Art criticism.
Overview
| Works: | 466 works in 9 publications in 9 languages | |
|---|---|---|
Titles
Navigating floating worlds: Curatorial strategies in contemporary Chinese art, 1979-2008.
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(Electronic resources)
Imagining the present : = context, content, and the role of the critic /
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(Language materials, printed)
The critique handbook : = the art student's sourcebook and survival guide /
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(Language materials, printed)
Hold it against me : = difficulty and emotion in contemporary art /
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(Language materials, printed)
The image and the internet: photography's expanding role in the digital age.
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(Electronic resources)
Aesthetics and criticism in art education : = problems in defining, explaining, and evaluating art /
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(Language materials, printed)
Creating the Photographic Subject On the Role of Site, Subject, and the Spectator in the Work of JR.
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(Electronic resources)
An analysis on the correlation between commercial success and institutional success for contemporary artists.
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(Electronic resources)
The "Shock Effect:" The Influence of Audience Reactions on the Price of Contemporary Art.
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(Electronic resources)
The Aesthetics of the Modern: Art, Education, and Taste in Egypt 1903-1952.
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(Electronic resources)
Through the Body: Corporeality, Subjectivity, and Empathy in Contemporary American Art.
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(Electronic resources)
Art in between empires: Visual culture & artistic knowledge in late Mughal Delhi 1748--1857.
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(Electronic resources)
Between Conviviality and Antagonism: Transactionalism in Contemporary Art Social Practice and Political Life.
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(Electronic resources)
Another Way of Being: The Performative Practices of Contemporary Female Colombian Artists.
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(Electronic resources)
American Indian graffiti muralism: Survivance and geosemiotic signposts in the American cityscape.
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(Electronic resources)
Art critiques and ecological perspectives of contextuality, equity, and harmony: Recommendations for Korean art education.
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(Electronic resources)
Visualizing Zones of Occupation: Making Tangible the Violent Infrastructures in the Global Economy of Fear.
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(Electronic resources)
Revealing Judy Chicago's "The Dinner Party": An Analysis of the Curatorial Context.
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(Electronic resources)
Condemned to Invisibility? Antonio Canova and the Impact of Photographic Reproduction on the History of Art.
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(Electronic resources)
Restless Debris: Ruination, Multicultural Politics, and Post-Recession Visual Art.
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(Electronic resources)
Re-Framing "Ecstatic Truth" Experiments in the New Visual Language of Werner Herzog.
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(Electronic resources)
The private life of a masterpiece.. Disc one,. Renaissance masterpieces
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(Projected and video material)
The private life of a masterpiece.. Disc two,. seventeenth century masters
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(Projected and video material)
The private life of a masterpiece.. Disc three,. 1800-1850 masterpieces
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(Projected and video material)
The private life of a masterpiece.. Disc four,. 1851-1900 masterpieces
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(Projected and video material)
The Market for Chinese Contemporary Ceramics Art An Overview and Analysis of the Chinese Art Market from 1978 to 2015.
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(Electronic resources)
Transformation From Wax to Metal: A Symbolic Interactionism Study of Jewelry Casting Class.
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(Electronic resources)
Mycological provisions: An a/r/tographic portraiture of four contemporary teaching artists.
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(Electronic resources)
Introduction to the Gedun Choephel Artists Guild: Exploring the Lost and Found.
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(Electronic resources)
The meditation artist grasping the art of seeing along the creative path.
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(Electronic resources)
Understanding photographic time in the realm of visual culture: The attributes of time in photography as seen through exposure.
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(Electronic resources)
Synergy and joint authorship through socialism: Exploring the practices and work of post-Mao, contemporary Chinese artistic collectives.
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(Electronic resources)
Confronting the Spectacular: Addressing the Role of Contemporary Installation Art.
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(Electronic resources)
Aligning visual art curriculum with common core state standards through the methodology of visual thinking strategies.
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(Electronic resources)
Art Installations In The Desert: A Participant Observation Study Of The Art Of Real Life Burning Man And Second Life Burn2.
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(Electronic resources)
Re-imaging antiquities in Lincoln Park: Digitized public museological interactions in a post-colonial world.
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(Electronic resources)
The perturbed national body: Kiyoji Otsuji and Nobuya Abe's postwar surrealist body-object.
