Performing arts.
Overview
| Works: | 523 works in 17 publications in 17 languages | |
|---|---|---|
Titles
Sensualities/textualities and technologies = writings of the body in 21st century performance /
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Professing performance = theatre in the academy from philology to performativity /
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Navigating the unknown : = the creative process in contemporary performing arts /
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(Language materials, printed)
The rise of performance studies = rethinking Richard Schechner's broad spectrum /
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Cyborg theatre = corporeal/technological intersections in multimedia performance /
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Contemporary vocal technique in the choral rehearsal: Exploratory strategies for learning.
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Performativity and Social Space: A Study of Three Yamada-ryu Koto Musicians in The Northeast of The U.S.
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The Marriage of Mom & Dad: An exploration in crossing boundaries of form to stage the ineffable.
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I could not swallow the grainy flesh-colored memory critical underpinnings of a multimedia art installation.
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Imagination, Cultivation, Creation: An exploration of a customized acting process and personalization of Theresa Rebeck's "Seminar".
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An Actor's Process in Performing the Role of Oberon in William Shakespeare's "A Midsummer Night's Dream".
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The Art of Reconciling Contradictions: An Account of the Preparation and Performance of Charles Marlow.
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"The Journal of Mother Studies": A peer reviewed, international, interdisciplinary, open-acess, digital humanities hybrid project.
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Producing on the fringe: How fringe festival structure impacts participant experience.
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The Role of the Performance Document: The Photographic Paradox and the Ephemeral Event.
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Overacting: Mass Performance during the Chinese Cultural Revolution (1966--1976).
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The Political Kinesthetics of Contemporary Dance: Taiwan in Transnational Perspective.
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Satirical warfare: Guerrilla Girls' performance and activism from 1985-1995.
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The Greek Body in Crisis: Contemporary Dance as a Site of Negotiating and Restructuring National Identity in the Era of Precarity.
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Bodies at Burning Man: Heterotopia, Temporality, and the Creative Act as Embodied Revolution.
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Creative planets (modalities of art) collide: The big bang of 1960s multimedia art.
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Directed expression: quantifying emotional expression with concepts derived from the performing arts.
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The Effects of Technical and Imagery-based Instruction on Aspiring Performing Artists' Acquisition of Learning Newly Composed Pieces and Improvisation and on Listeners' Perceived Expressivity.
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Linked Together: Creative Movement as a Way to Promote Creativity, Collaboration, and Ownership among At-Risk Youth.
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Acting technology: Media technology as actor, the actor as media technology, and Big Art Group's vibrant assemblage.
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Flirting with Global Citizenship: The Construction of Gender, Class, and National Identity in Taiwanese Salsa Practice.
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The Againness of Vietnam in Contemporary United States Antiwar Choreography.
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Performance and Visibility: Arab American Women's Influence on Post-9/11 Plays, Solo Performance, and Stand-Up Comedy.
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Performing the female superhero: An analysis of identity acquisition, violence, and hypersexuality in DC comics.
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The Best Show in Town: A Study of Friend, Nebraska and Fairfield, Nebraska Opera Houses.
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Proustian performance role-playing, repetition, and ritual in A la Recherche du Temps Perdu.
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Audience Engagement in San Francisco's Contemporary Dance Scene: Forging Connections Through Food.
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Part One: The Dramatic Function of Off-Stage Music in Bizet's "Carmen" Part Two: A Portfolio of Compositions.
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Practical dramaturgy for actors: Applying resources of the Oregon Shakespeare Festival to the challenges of language and preparation.
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This is Not My Body: Alienated Corporeality and Brechtian Critical Theatre Practices.
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Now! That Is Hysterical: A Consideration of Black Humor Studies Toward a Liberatory Womanist Humor Arts Movement.
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Playing with Your Parts: Dismantling Bodily "Wholeness" through Queer and Crip Performance.
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"The idea of beauty in their persons:" Dandyism and the haunting of contemporary masculinity.
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Evoking the mystery: A pedagogical method to enable an advanced violinist to master George Crumb's Four Nocturnes (Night Music II).
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Performing El Rap El 'Arabi 2005-2015: Feeling politics amid neoliberal incursions in Ramallah, Amman, and Beirut.
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What Is at Stake in Jazz Education? Creative Black Music and the Twenty-First-Century Learning Environment.
