Cinematography.

Reels of Revolution: Legitimizing the Democratic Republic of Vietnam and Building National Unity Through Early Revolutionary Cinema. by: (Electronic resources)

Expanded cinema / by: (Language materials, printed)

Video basics 6 / by: (Language materials, printed)

The visual story : = creating the visual structure of film, TV and digital media / by: (Language materials, printed)

The cinematic / by: (Language materials, printed)

Looking at movies : = an introduction to film / by: (Language materials, printed)

Aesthetics of film / by: (Language materials, printed)

Becoming film literate = the art and craft of motion pictures / by: (Language materials, printed)

The Steadicam operator's handbook by: (Language materials, printed)

Film : = a critical introduction / by: (Language materials, printed)

More contemporary cinematographers on their art by: (Electronic resources)

Nuts and bolts filmmaking = practical techniques for the Guerilla filmaker [sic] / by: (Electronic resources)

Visual Effects in Commercials. by: (Electronic resources)

Gas Mask X. by: (Electronic resources)

The emerging practice of web-based collaboration and production in nonfiction film. by: (Electronic resources)

Experimental film and photochemical practices by: (Electronic resources)

Sound Images, Acoustic Culture, and Transmediality in 1920s-1940s Chinese Cinema. by: (Electronic resources)

L'experience-Mouvement : Animation Performative en Realite Virtuelle. by: (Electronic resources)

Fast Glass: Modernity, Technology, and the Cinematic Lens. by: (Electronic resources)

Monstruosidad y aesthet(h)ical encounters en la produccion cultural latinoamericana contemporanea. Tres posibilidades de aproximacion: Peru, Brasil y Mexico = = Monstrosity and Aesthet(h)ical Encounters in Contemporary Latin American Cultural Production. Three Possibilities of Approach: Peru, Brazil and Mexico. by: (Electronic resources)

Breaking Stereotypes: A Foreign Film Documentary. by: (Electronic resources)

Thinking Through Fear in Film and Haunts. by: (Electronic resources)

Making Lemonade: Examining Female Empowerment Through Visual Music Media. by: (Electronic resources)

The Forest Is Not What It Seems: An Ecocritical Study of American Horror Films. by: (Electronic resources)

Utopias, Magic Realism and Rebellious Spirits: Films of Christine Parker 1990 to 2000. by: (Electronic resources)

Globalization and New Bollywood's Hat-Ke (Different) Directors: Nation, Gender, and Identity in the Films of Vishal Bhardwaj, Anurag Kashyap, and Abhishek Chaubey. by: (Electronic resources)

Forgotten Notes: Narrative Film Music in DEFA Cinema. by: (Electronic resources)

Married to Fight: The Power of the Spoken Word. by: (Electronic resources)

Communicating Graphic Design Career Experiences Using Feature Film Screenplay and Production Design. by: (Electronic resources)

Methods and Applications for Portrait Selection from Video, Light Field Photography, and Light Field Video Editing. by: (Electronic resources)

AfroAm: A Virtual Film Production Group. by: (Electronic resources)

The Directing Vision, Style, and Development of a Short Film: Heroes of Edelstein. by: (Electronic resources)

A Disputed Country : = Italy, Migrants, and National Identity in Contemporary Films and Documentaries. by: (Electronic resources)

Franchise Aesthetics : = Looking at Hybrid Live-Action/Animated Images. by: (Electronic resources)

Nation and Nurture : = Cultural Anthropology, World War II, and the Birth of National Cinema Studies. by: (Electronic resources)

Thoughts of Spirits in Madness: Virtual Production Animation and Digital Technologies for the Expansion of Independent Storytelling. by: (Electronic resources)

Embracing the Success and Setbacks of the Filmmaking Process. by: (Electronic resources)

Spirit Dive. by: (Electronic resources)

a landscape holds you still. by: (Electronic resources)

