Music theory.
Overview
| Works: | 327 works in 4 publications in 4 languages | |
|---|---|---|
Titles
Techniques and materials of tonal music : = with an introduction to twentieth-century techniques /
by:
(Language materials, printed)
Techniques and materials of music : = from the common practice period through the twentieth century /
by:
(Language materials, printed)
Theory into practice : = composition, performance and the listening experience /
by:
(Language materials, printed)
The shaping forces in music : = an inquiry into the nature of harmony, melody, counterpoint, form /
by:
(Language materials, printed)
Teaching approaches in music theory : = an overview of pedagogical philosophies /
by:
(Language materials, printed)
The musical idea and the logic, technique, and art of its presentation /
by:
(Language materials, printed)
Mathematics and music : = composition, perception, and performance /
by:
(Language materials, printed)
A Cognitively Inspired Method for the Statistical Analysis of Eighteenth-Century Music, as Applied in Two Corpus Studies.
by:
(Electronic resources)
Composition and cognition = reflections on contemporary music and the musical mind /
by:
(Electronic resources)
A Performer's Analysis and Improvisational Guide to Jazz Sonata for Soprano Saxophone and Piano (1994), by Ramon Ricker (B. 1943).
by:
(Electronic resources)
Orchestral Gestures: Music-Theoretical Perspectives and Emotional Responses.
by:
(Electronic resources)
Three Empirical Studies on the Evolution of Musical Syntax in Popular Music from the 1960s.
by:
(Electronic resources)
Los Angeles Noisescapes: Culture and Aesthetics in the Early Twenty-First Century Experimental 'Noise' Scenes.
by:
(Electronic resources)
The Shape of Sound from Opto-Acoustic Inscription to an Immersive Sonic Art.
by:
(Electronic resources)
Triangles of Soul---Schubert the "Wanderer" and His Music Explained by Neo-Riemannian Graphs.
by:
(Electronic resources)
Joining Forces in Technology: Three Analytical Case Studies of Early Corporate-Sponsored Electronic Music.
by:
(Electronic resources)
The Rise of the Chinese Concerto: A Look into the Developments of Chinese Traditional Instrument Concerti with Western Orchestra.
by:
(Electronic resources)
"Let the Feast of Fools Begin, Batman!": The Traditional and Gothic Carnvialesques in the Sound Design of the "Batman: Arkham" Video Games.
by:
(Electronic resources)
Cross-Sensory Perception in Music and Visual Media: A Neurocognitive Approach to Multimedia Counterpoint.
by:
(Electronic resources)
A Performer's Guide to Astor Piazzolla's "Tango-Etudes pour flute seule": An Analytical Approach.
by:
(Electronic resources)
Beyond the Big Band: Concepts and Strategies in Creative Orchestra Music.
by:
(Electronic resources)
Form and Forms in Wagner's Die Walkure = = Form und Formen in Wagners "Walkure".
by:
(Electronic resources)
Structural Properties and Compositional Processes in Microtonal Equal Temperaments.
by:
(Electronic resources)
The Influences of Argentinean Criollo Dance and Folk Music in the Orchestral Works of Alberto Ginastera.
by:
(Electronic resources)
An Exploration and Analysis of the Unaccompanied Viola Sonatas of Gunter Raphael.
by:
(Electronic resources)
Sunken II Chords and Inwardness: A Correspondence Complex in Robert Schumann's Liederjahr Songs.
by:
(Electronic resources)
How to Apply the Schenkerian Method to the Performance and Teaching of Chopin's and Mozart's Piano Music.
by:
(Electronic resources)
'Why Do You Play The Way You Do?': Musical Improvisation, Identity, and Social Interaction.
by:
(Electronic resources)
Feeling Machines: Immersion, Expression, and Technological Embodiment in Electroacoustic Music of the French Spectral School.
by:
(Electronic resources)
These Decorated Fragments of Time: An Original Composition for Pierrot Ensemble and Electronics.
by:
(Electronic resources)
"Welcome to the World of Pokemon!": Music and the Player's Experience in Chunsoft's Pokemon Mystery Dungeon.
by:
(Electronic resources)
The future of music = towards a computational musical theory of everything /
by:
(Electronic resources)
Musicianship for Musical Theatre: A New Instructional Resource for the Musical Theatre Student Studying Music Theory.
by:
(Electronic resources)
A Jazz Pianist's Guide to Developing Rhythmic Independence through the Adaptation of Afro-Cuban Rhythms.