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Performance and the contemporary city : = an interdisciplinary reader /
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History as theatrical metaphor = history, myth and national identities in modern Scottish drama /
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The Collaborative Pianist's Role In An Integrated-Arts Setting: Dance, Music, and Visual Arts.
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Songwriting as a transformative practice: A heuristic inquiry into the songwriter's experience of creating, recording, and performing original popular songs.
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Lost sound: Singing, theater, and aesthetics in late Ming China, 1547-1644.
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An analysis of the three modern Chinese orchestras in the context of cultural interaction across Greater China.
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Mockmusicals: Parody, Satire, and Musical Comedy at the Turn of the Twenty-First Century.
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Deconstructing "the abyss of the future:" Theatre, performance, and holes in the discourse of 9/11.
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In search of third space: Composing the transcultural experience in the operas of Bright Sheng, Tan Dun, and Zhou Long.
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What's It Going To Be Then, Eh? Youth Violence, Free Will, and the Creative Cycle in "A Clockwork Orange".
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Feeling History: Emotion, Performance, and Meaning-Making in Bill T. Jones/Arnie Zane Dance Company.
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A document in death and madness: A cultural and interdisciplinary study of nineteenth-century art song settings on the death of Ophelia.
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Playing hippies and Indians: Acts of cultural colonization in the theatre of the American counterculture.
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Gestural modernism: Performative choreographies in American modernist literature and modern dance.
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The human body as the primary instrument: Studies in musical wholeness and achieving instrumental awareness through the breath.
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Dancing into Modernity: Kinesthesia, Narrative, and Revolutions in Modern China, 1900-1978.
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Law, justice, and all that jazz: An analysis of law's reach into musical theater.
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A conversation with Rita Moreno: Examining the employment challenges of the Latino actor.
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Flute extended techniques: A practice guide and analytical study of "Hatching Aliens" by Ian Clarke.
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Edmund Campion's "Losing Touch" for amplified vibraphone and fixed electronic sounds (1994): An analysis and performance guide.
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The Death of Cervantes' Don Quixote: Three Musical and Literary Perspectives.
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Learning from the autograph: A new critical approach to performing Liszt's Sonata in B Minor.
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Perspectives on the symbiosis of traditional and modernist techniques in four violin compositions by Sergei Prokofiev.
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"Oh, Dracula": Chris Burden's 1974 performance at the Utah Museum of Fine Arts.
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Knowing Bodies / Bodies of Knowledge: Eight Experimental Practitioners of Contemporary Dance.
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The Abramovic method: The performance art of Marina Abramovic, 2010 to present.
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Dismantling Illusions in and of Paradise Through the Gift of Refraction in the Terra do Exu An Ethnography with Women of Rural Bahia.
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Strength in numbers: Data-driven strategic marketing in mid-sized to large performing arts organizations.
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Establishing a Percussion Jazz Ensemble at the Collegiate Level Historical Context, Resource Guide, and Arrangements.
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Beyond the Thong: Contexts, Representations, and the Performances of Erotic Masculinities in Male Strip Show(s).
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Expressive remix therapy: Facilitating narrative mash-ups through the use of digital media art.
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The combination of Eastern and Western musical worlds: Korean performance techniques applied to the Western symphony orchestra in Isang Yun's "Tanserische Fantasie fuer G Rosses Orchester, Muak" (1978).
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The journey of a digital story: A healing performance of Mino-Bimaadiziwin: The good life.
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Performing the Racial Ambiguity Act: Settler Colonialism, Imperialism, and Performance.
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Site-based theatre in 21st century Britain: Conceptualizing audience experiences.
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Theatre patronage in the post-subscription era: Evaluating nontraditional subscription models used by nonprofit theatres and alternative methods of monetization for implementation by California Repertory Company.
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The application of multimedia and theatrical elements to Franz Joseph Haydn's "Die Schopfung" ("The Creation"): Examples for Day Five, Scene One.
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Transgressing space and subverting hierarchies: a comparative analysis of street theatre groups in Sri Lanka, India, and the United States.
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Inside the Lives of Male Stand-Up Comedians: How the Past Influences the Present.
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Uncovering Performance in Medieval Scandinavia: A Survey and Analysis of Medieval Performance in Scandinavia.
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"This Very Body is the Bodhi Tree": The Performance of Contemplative States in the Western Jahna Revival and Contemporary Movement Theater.
