English literature.
Overview
| Works: | 540 works in 4 publications in 4 languages | |
|---|---|---|
Titles
The Oxford anthology of English literature volume I-A The middle ages throug
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(Language materials, printed)
The Oxford anthology of English literature volume I-B The middle ages throug
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(Language materials, printed)
The Oxford anthology of English literature volume I-C The middle ages throug
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The Oxford anthology of English literature volume II-A 1800 to the present
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The Oxford anthology of English literature volume II-B 1800 to the present
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The Oxford anthology of English literature volume II-C 1800 to the present
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The literature of England; = an anthology and a history volume two /
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The literature of England; = an anthology and a history volume one /
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Living literature : = an introduction to fiction, poetry, and drama /
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Imitations of horace : = with an epistle to Dr. Arbuthnot and ther epilogue to the satires /
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Neo-Victorianism = the Victorians in the twenty-first century, 1999-2009 /
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Disorientation : = Muslim identity in contemporary anglophone literature /
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Natural disasters and Victorian Empire : = famines, fevers and the literary cultures of South Asia /
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Literary aesthetics of trauma : = Virginia Woolf and Jeanette Winterson /
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Applying anthropology to fantasy: A structural analysis of "The Lord of the Rings".
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The Longman anthology of British literature. volume 1A. The middle ages /
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(Language materials, printed)
The critical performance : = an anthology of American and British literary criticism of our centry /
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Making literature matter : = an anthology for readers and writers /
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Past into present : = an anthology of British and American literature /
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Classical mythology in English literature : = a critical anthology /
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An Anthology of contemporary Chinese literature.. Vol.3,. Essays /
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English literature : = with plot summaries of major works, dictionary of literary terms /
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May we borrow your husband? : = and other comedies of the sexual life /
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Contemporary asylum narratives : = representing refugees in the Twenty-First century /
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The orphan in Eighteenth-Century fiction : = the vicissitudes of the Eighteenth-Century subject /
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The gay hermeneutic: Victorian genealogies of homosexuality and the practice of reading.
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"Let Wonder Seem Familiar": Objects of Affection as Other Minds in Shakespeare.
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A religion from the outside: The modernist queer subject and religious discourse.
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Public lives, intimate archives: Queer biographical practices in British women's writing, 1928--1978.
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(Un)silencing the voices of the country girls: A journey into twentieth-century Irish girlhood through the fiction of Edna O'Brien.
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The Immune Response: Romanticism and the Radical Literary History of Smallpox Inoculation.
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System and Nemesis: Christopher Smart, Jean-Jacques Rousseau, John Clare and the legacy of Linnaeus.
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Shakspunk: Looking at Shakespeare through the eyes of the English punk movement.
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Fairy Tales and Folklore: Imagining Community in the Writings of Oscar and Lady Jane Wilde.
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Drawing resistance: The unsettling and provocative influence of maps in children's literature.
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The Country of the blind and other tales of anticipation = = Le pays des aveugles et autres recits d'anticipation /
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Defending Literature in Early Modern England : = Renaissance Literary Theory in Social Context.
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Women Writers and the English Nation in the 1790s : = Romantic Belongings.
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Domesticity and Dissent in the Seventeenth Century : = English Women's Writing and the Public Sphere.
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Pirates of Romanticism: Intellectual property ideology and the birth of British Romanticism.
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Speculative nostalgia and its role in Shakespeare and Renaissance literature.
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Shakespeare in love: Appropriation of Shakespeare in popular romance novels.
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The Poetics of Pestilence: Plague-Time and the Writing Culture in Early Modern England.
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Spaces of religious retreat in seventeenth-century English literature and culture.
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"Revised lives: Lineage and dislocation in seventeenth-century english autobiography".
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The pornographer at the crossroads: Sex, realism and experiment in the contemporary English novel.
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Harry Potter and the third wave: Recontextualizing the series that shaped a generation.