by:
(Electronic resources)
Diction for Mandarin/Chinese Singers: A Methodology to Achieve Resonant Tone and Vowel Unification in Western Choral Music.
by:
(Electronic resources)
Benjamin Britten's Symphony for Cello and Orchestra, Op. 68: Context, Analysis, and Performer's Guide.
by:
(Electronic resources)
Relationships between the Rhythm Sight-Reading Strategies and Sensory Learning Styles of Florida All-State Musicians: A Verbal Protocol Analysis.
by:
(Electronic resources)
Radical Reclamations and Musical Resonances in Hamilton: An American Musical.
by:
(Electronic resources)
"Some Words when Spoken Can't Be Taken Back": Self and Mental Health in Grunge Music.
by:
(Electronic resources)
Ghost-Keys in Bach, Debussy, and Schumann; and Two Movements from Brooklyn Narcissus, for Soprano and Chamber Orchestra.
by:
(Electronic resources)
Amy Beach for The New Generation: The Effects of Increased Interest in Beach's Works on The Current Place in The Performance Canon of Concerto for Piano and Orchestra in C Sharp Minor, Op. 45.
by:
(Electronic resources)
An Original Band Composition: Including A Guide for Creating Instructional Materials Based on Performance Literature.
by:
(Electronic resources)
Four Contemporary Trumpet Sonatas: A Recording Project and Performer's Guide.
by:
(Electronic resources)
Born in The Twentieth Century: Contemporary Flute Works by East Asian Female Composers.
by:
(Electronic resources)
Aesthetics and Poietics of Sound Material, Form and (Absent) Body in Electronic Music: Conceptual Tools for the Computer Musician, and Their Applications.
by:
(Electronic resources)
The Analysis and the Interpretation of Sergei Prokofiev's Sonata for Flute and Piano, Op. 94 = = 普羅高菲夫《D大調長笛與鋼琴奏鳴曲作品94》之分析與演奏詮釋.
by:
(Electronic resources)
A Transcription and Performance Edition of Four Last Songs by Richard Strauss for Solo Double Bass.
by:
(Electronic resources)
Musical Sound and Spatial Perception: How Music Structures Our Sense of Space.
by:
(Electronic resources)
Stravinsky, Balanchine, and Agon: An Intersection of Musical Movement and Dance.
by:
(Electronic resources)
How Does the Pronunciation of Native Languages Affect Beginning Singers? A Research Focusing on Native Mandarin Chinese and American English Speaking Singers.
by:
(Electronic resources)
Johannes Brahms's Funf Ophelia-Lieder: Performance History, Cultural Context, and Character Study as It Pertains to Johannes Brahms's Funf Ophelia-Lieder: A Performer's Perspective.
by:
(Electronic resources)
Harmonic Function in the Late Nineteenth-century Chromatic Tonality of Wagner and Strauss: A Study of Extensions to Classical Prolongational Practices.
by:
(Electronic resources)
Transcendental Oscillations in Popular and Classical Music since the 1800s.
by:
(Electronic resources)
A Pedagogical Approach for Incorporating Extended Techniques into the Undergraduate Clarinet Curriculum.
by:
(Electronic resources)
The Music of Chaya Czernowin: An Analytic Approach Based on Embodied Cognition and Crossmodal Mappings.
by:
(Electronic resources)
On Wooden Horses: Music, Animals, and Heritage in Post-Socialist Mongolia.
by:
(Electronic resources)
The Dynamics of Composer-Performer Relationships: A Study of Long-Term Creative Collaboration.
by:
(Electronic resources)
Planal Analysis and the Emancipation of Timbre: Klangfarbenmelodie and Timbral Function in Mahler, Schoenebrg, and Webern.
by:
(Electronic resources)
Music Education Transformation: How Orff, Kodaly, and Suzuki Promote Academic Success.
by:
(Electronic resources)
Variations on a Theme of Robert Schumann: Intertextual References and Private Meaning in Clara Schumann's Opus 20 and Johannes Brahms's Opus 9.
by:
(Electronic resources)
Hearing in Time: Bergsonian Concepts of Time in Maurice Ravel's L'Heure Espagnole.
by:
(Electronic resources)
The Classical-period Development Section: Compositional Strategies of Haydn, Mozart, Beethoven, and Schubert.
by:
(Electronic resources)
Tonicization, Periods, and Period-like Structures in the Music of Dvorak.
by:
(Electronic resources)
Franz Schubert's Use of Harmony to Express the Texts in His Musical Settings of Franz Grillparzer's Poetry.