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Circling the Cosmograms: Feminist Art, Vodou, and Dyasporic (Re)turns to Post-Quake Haiti.
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Fernand Leger and the Creation of "La Creation du Monde": "Le Negre", Mechanical Abstraction, and the Spectacle.
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Mike Parr: The body, identity, and the element of time in performance art, 1970's to the present.
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Servant leadership, exemplary followership, and organizational trust: A quantitative correlational study in performing arts organizations.
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Digital echoes = spaces for intangible and performance-based cultural heritage /
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Kinesthetic Empathy and Color: The Impact of Lighting Design on Audience Connection.
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21st century choral performance practice: Presenting the mash-up with practical applications.
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Humanistic Vocal Pedagogy: Exploring a Voice Teacher's Scope of Practice through a Perspective of Wellness.
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Ototheatre: Learning to Listen and Perform in Sonically Augmented Spaces.
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Monstrous Erotics: Poetics of Embodiment in Black Diasporic Women's Performance.
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Design as an Accompaniment to Performance Art: Incorporating Imagery to Amplify Emotional Impact.
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Collaborative crossover: Identifying classical vocal collaborative piano practices in jazz vocal accompanying.
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The creative and technical differences in composing an electric guitar concerto and classical guitar concerto.
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An Introduction to an Operetta: Pauline Viardot's Le Dernier Sorcier for the Young Opera Studio.
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Beyond an Ecological Perspective of Performing Artists: Exploring the Interplay of Heterogeneous Factors Among Performers in the Entertainment Industry.
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Poetry, Points, and Performance: Expanding the Scope of Slam Poetry Analysis.
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A Performance Guide to Max Bruch's Double Concerto, Opus 88, According to the German Style.
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Performing Animals: Analyzing Live Animals in the Arts and Their Impacts on our Environmental Perceptions of the Animal Other.
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Questions of Gesture and Sound: Temporal Interactions in Conducted Ensembles A Multiple Study Dissertation.
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Networks of Performance and Patronage: Russian Artists in American Dance, Vaudeville, and Opera, 1909-1947.
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"We Get Free!": Chicago Hip-Hop, Juvenile Justice, and the Embodied Politics of Movement.
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Learning How to Do It: Local, Regional, and National Latinx Theatre Alliance Building in the 21st Century.
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A "Revolution in the Making": Rediscovering the Historical Sonic Production of the Early Saxophone.
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Exploring Political Action and Socialization through Group Improvisation within the Music of Frederic Rzewski and Cornelius Cardew.
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A Creative Ethos: Teaching and Learning at the Cloud Gate Dance School in Taiwan.
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A conducting student's guide to the solving and execution of major gestural issues in Beethoven's first eight symphonies.
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Sonic Affects: Experimental Electronic Music in Sound Art, Cinema, and Performance.
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A Matter of Life and Breath: The Fitzmaurice Voicework Teacher's Connection to Audience and Subject Matter.
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Blue Mountain: A chamber opera for winds and voices by Justin Dello Joio. A unique contribution for wind band literature.
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Voicing the Possible: Technique, Vocal Sound, and Black Women on the Musical Stage.
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Otherwise, The Gap: Performing Identities in Iranian Contemporary Art and Performance.
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A Performance Guide for Baritone: A Pedagogical Analysis of Beethoven's Sechs Lieder Nach Gedichten Von Gellert.
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The Performance of Intersectionality on the 21st Century Stand-Up Comedy Stage.
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J.S. Bach's Chaconne for Solo Violin: A Performer-Composer's Approach to Interpretation.
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A Survey of Speech Pathologists Regarding Self-applied Laryngeal Massage on Singers.
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Staging Belonging: Performance, Migration, and the Middle Eastern Diaspora in the United States.
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The Experiences of Parents/ Caregivers of Children with Autism Spectrum Disorder at a Sensory Friendly Theatre Performance.
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The Dynamics of Composer-Performer Relationships: A Study of Long-Term Creative Collaboration.
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Indonesian Art Song: An Exploration of Indonesian Vocal Heritage, Phonetics, and Song Lyrics.
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Sholawat and the Sounds of Islam Nusantara: Music and Religious Authority in Contemporary Indonesia.
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Academic Achievement of Low Socioeconomic Status Students in the Performing Arts.
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A Study of the Impact of Employee Engagement and Empowerment on Performance Management in Nonprofit and Community Theater.
