American literature.
概要
| 作品: | 681 作品在 1 項出版品 1 種語言 | |
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書目資訊
English trader, Indian maid : = representing gender, race, and slavery in the New World : an Inkle and Yarico reader /
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Leaves of grass and other writings : = authoritative texts, other poetry and prose, criticism /
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The social life of nations: A comparative study of American and Chinese utopian fiction, 1888-1906.
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Hybrid Latina Chick Lit: The expression of sexuality in the works of Alisa Valdes Rodriguez.
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An Illustrated Book to Aid in Recovery from Body Dysmorphic Disorder and Body Image Dissatisfaction.
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"That is not dead which can eternal lie": Horror and terror in the fiction of H. P. Lovecraft.
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Educating women: Women writers, the domestic novel and the education debate, 1790-1820.
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Virtue and vice in children's literature: A content analysis of best-selling American picture books.
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Beyond the borders of exile: Exile, immigration, and migration in U.S. women's writing.
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Reading fashions, fashioning readings: Genre, style, and sartorial semiotics in nineteenth-century American literature.
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Disability and the Young Adult Reader: How Has the Portrayal of Disability Changed in the Last Fifty Years?
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Second Tall Man: Detailed Yet Desultory Ruminations on Moments from a Life Seemingly Devoid of Meaningful Incident.
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Sensational modernism: Disfigured bodies and aesthetic astonishment in modern American literature and photography.
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Crisis and modernism: Culture, economy, and form in twentieth-century U.S. and Latin American literature.
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Dollars: International monetary order, the nation-state and the development of literary modernism.
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Crossroads and consciousness: Communal underground space and diasporic modernism in African-American literature.
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Venice as no-place: Liminality and the modernist interpretation of the myth of Venice.
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Critical content analysis of adoption texts: Representations of transracial Chinese adoption within children's picture books.
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Performing hybridity: A dialogic and semiotic study of late twentieth-century drama from Africa and the African diaspora.
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"I knew what I did and I did it with deliberate calculation": Anxiety and tricksterism in African American autobiography.
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Modern Sentimentalism: Feeling, Femininity, and Female Authorship in Interwar America.
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A concept of immediacy as seen in Lin Fengmian's painting and William Carlos Williams' poetry.
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The impact of e-readers on the domains of reading comprehension in high school students.
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History and the true war story: Reading for moral injury in Vietnam veteran literatures.
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"Infinite earths": Crossmedia adaptation and the development of continuity in the DC Animated Universe.
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Working in utopia: Locating Marx's "realm of necessity" in the socialist futures of Bellamy and Morris.
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Novels of the Nation: Literary Theory, Post-Revolutionary Republicanism, and the Rise of the Novel in America, 1789-1812.
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The Labor of the Avant-Garde: Experimental Form and the Politics of Work in Post-War American Poetry and Fiction.
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Transcending the Senses, Transcending through the Senses: The Modernist Neo-Epic Poem and the Experience of Transcendence.
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Challenges to Western Constructs of Motherhood in Novels by Danticat, Erdrich, and Tan.
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OdeIS/HeIs and homeward, postmodern epic conventions in Eleni Sikelianos' "The California Poem"
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Architectures for a Future South: Posthumanism and Ruin in the Novels of Cormac McCarthy.
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I was never an American: Rejection and Disaffiliation in Twenty-First Century Immigration Narratives.
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Crafting radical fictions: Late-nineteenth century American literary regionalism and arts and crafts ideals.
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In absentia parentis: The orphan figure in latter twentieth century Anglo-American children's fantasy.
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"How cold an Arcadia was this": Transcendentalist communes in The Blithedale Romance and "Transcendental Wild Oats".
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Exploring the connections between literary places, literary texts, and tourist performance.
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Haunting the humanities: Ghosts, communications technologies, and the search for a real in literary horror.
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"I killed a man today and I don't even care": Ethics, Violence, and Othering in Robert Kirkman's "The Walking Dead".
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Loosening the critical corset: New approaches to the short fiction of Kate Chopin and Ruth Stuart.
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Patterns of Exchange: Translation, Periodicals and the Poetry Reading in Contemporary French and American Poetry.