by:
(Electronic resources)
Gerhard Krapf, Organist: His Life, Pedagogy, Works, and Place in the North American Orgelbewegung.
by:
(Electronic resources)
Harmonic Refraction, Structural Thresholds, and the Chromatic Prism: A Neo-Riemannian Transformational and Geometrical Approach to the Music of Pyotr Ilyich Tchaikovsky.
by:
(Electronic resources)
Diffusion-Based Music Analysis: A Non-Linear Approach for Visualization and Interpretation of the Geometry of Music.
by:
(Electronic resources)
Partial Displacement: En/Decoding Spectral Thinking in Tristan Murail's Memoire/Erosion, and Two Compositions for String Quartet.
by:
(Electronic resources)
Harmonic and Thematic Interactions in Richard Strauss's Vier Letzte Lieder: A Synthesis of Two Analytical Approaches.
by:
(Electronic resources)
Dreaming of Single Hexachords in an Infinite Expanse: An Analysis of Movement II of Donald Martino's Notturno and an Original Composition, Wasted:Awake for String Trio, Clarinet and Electronics.
by:
(Electronic resources)
An Agile Musicology: Improvisation in Corporate Management and Lean Startups.
by:
(Electronic resources)
The Emotional Illusion of Music: Contemporary Western Musical Aesthetics in Dialogue with Ancient Eastern Philosophy.
by:
(Electronic resources)
Harmonic Schemata of Popular Music: An Empirical Investigation of Analytical Patterns and Their Mental Representations.
by:
(Electronic resources)
Spectacles of Sensational Science: Locating the "Real" Bodies of Verismo Opera 1880-1926.
by:
(Electronic resources)
Analytical Problems of Aesthetics, Genre, and Large-Scale Form in Germanic Music, 1905-15.
by:
(Electronic resources)
Analysis as Dialogue: Bakhtinian Narrative Theory in the Music of Dmitri Shostakovich.
by:
(Electronic resources)
Igor Stravinsky: Hidden Rhythmic Patterns and Codes in His Orchestral Music.
by:
(Electronic resources)
"Night and Silence - Who Is Here?": The Impact of Vocal Variety in Arnold Schoenberg's Early Sprechstimmen.
by:
(Electronic resources)
Mindfulness for Musicians: Bringing Sport Psychology and Mindfulness-based Therapies to the Practice Room and the Concert Stage.
by:
(Electronic resources)
The Unequal Tuning System of Well-Temperament and Its Influence on Key in J. S. Bach's Well-Tempered Clavier: A Computational Study on the Minor-Mode Fugues in Book I.
by:
(Electronic resources)
A Model for Engaging Psalms in Liturgical and Recreational Settings: A History-Based Account in Support of Transcribing Claude Goudimel's Homorhythmic Harmonization of Genevan Psalter Melodies.
by:
(Electronic resources)
"What I Do Is All I Have": Gesture and Contour in Harrison Birtwistle's Trio for Violin, Cello, and Piano.
by:
(Electronic resources)
Repurposing Sound: A Conductor's Guide and a Focused Analysis of Viet Cuong's Wind Ensemble Version of Re(new)al.
by:
(Electronic resources)
The Pedagogical Reasoning and Action of Popular Music Theory Professors in Higher Popular Music Education Programs.
by:
(Electronic resources)
There Is a Body in the Sound: Timbre and Embodiment in the Overlap of Film, Music, and Dance.
by:
(Electronic resources)
The Analysis of Multimedia Through the Lens of Music Theory: A Model for Analyzing the Interaction of Auditory, Visual, and Narrative Stimuli in Multimediatic Artforms.
by:
(Electronic resources)
Power Chords and Politics: Guitar Distortion as a Topic in American Rock.
by:
(Electronic resources)
Brahms's Serenade of Solitude: Kreisler's Philosophy of "The Artist in Love" and the Adagio non troppo from the Serenade in a Major, Op. 16.
by:
(Electronic resources)
A Performance Practice Guide for :only.just.almost.never for Solo Vibraphone by Jay Alan Yim.
by:
(Electronic resources)
The Sound of Neoliberalism: The Role of Music and Sound in Neoliberal Culture.
by:
(Electronic resources)
Seven Nocturnes for Solo Piano: An Original Composition with Critical Essay and Suggestions for the Performer.
by:
(Electronic resources)
Pop Goes the Theory: Incorporating Popular Music into the Undergraduate Music Theory Curriculum.