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Moving Hip Hop: Corporeal Performance and the Struggle Over Black Masculinity.
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Distort them as you please: The sonic artifacts of compositional transformation.
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Singing Moses's Song A Performance-Critical Analysis of Deuteronomy's Song of Moses.
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A study of J.S. Bach's sacred and secular vocal works influenced by popular stylized dance of the French Baroque court: A performer's guide.
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Female musical theater belting in the 21st century: A study of the pedagogy of the vocal practice and performance.
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African American high school students in a space of creative engagement: From can't to can.
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Cultivating Mindful Leadership: Engaging Wholehearted Practices in the "Hamlet" Process.
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The Strength of Awareness: Seeing the Bigger Picture During The Burial at Thebes.
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Postcards From Hotel Cassiopeia: A "(Re)making" Project A Theatre Workshop Exploration of Collaboration and the Creative Process.
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Second stages for a second audience: Creating a theatre experience for new audiences.
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"If more women knew more jokes..." The comic dramaturgy of Sarah Ruhl and Sheila Callaghan.
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Performing Placeslessness: Early American Drama and the Liminal State, 1775-1859.
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An exploration of works inspired by spiritual traditions in contemporary flute repertoire (1981 - 2010).
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The buck stops here: Financial management strategies in folk and traditional arts organizations.
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Constructing the Russian Moral Project through the Classics: Reflections of Pushkin's "Eugene Onegin", 1833-2014.
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The Crossover Opera Singer: Bridging the Gap Between Opera and Musical Theatre.
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Contemporary commercial music (CCM) singers: Lifestyle choices and acoustic measures of voice.
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Collidescope: Adventures in pre & post racial America - a costume design.
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Dual-Interval Spaces: Interrelations between interval classes 1 and 5, local pitch centers and form in Dmitri Shostakovich's Piano Sonata No. 1, Op. 12.
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Another Way of Being: The Performative Practices of Contemporary Female Colombian Artists.
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From the avant-garde to the popular: A history of Blue Man Group, 1987--2001.
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Joe Pass's "Catch Me!", "Joy Spring", and "For Django": Transcription and analysis.
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Musical responses to AIDS: Meaning and signification in two works for solo piano by Robert Savage and Kevin Oldham.
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Performing the Museum: Displaying Gender and Archiving Labor, from Performance Art to Theater.
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The emergence of Spanish Impressionism and its interaction with French Impressionism in music at the turn of the twentieth century: Selections from the solo and collaborative piano repertoire.
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Through a Literary Lens: The Effect of Jean Paul and E.T.A. Hoffmann's Writing Styles on the Compositional Techniques of Robert Schumann.
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Task variables in violin bowing: Influence on variability of bow and bowing limb movement.
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Overcoming initial hurdles: Strategies for developing a university free improvisation ensemble.
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Recipe for a guaguanco sabroso: Understanding quinto drum improvisation in Cuban rumba.
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The protesting body: Suzanne Lacy, Leslie Labowitz-Starus, and Sharon Hayes.
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What do working performers in the Washington, DC area know: Describing arts advocacy & community.
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Lacing skates and unlacing corsets: Gender play and multiple femininities in roller derby and neo-burlesque.
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Method Men: Race, gender and performance style in U.S. culture 1922-1957.
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Developing Popular Music Programs in Higher Education: Exploring Possibilities.
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Motivation Strategies for Improving Consistency in Live-Entertainment Employees' Performances.
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Queering the Body: Cross-Dressing Performance and Identity Politics in Cantonese Opera of Post-1950s Hong Kong.
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Young Adults and Nonprofit Arts and Culture Organizations: A Generational Change Analysis.
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Dancing Bodies of Central Africa: Spiritualities, Tradition, and Modernity.
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Create a One-Person, Integrated, DJ/Projection Mapping/Live Performance Environment.
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The Nether Worlds of Jennifer Haley --- A Case Study of Virtuality Theatre.
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Reading the Old Left in the Ewan MacColl and Joan Littlewood's Theatre Workshop and Beyond: In Joan Littlewood's Post-theatrical Engagements in the 1960s.
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Making It Real: Performance Styles and Contexts in Contemporary American Microbudget Cinema.
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Bathing Beauties: Gender, Nationalism, and Space in Theatrical Synchronized Swimming.
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Performing Humanity: Representations of Intellectual and Developmental Disabilities.