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The spaces of sex perversion, performance, and place in literature between the Wars.
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Misbehaving prose: The poetics of subversion in the later Romantic essay.
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Argument in poetry: (Re)defining the middle english debate poem in academic, popular, and physical contexts.
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"That strange personal interest": Personality, publishing, and poetry in the 1820s.
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Subversive sexuality and the decline of British society: The demonization of the Victorian New Woman in Lady Audley's Secret, She, and Dracula.
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Pursuit of Empowerment: The Evolution of the Romance Novel and Its Readership in "Fifty Shades of Grey".
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The Marriage Market: From Eighteenth-Century England to Twentieth-Century New York.
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Flesh Made Word: Women's Speech in Medieval English Virgin Martyr Legends.
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Dismemberment and identity-formation in the medieval and early modern English imaginary.
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Looking for the Picturesque: Tourism, Visual Culture, and the Literature of Travel in the Long Nineteenth Century.
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Collecting Subjects/Objects: The Museum and Victorian Literature 1830-1914.
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Turning their talk: Gendered conversation in the ninteenth-century British novel.
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Woman possessed: W. b. yeats and the dramatic re-inscription of the irish woman.
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Digital killed the labelling star: Approaching the territory-museum with mobile technology.
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Performances of womanhood in the eighteenth-century English theatre and novel.
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Fantastic fictions: Models of the law, of time, and female identity in H. Rider Haggard's "She" and Olive Schreiner's "The Story of an African Farm".
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Samwise Gamgee: Beauty, Truth, and Heroism in J. R. R. Tolkien's "The Lord of the Rings".
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The gradations of trauma: Exploring the traumatic aesthetic in British modernist literature.
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Imprisonment and the captive body: Postcolonial reactions to Victorian gender identity in "The God of Small Things" and "Nervous Conditions".
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The sororal relationship in the nineteenth-century novel: Potential and power.
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Strong angels of comfort: Middle class managing daughters in Victorian literature.
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Reconsidering Paul Scott's "The Raj Quartet": History, genre, and criticism.
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Beyond Black British? The Novels of David Dabydeen, Monica Ali, Zadie Smith, and Hanif Kureishi.
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The Lonely Nineteenth Century: Loneliness and the Female Protagonist in the Victorian Novel.
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"Only Connect": Friendship, belonging, and space in the works of J. M. Barrie, E. M. Forster, and J. R. Ackerley.
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Domestic Spaces in Transition: Modern Representations of Dwelling in the Texts of Elizabeth Bowen.
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Reading Relationships in Jane Austen's Mansfield Park and Pride and Prejudice.
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A Professorial Nation: The Pedagogical Gardens of William Crimsworth, Jane Eyre, and Lucy Snowe.
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Venice as no-place: Liminality and the modernist interpretation of the myth of Venice.
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Victorian Domesticity and the Perpetuation of Childhood: an Examination of Gender Roles and the Family Unit in J. M. Barrie's Peter Pan.
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Towards an Integrated Personhood through Suffering: The Disparate Ideologies of Freud, Maritain, and Aquinas and the Power of Analogy in Graham Greene's The Power and the Glory.
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Dollars: International monetary order, the nation-state and the development of literary modernism.
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What's It Going To Be Then, Eh? Youth Violence, Free Will, and the Creative Cycle in "A Clockwork Orange".
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Constitutive rhetoric reexamined: The case of Scottish nationalist discourse.
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British Cultural Narrative in Winston Churchill's Political Communication.
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"Every Child in Our World Will Know His Name!": Malcolm Gladwell's Theories as an Explanation for the Cultural Phenomenon of "Harry Potter".
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A corpus-based study of theme and thematic progression in English and Russian non-translated texts and in Russian translated texts.
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The animal trials of Shakespeare's "Merchant of Venice" and "King Lear": Law and ethics.