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Second death in Venice: Cognitive mapping in the Venetian fictions of Jeanette Winterson, Ian McEwan, and Robert Coover.
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Constructing mothering performances: The motherhood ideal in Caldecott and Newbery winners, 1980--2014.
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"Camera del Mezzo", recit, suivi de, Effets de verite et de mensonge dans "Cite de verre", essai.
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The author's Doppelgaenger: Celebrity, canonicity, and the anxiety of the literary marketplace in the contemporary novel.
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Sites of Education: Race, Memory, and the Conflicting Discourses of Learning in America, 1827-1914.
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A qualitative content analysis for the presence of propaganda in select juvenile Whitman books published during World War II.
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The Melting Plot: Interethnic Romance in Jewish American Fiction in the Early Twentieth Century.
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"The Giver" as content-based reading instruction: Student beliefs about using literature for ESL.
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Brides, department stores, westerns, and scrapbooks---The 'everyday lives' of teenage girls in the 1940s.
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Artistic (mis)representation and commodity culture in The Picture of Dorian Gray and The House of Mirth.
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"Something at least human": Transatlantic (re)presentations of Creole women in nineteenth-century literature and culture.
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Imperiled Bodies: Sentimentality and Illness in Nineteenth-Century American Women's Literature.
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American Dreams and Dystopias: Examining Dystopian Parallels in "The Great Gatsby" and "To Kill a Mockingbird".
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"I Am Made and Remade Continually:" The Broken Subject and Autofiction in Nella Larsen and Virginia Woolf.
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A comparison of Chinese and American readers' responses to selected American short stories.
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Gold mountain dreams: Chinese-American literature and its sociohistorical context, 1850-1963.
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Principalities and powers: Religion and resistance in contemporary ethnic women's literature.
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Lurkers on the Threshold: Ghosts, History, and the Indigene in American and Australian Contemporary Literature.
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Settler Colonial Belonging and Indigenous Erasure in "The Snow Child" and "The Raven's Gift".
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A Life Less Gothic: Gothic Literature, Dark Reform, and the Nineteenth-Century American Periodical Press.
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Textual deviants: Women, madness, and embodied performance in late twentieth-century American literature and photography.
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Beyond the binaries: Passing as cisgender in "Middlesex", "Trumpet", and "Redefining Realness".
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Expressions of selfhood in classic American fiction: Readings from a Chinese cultural perspective.
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"An imagist turned philosopher": Formal innovation, conscious experience, and the self in modernist women's poetry.
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Wound up about brave new seed: Biotechnology and the food industry in dystopian literature.
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A soldier, a captain, and a king: Teaching Shakespeare and Melville in tandem under the Common Core State Standards.
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Reading the Vietnam War and encountering other others: Race and ethnicity in American novels of the Vietnam War.
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Surviving domestic tensions: Existential uncertainty in New World African diasporic women's literature.
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Partners in catastrophe: The phantasmic in African American, Jewish American, and Native American trauma narratives.
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Caressing Radical Alterity: For a Queer Ethic of Embodiment in Contemporary Films and Literature.
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Rethinking the Normative: Madness, Abjection, and Awareness in American Literature and Film.
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Love in the morning : = a comprehensive study of Hemingway's viewpoint on romantic love expressed in for whom the bell tolls /
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Henry James on culture : = collected essays on politics and the American social scene /
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"More than just a piece in their games": Agency and the docile body in The Hunger Games and reality television.
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Drawing resistance: The unsettling and provocative influence of maps in children's literature.
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Southern Orientation: Reimagining Asian American Identity and Place in the Global South.
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Gestural modernism: Performative choreographies in American modernist literature and modern dance.
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Drawing Outside the Bounds: Tradition and Innovation in Depictions of the House in Children's Picturebooks.
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Dollars and sense: Economies of forgiveness in antebellum American law, literature, and culture.
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Borrowed country: Digital media, remediation, and North American poetry in the twenty-first century.
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Sustainable Gardens of the Mind: Beat Ecopoetry and Prose in Stewart Brand's "Whole Earth" Publications.
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Masters of Disaster: Controlling Nature and Revolution in French and Francophone Plantation Novels.
