American fiction - History and criticism. - 20th century
概要
| 作品: | 294 作品在 41 項出版品 41 種語言 | |
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書目資訊
Freak shows and the modern American imagination : = constructing the damaged body from Willa Cather to Truman Capote /
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Conflicting stories : = American women writers at the turn into the twentieth century /
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Writing the Apocalypse : = historical vision in contemporary U.S. and Latin American fiction /
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Witness through the imagination : = Ozick, Elman, Cohen, Potok, Singer, Epstein, Bellow, Steiner, Wallant, Malamud : Jewish American Holocaust literature /
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Extraordinary bodies : = figuring physical disability in American culture and literature /
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Invalid women = figuring feminine illness in American fiction and culture, 1840-1940 /
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Post-war Jewish fiction : = ambivalence, self-explanation and transatlantic connections /
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Epistolary responses = the letter in 20th-century American fiction and criticism /
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The gold standard and the logic of naturalism = American literature at the turn of the century /
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The comedy of redemption = Christian faith and comic vision in four American novelists /
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Narcissus from rubble = competing models of character in contemporary British and American fiction /
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Understanding contemporary American science fiction = the formative period (1926-1970) /
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Bridging the Americas = the literature of Paule Marshall, Toni Morrison, and Gayl Jones /
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A question of character = scientific racism and the genres of American fiction, 1892-1912 /
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Bodies in a broken world = women novelists of color and the politics of medicine /
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Writers of conviction = the personal politics of Zona Gale, Dorothy Canfield Fisher, Rose Wilder Lane, and Josephine Herbst /
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Murdering masculinities = fantasies of gender and violence in the American crime novel /
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Modern primitives : = race and language in Gertrude Stein, Ernest Hemingway and Zora Neale Hurston /
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The contemporary Anglophone travel novel : = the aesthetics of self-fashioning in the era of globalization /
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The Gun and the Pen. = Hemingway, Fitzgerald, Faulkner and the Fiction of Mobilization.
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The city's end : = two centuries of fantasies, fears, and premonitions of New York's destruction /
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Rereading the Harlem renaissance = race, class, and gender in the fiction of Jessie Fauset, Zora Neale Hurston, and Dorothy West /
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From modernist entombment to postmodernist exhumation : = dead bodies in twentieth-century American fiction /
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The hero in contemporary American fiction = the works of Saul Bellow and Don DeLillo /
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Deleuze and American literature = affect andvirtuality in Faulkner, Wharton, Ellison, and McCarthy /
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Safe at last in the middle years : = the invention of the midlife progress novel : Saul Bellow, Margaret Drabble, Anne Tyler, and John Updike /
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Freak shows and the modern American imagination : = constructing the damaged body from Willa Cather to Truman Capote /
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Sacred groves and ravaged gardens : = the fiction of Eudora Welty, Carson McCullers, and Flannery O'Connor /
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The contemporary Anglophone travel novel = the aesthetics of self-fashioning in the era of globalization /
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Language, gender, and community in late twentieth-century fiction = American voices and American identities /
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Conjuring moments in African American literature = women, spirit work, and other such hoodoo /
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Shadowing the white man's burden = U.S. imperialism and the problem of the color line /
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The genius of democracy = fictions of genderand citizenship in the United States, 1860-1945 /
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The undeclared war between journalism and fiction : = journalists as genre benders in literary history /
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British and American school stories, 1910-1960 = fiction, femininity, and friendship /
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Black Atlantic speculative fictions : = Octavia E. Butler, Jewelle Gomez, and Nalo Hopkinson /
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The Gold standard and the logic of naturalism : = American literature at the turn of the century /
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In a dark time : = the apocalyptic temper in the American novel of the nuclear age /
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Archival reflections : = postmodern fiction of the Americas (self-reflexivity, historical revisionism, utopia) /
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Postmodern characters : = a study of characterization in British and American postmodern fiction /
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Feminism and its fictions : = the consciousness-raising novel and the women's liberation movement /
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Invalid women : = figuring feminine illness in American fiction and culture, 1840-1940 /
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Hardboiled mystery writers : = Raymond Chandler, Dashiell Hammett, Ross Macdonald : a literary reference /
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The descent of love = Darwin and the theory of sexual selection in American fiction, 1871-1926 /
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Insanity as redemption in contemporary American fiction = inmates running the asylum /
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Gender and genre = an introduction to women writers of formula westerns, 1900-1950 /
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Readings from the new book on nature = physics and metaphysics in the modern novel /
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Nat Turner before the bar of judgment = fictional treatments of the Southampton slave insurrection /
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Prophets of recognition = ideology and the individual in novels by Ralph Ellison, Toni Morrison, Saul Bellow, and Eudora Welty /
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Black family (dys)function in novels by Jessie Fauset, Nella Larsen, & Fannie Hurst
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Postethnic narrative criticism = magicorealism in Oscar "Zeta" Acosta, Ana Castillo, Julie Dash, Hanif Kureishi, and Salman Rushdie /
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Gumshoe America = hard-boiled crime fiction and the rise and fall of New Deal liberalism /
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Psycho paths = tracking the serial killer through contemporary American film and fiction /
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America the middlebrow : = women's novels, progressivism, and middlebrow authorship between the wars /
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The quest for epic in contemporary American fiction : = John Updike, Philip Roth and Don DeLillo /
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Postmodernism and its others : = the fiction of Ishmael Reed, Kathy Acker, and Don DeLillo /
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Postmodern counternarratives : = irony and audience in the novels of Paul Auster, Don Delillo, Charles Johnson, and Tim O'Brien /
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Deleuze and American literature : = affect and virtuality in Faulkner, Wharton, Ellison, and McCarthy /
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The Contemporary African American novel : = its folk roots and modern literary branches /
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Romances of the white man's burden = race, empire, and the plantationin American literature, 1880-1936 /
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Abandoning the Black hero = sympathy and privacy in the postwar African American white-life novel /
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