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The Passion of Christ in Seventeenth-Century Religious Poetry: Crashaw, Donne, Herbert, Lanyer.
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Not just the facts: Victorian detective fiction's critique of information.
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The Law and the Lady: Consent and Marriage in Nineteenth-Century British Literature.
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History, mystery, myth: A comparative study of narrative strategies in the "Baija gongan" and "The Complete Sherlock Holmes".
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A VOICE FROM THE BORDER: THE FICTION OF RAYMOND WILLIAMS (WALES, SOCIALISM, REALISM).
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The Road of Excess: Writing Trauma in Sentimental and Gothic Texts 1745-1810.
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Imagining a constructionist game-based pedagogical model: Using tabletop role-playing game creation to enhance literature education in high school English classes.
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A fortification in music: Reading J. R. R. Tolkien's legendarium with Plato's dialogues to educate the city in virtue and guard it, with the light of logos and mousike undivided, against sophistry.
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Everything old is new again: The Victorian roots of the Steampunk movement.
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Searching for the one ring: The danger of desire in Tolkien's "The Hobbit" and "The Lord of the Rings".
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"The thorn must pierce your heart": Compassionate organs, decadent viscera, and soulful gore in Oscar Wilde's fairy tales.
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Two instances of "crow": A cultural study of Irish mythology and intertextuality in "The Dead".
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Telephone conversations in Chinese and English: A comparative study across languages and functions.
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"What one man can invent, another can discover" Music and the transformation of Sherlock Holmes from literary gentleman detective to on-screen romantic genius.
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Rhetoric of the body: Renaissance cadaveric studies and their influence in Shakespeare.
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Working in utopia: Locating Marx's "realm of necessity" in the socialist futures of Bellamy and Morris.
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At the threshold of sensibility: The past, present and future of writerly identity fragmentation.
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Writing for certainty: Womens reformist exegesis in early modern England.
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Reading the mind: Renaissance allegory and Lockean psychology in eighteenth-century English literature.
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Ideality and reality: Feminist utopias and the patriarchal world in eighteenth-century Chinese and English fiction.
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Fantastic Evidence: Mesmerism, Narrative, and Knowledge in the Heterodox Victorian Novel.
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A return to the reader and their imagination: The forming of a referential world in order to establish meaning in a text.
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Josephine Butler's rhetoric of liberation: Prophetic voice in the Victorian women's movement.
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MERLIN'S MIND: A STUDY OF MERLIN IN LITERATURE (FRANCE; ENGLAND; ARTHURIAN).
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Telling stories, inventing histories: The reception and revision of the British history in early modern England.
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"Art's a service": Women's philanthropy and the role of the author in mid -Victorian England.
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White magicians in the English literature of the Middle Ages and Renaissance: Divine power and human aspiration.
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Shadows of history: The production of gender and historical narrative in post-Enlightenment Britain, 1770-1870.
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Transcending the Senses, Transcending through the Senses: The Modernist Neo-Epic Poem and the Experience of Transcendence.
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Lyric and the varieties of protestant religious experience in nineteenth-century England.
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The evolution of the patient woman: Examining Patient Griselda as a source for William Shakespeare's "The Winter's Tale".
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Enduring modernism: Forms of surviving location in the 20th century long poem.
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"It is a Knell that Summons Thee to Heaven or to Hell": The Christian Dimension of Shakespeare's Macbeth.
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The tension of the real: Visuality in nineteenth century British realism.
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'With an eye to its movement': Revitalizing literature through remix and performance.
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Literature as Virtual Reality: An Exploration of Subjectivity Formation in the Digital Era.
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Revelations from Vernon Lee's "Life-Poem": Subverting decadence and embracing individuality in "Miss Brown"
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Irish literary identity in the nineteenth-century British novel: Rereading Austen, Bronte, and Kipling.
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Finding happiness in the poor, humble cottage "contented poverty" in Irish novels from Famine to Free State.
