computational musical theory of everything /
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Composition and cognition = reflections on contemporary music and the musical mind /
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The Rise of the Chinese Concerto: A Look into the Developments of Chinese Traditional Instrument Concerti with Western Orchestra.
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Cross-Sensory Perception in Music and Visual Media: A Neurocognitive Approach to Multimedia Counterpoint.
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A Performer's Guide to Astor Piazzolla's "Tango-Etudes pour flute seule": An Analytical Approach.
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Beyond the Big Band: Concepts and Strategies in Creative Orchestra Music.
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Sunken II Chords and Inwardness: A Correspondence Complex in Robert Schumann's Liederjahr Songs.
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These Decorated Fragments of Time: An Original Composition for Pierrot Ensemble and Electronics.
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"Welcome to the World of Pokemon!": Music and the Player's Experience in Chunsoft's Pokemon Mystery Dungeon.
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Orchestral Gestures: Music-Theoretical Perspectives and Emotional Responses.
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Three Empirical Studies on the Evolution of Musical Syntax in Popular Music from the 1960s.
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The musical idea and the logic, technique, and art of its presentation /
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Mathematics and music : = composition, perception, and performance /
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Los Angeles Noisescapes: Culture and Aesthetics in the Early Twenty-First Century Experimental 'Noise' Scenes.
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A Performer's Analysis and Improvisational Guide to Jazz Sonata for Soprano Saxophone and Piano (1994), by Ramon Ricker (B. 1943).
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A Cognitively Inspired Method for the Statistical Analysis of Eighteenth-Century Music, as Applied in Two Corpus Studies.
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The Shape of Sound from Opto-Acoustic Inscription to an Immersive Sonic Art.
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Triangles of Soul---Schubert the "Wanderer" and His Music Explained by Neo-Riemannian Graphs.
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Joining Forces in Technology: Three Analytical Case Studies of Early Corporate-Sponsored Electronic Music.
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"Let the Feast of Fools Begin, Batman!": The Traditional and Gothic Carnvialesques in the Sound Design of the "Batman: Arkham" Video Games.
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Form and Forms in Wagner's Die Walkure = = Form und Formen in Wagners "Walkure".
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Structural Properties and Compositional Processes in Microtonal Equal Temperaments.
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The Influences of Argentinean Criollo Dance and Folk Music in the Orchestral Works of Alberto Ginastera.
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An Exploration and Analysis of the Unaccompanied Viola Sonatas of Gunter Raphael.
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How to Apply the Schenkerian Method to the Performance and Teaching of Chopin's and Mozart's Piano Music.
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'Why Do You Play The Way You Do?': Musical Improvisation, Identity, and Social Interaction.
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Feeling Machines: Immersion, Expression, and Technological Embodiment in Electroacoustic Music of the French Spectral School.
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Musicianship for Musical Theatre: A New Instructional Resource for the Musical Theatre Student Studying Music Theory.
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A Jazz Pianist's Guide to Developing Rhythmic Independence through the Adaptation of Afro-Cuban Rhythms.
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Diction for Mandarin/Chinese Singers: A Methodology to Achieve Resonant Tone and Vowel Unification in Western Choral Music.
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Benjamin Britten's Symphony for Cello and Orchestra, Op. 68: Context, Analysis, and Performer's Guide.
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Relationships between the Rhythm Sight-Reading Strategies and Sensory Learning Styles of Florida All-State Musicians: A Verbal Protocol Analysis.
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Radical Reclamations and Musical Resonances in Hamilton: An American Musical.
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"Some Words when Spoken Can't Be Taken Back": Self and Mental Health in Grunge Music.
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Ghost-Keys in Bach, Debussy, and Schumann; and Two Movements from Brooklyn Narcissus, for Soprano and Chamber Orchestra.
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Amy Beach for The New Generation: The Effects of Increased Interest in Beach's Works on The Current Place in The Performance Canon of Concerto for Piano and Orchestra in C Sharp Minor, Op. 45.
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An Original Band Composition: Including A Guide for Creating Instructional Materials Based on Performance Literature.
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Four Contemporary Trumpet Sonatas: A Recording Project and Performer's Guide.
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Born in The Twentieth Century: Contemporary Flute Works by East Asian Female Composers.
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Aesthetics and Poietics of Sound Material, Form and (Absent) Body in Electronic Music: Conceptual Tools for the Computer Musician, and Their Applications.