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From Pre-recorded Tape to Live Computer Processing: Piano Music from Davidovsky to the Present Day.
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A Survey of Czech Piano Cycles: From Romanticism to Modernism (1877-1930).
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Singing for Two: Experiencing Pregnancy as a Classical Singer = = Chanter pour deux: Vivre la grossesse en tant que chanteuse classique.
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Voice of Being, Voice of Perpetual Becoming: Embodied Rituals for Transformation.
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Women Leaders in Dance: Six Women Artistic Directors of Regional American Dance Companies Discuss Community Engagement, Dance Education, and Negotiating Personal Responsibilities.
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An Homage to the Golden Age Book Musical: A Director's Approach to the New Gershwin Musical Crazy for You.
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Singing the Myths of the Nation: Historical Themes in Russian Nineteenth-Century Opera.
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Tragedymachine(s): Performances of Power and Resistance in Indebted Greece.
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Asian American Humor The Power of Disruptive Laughter in Literature and Media.
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Space-time geometries for motion and perception in the brain and the arts
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Pop with gods, Shakespeare, and AI = popular film, (musical) theatre, and TV drama /
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"Children and Art": Stephen Sondheim's Influence on the Current Prolific Generation of Broadway Composer/Lyricists.
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An Analysis of Beginning Percussion Education Through Wind Band Repertoire and Method Books.
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Joann South Ottley (B. 1935): Her Life and Contributions as a Teaching Artist to Vocal Music Education.
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Evaluating Appropriate Repertoire for Developing Singers: An African-American Art Song Anthology.
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An Annotated Catalogue and Guide to the Piano Solo Repertoire of Contemporary Asian Women Composers from Mainland China, Hong Kong, and Taiwan.
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Asian and European Musical Images of Water: Exploring the Stylistic Evolution and Development of Musical Language by Comparing Selected Water-themed Piano Works from the Nineteenth Century to the Present.
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Place-Based and Non-Place-Based Performing Arts Experiences and First-Generation, Appalachian College Student Engagement.
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Born in The Twentieth Century: Contemporary Flute Works by East Asian Female Composers.
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Dancing into the Chthulucene: Sensuous Ecological Activism in the 21st Century.
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Implications for the Design of Technology in Students' Use of Tools and Signs in Notetaking from Texts.
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Caring Performance: Enduring Attrition in Queer and Feminist Asian America.
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The Musical Style and the Cultural Connotation of Bright Sheng's Opera Dream of the Red Chamber.
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Indigenous Folk Styles and the Creation of a "Modern Sinhala Theatre" in Post-Independence Sri Lanka.
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Art as a Catalyst for Change: A Performance Ethnography of Social Practice Art in Community.
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Exuberant Intermediality: Hypermediacy, Technology, Space-Time, and Cyborgs in the U.S. Popular Theater 1873-1915.
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Dancing to Death: Why are Eating Concerns Endemic Among Female Ballet Dancers? A Textual Analysis of Published Memoirs.
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Ethnic and Racial Formation on the Concert Stage: A Comparative Analysis of Tap Dance and Appalachian Step Dance.
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Constructing Diasporic Identity Through Kathak Dance: Flexibility, Fixity, and Nationality in London and Los Angeles.
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Desired Artistic Outcomes in Music Performance: A Mentoring Program for Higher Education and Music Industries = = Resultados artisticos desejados na performance musical: um programa de tutoria para o ensino superior e as industrias da musica.
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Reconciling music and text: A conductor's critical examination of conventional approaches to articulation in early choral music.
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Stages of Emotion: Shakespeare, Performance, and Affect in Modern Anglo-American Film and Theatre.
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Social Texts, Social Audiences, Social Worlds: The Circulation of Popular Dance on YouTube.
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Pointing and Laughing: Stand-Up Comedy and Anti-Mental-Illness-Stigma Advocacy.
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Free Your Body, Free Your Singing: The Effect of Body Awareness Training on Singers' Vocal Function and Performance.
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The Lifelong Theatre Experience as a Third Place: An Analysis of Dedicated Involvement in Community, Academic, and Professional Theatre.
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Re-Presenting the Other: Cleopatra and Othello in Shakespeare Intertexts, 1678-2016.
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Performing Suicide: Transformation of the Superfluous Man in Soviet Drama = = Разыгрывая самоубийство: трансформация лишнего человека в советской драме.