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Rocking the Boat and Sinking the Ark: the Humanist Novel as Vehicle for the Victorian Religious Crisis.
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"This new species of affliction": Self-Destruction and the Eighteenth-Century Ethic of Self-Improvement.
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"I question it myself": Mid-victorian novels' formation of ethical subjectivity and the liberal reform of inheritance laws.
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Jane Eyre and Becky Sharp's Progeny: Mapping the Governess in Victorian Literature.
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In absentia parentis: The orphan figure in latter twentieth century Anglo-American children's fantasy.
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'Take Heed What You Hear': Counsel and Literature in the English Renaissance.
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Merging literature and science: Shakespeare through the scope of quantum physics and Lacan.
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Scenic views and paternalistic obligations: Depictions of landscape in the Victorian realist novel.
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Making a difference: Stories of the translator at the turn-of-the-century.
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"Behold the man": Portraits of Pontius Pilate in medieval English literature.
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Neighborhoods of make-believe: Place, play, and possibility in Disneyland, Mister Rogers' Neighborhood, and The Magic City.
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A Band of Sisters: Female Detectives, Authority, and Fiction from 1864 to the 1930s.
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Benjamin Franklin, the Ends of Writing, and the Founding of American Literature.
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Saving the grotesque: The grotesque system of liberation in British Modernism (1922-1932).
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Second death in Venice: Cognitive mapping in the Venetian fictions of Jeanette Winterson, Ian McEwan, and Robert Coover.
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Shakespeare and boyhood: Early modern representations and contemporary appropriations.
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Shakespeare's influence on the English Gothic, 1791-1834: The conflicts of ideologies.
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Sin, history, and liberty: Milton, Anna Letitia Barbauld, and Anne Grant in the "Eighteen Hundreds".
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Narrative data, informational poetics: Modernist literature and the emergence of cybernetic thought.
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"To be equally diverted and informed by every line": the ambivalent act of story-fashioning in a "Tale of a Tub".
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Thinking about feeling: Sensibility and self-consciousness in the eighteenth-century novel.
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Harry Potter and the moral spectrum of care: Using feminist care ethics to analyze morality.
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The Eliot paradox: Success, scandal, and moral purpose: An examination of George Eliot's life and work in Victorian social context.
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Authenticity, authority and control: How rock artists are responding to the possibility of collaborative music publics online.
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Staging "The Merchant of Venice" in the 21st century: A dramaturgical case study.
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Performing Scottish identity: From the rise of the Stage Scot to the National Theatre of Scotland.
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Portraits from life : = memories and criticisms of Henry James, Joseph Conrad, Thomas Hardy, H.G. Wells, Stephen Crane, D.H. Lawrence, John Galsworthy, Ivan Turgenev, W.H. Hudson, Theodore Dreiser, Algernon Charles Swinburne ; illustrated Houghton Mifflin Co. /
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The Fabian Child: English and American Literature and Socialist Reform, 1884-1915.
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The reception history of John Milton in Russia and the former Soviet Union (1745-2013).
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Viable Crimes and Victorian Gentlemen: Rhetorics of (In)consistency and the 19th-century Novel.
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Entangled Influence: Wordsworth and Darwinism in the Late Victorian Period.
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Active Distance: British Nineteenth-Century Literature and Images of the Past.
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The Cultural Crime of Femininity: Advocating for Viable and Successful Womanhood in Charles Dickens and George Eliot.
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(Re)making the gentleman: Genteel masculinities and the country estate in the novels of Charlotte Smith, Jane Austen, and Elizabeth Gaskell.
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'Spells which have lost their virtue': The mythology and psychology of shame in the early novels of George Eliot.
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Romantic frames of mind: Vision and sympathy in British novels of the nineteenth century.
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Words into images: Textualizing the visual and visualizing the textual in medieval illustrated manuscripts.
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"Life is a luminous halo": Gender and androgynous time in Virginia Woolf.