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The spirit in the flesh: The translation of German Pietist imagery into Anglo-American cultures.
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The Black Gothic Imagination: Horror, Subjectivity, and Spectatorship from the Civil Rights Era to the New Millennium.
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Herstories of war: Representations of silence in women's Vietnam/American war narratives.
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National (Be)Longing: American Imperialism and Identity Formation in Multi-Ethnic Literature of the US.
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Peripheral visions: Picturing human bodies in American literature and visual culture, 1900--1919.
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Silence and Voices: Family History and Memorialization in Intergenerational Holocaust Literature.
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"I had always thought I was a Yankee": Creating the representative American self in 20th century ethnic autobiography.
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Spectacular Struggles: Utopian Whiteness, Black Resistance, and the National Imaginary in Nineteenth-Century America.
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A Question of Determinacy: American Procedural Poetry 1950-2013 and the Postmodern Critique of Subjectivity.
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Holding Back The Mountain: Sustaining Place in the Appalachian Poetry of Robert Morgan, Kathryn Stripling Byer, and Ron Rash.
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Women's Narratives of Confinement: Domestic Chores as Threads of Resistance and Healing.
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Narrative data, informational poetics: Modernist literature and the emergence of cybernetic thought.
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The biocultural imaginary: Contemporary narratives of genetics and human variation in the sciences and arts.
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"Everything Was Strange": Regional Nationalisms and Ironic Identities in Early National American Fiction.
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Scenes, seasons, and spaces: Textual modes of address in modern French, American, and Russian literature.
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Love is (color) blind: Historical romance fiction and interracial relationships in the twenty-first century.
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Meaning through Action: William James's Pragmatism in Novels by Larsen, Musil, and Hemingway.
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"Great nature, refuge of the weary heart": A regional and literary exploration of the early Grove Plays of the Bohemian Club.
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A dark record: Criminal discourse and the African American literary project, 1721--1864.
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Violent inscriptions: Border crossings in early nineteenth-century American literary history.
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American literature in the world: : = an anthology from Anne Bradstreet to Octavia Butler /
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Muslim love, American style: Islamic-American hybrid culture and native-born American Black Muslim romance.
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The global dystopian: Twenty-first century globalization, terrorism, and urban destruction.
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Feathers, Skins, Bodies, and Bones: Palimpsesting Temporality, Movement, and Resistance in Native North American Literatures.
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Willful forgetting: "White Indians," trauma, and relationality in American historical literature.
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Enthusiastic Sensations: Religious Revivals, Secular Bodies, and the Making of Modern Sexualities in Early American Culture.
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The spirit of the law: The haunting of U.S. federal Indian law in the contemporary western.
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The Chinese outcry and the American dream: A comparative study of Lu Xun and F. Scott Fitzgerald.
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Sex, labor, and the American way: Detroit aesthetic in mid-twentieth-century literature.
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In Search of White Manhood: The Construction and Failures of U.S. National Identity in Ernest Hemingway's Nick Adams Stories.
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Science Fiction as Ethical Response to the Holocaust: Philip Roth and Jewish American Fiction.
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The Application of Aristotelian Rhetorical Appeals in Kate Chopin's "The Awakening" and "Athenaise".
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Where the Global Meets the Local: Female Mobility in South Asian Women's Fiction in India and the U.S.
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Restorying Dystopia: Exploring the Hunger Games Series Through U.S. Cultural Geographies, Identities, and Fan Response.
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Labor and leisure in the tropical environment: Race, class, and the enjoyment of nature.
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Father of all destruction: The role of the white father in contemporary post-apocalyptic cinema.
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THE "CONFUCIAN ODES" MADE NEW: EZRA POUND'S TRANSLATION OF THE "SHI JING" (CHINA; KUNG).
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Tales of the supernatural: "Liao-chai chih-i" and the American short story of the nineteenth century.
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The poetics of misunderstanding: The anxiety of reception in Chinese-Western literary relations.
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Turning Toward the World: Aestheticism, Christianity, and the Ends of Art in Modernist Literature.
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Real or Not Real: Fragmentation, Fabrication, and Composite Identity in "The Hunger Games" and the "Mass Effect" Trilogy.
