English literature - History and criticism. - 20th century
Overview
| Works: | 190 works in 32 publications in 32 languages | |
|---|---|---|
Titles
Marketing the author : = authorial personae, narrative selves, and self-fashioning, 1880-1930 /
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Strange country : = modernity and nationhood in Irish writing since 1790 /
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Remembering and the sound of words : = Mallarme, Proust, Joyce, Beckett /
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Postfeminist gothic : = critical interventions in contemporary culture /
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Machinic modernism = the Deleuzian literary machines of Woolf, Lawrence and Joyce /
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War trauma and English modernism : = T.S. Eliot and D.H. Lawrence /
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Utopian spaces of modernism = British literature and culture, 1885-1945 /
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A sense of shock = the impact of Impressionism on modern British and Irish writing /
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Aesthetic afterlives : = irony, literary modernity and the ends of beauty /
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Conflict, nationhood and corporeality in modern literature = bodies-at-war /
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The Celtic revival in Shakespeare's wake = appropriation and cultural politics in Ireland, 1867-1922 /
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What is a classic? : = postcolonial rewriting and invention of the canon /
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Step-daughters of England : = British women modernists and the national imaginary /
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Poverty in contemporary literature : = themes and figurations on the British book market /
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(Electronic resources)
Modernism and the New Spain = Britain, Cosmopolitan Europe, and Literary History /
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The Poor Bugger's Tool = Irish Modernism, Queer Labor, and Postcolonial History /
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Portraits from life : = memories and criticisms of Henry James, Joseph Conrad, Thomas Hardy, H.G. Wells, Stephen Crane, D.H. Lawrence, John Galsworthy, Ivan Turgenev, W.H. Hudson, Theodore Dreiser, Algernon Charles Swinburne ; illustrated Houghton Mifflin Co. /
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The literary psychogeography of London = otherworlds of Alan Moore, Peter Ackroyd, and Iain Sinclair /
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British experimental women's fiction, 1945-1975 = slipping through the labels /
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Empire under the microscope = parasitology and the British literary imagination, 1885-1935 /
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Pacific gateways = Trans-Oceanic narratives and Anglophone literature, 1780-1914 /
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Manipulating masculinity : = war and gender in modern British and American literature /
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The economics of fantasy : = rape in twentieth-century literature /
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Utopian generations : = the political horizon of twentieth-century literature /
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Here a captive heart busted : = studies in the sentimental journey of modern literature /
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The myth of the modern : = a study in British literature and criticism after 1850 /
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Comic transactions : = literature, humor, and the politics of community in twentieth-century Britain /
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Forked tongues? : = comparing twentieth-century British and American literature /
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Fighting forces, writing women : = identity and ideology in the First World War /
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Seeing together : = friendship between the sexes in English writing from Mill to Woolf /
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Literary Englands : = versions of "Englishness" in modern writing /
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No man's land : = the place of the woman writer in the twentieth century /
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The Empire writes back : = theory and practice in post-colonial literatures /
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Diverse voices : = essays on twentieth-century women writers in English /
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Wartime and aftermath : = English literature and its background, 1939-60 /
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Men and women writers of the 1930s : = the dangerous flood of history /
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Out of place : = Englishness, empire, and the locations of identity /
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Writing under the Raj : = gender, race, and rape in the British colonial imagination, 1830-1947 /
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Rule of darkness : = British literature and imperialism, 1830-1914 /
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La Litterature fantastique : = en Grande-Bretagne au tournant du siecle /
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Textual traffic : = colonialism, modernity, and the economy of the text /
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The empire writes back : = theory and practice in post-colonial literatures /
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Twayne companion to contemporary literature in English from the editors of the Hollins critic /
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The heritage of Hermes : = alchemy in contemporary British literature /
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Contested masculinities : = crises in colonial male identity from Joseph Conrad to Satyajit Ray /
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Techniques of subversion in modern literature = transgression, abjection, and the carnivalesque /
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(Electronic resources)
Writing under the Raj = gender, race, and rape in the British colonial imagination, 1830-1947 /
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(Electronic resources)
Desiring women : = the partnership of Virginia Woolf and Vita Sackville-West /
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Loathsome Jews and engulfing women = metaphors of projection in the works of Wyndham Lewis, Charles Williams, and Graham Greene /
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Special relationships = Anglo-American affinities and antagonisms 1854-1936 /
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Empire and poetic voice = cognitive and cultural studies of literary tradition and colonialism /
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Gender, race, and the writing of empire = public discourse and the Boer War /
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Fighting forces, writing women = identity and ideology in the First World War /
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(Electronic resources)
Movement and modernism : = Yeats, Eliot, Lawrence, Williams, and early twentieth-century dance /
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Consuming Traditions. = Modernity, Modernism, and the Commodified Authentic.
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In my own shire = region and belonging in British writing, 1840-1970 /
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Art and life in aestheticism : = de-humanizing and re-humanizing art, the artist, and the artistic receptor /
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Music in the words : = musical form and counterpoint in the twentieth-century novel /
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Critical identities in contemporary Anglophone diasporic literature /
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Anti-sport sentiments in literature : = batting for the opposition /
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Gay and lesbian historical fiction = sexual mystery and post-secular narrative /
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The writing of anxiety = imagining wartime in mid-century British culture /
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Art and life in aestheticism = de-humanizingand re-humanizing art, the artist, and the artistic receptor /
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Writers, readers, and reputations = literary life in Britain 1870-1918 /
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Myth, memory and the middlebrow = Priestley,du Maurier and the symbolic form of Englishness /
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Thinking with the Inklings : = a contemplative engagement with the Oxford fellowship /
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Mobility, memory and the lifecourse in twentieth-century literature and culture
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Postcolonial literatures in the local literary marketplace = located reading /
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