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(Electronic resources)
The Urgent Modernity -- Reviewing Displays of New Urban China amidst the Curatorial Turn and Global Biennalization.
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(Electronic resources)
The influence of the automobile on Frank Lloyd Wright's architectural projects and works.
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(Electronic resources)
Death of Utopia: The Necessity of Critical Curatorial Process and Alternative Exhibition Forms.
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(Electronic resources)
Visualizing masculinity: Men, family, and country in nineteenth-century French print culture.
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(Electronic resources)
Becoming Nonhuman: Uncanniness, Impossibility and Human-Animal Indistinction in Recent Literature and Visual Art.
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(Electronic resources)
Performing the Museum: Displaying Gender and Archiving Labor, from Performance Art to Theater.
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(Electronic resources)
Social medium: Virtual vs. actual realities in post-internet art An exhibition catalogue essay.
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(Electronic resources)
Le vetement et ses derives comme pratique interdisciplinaire, un corps graphique et organique dans un parcours limite.
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(Electronic resources)
Some Island Unknown to the Rest of the World Inscrutability, Asian Americanness, Performance.
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(Electronic resources)
Aesthetics and politics: A cross cultural analysis of social practice art in Western and East Asian societies.
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(Electronic resources)
The historical reception of Japanese cinema at Cahiers du cinema: 1951-1961.
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(Electronic resources)
The modern art father of spirit: Spirituality in color and experiences in the paintings of Mark Rothko.
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(Electronic resources)
The materialization of the Internet art object: The evolution of Internet art and its contemporary market.
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(Electronic resources)
Expressionist Art and Drama Before, During, and After the Weimar Republic.
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(Electronic resources)
Sites of Sociality: Performances of Dyke Identifications Through Social Networking.
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(Electronic resources)
Art and the picturesque: An artist uses oil painting techniques and concepts from Romanticism and Luminism.
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(Electronic resources)
Atrocity and the texture of memory: Dinh Q. Le and the Tuol Sleng Prison photographs.
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(Electronic resources)
Beyond visible cities: Avant-garde actions and the materialized word in twenty-first-century New York City.
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(Electronic resources)
Mind the Gap: The Visual Arts, the Reader-as-Viewer, and Identity Critique in Early Twentieth-Century American Women's Writing.
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(Electronic resources)
The Other Art World: Alternative Spaces and the New Model of Sustainability for the Future of Cultural, Economical, and Community Growth.
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(Electronic resources)
Sun / Water / Wind: Art and the Aesthetics of Ecology in the Built Environment.
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(Electronic resources)
Sites of New Media Art: Using the Internet to Explore Touch, Sociality, and Preservation.
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(Electronic resources)
Collaborations between Visual Artists and Musicians in the Age of Celebrity.
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(Electronic resources)
The Radical Potential of the Wunderkammer in Contemporary Museum and Exhibition Practice.
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(Electronic resources)
Minimalist Paintings of Agnes Martin: A Spiritual Experience Disguised as a Simple Grid.
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(Electronic resources)
Constructing the Sacred Encounter: Body and Space of Antony Gormley (1950- ).
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(Electronic resources)
Nubians of Plutonia: Black Women in Modern Post-Apocalyptic and Dystopian Graphic Literature.
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(Electronic resources)
Making Cinema Anew: Film Criticism and the Making of the New American Cinema, 1959- 1975.
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(Electronic resources)
Rethinking Subjectivity: From Consciousness Raising and Epistemological Certainty to Moral Accountability and Epistemic Failure in Theories of Subject Formation.
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(Electronic resources)
Wuxia-Made Hong Kong a Socio-Political History of Martial Arts Cinema from 1949-1976.
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(Electronic resources)
The Words We Can't Hear : = Decoding the Language of Objects Through the Eyes of Object-Oriented Ontology.
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(Electronic resources)
Techno-Intransigence : = The Resistances to Representation in Video Games.
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(Electronic resources)
The aesthetic culture and splendor of Arabic calligraphy within determined identity.
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(Electronic resources)
The Performative Image and the Power of the Audience: Shakespeare in the Visual Arts.
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(Electronic resources)
An analysis of the Italian art market: The evolution of modern and contemporary art.