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Vulgar Grandeur: Literature and the American Monument During the Long Nineteenth Century.
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And They Lived Happily Ever After. The End? Postfeminism and the Rebranding of the Disney Princesses.
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Time material: Temporality, narrative, and modernity in silent film and American naturalism.
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Underground Sounds: Oral Tradition and Recording Culture in American Poetry, 1917-2008.
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Imagining Pleasure: Experimentalism and Race in Twentieth-Century American Literature and Visual Culture.
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Nationalism, secularism, belonging, and identity in Philip Roth, Salman Rushdie, and Orhan Pamuk.
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To Start, Continue, and Conclude: Foregrounding Narrative Production in Serial Fiction Publishing.
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From Italian American Icon to Working Class Hero: Perspectives on Pietro di Donato's "Christ in Concrete".
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We Don't Breathe Alone: Forms of Encounter in Anglophone North America since the 1970s.
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A leap of faith: Creating space to (dis)orient and (re)orient sexuality and identity in Tony Kushner's "Angels in America".
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An archive of shame: Gender, embodiment, and citizenship in contemporary American culture.
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¿Pertenecer a Donde?: El Espacio de la epifania en No One Belongs Here More Than You de Miranda July.
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American Isaac and Ishmael: The Literary Relationship of Herman Melville, Robert Penn Warren, and Ralph Ellison.
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Anomalous Apparitions of Light in Colonial America: Visions of Comets, New Stars, the Aurora Borealis, and Rainbows.
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Moving Experiences: Women and Mobility in Late Nineteenth and Early Twentieth-Century American Literature.
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Telling Stories, Healing Cultures: Feminist Healing Narratives by Contemporary American Women of Color.
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Dread Stress: The Politics of Literature Amid the Transformation of U.S. Print Culture 1847-1892.
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Myth-Making and Sacred Nature: J.R.R. Tolkien's and Frank Herbert's Mythopoeic Fiction.
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Carving Out A Place in Children's Literature: American Authors of Chinese, Japanese, and Korean Descent.
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Rural Transnationalism: Food, Famine, and Agriculture in U.S. and Chinese Literature, 1898-1955.
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Forms at the End of the World: Subject-System Identity and the Figuration of Late Capitalism in Contemporary American Poetry.
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Toward multicultural narratology: A narrative analysis of multicultural children's literature.
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William Dean Howells in Transition: Realism, Regionalism, and the Search for an American Aesthetic.
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All of Us with All of That: Militarized Life and Communal Affect in Twenty-First Century American Experimental Poetry.
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THE SUBVERTED FLOWER: THE LIFE OF ELINOR WHITE FROST AND HER INFLUENCE ON THE POETRY OF ROBERT FROST.
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Aesthetic Activisms: Language Politics and Inheritances in Recent Poetry from the U.S. South.
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Pacific Crossings: Travel, Writing, and Literary Transition in the Sino-American Nineteenth and Early Twentieth Centuries.
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From "Bad Boys" to "Wild Things": The evolution of children's literature from the mid 19th century until today.
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The Intrusion of Trauma into Daily Routine: The Consequences of the Interwar, the Cold War, and the Vietnam War in Literature.
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Crippling the Body Politic: Disability and Nation-Making in Nineteenth-Century American Literature.
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Young Adult Authors, Readers, and Twitter: An Examination of Parasocial Interaction in YA Publishing.
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An Archive of Imagined Worlds and Futures: Environmental Speculative Fiction of the 20th & 21st Century.
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The Dystopian Impulse and Media Consumption: Redefining Utopia via the Narrative Economics of the New Media Age.
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Getting out without getting strangled: Charlotte Perkins Gilman's solution to Victorian female oppression.
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American Fantasy: Imaginative Landscapes and Environmental Justice in Five American Writers' Work.
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"To Feel with Other Beings": Affect and Activism in New Wave Feminist Science Fiction.
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Transforming the Cultural Economy for Little Readers: Print-Based Adaptations for Children in Nineteenth-Century America.
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Transgressive Migrations: Gender Roles, Space, and Place in American Novels, 1900-1999.
