Cinematography.
Overview
| Works: | 108 works in 5 publications in 5 languages | |
|---|---|---|
Titles
The Image in dispute : = art and cinema in the age of photography /
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Cinematography : = theory and practice : imagemaking for cinematographers, directors & videographers /
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The visual story : = creating the visual structure of film, TV and digital media /
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Design essentials for the motion media artist = a practical guide to principles & techniques /
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Image-based lighting in integration of computer-generated imagery and live-action for cinematic visual effects.
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"Looking to its Laurels": Representations of Cinema in Theatre, 1915--1927.
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Repercussions of violence in the films of Clint Eastwood: The changing paradigm.
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Embodied Cognition and Cinema: The Sensory-Motor Grounding of Abstract Meaning in Film.
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"The line between life and death in the high seas is very thin, almost invisible": Diasporic Vietnamese Remembrance.
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Nightmares from the Past: Kaiki eiga and the Dawn of Japanese Horror Cinema.
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From Italian American Icon to Working Class Hero: Perspectives on Pietro di Donato's "Christ in Concrete".
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Spatial Truths and Temporal Fictions: Cinematic Representations of the American City 1938-1978.
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African State of Mind: Hip Hop, Identity and the Effects of Africa Rising.
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Revolution's Effect of Movie Title Sequences: An Analysis on the Movie Title Sequences Created Before and After the Revolutions of Cuba (1959), Iran (1979), and Venezuela (1999).
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Affective Intensities and Evolving Horror Forms: From Found Footage to Virtual Reality.
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From Script to Screen: Connecting Creatives in 360° Virtual Reality Filmmaking.
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The Forest Is Not What It Seems: An Ecocritical Study of American Horror Films.
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Utopias, Magic Realism and Rebellious Spirits: Films of Christine Parker 1990 to 2000.
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Globalization and New Bollywood's Hat-Ke (Different) Directors: Nation, Gender, and Identity in the Films of Vishal Bhardwaj, Anurag Kashyap, and Abhishek Chaubey.
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Atmosphere, architecture, cinema = thematic reflections on ambiance and place /
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Cinematic storytelling : = the 100 most powerful film conventions every filmmaker must know /
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Nuts and bolts filmmaking = practical techniques for the Guerilla filmaker [sic] /
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The emerging practice of web-based collaboration and production in nonfiction film.
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Animation before the war: Nation, identity, and modernity in Japan from 1914-1945.
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Sometimes the Sense of Time is lost or Disturbed while watching Paul Sharits' films.
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Emptying the cabinet: An exploration of the origins, impact and legacy of the Expressionist film movement of post-World War I Germany.
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Abjection, Telesthesia, and Transnationalism: Incest in Park Chan-wook's Oldboy.
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The audible future: Dolby Atmos and the immersive sound of science fiction in contemporary science fiction.
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Gothic agents of revolt: The female rebel in "Pan's Labyrinth", "Alice's Adventures in Wonderland" and "Through the Looking Glass".
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The societal allure of fear: Horror films as representations of current day cultural fears.
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Le mouvement de camera 3D: Projet d'interface tangible d'animation de camera virtuelle.
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"The Rise Of The Robots" A sci-fi journey of creativity and collaboration.
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From Attendance to Performance: Spectatorship, "Liveness," and the Emergence of Live Cinema.
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Le cinematographe contemplateur dans la transmission du territoire nordique quebecois.
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Sound Images, Acoustic Culture, and Transmediality in 1920s-1940s Chinese Cinema.
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Making Lemonade: Examining Female Empowerment Through Visual Music Media.
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Otherworldly Thresholds in Architecture and Cinema (Based on a Study of Shinto Shrines).
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I Saw That in a Movie: A Hermeneutic Study on Students' Historical Thinking Abilities.
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