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(Electronic resources)
Painting photography: Robert Bechtle and the critical legacy of 1960s photorealism.
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(Electronic resources)
The birth of a community-based mural movement: The story of San Anto Cultural Arts.
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(Electronic resources)
Critical topographies of two films: Aura, temporality, and place in El Sol del Membrillo and rivers and tides.
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(Electronic resources)
The dreamer: An examination of Chinese philosophical concepts and audience through animation.
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(Electronic resources)
Fashion and Art Collaborations: The Benefits for Both Brands in a Designer x Artist Brand Alliance.
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(Electronic resources)
"Basically a True Story": "The Beginning or the End," "Fat Man and Little Boy," and American Remembrance of the Atomic Bomb.
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(Electronic resources)
REPETITION: A Study in Visual Form using Selected Artworks by Edward Hopper.
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(Electronic resources)
Censorship for None: An Analysis for American Cultural Progression from The Culture Wars to the Censorship of "Hide/Seek: Difference and Desire in American Portraiture".
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(Electronic resources)
Textual deviants: Women, madness, and embodied performance in late twentieth-century American literature and photography.
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(Electronic resources)
Against Purity: Theatricality and Otsuji Kiyoji's APN Photographs (1953-54).
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(Electronic resources)
A world in print; Foreigners in Japan's early modern Bankoku jinbutsu-zu.
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(Electronic resources)
Repaint, reframe, renew: Updating sacred images during the early Italian Renaissance.
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(Electronic resources)
Art verging on the religious: Threads of the Spirit in minimal art and beyond.
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(Electronic resources)
Seeing Eye to Eye: A sexuate aesthetic development model for art and education.
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(Electronic resources)
The Art Education of Recklessness: Thinking Scholarship through the Essay.
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(Electronic resources)
You are What You Read: Participation and Emancipation Problematized in Habacuc's "Exposicion #1".
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(Electronic resources)
Conflict, Controversy, and Art Education: Social and Pedagogical Implications of Traveling Exhibitions of Contemporary Art.
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(Electronic resources)
Registering Vision: Saturation, Surveillance and the Contemporary Image in Spain and Mexico.
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(Electronic resources)
Visual Dialogue: Learning Journeys, 21st Century Skills, and Arts-Based Research in the University Art Studio.
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(Electronic resources)
Manufactured Apparitions: Materiality and Postsocialist Memory in Contemporary Chinese Visual Art.
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(Electronic resources)
Individual encounters with painting and poetry: Duncan Phillips, Mark Rothko, and Lawrence Ferlinghetti.
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(Electronic resources)
Press Play: Video Games and the Ludic Quality of Aesthetic Experiences across Media.
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(Electronic resources)
The Role of Interactivity in the Artistic Process of Web-Based Art: Case Studies of the Digital Media Art Pioneers' Practices and Studio Teaching.
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(Electronic resources)
Authenticity, Creativity and the Future---Adidas Advertising and Contemporary Youth Culture.
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(Electronic resources)
Representations of Missing and Murdered Indigenous Women in Canadian Art.
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(Electronic resources)
Performative Beings: An Exploration of Gender Identity and Construction of Self(ves).
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(Electronic resources)
Protest Beyond Representation: The Vitalism of Digital Protest Art's Political Aesthetics.
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(Electronic resources)
From Functionality to Aesthetics: Palbo Picasso (1881-1973) and Peter Voulkos (1924-2002).
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(Electronic resources)
Client-driven Creation & Professional Patterns in Modern Design: A Case Study of One Vanderbilt Avenue.
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(Electronic resources)
Schizoanalytic ventures at the end of the world = film, video, art, and pedagogical challenges /
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(Electronic resources)
Relational Geographies: Toward an Interconnected Vision of Place in French Literature and Geography, 1850-1900.
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(Electronic resources)
Wits, Shits, and Crits: The Problem of Digestive Interpretation in Pope, Swift, and Fielding.
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(Electronic resources)
The Convergence of Thorstein Veblen and Thomas Eakins: Reflections and Changes of Class and Society in American Realism.
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(Electronic resources)
Between Deeds and Dreams: Identity as Phantasm (Marc Chagall's and Amedeo Modigliani's Diasporic Identities).