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The Analysis and the Interpretation of Sergei Prokofiev's Sonata for Flute and Piano, Op. 94 = = 普羅高菲夫《D大調長笛與鋼琴奏鳴曲作品94》之分析與演奏詮釋.
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A Transcription and Performance Edition of Four Last Songs by Richard Strauss for Solo Double Bass.
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Musical Sound and Spatial Perception: How Music Structures Our Sense of Space.
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Stravinsky, Balanchine, and Agon: An Intersection of Musical Movement and Dance.
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How Does the Pronunciation of Native Languages Affect Beginning Singers? A Research Focusing on Native Mandarin Chinese and American English Speaking Singers.
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Johannes Brahms's Funf Ophelia-Lieder: Performance History, Cultural Context, and Character Study as It Pertains to Johannes Brahms's Funf Ophelia-Lieder: A Performer's Perspective.
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Harmonic Schemata of Popular Music: An Empirical Investigation of Analytical Patterns and Their Mental Representations.
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Franz Schubert's Use of Harmony to Express the Texts in His Musical Settings of Franz Grillparzer's Poetry.
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Gerhard Krapf, Organist: His Life, Pedagogy, Works, and Place in the North American Orgelbewegung.
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Transcendental Oscillations in Popular and Classical Music since the 1800s.
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A Pedagogical Approach for Incorporating Extended Techniques into the Undergraduate Clarinet Curriculum.
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The Music of Chaya Czernowin: An Analytic Approach Based on Embodied Cognition and Crossmodal Mappings.
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On Wooden Horses: Music, Animals, and Heritage in Post-Socialist Mongolia.
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The Dynamics of Composer-Performer Relationships: A Study of Long-Term Creative Collaboration.
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Tonicization, Periods, and Period-like Structures in the Music of Dvorak.
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Planal Analysis and the Emancipation of Timbre: Klangfarbenmelodie and Timbral Function in Mahler, Schoenebrg, and Webern.
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Music Education Transformation: How Orff, Kodaly, and Suzuki Promote Academic Success.
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Variations on a Theme of Robert Schumann: Intertextual References and Private Meaning in Clara Schumann's Opus 20 and Johannes Brahms's Opus 9.
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Hearing in Time: Bergsonian Concepts of Time in Maurice Ravel's L'Heure Espagnole.
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The Classical-period Development Section: Compositional Strategies of Haydn, Mozart, Beethoven, and Schubert.
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Harmonic Function in the Late Nineteenth-century Chromatic Tonality of Wagner and Strauss: A Study of Extensions to Classical Prolongational Practices.
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Harmonic Refraction, Structural Thresholds, and the Chromatic Prism: A Neo-Riemannian Transformational and Geometrical Approach to the Music of Pyotr Ilyich Tchaikovsky.
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Diffusion-Based Music Analysis: A Non-Linear Approach for Visualization and Interpretation of the Geometry of Music.
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Partial Displacement: En/Decoding Spectral Thinking in Tristan Murail's Memoire/Erosion, and Two Compositions for String Quartet.
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Harmonic and Thematic Interactions in Richard Strauss's Vier Letzte Lieder: A Synthesis of Two Analytical Approaches.
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Dreaming of Single Hexachords in an Infinite Expanse: An Analysis of Movement II of Donald Martino's Notturno and an Original Composition, Wasted:Awake for String Trio, Clarinet and Electronics.
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An Agile Musicology: Improvisation in Corporate Management and Lean Startups.
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The Emotional Illusion of Music: Contemporary Western Musical Aesthetics in Dialogue with Ancient Eastern Philosophy.
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Spectacles of Sensational Science: Locating the "Real" Bodies of Verismo Opera 1880-1926.
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Analytical Problems of Aesthetics, Genre, and Large-Scale Form in Germanic Music, 1905-15.
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Analysis as Dialogue: Bakhtinian Narrative Theory in the Music of Dmitri Shostakovich.
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Igor Stravinsky: Hidden Rhythmic Patterns and Codes in His Orchestral Music.
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"Night and Silence - Who Is Here?": The Impact of Vocal Variety in Arnold Schoenberg's Early Sprechstimmen.
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Mindfulness for Musicians: Bringing Sport Psychology and Mindfulness-based Therapies to the Practice Room and the Concert Stage.
