Folklore.
概要
| 作品: | 507 作品在 6 項出版品 6 種語言 | |
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書目資訊
Folk medical beliefs and practices concerning women's health and the female body in Southern Appalachia.
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Traces of places: A vicarious journey into memories of the homeland in a Lao-American community.
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Music, movement and space: A study of the madang and p'an in Korean expressive folk culture.
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Mapping creative interiors: Creative process narratives and individualized workscapes in the Jamaican dub poetry context.
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Imagining the Chinese tradition: The case of Hua'er songs, festivals, and scholarship.
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Studies on Taoist ritual music "Du Jie" as practised among the Yao nationality at Shicai village, Yunnan Province, China.
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Buddhism and the supernatural tale in early medieval China: A study of Liu Yiqing's (403--444) "You ming lu".
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Exploration of the Japanese individuation process through a Jungian interpretation of contemporary Japanese fairy tales.
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Understanding, experiencing, and appreciating the arts: Folk pedagogy in two elementary schools in Taiwan.
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Intellectual property rights, legislated protection, sui generis models and ethical access in the transformation of Indigenous traditional knowledge.
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Why these songs of happy cheer?: Contemporary Christmas caroling as alternative practice.
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The history behind fairy tales: The Chinese translation and dissemination of western fairy tales in 1900--1937.
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Towards an understanding of rakugo as a communicative event: A performance analysis of traditional professional storytelling in Japan.
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An inheritance from the friends of God: The Southern shadow puppet theater of West Java, Indonesia.
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International folkloristics : = classic contributions by the founders of folklore /
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Fear of crime and belief in urban folklore: An exploration of urban folklore and fear.
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Weapon, toy, or art? The Eskimo yo-yo as a commodified Artic bola and marker of cultural identity.
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The inside story: An arts-based exploration of the creative process of the storyteller as leader.
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Two Fatimas and their songs: Evoking local identity through traditional Bulgarian song.
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From subversion to status quo: The seventeenth-century generic hybrid and the cultural implications of literary innovation in early-modern France.
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Stretta e la foglia: Nineteenth- and twentieth-century Italian folktales from Luigi Capuana to Italo Calvino.
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The negotiation of meaning and identity in the narratives of the travelling people of Scotland.
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The voices in the margin: Ohio State University Civil Service employees with advanced degrees.
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Hereward and outlawry in fenland culture: A study of local narrative and tradition in medieval England.
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The sacred world of Cang County: Religious belief, organization, and practice in rural North China during the late nineteenth and twentieth centuries.
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The music of Manden in New York City: A study of applied ethnomusicology in a western African immigrant community.
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Women's religious expression in Tibetan Buddhism: Songs and lives of the jomo (nuns) of Kinnaur, northwest India.
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The rhetoric of culture: Shaping Indian-American identities through grassroots community education.
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Between the material and the transcendent: A mythographical study of sacrifice and rituals of return.
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Rhetorics of darkness: Modern occultism and the popular imaginary (Helena Petrovna Blavatsky, Aleister Crowley).
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Universe makers: Mythology and the creative work of women writers of speculative fiction.
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Songs of travel, stories of place: A study of tradition, subjectivity and otherness in Banda Eli (East Indonesia).
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Ancestors, virgins, and friars: The localization of Christianity in Late Imperial Mindong (Fujian, China), 1632--1863.
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From ritual lament to public discourse: Some observations on the changing perception of fate among Hong Kong Chinese women.
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Who designed your house? A technological and cultural history of conventional wood construction, 1790--1880.
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Theorizing interpretation in context: A feminist ethnographic study of an elder women's writing group.
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Contemporary hobby knitting: The preservation and reinvention of traditional craft.
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"Alan Lomax's iPOD?": Smithsonian global sound and applied ethnomusicology on the Internet.
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Let the world listen right: Freestyle hip-hop at the contemporary crossroads of the Mississippi Delta.
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Crossroads of identity and memory: Mapping the cultural landscape of Taylor's Bridge.
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Cubanidad and the performance of blackness in the theater of Cuba's "special period".
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Red, brown, and blue: A history and cultural poetics of high school football in Mexican America.
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Dreams lost to capital: A social and cultural history of an artisan's community, San Francisco Bay Area, 1967--2005.