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(Electronic resources)
Bauhaus: Discourse and Structure- Experimentation in Software and Visualization.
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(Electronic resources)
De las montanas al corazon de las montanas: Colombia en la pintura de lo natural.
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(Electronic resources)
Logistics of Space, Material, and Time: Struggles and Strategies for Sustaining Art Practice.
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(Electronic resources)
The Geopolitical Aesthetic of Computational Media: Media Arts in the Middle East.
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(Electronic resources)
Sound Judgment: Ideologies of Listening and the Birth of English Music Criticism.
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(Electronic resources)
The "Zombie Formalism" Bubble and Its Aftermath: The Evolution of Jacob Kassay's, Oscar Murillo's, and Lucien Smith's Markets and Artistic Developments in Relation to the Financialization of the Art Market.
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(Electronic resources)
Ceramic Sculptures in Group-Display to Narrate Passage of Time and Emotion.
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(Electronic resources)
'The People's Glossary': Using Dialogic Art to Create a Common Language for User-Led Museum Practice.
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(Electronic resources)
Alphonse Mucha and the Suppression of Art Hierarchies in the 'Fin de Siecle'.
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(Electronic resources)
Checks and Balances: The Benefits of the Male Contribution to Feminist Art Criticism.
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(Electronic resources)
"Art Is to Sacrifice One's Death": The Aesthetic and Ethic of the Chinese Diasporic Artist Mu Xin.
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(Electronic resources)
A Record of an Exhibition of [Sculpture & Photography] Entitled Absorb and Exude with a Corollary Statement.
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(Electronic resources)
Subverting the Selfie: Analysis of Cindy Sherman's Instagram Photos and Untitled Film Stills.
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(Electronic resources)
The Brave New Virtual Art World the Evolution of Digital Art: NFTs and Their Effects on the Art Market in 2021.
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(Electronic resources)
A Curious Constellation Modern Architecture and an International Sensibility.
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(Electronic resources)
The Sound of Neoliberalism: The Role of Music and Sound in Neoliberal Culture.
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(Electronic resources)
The Corpse Ballet: Existentialism in Madame D'Ora's Slaughterhouse Photographs.
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(Electronic resources)
Radical Queer Gazes: How Lesbian and Nonbinary Contemporary Photographers Are Destabilizing the Male Gaze.
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(Electronic resources)
Reappraising the Rococo: The Enduring Relevance of Eighteenth-Century French Painting.
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(Electronic resources)
The Rediscovery of Sanyu: The Development of Sanyu's Market from the 1980s to Today.
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(Electronic resources)
Claiming the Louvre: Kingship, Revolution, and Empire in Early Modern France = = Revendiquer le Louvre: royaute, revolution et empire au debut de la France moderne.
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(Electronic resources)
For Those in Peril on the Sea: The Motivations of Nineteenth Century European Artists to Create Shipwreck Paintings.
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(Electronic resources)
The Graphic Construct of the Contemporary Reportage Artist: Vision, Experience and Drawing.
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(Electronic resources)
Pushing the Public Art Network Database into the Current Digital Age: Collections as Data.
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(Electronic resources)
Translating between Art and Technology through Interactive Visualizations = = 通过交互式可视化在艺术与科技之间进行转换.
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(Electronic resources)
Psychotherapeutic Empathic Art Critique: A New Model for Communication and Understanding.
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(Electronic resources)
Factors Behind the Successful Positioning of Mexico City as an International Contemporary Art Center.
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(Electronic resources)
Performing Resistance : = The Greenham Common Women's Peace Camp as Artwork.
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(Electronic resources)
Critically Conscious Curation and the Role of Arts Based Research in a Curriculum of Care.
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(Electronic resources)
Throwing the Da-Da ... Dice : = The Agonistic Gestures of the Interwar Avant-Gardes (1909-1944).
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(Electronic resources)
Essentially Shimmering : = Contemporary Poetics at the Edges of Materialism.
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(Electronic resources)
Iranian Documentary Photography of the Iran-Iraq War (1980-88) and Its Artistic Legacies : = Discursivity, Institutionalization, and Transfer in the Photographic Medium.
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(Electronic resources)
The Practices of Everyday Life and the Syrian Body : = Art, Life, and Political Activism of the Syrian Crisis, 2011-2022.