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Creating a Collaborative Piano Graduate Degree Program: An Administrative Study.
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The Bharatanatyam Body: Spectacularization as a Style in Bharatanatyam Aesthetics, 1930 to 2020.
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The American Symphony Orchestra Today: Problems in Community, Diversity and Representation.
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Modern Guitar Techniques; a view of History, Convergence of Musical Traditions and Contemporary Works (A guide for composers and guitarists).
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The Sensemaking of Professional Freelancers in the Gig Economy: aACase Study of Production Professionals at a Hong Kong Performing Arts Enterprise.
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Taiwanese Eyes on the Modern: Cold War Dance Diplomacy and American Modern Dances in Taiwan, 1950?1980.
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Dramaturgy on Queer and Performance Studies for the Play Orlando by Virginia Woolf Adapted by Sarah Ruhl.
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A History of Keyboard Hand Division: Note (Re)Distribution in Keyboard Music from the Renaissance to the Twentieth Century.
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The Unequal Tuning System of Well-Temperament and Its Influence on Key in J. S. Bach's Well-Tempered Clavier: A Computational Study on the Minor-Mode Fugues in Book I.
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A Model for Engaging Psalms in Liturgical and Recreational Settings: A History-Based Account in Support of Transcribing Claude Goudimel's Homorhythmic Harmonization of Genevan Psalter Melodies.
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Artistic Vision: Providing Contextual Guidance for Capture-Time Decisions.
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Affective Dramaturgies in Contemporary Dance Leaky Encounters and Turbulent Spectating.
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Embodying Race, Performing Citizenship: Racial Impersonation and Immigrant Identity in American Popular Entertainment, 1870-1920.
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Sergei Rachmaninoff's Compositional Influences and Stylistic Evolution as Observed in the Two Versions of Sonata No. 2 in B♭ Minor, Op. 36.
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Capturing Sound: The Methods of Arranging and Executing Instrumental Sounds Between Orchestra and Piano.
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"Play Your Broken Music to My Broken Song?" Contemporary Implications of Performing Schubert Lieder in English Translation.
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Twenty-First Century Music that Embodies a Positive Relationship Between Trumpet and Piano.
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Redeeming: Cultural Negotiations and Their Remains in [De]Colonial Costa Rica.
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Bohuslav Martinu's Oboe Concerto, H. 353: A New Piano Reduction of the Orchestral Score.
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A Performer's Guide to Selected Early Violin Works of Darius Milhaud: Violin Sonata No. 1, Op. 3; Violin Sonata No. 2, Op. 40; and Le Boeuf Sur Le Toit, Op. 58b.
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Repurposing Sound: A Conductor's Guide and a Focused Analysis of Viet Cuong's Wind Ensemble Version of Re(new)al.
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Strategic Producing Alliances: Are They the Key to Success for Nonprofit Theatre Companies? .
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The written body: A study of movement-based actor training language & pedagogy.
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Alternative Dramaturgies in Contemporary Western European Theatre for Young Audiences.
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Performing Game Sound: The American Symphony Orchestra and Video Game Music.
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Volumetric Video: Exploring New Storytelling Potentials and Pipeline Practices for Independent Filmmakers and Virtual Reality Directors.
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IntiIntimacy Direction: A New Role in Contemporary Theatre Makingmacy Direction: A New Role in Contemporary Theatre Making.
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German Opera and Operetta at the new Orleans National Theatre, 1866--1878.
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A History of the First and Second Varieties Theatres of New Orleans, Louisiana, 1849 to 1870. (Volumes I and II).
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Polymodality, counterpoint, and heptatonic synthetic scales in jazz composition; and its application in an original piece "Polymodal Jazz Suite for Quartet".
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COVID-Everlasting: Directing a University Production of Tuck Everlasting: The Musical during the COVID-19 Pandemic.
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Breath, Gravity, Giants, and Death: Puppet-Musical Encounters from Die Zauberflote to Today.
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A Comparison of Cello and Viola Da Gamba Bow Technique and Style from 1600-1750.
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Psychoacoustic Studies of Music Spatialization Strategies in Different Listening Contexts.
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Learning and Teaching Conducting Through Musical and Non-Musical Skills : = An Evaluation of Orchestral Conducting Teaching Methods.
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The Development, Tradition, and Global Influence of the Paris Conservatoire Flute Examinations.