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Tulip Time, U.S.A.: Staging memory, identity and ethnicity in Dutch-American community festivals.
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Celebrating community and cuisine: Tradition and change in the Sagre Festival in Italy.
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Performing the Okinawan woman in taiko: Gender, folklore, and identity politics in modern Japan.
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Shared practice, esoteric knowledge, and bai: Envisioning the yin world in rural China.
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Stages of liberation: Ritual, nationalism and women's cultural production in Jamaica's pre-independence era.
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We the authors: Case studies from a collaborative book publishing project in an eighth grade language arts classroom.
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More than "interesting dead things": Reanimation of the oral tradition through narrative subversion and visual narrative performance.
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The role of land in ethnic Naga identity: Exploring a contextual Naga Christian theology and social ethics.
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"Learning what it means to be Indian": The role of performance and genre in cultural renewal within the Cowlitz Indian Tribe.
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Fantastic emigres: Translation and acculturation of the fairy tale in a literary diaspora.
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Coming home: Homecomings and return migration in African-American folklore and literature since 1970.
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The nature of Puerto Rican folk health practices through healers perceptions and somatic assumptions.
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From orality to literacy: Translating traditional Ugandan oral forms into texts for children.
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What is a wolf? The construction of social, cultural, and scientific knowledge in children's books.
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Kinesthetic culture: A comparative study of the movement practices of Spanish bullfighting and Flamenco dance.
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Beyond American folk art: The emergence of folk art as a museum object, 1924--2001.
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Objects of worship: Material culture in the production of shamanic rituals in South Korea.
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Old times there are not forgotten: Civil War re-enactors and the creation of heritage.
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Eating the other: Ethnicity and the market for authentic Mexican food in Tucson, Arizona.
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Sailor's progress: Maritime tradition and political economy in the career of an Irish-American merchant seaman.
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"Remember that?" Reminiscences of work. A study of the world of work of full-fashioned hosiery industry workers in Berks County, Pennsylvania, 1925-1965.
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Migration and relations of production in the Dominican coffee economy: Haitian workers on El Fondo coffee plantations.
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Desire, wage labor and resistance: An ethnography of a sales unit of Mary Kay Cosmetics, Inc.
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The complexity of labor exchange among Amish farm households in Holmes County, Ohio.
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Performing the sacred: Political economy and shamanic ritual on Cheju island, South Korea.
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A tale of two tales: Artisans, transnational folklore, cultural hierarchies, social exclusion, rural poverty, and petty capitalism in Michoacan, Mexico.
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Pining for turpentine: Critical nostalgia, memory, and commemorative expression in the wake of industrial decline.
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Ethnographic videoconferencing, as applied to songs/chants/dances/games of South Indian children, and language learning.
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Performing history, creating tradition: The making of Afro-Omani musics in Umm liGrumten, S&dotbelow;ur li 'fiyyah.
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"They'd sing and they'd tell": Native American song cycles and creation stories in Southern California.
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Semiotic organology: A peircean examination of the bagpipe and hurdy-gurdy in Hungary.
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The indigenization of Tamil Christian music: Folk music as a liberative transmission system.
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Reverence for uncertainty: Chaos, order, and the dynamics of musical free improvisation.
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Fiddle tunes on air: A study of gatekeeping and traditional music at the BBC in Scotland, 1923--1957.
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Constructing and internalizing countriness: Authenticity and fan diversity in country music culture.
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Into the labyrinth: Unraveling Ariadne's thread. Cretan music identity and aesthetics.
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Come from away: Community, region, and tradition in Newfoundland expatriate identity.
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Performing Nautanki: Popular community folk performances as sites of dialogue and social change.
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New England Country & Western music: Self-reliance, community expression, and regional resistance on the New England frontier.
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Rewriting the soundscape: Towards a new understanding of Sami popular music and identity in the new millennium.
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Speaking about life experiences: Personal narrativizing and social constructionism.
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Sociable poetics: Representing and interpreting culture and difference in Nepal's middle hills.
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Striking prayers and mediating powers: An ethnographic and hypertextual interpretation of Pentecostal and "charismagic" cultural production in Ghana.