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Transparent interiors: Detective and mystery fiction in the age of photography.
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"The River That Suffers From the Tide: "A Discovery Memoir of Self Among Others in the Brazilian Amazon.
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Becoming Nonhuman: Uncanniness, Impossibility and Human-Animal Indistinction in Recent Literature and Visual Art.
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Space, Place, and Identity in Yevgeny Zamyatin's "We" and J. G. Ballard's "The Drowned World".
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Genesis and the garden: Nature and natural law in The Brothers Karamazov.
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Transnational memories of the self: Reflections on postcommunist and postcolonial life-writing by women.
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The author's Doppelgaenger: Celebrity, canonicity, and the anxiety of the literary marketplace in the contemporary novel.
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Novel classicism: British fiction and the traditions of antiquity 1740-1840.
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How the Past Remains: George Eliot, Thomas Hardy, and the Victorian Anthropological Doctrine of Survivals.
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The Love of Learning in the Industrialized Age: Useful Knowledge, Imagination, and the Education of the Nineteenth-Century British Working Classes.
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"The spell of continuity was consequently broken": Third-space masculinity in Austen, Gore, Bronte, and Eliot.
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The regency novel and the British constitution: Austen, Brunton, Shelley, and the culture of romantic decline.
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The Performative Image and the Power of the Audience: Shakespeare in the Visual Arts.
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Living between dialectics: A Bakhtinian and Lacanian reading of Jade Snow Wong's Fifth Chinese Daughter and Maxine Hong Kingston's The Woman Warrior.
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Being a thing immortal: Shakespeare, young adult culture, and the motifs of the undead.
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A penny worth o' creativity and a saucerful of secrets: Exploring a culture of collaborative authorship, intellectualism, and urban inspiration in the coffeehouses of eighteenth century London.
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"Pictures...of a good subject": Friendship, the commonwealth, and the care of the self in early modern literature and culture.
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"The Passions of a Discontented Minde": The Earl of Essex and Elizabethan Literature and Culture.
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The Gospel of Poverty: Poverty, Philanthropy, and Eighteenth-Century British Literature, 1700- 1759.
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Artistic (mis)representation and commodity culture in The Picture of Dorian Gray and The House of Mirth.
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Alpha geek: Neal Stephenson, the emerging third culture, and the significance of science fiction.
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In praise of debt: Affective economics in early modern English literature.
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"Something at least human": Transatlantic (re)presentations of Creole women in nineteenth-century literature and culture.
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The divided skeptic: Samuel Beckett's parody and Stanley Cavell's interpretation of philosophical skepticism.
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Trying to Say the Whole Thing: Ludwig Wittgenstein and the Ethics of Autobiography.
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British Travelers, Catholic Sights, and the Tourist Guidebook, 1789-1884.
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The search for authentic travel in early twentieth-century British magazines.
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The evolution of collaboration in graphic literature: Bridging the gap from the Victorian tradition to the modern comic book.
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English imperial selfhood and semiperipheral witchcraft in "The Faerie Queene", "Daemonologie", and "The Tempest".
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The global dystopian: Twenty-first century globalization, terrorism, and urban destruction.
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A Postcard From the Future: Technology, Desire, and Myth in Contemporary Science Fiction.
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Eco-critical study of Tanure Ojaide's "The Activist" and "The Tale of the Harmattan".
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Seeing time: Boethius and the Ethics of Perspective in Chaucer's Dream Visions and "Troilus and Criseyde".
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Entropy and equilibrium in Jean Toomer's Cane and the peasant visionary, the dying god: Sacrifice and rebirth in W. B. Yeats's The Wind Among the Reeds.
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Romantic science: Nature as schism between romantic generations and as catalyst between Romanticism and science fiction.
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Is "Harry Potter" a feminist children's series?: An examination of the complicated gender dynamics of J. K. Rowling's Hermione Granger.