by:
(Electronic resources)
The Spirit Within: How Spiritual Folklore Has Influenced Western Classical Music = = El espiritu interior: Como el folklore espiritual ha influenciado a la musica occidental.
by:
(Electronic resources)
Scythianism in Sergei Prokofiev's Second Piano Concerto in G Minor, Op.16.
by:
(Electronic resources)
Contrapuntal Strategies in the Music of Giralomo Frescobaldi (1583-1643): Reimagining Polyphonic Genres.
by:
(Electronic resources)
Escaping Time: Messiaen's Musical Language, Religious Symbolism, and Undermining Time in Quatour pour la fin du Temps.
by:
(Electronic resources)
Music Borrowing in Organ Literature Through History: Couperin, Bach, Brahms, Ives, Alain, and Cage.
by:
(Electronic resources)
Influence and Innovation: Beethoven's Impact on the Sonatas for Piano and Cello by Mendelssohn and Chopin.
by:
(Electronic resources)
Understanding Samuel Barber's Piano Idiom: A Comparative Analysis of the Hermit Songs, Op. 29 and the Sonata for Piano, Op. 26.
by:
(Electronic resources)
A Study of Selected Collaborations: Preparing and Coaching Piano Chamber Music for Performance.
by:
(Electronic resources)
A Performance Practice Guide to Segunda Sonata-Fantasia for Violin and Piano by Heitor Villa-Lobos.
by:
(Electronic resources)
Reframing the Wagnerian Form Debate: Continuity, Working Narrative, and Operatic Convention in Der Ring Des Nibelungen.
by:
(Electronic resources)
Russian Jazz with Bolshevik Trimmings: Modernist Composer-Pianists in Revolutionary Russia.
by:
(Electronic resources)
Mathematicians and Music: Implications for Understanding the Role of Affect in Mathematical Thinking.
by:
(Electronic resources)
Beethoven's Egmont, Count Egmont: An Imaginary Reading of Beethoven's Overture.
by:
(Electronic resources)
A Performer's Approach to the Horn Solo and Chamber Works of Thomas E. Weaver.
by:
(Electronic resources)
In Search of Clear Execution: An Eighteenth-Century Approach to Franz Schubert's Piano Sonata in a Major D. 959.
by:
(Electronic resources)
Rachmaninoff's Performance Style as Heard in His Recordings: An Artistic and Technical Survey.
by:
(Electronic resources)
Motivic Metamorphosis: Modelling Intervallic Transformations in Schoenberg's Early Works.
by:
(Electronic resources)
Franz Schubert's Unfinished Thoughts: Recurrent Strategies in His Last Sonata Forms.
by:
(Electronic resources)
Recurrence and (Dis)Continuity as Identity in Chen Yi's Trans-Cultural Musical Style.
by:
(Electronic resources)
An Analytical Study of Dies irae Sequences by Schnittke, Penderecki, and Han.
by:
(Electronic resources)
Bridging the Gap : = The Practical Application of Post-tonal Musical Analysis to Performance Practice Using George Crumb's Ancient Voices of Children.
by:
(Electronic resources)
Messiaen as the "Rhythmician" : = Study and Performance Guides of Olivier Messiaen's Quatre Etudes De Rythme.
by:
(Electronic resources)
Music Theory and the Music Therapy Curriculum : = A Descriptive Study and Implications for the Curriculum.
by:
(Electronic resources)
Musical Rhetoric and Improvisation in the Unmeasured Fantasias of Johann Gottfried Muthel.
by:
(Electronic resources)
Performance Approach in the Recorded History of Alban Berg's Piano Sonata, Op. 1.
by:
(Electronic resources)
Leos Janacek : = The Theory of Speech Melody in His Piano Sonata 1. X. 1905 and In The Mists.
by:
(Electronic resources)
The "Se Cerca" Script : = Conventions and Creativity in an Eighteenth-Century Aria Tradition.
by:
(Electronic resources)
Deciphering the Arabesque : = Genre Mixture and Formal Digression in the Early Romantic Piano Concerto.
by:
(Electronic resources)
The 1841, 1851, and Mahler Versions of Robert Schumann's Symphony No. 4 in D Minor : = A Comparative Investigation into Cyclic Form and Dramatic Structure.
by:
(Electronic resources)
Du Fay's Magnetic Counterpoint : = Experiencing Melody, Harmony, Texture, & Form in the Tenor Masses.
by:
(Electronic resources)
That Sound in Your Head : = Guitar Tone Values in the Entrepreneurial Age.