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At home in the city: Networked space and urban domesticity in American literature, 1850-1920.
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A Science of Literature : = Ethnology and the Collection of Indigenous Oral Traditions in the United States.
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Homeless Modernisms : = The Politics and Aesthetics of Underclass Resistance in 1930s and 1940s U.S. Literature and Culture.
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Transposed Fictions : = Speculative Genre Intrusions and Border Crossing Narratives in Twenty-First Century Literature.
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Destruction and Resiliency : = Decolonizing Settler Knowledge in Native American Literature Through the Peoplehood Matrix.
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From isolation to insanity : = The doubt that destroys in "Young Goodman Brown" and "The Fall of the House of Usher".
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"You Know It Is Customary" : = Emily Dickinson and Nineteenth-Century Epistolary Practice.
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Solitude and Postbellum Literary Culture: Elizabeth Stoddard, William Dean Howells, and Henry Adams /
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Intercitizenship: How Contemporary Women Writers Create Literary Environmentalism Across the U.S.-Canada Border /
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Power play, individuals in conflict : = literary selections for students of English /
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A Week on the Concord and Merrimack rivers ; Walden, or, Life in the woods ; The Maine woods ; Cape Cod /
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Highlights of American literature : = based upon a core manuscript by Dr. Carl Bode, University of Maryland /
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Appreciations of Selected readingsthe American literature : = Mei guo wen xue ming zhu yan du(美國文學名作研讀 /
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"Nobody owing nobody nothing": Reading Flannery O'Connor anew through the ethics of Emmanuel Levinas.
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"Let the Deal Go Down": Zora Neale Hurston and a New Direction for the Migration Narrative.
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Fashioning High-Heeled Identity: Material Culture and Identity Formation in Maya Angelou's Autobiographies.
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Individual encounters with painting and poetry: Duncan Phillips, Mark Rothko, and Lawrence Ferlinghetti.
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Secret Springs of Action: Necessity and Anglo-American Literature in the Age of Revolution.
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Nature, nurture, nation: Race and childhood in transatlantic American discourses of slavery.
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Through the Spaceship's Window: A Bio-Political Reading of 20th Century Latin American and Anglo-Saxon Science Fiction.
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The Ethos of Dissent: Epideictic Rhetoric and the Democratic Function of American Protest and Countercultural Literature.
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Haunted narratives: The afterlife of Gothic aesthetics in contemporary transatlantic women's fiction.
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Since Sappho: Women in Classical Literature and Contemporary Women's Writing in English.
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Avant-gardism in children's theater: The use of absurdist techniques by Anglophone children's playwrights.
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Deconstructing the Domestic Sphere: The American Sentimental Novel as Feminist Metafiction.
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Mark Twain's Lover's Quarrel With God; Or, Satirizing All God's Children: Mark Twain's Uses of Religious Satire.
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Against Infinite Grief: Mourning and Speculative Invention in Postbellum American Literature.
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Manipulation within the language of love: Politeness theory, abuse, and Woody Allen's Match Point.
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Starting with Snow White: Disney's Folkloric Impact and the Transformation of the American Fairy Tale.
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"A calculated withdrawal": Postmodern American novelists, their politics, and the Cold War.
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"You Will Hold This Book in Your Hands": The Novel and Corporeality in the New Media Ecology.
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Critiquing Progress and Imagining Degrowth in Henry David Thoreau's Walden and Margaret Atwood's The Year of The Flood.
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Crip'in Migration: Examining the Elderly Migrant Experience in Filipino American Literature.
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Exceptionalism and Transatlanticism in Early American Literature (1760-1860) and Classic Hollywood Cinema (1930-1960).
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Taming the Terrible?: Transgressive Novels, Adaptation, and the Illusion of Legitimacy.
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The Post-Noir Novel: Pulp Genre, Alienation, and the Turn from Postmodernism in Contemporary American Fiction.
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Women's Work: Domesticity, Interiority, and Social Science in American Literature, 1890-1910.
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Telling Stories-Empowering Generations: Minority American Women and Their Cultural Stories.
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The Queer "Third Species": Tragicomedy in Contemporary LGBTQ American Literature and Television.