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How do fables teach? Reading the world of the fable in Greek, Latin and Sanskrit narratives.
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Interpretive policy analysis in Beijing's ethnographic museums: Implementing cultural policy for the 2008 "People's Olympics".
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Saving the nation through culture: The Folklore Movement in Republican China (1918--1949).
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Improvised adolescence: A study of identity formation among Somali Bantu teenage refugees.
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The cultural divide: Traditional cultural expressions and the entertainment industry in developing economies.
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Guarding the wild: A placed critical inquiry into literary culture in modern nations (Greece).
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Keepin' it real: Towards an Afrocentric aesthetic analysis of rap music and hip-hop subculture.
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The "Fabulae" of Walter of England, the medieval scholastic tradition, and the British vernacular fable.
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A story's tale: The rise, fall, and popularitzarion of storytelling's rhetorical crediblity.
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Indigenous creatures, native knowledges, and the arts = animal studies in modern worlds /
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Lacing skates and unlacing corsets: Gender play and multiple femininities in roller derby and neo-burlesque.
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The buck stops here: Financial management strategies in folk and traditional arts organizations.
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Yesterday, today, and tomorrow: The oral narratives of three generations of Brewster Old Timers (Michigan).
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Forgotten spaces and resident places: New Mexico Black towns and communities (1897--1930).
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Through a text darkly: The shape of the fantastic in the shadow of the vampire (Bram Stoker, Ireland).
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Asho Orisha (clothing of the Orisha): Material culture as religious expression in Santeria.
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Kuna mola blouses: An example of the perpetuation of an art-craft form in a small scale society (Panama).
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The piano works of Joaquin Rodrigo: An evaluation of social influences and compositional style (Spain).
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Myth and metaphor, archetype and individuation: A study in the work of Louise Erdrich.
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Subway graffiti: An aesthetic study of graffiti on the subway system of New York City, 1970-1978.
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"Wild nature": Globalization, identity, and the performance of Polish environmentalism.
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Willie Dixon's work on the blues: From the early recordings through the Chess and Cobra years, 1940--1971.
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Never give up the ghost: An analysis of three Edinburgh ghost tour companies (Scotland).
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Myth taken: Postmodern mythology reflects the media (Samuel Beckett, Charles Ludlum, Julie Taymor, Ireland).
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Telling the stars: A quantitative approach to assessing the use of folk tales in science education.
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Critical contextualization of Chinese folk beliefs and practices: Feng shui as a case study (Paul Hiebert).
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Sharing testimonios: Narrative practices, Christian faiths, and the formation of transnational mexicano communities.
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Healing the trauma of everyday life: Un'anga (traditional medicine) and mukondombera (HIV/AIDS) in Chipinge, Zimbabwe.
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Wedding songs in Botswana: A reflection of the dynamics of marriage, gender relations and familial conflicts.
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The flight of the ordinary: Narrative, poetics, power and UFOs in the American uncanny.
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Supernatural animals of the ancient Maya: The serpent and the jaguar in art and mythology.
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Language and story as windows to the sacred in two oral traditions: Anishnaabe and Irish Celtic.
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"Nostalgia is our future": Self-representational genres and cultural revival in Ireland (Gleann Cholmcille).
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Morphologies of mystery: Yokai and discourses of the supernatural in Japan, 1666--1999.
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Performing the urban village: Art, place-making, and cultural politics in North Central Philadelphia (Pennsylvania).
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Ohio Valley Native Americans speak: Indigenous discourse on the continuity of identity.
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A qualitative inquiry into how romantic love has been portrayed by contemporary media and researchers.
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From teacher to teller: How applied storytelling informs autobiographical instruction.
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The non-rational perspectives of Sherlock Holmes: A study of selected illustrative tales (Sir Arthur Conan Doyle).
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Arthur, myth and English literature: A study in the fluidity of myth (Walter Burkert).
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The social life of the state's fantasy: Memories and documents on Turkey's 1934 Surname Law.
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THE LIFE STORY OF THE BLUES MUSICIAN: AN ANALYSIS OF THE TRADITIONS OF ORAL SELF-PORTRAYAL.
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The making of intangible cultural heritage: Tradition and authenticity, community and humanity.