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The Unequal Tuning System of Well-Temperament and Its Influence on Key in J. S. Bach's Well-Tempered Clavier: A Computational Study on the Minor-Mode Fugues in Book I.
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A Model for Engaging Psalms in Liturgical and Recreational Settings: A History-Based Account in Support of Transcribing Claude Goudimel's Homorhythmic Harmonization of Genevan Psalter Melodies.
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"What I Do Is All I Have": Gesture and Contour in Harrison Birtwistle's Trio for Violin, Cello, and Piano.
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Pop Goes the Theory: Incorporating Popular Music into the Undergraduate Music Theory Curriculum.
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Understanding Samuel Barber's Piano Idiom: A Comparative Analysis of the Hermit Songs, Op. 29 and the Sonata for Piano, Op. 26.
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Reframing the Wagnerian Form Debate: Continuity, Working Narrative, and Operatic Convention in Der Ring Des Nibelungen.
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The Sound of Neoliberalism: The Role of Music and Sound in Neoliberal Culture.
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Seven Nocturnes for Solo Piano: An Original Composition with Critical Essay and Suggestions for the Performer.
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The Spirit Within: How Spiritual Folklore Has Influenced Western Classical Music = = El espiritu interior: Como el folklore espiritual ha influenciado a la musica occidental.
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Scythianism in Sergei Prokofiev's Second Piano Concerto in G Minor, Op.16.
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Contrapuntal Strategies in the Music of Giralomo Frescobaldi (1583-1643): Reimagining Polyphonic Genres.
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Escaping Time: Messiaen's Musical Language, Religious Symbolism, and Undermining Time in Quatour pour la fin du Temps.
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Music Borrowing in Organ Literature Through History: Couperin, Bach, Brahms, Ives, Alain, and Cage.
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Influence and Innovation: Beethoven's Impact on the Sonatas for Piano and Cello by Mendelssohn and Chopin.
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A Study of Selected Collaborations: Preparing and Coaching Piano Chamber Music for Performance.
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A Performance Practice Guide to Segunda Sonata-Fantasia for Violin and Piano by Heitor Villa-Lobos.
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Brahms's Serenade of Solitude: Kreisler's Philosophy of "The Artist in Love" and the Adagio non troppo from the Serenade in a Major, Op. 16.
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Repurposing Sound: A Conductor's Guide and a Focused Analysis of Viet Cuong's Wind Ensemble Version of Re(new)al.
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Examining the Interaction of Instrumental Parts : = An Approach to Analyzing Chamber Music Using the String Quartets of Shostakovich.
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On Music Theory Expertise : = A Cognitive Framework and Galant Schema Theory Case Study.
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Franz Schubert's Unfinished Thoughts: Recurrent Strategies in His Last Sonata Forms.
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The Pedagogical Reasoning and Action of Popular Music Theory Professors in Higher Popular Music Education Programs.
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There Is a Body in the Sound: Timbre and Embodiment in the Overlap of Film, Music, and Dance.
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The Analysis of Multimedia Through the Lens of Music Theory: A Model for Analyzing the Interaction of Auditory, Visual, and Narrative Stimuli in Multimediatic Artforms.
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Power Chords and Politics: Guitar Distortion as a Topic in American Rock.
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Russian Jazz with Bolshevik Trimmings: Modernist Composer-Pianists in Revolutionary Russia.
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Mathematicians and Music: Implications for Understanding the Role of Affect in Mathematical Thinking.
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Beethoven's Egmont, Count Egmont: An Imaginary Reading of Beethoven's Overture.
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A Performer's Approach to the Horn Solo and Chamber Works of Thomas E. Weaver.
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In Search of Clear Execution: An Eighteenth-Century Approach to Franz Schubert's Piano Sonata in a Major D. 959.
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Rachmaninoff's Performance Style as Heard in His Recordings: An Artistic and Technical Survey.
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Motivic Metamorphosis: Modelling Intervallic Transformations in Schoenberg's Early Works.
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Analyzing Jazz Improvisation with Voice-Leading Models : = A Study of Saxophonists' Harmonic Variations on Rhythm Changes.
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Form, Punctuation, and Voice Leading in W. A. Mozart's Concerto First Movements.
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Leos Janacek : = The Theory of Speech Melody in His Piano Sonata 1. X. 1905 and In The Mists.
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The "Se Cerca" Script : = Conventions and Creativity in an Eighteenth-Century Aria Tradition.