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Reading and Writing a Garden, Materials of a Garden Made in Germantown, Pennsylvania (1683-1719).
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Writing Diplomacy: Translation, Politics, and Literary Culture in the Transpacific Cold War.
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You're Making Ideology Weird: An Analysis of the Contemporary Weird through a Marxist Lens.
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Recognizing the Silent Truth: Subversive Silences in Character Development of Marginalized Identities.
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From Relationality to Resilience in Contemporary Dakota and Ojibwe Environmental Justice Literature.
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Identity Positivity in Decolonial Worlds: Making Room for Gender and Sexual Possibility.
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"We Are Two-Legged Wombs": The Paradigms of Objectification of Women in Margaret Atwood's Dystopia.
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DIY Feminisms in the Third Space: Female Rhetorical Techniques Performed in Multi-Generational Alternative Media.
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Interiority and Counter-Interiority in 19th and 20th Century U.S. Literature and Culture.
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A Critique from Within: The Early African American Utopian Tradition and Its Visions of a Better Society.
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"Everything Will Be as It Is Now, Just a Little Different": Affectively Imagining Alternative Worlds in Ben Lerner's 10:04.
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Living in Excess: Narrating Violence and Presence in Native American and Chicana Literature.
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The Construction of Arab Women's Identities to Resist Patriarchal Oppressions in Selected Arab/Arab Diasporic Women's Novels.
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Seeking the center: The provincials in the novels of W. D. Howells, Theodore Dreiser, and Edith Wharton.
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Migration of Text and Shift of Identity : = Self-Translation in the Bilingual Works of Lin Yutang, Eileen Chang, and Ha Jin.
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The themes of conformity and nonconformity in Lois Lowry's "Number the Stars" and "The Giver".
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Small Dislocations : = Narrative Acts Beyond the Home in North American Women's Fiction Post 1945.
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Toward a Different Way of Knowing/Being/Speaking : = Poetic Openings and Feminist Praxis in Contemporary Works.
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Writing the Body : = Sentimental Rhetoric in Nineteenth-Century Southern Women Writers' Fiction.
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Transference and Countertransference : = Freud's Therapeutic Frame in Narratives of Psychotherapy.
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Cinematic Poe : = A Survey of Films Inspired by Edgar Allan Poe and Their Importance in Film History.
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Radical Reticence : = Quietness, Vision, and Resistance in Contemporary Representations of Slavery.
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Speculative Pasts, Revisionist Futures : = Pauline E. Hopkins, W.E.B. Du Bois, and the Propaganda of History.
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"If You Want to Change the World, Edit Wikipedia" : = Mitigating the Gender Gap and Systemic Bias on Wikipedia.
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Narrative Triage : = Veterans, Disability, Race, and the Popular Fiction of the Cold War.
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Mediating Sounds : = Race, Musical Appropriation, and Literary Intervention in the Cold War.
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The Global Implication of the Antiracism Positions of Three 20th Century American Women Writers of African Descent.
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The Queer Freedom of Faggotry : = A Schizoanalysis of Twentieth-Century American Faggots.
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Documentary Knowledge, Visual Images, and Poetry in the Works of Theresa Hak Kyung Cha and Claudia Rankine.
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Unspeakable Things : = The Poetics of Secrecy in Ezra Pound and H.D = La poetique du secret chez Ezra Pound et H.D.
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Native Lands in Enemy Territory : = Indigenous and Asian American Veteran Erasure and Resistance in the Literature of War.
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Development and Implementation of a Program of Teaching English Poetry Through Constructivist Approach for Standard IX.
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Asian American Identity in Drama and Their Four Waves : = Beyond Identity Crisis Toward Fluid Identity.
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International Students : = Education, Emancipation and Exchange in Contemporary University Fiction.
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From Bestseller to the Big Screen : = The Acquisition and Development of Popular Novels in Classical Hollywood.
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Queering Happily Ever After : = Narrative Closure in Contemporary Gay and Lesbian Novels.
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Literary Essentialism and Charles Dickens : = Anti-Semitism in Oliver Twist and Our Mutual Friend.
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Sex and suicide in "Madame Bovary", "Anna Karenina", "The Awakening" and "The House of Mirth".
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