by:
(Electronic resources)
Examining the Interaction of Instrumental Parts : = An Approach to Analyzing Chamber Music Using the String Quartets of Shostakovich.
by:
(Electronic resources)
On Music Theory Expertise : = A Cognitive Framework and Galant Schema Theory Case Study.
by:
(Electronic resources)
Gesture in Steve Reich's Music and Its Signification : = A Referential Approach to His Process, Stylistic, and Postminimalist Works.
by:
(Electronic resources)
On the Transmigration of the Arab Soul : = A Case Study in Contemporary Composition.
by:
(Electronic resources)
Play Makes Perfect : = An Exploration of Game and Play Elements in Composition and Performance.
by:
(Electronic resources)
Going for the Goals : = How Teachers and Students Set and Meet Goals in Music Composition and Psalms and Meditations for Flexible Ensemble.
by:
(Electronic resources)
The Connection Between Text and Music in Hector Berlioz's Les Nuits d'ete from a Singer's Perspective.
by:
(Electronic resources)
Rhythm, Groove, and Conductor Considerations in Jessie Montgomery's Strum and Starburst.
by:
(Electronic resources)
The Cello Exercise Index: Considering Technique Resources for Cello Teachers and Students.
by:
(Electronic resources)
Constructing an Architectural Model of Music: A Comparative Study of Beethoven's Ninth Symphony and Van Alen's Chrysler Building.
by:
(Electronic resources)
Intercultural Music and Meaning in Akin Euba's Chaka: An Opera in Two Chants.
by:
(Electronic resources)
Temporality in the First Movement of Trio No.1 for Piano, Violin, and Cello (1954) by Leon Kirchner in Light of Jonathan Kramer's Approach to Temporal Study.
by:
(Electronic resources)
Transcendent Machine: An Analysis of ELiane Radigue's ARP 2500 Synthesizer Music.
by:
(Electronic resources)
Transnational Historiography and Twentieth-Century Modernity: Rachmaninoff Beyond Russia.
by:
(Electronic resources)
"Let the Music Win!" Towards a Reimagined Choral Pedagogy: A Phenomenological Case Study of Chorister Experience at the Toronto Children's Chorus.
by:
(Electronic resources)
A Pedagogical Analysis of Zhao Zhang's Pi Huang: Representing Peking Opera on the Piano.
by:
(Electronic resources)
Musical Expression in German Neo-Baroque Organ Music: Case Studies of Selected Works by Hugo Distler and Ernst Pepping.
by:
(Electronic resources)
Linguistic Influence in Digital Music: Toward a Critical Theory for Music Software Practices.
by:
(Electronic resources)
Scoring the Unknown: Rethinking Fixity and Openness in Western Art Music Notation.
by:
(Electronic resources)
Genre Experience Maps and Their Role in the Analysis of Post-2000s Popular Music.
by:
(Electronic resources)
A Performance Guide to Josh Oxford's Luminous Mysteries Rosary Sonata: Situating a Commission Within Historical, Musical, Narrative, and Technical Contexts, With Violin Part in Semi-Tablature Notation.
by:
(Electronic resources)
A Performance Guide for Eight Selected Chinese Art Songs Based on Song Ci from the Song Dynasty.
by:
(Electronic resources)
Servant Leader Choral Conductor: The Effect of Servant Leadership in Community Choirs and Community Partnerships.
by:
(Electronic resources)
Analysis of Selected Pieces Influenced by Taiwanese Aboriginal Music for Solo Violin and String Quartet.
by:
(Electronic resources)
A Miracle of Virtuosity : = Joseph Achron as a Prodigy Performer-Composer.
by:
(Electronic resources)
The Effect of Perceived Complexity and Formal Location on Musical Preference.
by:
(Electronic resources)
The Improvised Text : = Bodily Regimes of Piano Performance in the Nineteenth Century.
by:
(Electronic resources)
Performer Interaction and States of Attention as Frameworks for Musical Analysis.
by:
(Electronic resources)
Analyzing Jazz Improvisation with Voice-Leading Models : = A Study of Saxophonists' Harmonic Variations on Rhythm Changes.
by:
(Electronic resources)
Form, Punctuation, and Voice Leading in W. A. Mozart's Concerto First Movements.
by:
(Electronic resources)
An Introduction to Five Selected Modern Korean Art Songs, Gagok, by Composers Guisook Lee and Jiyoun Chung.