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The use of superstitions and its perceived effectiveness of collegiate athletes: Sport type and gender considerations.
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Breton song traditions and the case of the gwerziou : Women's voices, women's lives (France).
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Singing in Tejaji's temple: Music and ritual trance healing performance in Rajasthan (India).
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The girl behind the man behind the gun: Women outlaws, public memory, and the rise and fall of Hoover's FBI.
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Transnational lives, cosmopolitan women: Filipina domestic workers and expressive culture in Rome, Italy.
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Comparing the incomparable: Religion, chanting, and healing in the Sudan, the case of zar and zikr.
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Identity, transmission, and transformation in Ukrainian-American bandura education and performance.
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The folklore factor: The use and impact of folklore and folklife in James Lee Burke's Dave Robicheaux novels (Louisiana).
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Taijiquan and the search for the little old Chinese man: Ritualizing race through martial arts (China).
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Understanding indigenous identity through the study of cultural tourism in Sabah, Malaysia.
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Critical multicultural analysis of reconstructed folk tales: Rumpelstiltskin is my name, power is my game.
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Intertwining threads: Silkworm goddesses, sericulture workers and reformers in Jiangnan, 1880s-1930s (China).
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Tributes to fallen journalists: The role of the hero myth in journalistic practice.
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Cosmopolitan Folk: The Cultural Politics of the North American Folk Music Revival in Washington, D.C.
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Voices of the north. Sami revitalization: The artistic struggle that revived a threatened Sami culture.
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Collecting the People: Textualizing Epics in Philippine History from the Sixteenth Century to the Twenty-First.
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Childhood loneliness: The creative construction of self and world inside story and beyond.
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Sonata for Clarinet and Piano by Carlos Guastavino: Style analysis and folk music influence.
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Ritual Reciprocity and Village Ritual Alliances: A Case Study of Two Temple Festivals in North China.
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More chords and fewer strings: The cultural currency of the four-string banjo in the United States.
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Turning ghosts into people: "The White-Haired Girl", revolutionary folklorism and the politics of aesthetics in modern China.
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Does the presence of Joseph Campbell's Monomyth predict any variance in the box office for big budget movies?
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"I knew what I did and I did it with deliberate calculation": Anxiety and tricksterism in African American autobiography.
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More than a blood pump: A psychological investigation of the folk conception of the heart.
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Tidebast och Vandelrot: Magical representations in the Swedish black art book tradition.
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Understanding myth and myth as understanding: An interdisciplinary approach to mytho-logic narration.
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Two instances of "crow": A cultural study of Irish mythology and intertextuality in "The Dead".
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Folklore and the Construction of National Identity in Nineteenth Century Russian Literature.
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The ravenous spirit (Phii Pob) belief tradition in contemporary Thailand: Plural practices versus monolithic representations.
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Telling a good story: Presenting living intangible cultural heritage in China and Africa museums.
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Oral accounts of the Sa skya 'bag mo, past and present voices of the terrifying witches of Sa skya.
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Sovereign, Shaman and Bodhisattva: A Medieval Reinterpretation of Empress Jingu in the Hachiman gudokun.
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Revaluing the Dynamics of Orality in the Continental Caribbean Literature of Colombia.
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Remembrance, emulation, imagination: The Chinese and Chinese American Catholic ancestor memorial service.
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Social criticism in traditional legends: Supernatural women in Chinese zhiguai and German Sagen.
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Incense-offering and obtaining the magical power of qi: The Mazu (heavenly mother) pilgrimage in Taiwan.
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Continuation and acculturation: A study of foodways of three Chinese immigrant families in St. John's, Newfoundland.
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Unmasking a "Sitting Ghost": A cross-generic exploration of the Chinese heroine in stories told by Chinese in Newfoundland.
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Overt meanings and covert messages in "Little Red Riding Hood": A girl and her morals.
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Transnationalism dancing: Exploring personal, cultural, and community identity in Afro-Cuban folkloric deity dances.
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"The power of the fish is in the water": The flow of relationships in a transnational Zimbabwean music community.
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Screwston, TX: The impact of space, place, and cultural identity on music making in Houston's hip hop scene.
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Powerful Wounds: The Essential Mythological Formations for the Superhero/heroine Archetype in American Popular Culture.