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(Electronic resources)
Return of the Soul : = Inheritance and Innovation in the Process of Artistic Creation in Major Kunqu Productions in the People's Republic of China, 2001-2015.
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(Electronic resources)
Of Affects, Processes, and Excesses : = Unruly Masculinities in Peruvian Contemporary Visual Productions.
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(Electronic resources)
Protest Art and Urban Renewal in Taiwan: Convivial Combats from 2010-2013.
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(Electronic resources)
Art at the end of the world: Bioart and posthuman ethics in the anthropocene.
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(Electronic resources)
Bodies Withdrawn: The Ethics of Abstraction in Contemporary Post-Minimal Art.
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(Electronic resources)
Land Art: Restoring Social Interconnections Through Enviromental Interaction.
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(Electronic resources)
Adaptations of Ovid's Metamorphoses in Late Medieval France: Material and Moral Recontextualization in the Tapestry of Narcissus at the Fountain.
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(Electronic resources)
Excess Flesh: A Study on the Universal Commodification and Consumption of the Colored Body.
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(Electronic resources)
Comparative Analyses of Contemporary Fine Art Criticism and Contemporary Ceramics Criticism.
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(Electronic resources)
Feeling Large: Visual Self-Presentation through Personal Aesthetic Choice of Women in China.
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(Electronic resources)
Textiles and Architecture | Woven into Dimensions of Temporality, Craft, Drapery, and Technology.
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(Electronic resources)
Gamers' Relationships With Their Avatars & Fanfiction: An Exploration of Player-Avatar Relationships Through a Digital Project.
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(Electronic resources)
Film, art, and the limits of science = in defence of humanistic explanation /
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(Electronic resources)
Ana Vieira, Uma Casa Desconhecida: Documentacao e Resgate de Uma Memoria = = Ana Vieira, An Unknown House: Documentation and Rescue of a Memory /
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(Electronic resources)
Agonism in the Artistic City: Choreographies of Protest and Placemaking /
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(Electronic resources)
Visualizing the Wake: A Black Feminist Grammar for Visual Dissent in the African Diaspora /
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(Electronic resources)
Disaster Fiction and Cultural Characteristics in Twenty-First Century America /
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(Electronic resources)
Fan Girl Power: Theorizing the Personal Value of Transformational Fan Labor /
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(Electronic resources)
Empathic Resonance and Repetition in Art and Psychotherapy: Attunement With Image and Archetype.
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(Electronic resources)
Stuart Davis's early theoretical writings, 1918-1923: Realism, Cubism, and Dada.
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(Electronic resources)
Textual Hijacking: Strategies of Resistance and Reclaiming the Objectified Woman in Balzac, Baudelaire, and Degas.
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(Electronic resources)
Adopted Personalities: Exploring Freedom, Creativity and Feminism through the Art of Annette Messager.
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(Electronic resources)
Emotional Synergy: The Transcendent Experience of Abstract Expressionism in the Color Field Work of Mark Rothko.
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(Electronic resources)
The Effect of Rendering Style on Viewer's Perception of Historic Virtual Architecture.
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(Electronic resources)
Making Mockeries, Making Connections: The "Revolutionary Potential" of Parody in Twenty-first Century Art and Literature.
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(Electronic resources)
Reconsidering Painting: The Implications of Frank Stella's Black Paintings.
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(Electronic resources)
Visions for the Viewer: The Influence of Two Unique Easel Paintings on the Late Murals of Pierre Puvis de Chavannes.
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(Electronic resources)
The Making of a Modern Art World: The Institutionalisation of Guohua in Shanghai, 1929-1937.
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(Electronic resources)
Realist Agency in the Art Field of Twentieth-century China: Realism in the Art and Writing of Xu Beihong (1895-1953).
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(Electronic resources)
The Social Artist: An Animated Comics Address of Social Media's Impact on Independent Artistry.
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(Electronic resources)
Erotic Heterotopia: Manipulating Queer Force within Yu-pin Huang's Ink Art = = 色/情異托邦：論黃昱斌水墨藝術中的酷兒力操作.
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(Electronic resources)
Terms of Use: Embodied and Empowered Gallery Participation in the Digital Age.