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Deciphering the Arabesque : = Genre Mixture and Formal Digression in the Early Romantic Piano Concerto.
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The 1841, 1851, and Mahler Versions of Robert Schumann's Symphony No. 4 in D Minor : = A Comparative Investigation into Cyclic Form and Dramatic Structure.
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Du Fay's Magnetic Counterpoint : = Experiencing Melody, Harmony, Texture, & Form in the Tenor Masses.
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That Sound in Your Head : = Guitar Tone Values in the Entrepreneurial Age.
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Gesture in Steve Reich's Music and Its Signification : = A Referential Approach to His Process, Stylistic, and Postminimalist Works.
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On the Transmigration of the Arab Soul : = A Case Study in Contemporary Composition.
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Functional Transformations and Octatonality in Selected Works by George Crumb.
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Recurrence and (Dis)Continuity as Identity in Chen Yi's Trans-Cultural Musical Style.
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An Analytical Study of Dies irae Sequences by Schnittke, Penderecki, and Han.
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Bridging the Gap : = The Practical Application of Post-tonal Musical Analysis to Performance Practice Using George Crumb's Ancient Voices of Children.
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Messiaen as the "Rhythmician" : = Study and Performance Guides of Olivier Messiaen's Quatre Etudes De Rythme.
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Music Theory and the Music Therapy Curriculum : = A Descriptive Study and Implications for the Curriculum.
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Musical Rhetoric and Improvisation in the Unmeasured Fantasias of Johann Gottfried Muthel.
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A Performance Practice Guide for :only.just.almost.never for Solo Vibraphone by Jay Alan Yim.
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Performance Approach in the Recorded History of Alban Berg's Piano Sonata, Op. 1.
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Analysis of Selected Pieces Influenced by Taiwanese Aboriginal Music for Solo Violin and String Quartet.
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A Miracle of Virtuosity : = Joseph Achron as a Prodigy Performer-Composer.
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The Effect of Perceived Complexity and Formal Location on Musical Preference.
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The Improvised Text : = Bodily Regimes of Piano Performance in the Nineteenth Century.
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Performer Interaction and States of Attention as Frameworks for Musical Analysis.
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An Introduction to Five Selected Modern Korean Art Songs, Gagok, by Composers Guisook Lee and Jiyoun Chung.
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A Meeting Between East and West : = A Study of Three Works for Flute and Piccolo Based on Balinese Gamelan Music.
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An Introduction to the Takadimi Method and a Curriculum Framework for Its Application in Collegiate Choral Rehearsals.
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An Interdisciplinary Approach to Music Theory Pedagogy : = How Bloom's Taxonomy Promotes Music Literacy in the First Year Music Theory Sequence for Undergraduates.
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Play Makes Perfect : = An Exploration of Game and Play Elements in Composition and Performance.
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Going for the Goals : = How Teachers and Students Set and Meet Goals in Music Composition and Psalms and Meditations for Flexible Ensemble.
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The Connection Between Text and Music in Hector Berlioz's Les Nuits d'ete from a Singer's Perspective.
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Rhythm, Groove, and Conductor Considerations in Jessie Montgomery's Strum and Starburst.
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Dramatic Genres, Musical Genres : = Thematic Uses of Music in Shakespearean Drama.
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The Development of Slurs in Violin Bowing during the Italian Seicento : = Printing and Rhetoric.
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The Music of Sylvano Bussotti and Its Interpretation : = Biopolitics, Intersubjectivity, and Modernist Canon Formation.
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Theorizing Sonata Form from the Margins : = The Keyboard Sonata in Eighteenth-Century Spain.
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The Classical Sonata Forms of Franz Schubert's Great C-Major Symphony : = Exploring Tonal Structure in the New Romantic Style.
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Listener-Based Analysis of Electroacoustic Music : = A Selected Chronology of Methods as Applied to Amproprification #1 and Sorstalansag.
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Thirty Caprices, Op. 107 for Solo Flute by Sigfrid Karg-Elert as Models for Solo Flute Repertoire and Orchestral Excerpts.
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The Theory of Intonation : = Boris Asafiev and the Russian Piano School Tradition.
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Compositional Use of Contemporary Techniques for Clarinet and Bass Clarinet : = A Study of Literature.
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An Analysis of Alfred Schnittke's Polystylism in His String Quartet No. 3 (1983).
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