by:
(Electronic resources)
A Meeting Between East and West : = A Study of Three Works for Flute and Piccolo Based on Balinese Gamelan Music.
by:
(Electronic resources)
An Introduction to the Takadimi Method and a Curriculum Framework for Its Application in Collegiate Choral Rehearsals.
by:
(Electronic resources)
An Interdisciplinary Approach to Music Theory Pedagogy : = How Bloom's Taxonomy Promotes Music Literacy in the First Year Music Theory Sequence for Undergraduates.
by:
(Electronic resources)
Dramatic Genres, Musical Genres : = Thematic Uses of Music in Shakespearean Drama.
by:
(Electronic resources)
The Development of Slurs in Violin Bowing during the Italian Seicento : = Printing and Rhetoric.
by:
(Electronic resources)
The Music of Sylvano Bussotti and Its Interpretation : = Biopolitics, Intersubjectivity, and Modernist Canon Formation.
by:
(Electronic resources)
Theorizing Sonata Form from the Margins : = The Keyboard Sonata in Eighteenth-Century Spain.
by:
(Electronic resources)
The Classical Sonata Forms of Franz Schubert's Great C-Major Symphony : = Exploring Tonal Structure in the New Romantic Style.
by:
(Electronic resources)
Listener-Based Analysis of Electroacoustic Music : = A Selected Chronology of Methods as Applied to Amproprification #1 and Sorstalansag.
by:
(Electronic resources)
Thirty Caprices, Op. 107 for Solo Flute by Sigfrid Karg-Elert as Models for Solo Flute Repertoire and Orchestral Excerpts.
by:
(Electronic resources)
The Theory of Intonation : = Boris Asafiev and the Russian Piano School Tradition.
by:
(Electronic resources)
Compositional Use of Contemporary Techniques for Clarinet and Bass Clarinet : = A Study of Literature.
by:
(Electronic resources)
An Analysis of Alfred Schnittke's Polystylism in His String Quartet No. 3 (1983).
by:
(Electronic resources)
Meitena "Gu shi qu" zuo pin shi si, er shi liu, si shi ba zhi fen xi ji quan shi = = An Analysis and Interpretation of Fairy Tales, Op.14, 26, 48 by Nikolai Karlovich Medtner.
by:
(Electronic resources)
Functional Transformations and Octatonality in Selected Works by George Crumb.
by:
(Electronic resources)
The Order of Pitches: Music Theory, Science, and Western Learning in 17th-Century China.
by:
(Electronic resources)
Analyzing Postcolonial Creativity: A Novel Theory for East-Asian New Music and Film Soundtracks.
by:
(Electronic resources)
The Nordic Romantic: A Contextualized Study of Niels W. Gade's Sonata No.2 in D Minor, Op. 21a, for Viola and Piano.
by:
(Electronic resources)
Compassionate Music Teaching With Adults Learning Recreationally in Lessons: A Narrative Inquiry.
by:
(Electronic resources)
From Small to Large: Observations on George Crumb's Eleven Echoes of Autumn for Alto Flute, Clarinet, Violin, and Piano.
by:
(Electronic resources)
Enlivening Baroque Solo Repertoire: Thomas Demenga's ECM Recording of J.S. Bach's Fourth Cello Suite.
by:
(Electronic resources)
Post-Classical Sonata Forms in the Piano Works of Chopin, Schumann, Liszt, and Brahms: Romanticism Within Classicism.
by:
(Electronic resources)
Engaging With Musical Theater Practitioners' Vernacular Musical Knowledge as Music-Theoretical Practice.
by:
(Electronic resources)
Playing With Shadows: Tools for Interactive DMX Design in Max/MSP for Musical Composition.
by:
(Electronic resources)
Enhancing Students' Motivational Capacities in Music Classrooms Through Gamification of Curriculum.
by:
(Electronic resources)
Dualist Approaches to Resonance in French Music and Music Theory, 1900-1960.
by:
(Electronic resources)
"It's All the Same": Genre Generalization in the American Music Industry.
by:
(Electronic resources)
The Development of the Piano Intermezzo from the Nineteenth to Twenty-First Centuries.
by:
(Electronic resources)
A Performance Guide of Cecile Chaminade's Early Piano Works: Piano Sonata Op. 21, Six Etudes de Concert Op. 35, and Concertstuck Op. 40.
by:
(Electronic resources)
The Past, Present, and Future of Copyright Law's Musical Work: A View From Music Theory.
by:
(Electronic resources)
Show more
Fewer
Subjects