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"I Am Made and Remade Continually:" The Broken Subject and Autofiction in Nella Larsen and Virginia Woolf.
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Who is Ophelia? An examination of the objectification and subjectivity of Shakespeare's Ophelia.
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The Literary Unconscious: Ideology and Utopia in the Nineteenth-Century Realist Novel in England and Russia.
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British and Other Nonhumans of the Long Nineteenth Century: Abject Forms in Literature, Law, and Meat.
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Papers on language & literature : = A journal for scholars and critics of language and literature.
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The Female Body as Contagion, Commodity, and Cure: Examining Discursive Agency Through Patriarchal Quackery in Elizabeth Inchbald and Mary Robinson.
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Spiritual Destruction and Healing of the Human-Nature Bond: Eco-Consciousness and Eco-Spirituality in the Films of Hayao Miyazaki and Multi-Ethnic North American Literature.
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Through the Mirror of Erised Queerly: A Reckoning of Queer Influences, Subtext, and Imperatives in Harry Potter.
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Making Land, Making People: Rhetorics of Value and Improvement in Early Modern English Literature.
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Tragedy of the Teenage Girl: Female Characters in Contemporary Shakespearean Commercial Film Adaptations.
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Reverent Romanticism : = Anthologizing Romantic Poetry in VictorianDevotional Literature.
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The Ram and Ewe of Venice: Blackness and the Tragedy of Interracial Marriage in William Shakespeare's Othello.
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"Father As It Pleases Me": Christopher Marlowe's Inspiration of William Shakespeare Within Much Ado About Nothing.
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"Changeling Humorists:" The Speech Acts of the Early Modern English Fool.
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Intercitizenship: How Contemporary Women Writers Create Literary Environmentalism Across the U.S.-Canada Border /
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"Not Simple Truth but Complex Beauty": Details in Victorian Literature and Aesthetics.
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Printed Past, Bookish Present, Digital Future: Media, Materiality, and Design in Contemporary Literature.
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Sexuality, Agency, and Independence in the Work of Aphra Behn, Mary Wollstonecraft, and Virginia Woolf.
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"Bottom, Thou Art Translated!": A Comparative Study of Two Russian Translations of A Midsummer Night's Dream.
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Seeing American Blindness: Critical Race Theory in 20th Century American Literature.
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Wearing the Witch Identity as a Way of Becoming in Shirley Jackson's We Have Always Lived in the Castle.
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Presumption and Despair: The Figure of Bernard in Middle English Imaginative Literature.
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The Futility of Prophecy : = Prophecy and Poetry in English Narratives of Troy.
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"The Wings of Inclination" : = The Anglo-Persianate Realm in Women's Travel Narratives and the Travelling Imaginary, 1750-1850.
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Memory as Monster : = Trauma and Memory in Horror Novels, Films, TV, and Videogames.
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(Re)Thinking Secondary Writing Instruction : = Toward an Integrated Pedagogy.
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The Unstoppable Anthropocene Engine : = Animal Studies in Literature and the Lack of Individual Animal Study.
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Need for Vertical Alignment in English Classes Between K-12 and Higher Education Institutions.
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Beyond Deadly Sins and Virgin Impairments : = Medieval Bodies in Disability Studies.
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Women Wards and Enforced Marriage in Thomas Middleton's The Phoenix and Ben Jonson's The Magnetic Lady.
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Othello's Second Marriage : = The Temptation Scene and the Forms of Early Modern Marriage.
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Race, Racism, and the Representation of Niger-Congo West African Grammar in African American Language : = Ebonics in Works by Paul Laurence Dunbar, Mark Twain, and Zora Neale Hurston.
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Penitent Knights and Courtly Saints : = Hypertextuality and Complicated Boundaries Between the Genres of Middle English Romance and Hagiography.
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Societal Structure, Family, and Masculinity in the Bildungsroman : = An Analysis of The Great Santini and Portnoy's Complaint.