A.I. in Cinema: The Variations of Steamboat Willie. by: (Electronic resources)

In My Head. by: (Language materials, printed)

Making "Truck Month": The why and how of shooting a feature. by: (Language materials, printed)

Obstacle as inspiration: Producing "Imago Dei". by: (Language materials, printed)

"Indefinity": Crafting a Cross-Genre Redemptive Screenplay. by: (Language materials, printed)

Repercussions of violence in the films of Clint Eastwood: The changing paradigm. by: (Language materials, printed)

Digital imperfections: Analog processes in 21st century cinema. by: (Electronic resources)

Contemplator : = A New Museum Visitor Identity. by: (Electronic resources)

Representation of the National Trauma in Train to Busan: Based on a Semiotic Approach / by: (Electronic resources)

Cinematic storytelling : = the 100 most powerful film conventions every filmmaker must know / by: (Language materials, printed)

Electronic moviemaking / by: (Language materials, printed)

The Image in dispute : = art and cinema in the age of photography / by: (Language materials, printed)

Fugitive images : = from photography to video / by: (Language materials, printed)

Film : = an introduction / by: (Language materials, printed)

Real-time cinematography for games / by: (Language materials, printed)

How movies work / by: (Language materials, printed)

Practical cinematography by: (Electronic resources)

DSLR cinema = crafting the film look with video / by: (Electronic resources)

Every frame a Rembrandt = art and practice of cinematography / by: (Electronic resources)

Image-based lighting in integration of computer-generated imagery and live-action for cinematic visual effects. by: (Language materials, printed)

John Cassavetes, beyond the mask of independence. by: (Language materials, printed)

Documentary : = witness and self-revelation / by: (Language materials, printed)

A Node Based Volume Modeling and Rendering Toolkit for Python. by: (Language materials, printed)

Still Life. by: (Language materials, printed)

Mass Media, Mass Culture and Contemporary Italian Fiction. by: (Language materials, printed)

Animation before the war: Nation, identity, and modernity in Japan from 1914-1945. by: (Electronic resources)

Sometimes the Sense of Time is lost or Disturbed while watching Paul Sharits' films. by: (Electronic resources)

Quixotic Parody in Film. by: (Electronic resources)

The literati lenses: Wenren landscape in Chinese cinema. by: (Electronic resources)

Emptying the cabinet: An exploration of the origins, impact and legacy of the Expressionist film movement of post-World War I Germany. by: (Electronic resources)

Video Volume. by: (Electronic resources)

Volumetric Cloud Rendering: An Animation of Clouds. by: (Electronic resources)

The effect of color on emotions in animated films. by: (Electronic resources)

Transhumanism in film. by: (Electronic resources)

Youth and YouTube: The Evolution of User-Generated Music Videos. by: (Electronic resources)

Abjection, Telesthesia, and Transnationalism: Incest in Park Chan-wook's Oldboy. by: (Electronic resources)

The audible future: Dolby Atmos and the immersive sound of science fiction in contemporary science fiction. by: (Electronic resources)

Fear and penury in Los Angeles. by: (Electronic resources)

Embodied Cognition and Cinema: The Sensory-Motor Grounding of Abstract Meaning in Film. by: (Electronic resources)

"The line between life and death in the high seas is very thin, almost invisible": Diasporic Vietnamese Remembrance. by: (Electronic resources)

Gothic agents of revolt: The female rebel in "Pan's Labyrinth", "Alice's Adventures in Wonderland" and "Through the Looking Glass". by: (Electronic resources)

The societal allure of fear: Horror films as representations of current day cultural fears. by: (Electronic resources)

Noir and Graphic Novel Film Adaptation. by: (Electronic resources)

Global Versus Local: The Transformation of Thai Cinema. by: (Electronic resources)

"Chaser": A modern film noir. by: (Electronic resources)

Nightmares from the Past: Kaiki eiga and the Dawn of Japanese Horror Cinema. by: (Electronic resources)