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(Electronic resources)
The Transcendental Nature of New Media Art: An Examination of the Gap Between New Media and Contemporary Art.
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(Electronic resources)
Informatic Opacity: Biometric Facial Recognition and the Aesthetics and Politics of Defacement.
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(Electronic resources)
The Spiritual and Emotional Sense of the Form: Kandinsky and De Kooning Aesthetic Experience.
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(Electronic resources)
Los Angeles Artists and Revisionist Historiography: A Diasporic Intervention.
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(Electronic resources)
Accessibility and Democracy: the Politics of Christo and Jeanne-Claude's Architectural Installations.
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(Electronic resources)
Folk Art on the Internet: Artists Building Community and Marketplace on Social Media.
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(Electronic resources)
Social Texts, Social Audiences, Social Worlds: The Circulation of Popular Dance on YouTube.
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(Electronic resources)
Art Is My Language: A Study of Artworks Created by Contemporary Artists with Mental Conditions.
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(Electronic resources)
Van Gogh, Picasso, and Dali: Masters of Modern Art, and Their Significance in the Modern World and Beyond.
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(Electronic resources)
Counter-Scripting the Body in Pain: An Artistic Interrogation into Pain as Practice, Site and Subversive Force.
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(Electronic resources)
The Relationship Between Art Education and Art Market Development in India.
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(Electronic resources)
The Evolution of the Papunya Tula Movement: How Western Desert Painting Became a Catalyst for the Australian Art Market Despite the Lasting Impacts of Colonialism.
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(Electronic resources)
Ways of Being Beyond the Perpetuating Inequalities of the Technosphere: Textual Artistic Intervention as a Vital Strategy in Enabling Resistant Agency, or, Embodying a Practice of Radical Care.
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(Electronic resources)
Who Am I? An Examination into the Construction of Postmodern Identity through the Lens of Cindy Sherman.
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(Electronic resources)
Viewing the World After Structural Film: Realist Impulses in Experimental Cinema.
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(Electronic resources)
Banksy's Multimodal Representations: A Cultural-Rhetorical-Cognitive Analysis.
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(Electronic resources)
Beyond the Space of Painting and Poetry: Mallarme and the Embodied Gesture.
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(Electronic resources)
Re-Articulation: Retrieval, Renewal and Beyond: Translating a Visual Aesthetic within the Fold of Postmemory.
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(Electronic resources)
The Presence of Copley: Animacy, Magic, and Afterlife in American Painting, 1765-1925.
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(Electronic resources)
Tradition, Function and Artistry: Craftspeople in the Modern American Art World.
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(Electronic resources)
How to Survive the Apocalypse: Using Film, Television, and Video Games as Gateways to Self-Analysis.
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(Electronic resources)
The Innovations of Art Comics : = Materiality, Community, and the Visual Turn.
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(Electronic resources)
Harming Works of Art the Challenges of Contemporary Conceptions of the Artwork.
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(Electronic resources)
'Getting into / Focus' : = Mapping the Influence of Cinema in Marginal British Poetry, 1927-1950.
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(Electronic resources)
Creating Receptive Spaces Within the Gallery : = a Look into the Role the Arts Has on Survivors of Abuse and Its Contribution to the #MeToo Conversation.
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(Electronic resources)
What Was in the News : = Picturing Current Events in Seventeenth Century France.
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(Electronic resources)
The Normative Functions of Artist Intentions in a Twenty-First Century Contemporary Art Practice.
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(Electronic resources)
The Controversy of the Female Nude Body Within Performance Art of the 1960s and 1970s.
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(Electronic resources)
Turning The Page : = A New Dimension to the Language of Ceramics with Reference to Wayfaring, Porcelain Paperclay and the Archetype of the Paper Page.
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(Electronic resources)
A Rave at the End of World : = The Politics of Queer Hauntology and Psychedelic Chronomancy.
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(Electronic resources)
The Rise of Kody Mattei : = In a World Where Demand Increases Art's Value More Than What Is Proportional, How Can Underrepresented Artists Create Something Valuable?
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(Electronic resources)
Complexity Theory and Creativity : = Seeing through to the Mythic Leonardo da Vinci.
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(Electronic resources)
Making and Exhibiting Modernism : = Gustave Caillebotte in Paris, New York, and Brussels.