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Ontology and Domain Knowledge Base Construction for Contra Dance as an Intangible Cultural Heritage: A Case Study in Knowledge Organization of American Folk Dance.
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Collaborative and Democratic Organizational Structures in Professional Orchestra Organizations.
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Embodied Light: Movement as a Collaborative Necessity for Lighting Dance.
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'Maybe I Can Take You by the Hand and We Can Do This': Transitions, Translation and Transformation in Creative Dance.
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Questioning Homeland, Sensing Home: Performance and the Negotiation of Identity Construction in Cold War China and Taiwan.
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Making Room: Feminist Architectures of Self and Social Care in Contemporary Art and Performance.
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Intimate Acts of Translation: Performance Collective Chaepani's Methods of Creating Intercultural Performance.
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Broadway in the Age of American Idol: Celebrity and the Broadway Musical, 2003-2018.
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Curating Sticky Relations: Transdisciplinary Performance and Excessive Aesthetics in the Work of Indigenous Artists.
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Forms Follows Action: Performance In/Against the City in New York and Los Angeles (1970-1985).
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Unscripted Intimacies: Negotiating Consent in Gamified Performance = = Intimidades sin guion: Negociacion del consentimiento en el desempeno gamificado.
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Exploring Critical Intercultural Language Pedagogy Through Process Drama.
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Chamber Music Fundamentals and Rehearsal Techniques for Advancing String Students.
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The Music Industry in the Streaming Age: Predicting the Success of a Song on Spotify.
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Computational Analysis and Modeling of Expressive Timing in Music Performance.
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Built for Performance: Designing Digital Musical Instruments for Professional Use.
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The Memorization, Preparation, and Performance of Piano Music: Cognitive Foundations and Current Neuro-Music Research.
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Composers and Publishers of Parlor Songs and Spirituals from Civil War Richmond: 1861 - 1867.
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The Influence of Ludwig Tieck's Poetry on German Romantic Lieder: An Analysis of Selected Musical Settings of His Poem "Ruhe, Sussliebchen im Schatten".
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In Search of Clear Execution: An Eighteenth-Century Approach to Franz Schubert's Piano Sonata in a Major D. 959.
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Meeting Trees Halfway: Environmental Encounters in Theatre and Performance.
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Transactional Bodies: Politics, Pedagogies, and Performance Practices of the San Francisco Bay Area.
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Transformational Festivals and the Enchantment Economy: Performance and Race in Neoliberal Times.
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Breaking the Cycles: A Somatic Approach to Pole Dance Performance and Choreography.
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Going Gaga: Contradictions and Articulations of the Contemporary in the Work of Ohad Naharin.
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Dr. Aban Mistry, a Renowned Tabla Maestro of Farukhabad Gharana: A Comprehensive Study.
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Reintegrating the Dancer: Exploring the Experience of Work-Life Identity Transition.
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Performing Paradox: Balleticized Bodies and the Construction of Modernity in Armenian Concert Dance.
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Contribution of Late Shri Kubernath Tanjorkar, Late Smt. Anjali Merh and Professor C.V. Chandrasekhar in the Development of Bharatanatyam Dance.
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Acting Out Gender : = Embodied Criticality and Performance-Based Pedagogies.
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Sound of the City : = Creating a Balanced Sound Composition in Urban Green Spaces.
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The Practices of Everyday Life and the Syrian Body : = Art, Life, and Political Activism of the Syrian Crisis, 2011-2022.
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Beyond Boundaries : = The Aesthetics of the Scream in the Music of the Second Viennese School.
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Return of the Soul : = Inheritance and Innovation in the Process of Artistic Creation in Major Kunqu Productions in the People's Republic of China, 2001-2015.
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How does the collaboration between a Human Comic and Generative Artificial Intelligence Enhance Audience Engagement, Satisfaction, and Perception of Humor in Live Performance Comedy?
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Music's Visual Waves : = Popular Music Technology and Audiovisual Aesthetics.
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Leos Janacek : = The Theory of Speech Melody in His Piano Sonata 1. X. 1905 and In The Mists.
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Technical Efficacy for Violin Improvisation : = How Not to Run Out of Fingers.
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The Sound of Metal : = Timbral Characteristics of Crash Cymbals, Triangles, and Tambourines.
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A Dramaturgical Framework for Interactive Performance : = Sensitizing Concepts at the Intersection of Performance and Technology.
