Documentary films.
Overview
| Works: | 99 works in 24 publications in 24 languages | |
|---|---|---|
Titles
The Art of Collecting Fancy Paper: Understanding the Assignment of Values to Collecting Alternative Movie Posters.
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(Electronic resources)
Tambours et djembes du Burkina Faso = Drums and djembes of Burkina Faso /
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(Projected and video material)
The concrete revolution = notes on new Chinaapproaching the Year of the Monkey /
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(Projected and video material)
The art of the documentary : = ten conversations with leading directors, cinematographers, editors, and producers /
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(Language materials, printed)
New documentary ecologies : = emerging platforms, practices and discourses /
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(Electronic resources)
Chucho Valdés : = variations on classical themes : Fantasia Cubana /
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(Sound recordings, musical performance)
Documentary film festivals = transformative learning, community building & solidarity /
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(Electronic resources)
Death, image, memory = the genocide in Rwanda and its aftermath in photography and documentary film /
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(Electronic resources)
Documentary film festivals.. Vol. 2,. Changes, challenges, professional perspectives
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(Electronic resources)
The Politics of Penguin Pleasure: Why Animal Sexualities Matter to Humans.
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(Electronic resources)
Digital Cues in Multimedia Forensics = = Digitale Spuren in der Multimedia-Forensik.
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(Electronic resources)
Elevating the Ugly: Technology and Aesthetics in the Films of Lars Von Trier.
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(Electronic resources)
Decolonizing Documentary in Pakistan: Representation Through Colonial, Activist and State-Sponsored Documentaries.
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(Electronic resources)
Transformational Festivals and the Enchantment Economy: Performance and Race in Neoliberal Times.
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(Electronic resources)
'Getting into / Focus' : = Mapping the Influence of Cinema in Marginal British Poetry, 1927-1950.
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(Electronic resources)
Timely Representations : = The Queer Elder Figure in Canadian and U.S. American Film and Television.
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(Electronic resources)
From Paintings to Pornography : = (Re)Animating Archives in French Documentary.
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(Electronic resources)
The Elusive Subject : = Representing the Abstract and Unseen History of Place with Photography.
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(Electronic resources)
From Curating to Cedong : = Long March : A Walking Visual Display and the Emergence of Contemporary Chinese Curating.
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(Electronic resources)
Representation of the National Trauma in Train to Busan: Based on a Semiotic Approach /
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(Electronic resources)
Nuclear Citizenship : = Mary Kavanagh and Photography as Civil Resistance.
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(Electronic resources)
The Parameters of Participatory Play : = Nostalgic Situationism for The 21st Century.
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(Electronic resources)
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