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(Electronic resources)
The Parameters of Participatory Play : = Nostalgic Situationism for The 21st Century.
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(Electronic resources)
An Analysis and Case Study of Human Emotions and Their Influence in the Production of Art.
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(Electronic resources)
Between Film, Video, and the Digital : = The Art of Hybrid Moving Images, Medium Specificity, and Intermediality.
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(Electronic resources)
她們都是兔子－徐書涵創作論述 = = They are All Rabbits-The Artistic Creation of Hsu, Shu-Han.
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(Electronic resources)
Redefining the American Shopping Mall: Interior Design's Role in Mitigating the Negative Impact of Consumerism.
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(Electronic resources)
Decentralization: The Future of Virtual Visual Culture and the Evolution of Narrative in New Media Art.
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(Electronic resources)
Dead Woman Walking: Articulating Historical Violence Toward the Femme Through Visual Art and Cultural Experience.
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(Electronic resources)
On Currents: How to Inscribe Patterns of the Pacific in Contemporary American Art History.
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(Electronic resources)
Unveiling the Digital Aura: Ontological Distinctions From the Analog Realm.
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(Electronic resources)
Exploring the Emergence and Development of Cutting Practices in Contemporary Art.
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(Electronic resources)
Breaking Chains, Forging Beauty: Redefining African Jewelry Design Through the Work of Emefa Cole and Ami Doshi Shah.
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(Electronic resources)
Animated Geometries: Abstraction and the Body in the Post-First World War Work of Alexandra Exter, Paul Klee, Sophie Taeuber-Arp, and Joaquin Torres-Garcia /
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(Electronic resources)
"Will the Real Cindy Sherman Please Stand Up and Will the Boys Please Sit Down?" Representations of Femininity and Masculinity in the Early Works of Cindy Sherman, Robert Longo, and Richard Prince /
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(Electronic resources)
Artistic Interventions in the Public Sphere: Keith Haring & Jenny Holzer /
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(Electronic resources)
What is EAI? A Short History of the Style's Evolution and Development of Identifiable Characteristics /
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(Electronic resources)
Materialization of Choreographic Process Through a Cross-Disciplinary Approach /
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(Electronic resources)
The MiniMuseums Companion: Designing for Interaction, Emotion and Immersive Aesthetic Experience /
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(Electronic resources)
Artistic Agency in the Contemporary Indian Anglophone Picturebook: A Study of Pardhan Gond Aesthetics and Tara Books /
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(Electronic resources)
Allegories of Seeing From German Romanticism to (Post-)Cinematic Media Art: Novalis, Wim Wenders, Peter Handke, and Matthew Barney /
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(Electronic resources)
Disordering the Land: Visual and Material Strategies of Creating Futurity and the Otherwise in Contemporary Caribbean Art /
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(Electronic resources)
The Axe and the Lens: Photography and the Big Trees of the American West 1860-1920.
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(Electronic resources)
Making Material Meaningful: Identifying and Analysing the Role of Material in Contemporary Sculptural Practice and Criticism.
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(Electronic resources)
Getting in on the Action: Spectatorship at the Technologized Interface of Live Performance.
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(Electronic resources)
The Photographer Under Pressure: Nakahira Takuma as a Body in the World, 1968-1977.
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(Electronic resources)
Cross-domain Image Analysis Approaches Towards Segmentation of Placenta Photos and Pictorial Realism Study of Paintings.
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(Electronic resources)
The Women of Impressionism: The Influence of Berthe Morisot, Mary Cassatt, and Eva Gonzales on the Art Market /
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(Electronic resources)
Sonic Futures: Assistive Technologies, Gendered Labor, and the Colonization of Voice /
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(Electronic resources)
How Can Art Practice Provide a Rebalancing and Re-Evaluation of the Canonic Legacy of Kurt Schwitters?
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(Electronic resources)
Wounded: The Materialization of Pain and Violence in the Artwork of Doris Salcedo and Ana Mendieta.
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(Electronic resources)
The Noahic Pattern in Nicolas Rolin's Patronage: Jan Van Eyck's Rolin Virgin and Rogier Van Der Weyden's Beaune Altarpiece.
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Beyond the Traditional Gatekeeper: Architecture and Photography in the Age of Instagram /
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