Cinematography.
概要
| 作品: | 136 作品在 5 項出版品 5 種語言 | |
|---|---|---|
書目資訊
Le mouvement de camera 3D: Projet d'interface tangible d'animation de camera virtuelle.
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From Italian American Icon to Working Class Hero: Perspectives on Pietro di Donato's "Christ in Concrete".
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From Attendance to Performance: Spectatorship, "Liveness," and the Emergence of Live Cinema.
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Spatial Truths and Temporal Fictions: Cinematic Representations of the American City 1938-1978.
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I Saw That in a Movie: A Hermeneutic Study on Students' Historical Thinking Abilities.
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Le cinematographe contemplateur dans la transmission du territoire nordique quebecois.
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Affective Intensities and Evolving Horror Forms: From Found Footage to Virtual Reality.
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The Art of Collecting Fancy Paper: Understanding the Assignment of Values to Collecting Alternative Movie Posters.
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A Disputed Country : = Italy, Migrants, and National Identity in Contemporary Films and Documentaries.
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Cinematic storytelling : = the 100 most powerful film conventions every filmmaker must know /
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Image-based lighting in integration of computer-generated imagery and live-action for cinematic visual effects.
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The audible future: Dolby Atmos and the immersive sound of science fiction in contemporary science fiction.
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Embodied Cognition and Cinema: The Sensory-Motor Grounding of Abstract Meaning in Film.
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The societal allure of fear: Horror films as representations of current day cultural fears.
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Otherworldly Thresholds in Architecture and Cinema (Based on a Study of Shinto Shrines).
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Fessenden's Worlds: Biosys. A Short Film Inspired by Edmond Hamilton's "Fessenden's Worlds".
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Old Acquaintances and New Sisterhoods: Female Friendship in Classical Hollywood Cinema.
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Nation and Nurture : = Cultural Anthropology, World War II, and the Birth of National Cinema Studies.
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"The line between life and death in the high seas is very thin, almost invisible": Diasporic Vietnamese Remembrance.
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Methods and Applications for Portrait Selection from Video, Light Field Photography, and Light Field Video Editing.
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Representation of the National Trauma in Train to Busan: Based on a Semiotic Approach /
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Cinematography : = theory and practice : imagemaking for cinematographers, directors & videographers /
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The visual story : = creating the visual structure of film, TV and digital media /
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Design essentials for the motion media artist = a practical guide to principles & techniques /
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Utopias, Magic Realism and Rebellious Spirits: Films of Christine Parker 1990 to 2000.
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