Le mouvement de camera 3D: Projet d'interface tangible d'animation de camera virtuelle. by: (Electronic resources)

The techniques of cinema for head-mounted displays. by: (Electronic resources)

Camino, a journey to comedy and how I made my first feature film. by: (Electronic resources)

The fast one: The making of a feature film in three acts. by: (Electronic resources)

"The Rise Of The Robots" A sci-fi journey of creativity and collaboration. by: (Electronic resources)

In Moving: Filmmaking and the Kinaesthetics of Media Technology. by: (Electronic resources)

The delay of an establishing shot in narrative film openings. by: (Electronic resources)

MDD, What and How A Motion Graphics Short Film. by: (Electronic resources)

Otherworldly Thresholds in Architecture and Cinema (Based on a Study of Shinto Shrines). by: (Electronic resources)

From Italian American Icon to Working Class Hero: Perspectives on Pietro di Donato's "Christ in Concrete". by: (Electronic resources)

Feature Film and Dance Film: A Match Made in Movement. by: (Electronic resources)

From Attendance to Performance: Spectatorship, "Liveness," and the Emergence of Live Cinema. by: (Electronic resources)

Brava & Gloria: A Mexican Counterstory Screenplay. by: (Electronic resources)

Race and Reconstruction on Film. by: (Electronic resources)

The Importance of Visual Effects in Film Narrative and Film Theory. by: (Electronic resources)

Spatial Truths and Temporal Fictions: Cinematic Representations of the American City 1938-1978. by: (Electronic resources)

African State of Mind: Hip Hop, Identity and the Effects of Africa Rising. by: (Electronic resources)

The Culling. by: (Electronic resources)

Preparation for Directing Fairy Bad Mother: A Fantasy Comedy Film. by: (Electronic resources)

I Saw That in a Movie: A Hermeneutic Study on Students' Historical Thinking Abilities. by: (Electronic resources)

Peter Pan 360° : construction d'univers narratifs et immersion. by: (Electronic resources)

Le cinematographe contemplateur dans la transmission du territoire nordique quebecois. by: (Electronic resources)

Revolution's Effect of Movie Title Sequences: An Analysis on the Movie Title Sequences Created Before and After the Revolutions of Cuba (1959), Iran (1979), and Venezuela (1999). by: (Electronic resources)

Affective Intensities and Evolving Horror Forms: From Found Footage to Virtual Reality. by: (Electronic resources)

Narrative Virtual Reality Filmmaking: A Communication Conundrum. by: (Electronic resources)

The Visit: A Lighting Design. by: (Electronic resources)

The Scenic Design of A Little Night Music. by: (Electronic resources)

From Script to Screen: Connecting Creatives in 360° Virtual Reality Filmmaking. by: (Electronic resources)

Fessenden's Worlds: Biosys. A Short Film Inspired by Edmond Hamilton's "Fessenden's Worlds". by: (Electronic resources)

In Neorealism's Wake: The Italian Cinema of Reconstruction. by: (Electronic resources)

Old Acquaintances and New Sisterhoods: Female Friendship in Classical Hollywood Cinema. by: (Electronic resources)

Elevating the Ugly: Technology and Aesthetics in the Films of Lars Von Trier. by: (Electronic resources)

Learn to Understand Movies. by: (Electronic resources)

The Art of Collecting Fancy Paper: Understanding the Assignment of Values to Collecting Alternative Movie Posters. by: (Electronic resources)

Scents of Memory in the Film: Tender scent. by: (Electronic resources)

Virtual Reality: the Future of Nonfiction Media. by: (Electronic resources)

The Creative Link : = Creativity, Resilience, Connection and Story. by: (Electronic resources)

The Creative Practice of Hong Kong Film Music. by: (Electronic resources)

Playing with Cinema : = The Development of Audio-Visual Style in Video Games. by: (Electronic resources)