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The Use of Orchestration and Structure in the Exploration of Fluid Musical Hierarchies.
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Performing Technology : = Mapping Interface Metaphors and Interactive Dramaturgies.
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Sound Judgements : = Music Education Framework for Guiding Digital Mixing Practice.
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Playing with (My)Self : = Reconfiguring 21st Century Performance Art as an Emerging Encounter Amongst the Becoming-Stage, the Becoming-Actor, and the Becoming-Audience.
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All the World's a Stage : = Creating for Live Performance Inside and Outside of the Boundaries of a Theater.
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"By the Way, Meet Vera Stark" : = An Exploration of Process, Film, and Collaboration.
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Attend, Notice, Blend : = Key Ingredients of Active Listening to Piano Music.
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A Rave at the End of World : = The Politics of Queer Hauntology and Psychedelic Chronomancy.
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Importance and pedagogical value of three sonatas for two cellos, Op. 43 by Bernhard Romberg.
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Oral Fluency and Drama : = The Effect of Drama-Based Pedagogy on English Oral Fluency in Key Stage 2 EAL Learners in UK Primary Schools.
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Live Processing into the 21st Century : = Delay-Based Performance and Temporal Manipulation in the Music of Joel Ryan, Radiohead, and Sam Pluta.
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Jeff Scott's "Startin' Sumthin', Composed for the Monmouth Winds," Transcribed for Full Wind Band.
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The Intersection of Culture, Music Theory Innovation, and Ethnomusicological Ideation in Leos Janacek's Piano Sonata 1. X. 1905.
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An Analysis of the Compositional Technique and Structures of Nikolai Kapustin's Piano Sonata No. 6, Opus 62.
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Florence B. Price's Compositional Style to Song Settings of Paul Laurence Dunbar's Dialect Poetry : = A Performance Guide.
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Movement and Sound : = Tracing the Intersection of Dance and Music in Piano Works by Maurice Ravel, Francis Poulenc, and Badie Khaleghian.
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The Evolution of Musical Theatre in Nigeria : = A Case Study of Bolanle Austen-Peters' Musicals.
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"For 'Their Own Good'" : = Education, The Performing Arts, and Social Justice at the Brooklyn Academy of Music, 1915-2023.
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Refining Dance Curriculum Through Creative and Reflective Writing Practice to Enhance Confidence, Productivity, and Motivation.
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Audio-Visual Stress : = Cognitive Approaches to the Perceptual Performativity of William Forsythe and Ensemble.
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Vocal and Indigenous Influences in LEOS JANACEk's Sonata for Violin and Piano and George Enescu's Sonata No. 3 for Violin and Piano, Op. 25 : = A Performer's Guide.
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Interpreting the Journey of Orpheus : = An Exploration of Five Operas Based on the Myth of Orpheus Over Four Centuries.
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Prokofiev and the Soviet Dilemma : = Censorship, Autonomy and the Piano Transcriptions.
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Archival Entanglements : = Re/Encountering History in Contemporary Decolonial, Feminist, and Queer Art and Performance.
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Contemporary Improvised Music Methodologies, Modes of Reading, and Hybridity of Notation in Burr Van Nostrand's Voyage in a White Building I and Ae.M/Four-Mile Run for Fixed Media and Optional Performers.
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O Brightening Glance : = Ritualized Visuality in the Late Drama of W.B. Yeats.
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Immersive Shakespeare : = Locating Early Modern Immersion in Contemporary Adaptations.
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Two Works by Isang Yun and Byungdong Paik for Harpsichord or Piano : = Analysis and Performance Guide.
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The Historical and Cultural Influences of Gagok 가곡 (Korean Art Song) : = A Musical Guide.
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A Performer's Analysis of Isang Yun's Monolog for Bassoon with an Emphasis on the Role of Traditional Korean Influences.
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The World of Tan Dun : = the Central Importance of Eight Memories in Watercolor, Op. 1.
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Heritagization of Traditional Performing Arts : = Impact and Negotiation of Transmission Practices in Taiwan.
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Performance Approach in the Recorded History of Alban Berg's Piano Sonata, Op. 1.
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Toward the heart of Cleopatra : = Shakespeare's contribution to female consciousness.
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Designing and Investigating a Magic Performance-Based Method to Facilitate Design Flexibility.
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A Study of Traditional Korean Rhythm and Its Potential for Western Art Music.
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