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Music genre on the move: Discourse and the cultural production of Japanese visual rock in Hong Kong.
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'To admonish and exhort': The didactics of the 'zhiguai' tale in Ji Yun's "Yuewei caotang biji".
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"To let the children know": The traditions and adaptations of the Chinese community of the Avalon Peninsula.
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The Pilgrimage of Dabhach Phadraig: Place, Memory, and Sacred Landscape at the Holy Well of Belcoo.
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Esoteric Foundations of Initiation in 'The Firebird, the Horse of Power, and Princess Vasilisa'.
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The wolf-girl nomadic: Becoming-animal and post-human feminine subjectivity in Angela Carter's "Peter and the Wolf".
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Following Other Gods: a Depth Psychological Approach to Spiritual Transformation Through Polytheistic Personal Myths.
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Fessenden's Worlds: Biosys. A Short Film Inspired by Edmond Hamilton's "Fessenden's Worlds".
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Involving Children in the Assessment Process: Experiences of a Developmentally Appropriate Feedback Model.
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F.W.J. Schelling's Later Philosophy of Religion : = A Study and Translation of "Der Monotheismus".
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The Evolution of Ineffective Technologies in Human Societies - A Cognitive and Cultural Evolutionary Perspective.
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Virtual Bio-Diverse Relationships and Digital Knowledges : = Latin America in and Through the Biodiversity Heritage Library.
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Activism, Aesthetics, Sustainability and Worldview on Display: Bloomington, Indiana's Wild and Fruitful Vernacular Gardens.
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Ragapadmi and the First Leper: A Critical History of Leprosy Transmission in Madura, Indonesia.
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Starting with Snow White: Disney's Folkloric Impact and the Transformation of the American Fairy Tale.
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Healing at the Borderland of Medicine and Religion: A Folklore Study of Health Care in Taiwan.
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Death, Gender, and Extraordinary Knowing: The Delog (`das log) Tradition in Nepal and Eastern Tibet.
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What Is at Stake in Jazz Education? Creative Black Music and the Twenty-First-Century Learning Environment.
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Symbolic Meanings of the Pacific Ocean among the Peruvian Fishermen-Surfers from Huanchaco Beach.
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An Expression of Precarity: American Youth, the Creative Industries, and the Monetization of Leisure.
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Songs that touch our soul A comparative study of folk songs in two Chinese classics: "Shijing" and Han yuefu.
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Human Connections with the Ocean Represented in African and Japanese Oral Narratives: Ecopsychological Perspectives.
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Imperfect Perfection: Uyghur Muqam and the Practice of Cultural Renovation in the People's Republic of China.
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Negotiating the Good Life: Navigating Cultural and Environmental Change in the Lower Napo Basin.
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The (Virtual) Myth Conservancy: A Framework for Virtual Heritage and Game-Based Learning.
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Ethnic and Racial Formation on the Concert Stage: A Comparative Analysis of Tap Dance and Appalachian Step Dance.
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"I Did All This to Talk": Picturing the Spiritual and Artistic Landscape of Joe Minter's African Village in America.
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Tajik national dress: A history of its development in the Soviet and post-Soviet periods.
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Heritage Is a Struggle: Music, Neoliberal Logics, and the Practice of Intangible Cultural Heritage in Peru.
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Eco-Mythology of the Cherokee in the Southern Appalachian Mountains: The Bedrock of Appalachian Culture.
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Unstable Masculinities: Loki, Ergi, and Challenges to Heroic Identity in Old Norse Literature.
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The Musical Turn: a New Dramaturgy for Stage Instruments and Actor-Musicianship in Twentieth-Century Irish Drama.
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Home Is Where the Past Is : = Constructing Folk History Through Landscape and Storytelling in the Karen Community, Thailand.
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Examining Human Experiences of Consumption and Transculturalism : = Storytelling Via Food Studies for Cultural Humility.
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'She Came Through Me' : = Situating Birth Stories and Women's Embodied Wisdom in Folkloristics.
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The Mutant Database : = Media Franchise Authorship, Creators' Rights, and Teenage Mutant Ninja Turtles.
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Reclaiming the Rusalka : = Towards Multiplicities of Gender in Russian Literary and Visual Culture.
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