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Refoliating the Anthropocene : = Plant Being and Indigenous Ecological Knowledges in 20th and 21st Century Black Women's Literature.
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(Electronic resources)
O Brightening Glance : = Ritualized Visuality in the Late Drama of W.B. Yeats.
by:
(Electronic resources)
Reading Utopian Pedagogies : = Discovering the Practical Here and Now of Utopian Thinking.
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(Electronic resources)
"That Danger Shall Seem Sport": Shakespearean Romantic Comedy for a Postfeminist Era.
by:
(Electronic resources)
Master Mulcaster's Pageantry of Miseducation in Book One of Spenser's Faerie Queene.
by:
(Electronic resources)
Forgive Me, Father, for I Have Sinned: The Dramatic Potency of Confession on the Early Modern English Shakespearean Stage.
by:
(Electronic resources)
Solitude and Postbellum Literary Culture: Elizabeth Stoddard, William Dean Howells, and Henry Adams /
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(Electronic resources)
Humanism through the Ages: A Look at Cicero and Said in a Post-Human World with Emphasis on Artificial Intelligence.
by:
(Electronic resources)
Autobiographical Graphics: Reading the Queer "I" in Women's Life Writing.
by:
(Electronic resources)
The Incorporation of Adolescent Literature in Secondary Education Classrooms.
by:
(Electronic resources)
The Progression of Agency of the Female Role in Nineteenth-century American Children's Literature.
by:
(Electronic resources)
Faculty Attitudes and Perceptions toward Online English Ph.D. Programs: An Exploratory Study.
by:
(Electronic resources)
The Story of A: Anger and Ambivalence in Women's Autobiographical Writing.
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(Electronic resources)
Unknowable Realism, 1860-1900: Realism Beyond Herbert Spencer's Limits to Knowledge.
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(Electronic resources)
Niche Formations: Rethinking Literary Opportunity in Modern Southeast Asian Literature.
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(Electronic resources)
The Role of Film and Television in American Shakespeare Studies: 1940s to 1990s.
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(Electronic resources)
The Lodge in the Wilderness: Ecologies of Contemplation in British Romantic Poetry.
by:
(Electronic resources)
"To Become Who You Wish to Be": Actual-Play Tabletop Roleplaying Game Podcasts as Oral Storytelling Outlets for Queer Community, Representation, and Identity.
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(Electronic resources)
"In a Moment I Am Perfectly Myself": A Study of the Lesbian Vampire as Crip-Queer Subject.
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(Electronic resources)
Helping Diverse Students to Harness Prior Knowledge through FYC Writing Prompts.
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(Electronic resources)
The Balladic Empire : = Nineteenth-Century Poetry, British Imperial Identity, and the Idea of the Ballad.
by:
(Electronic resources)
Destruction and Resiliency : = Decolonizing Settler Knowledge in Native American Literature Through the Peoplehood Matrix.
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(Electronic resources)
Unwiht : = Shifting Boundaries of Humanity in Early Middle English Language and Literature.
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(Electronic resources)
From Chinese cosmology to English romanticism : = the intricate journey of a monistic idea /
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(Language materials, printed)
Literary representations: Reading and writing femininity in eighteenth century novels.
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(Electronic resources)
Beneath "the cloak and hood of hodden grey": Interpretative problematics for Chinese readers in Charlotte Bronte's "Villette".
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(Electronic resources)
The Dangers of Rhetoric: Nationalism in the Twentieth and Twenty-First Centuries.
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(Electronic resources)
Poynts and Spots: Molecular Revolutions, Mystical Desires, and the Pearl-Poet.
by:
(Electronic resources)
Mediating for Immediacy: Text, Performance, and Dramaturgy in Multimedia Shakespeare Editions.
by:
(Electronic resources)
Beyond the Bosphorus: The Holy Land in English Reformation Literature, 1516-1596.
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(Electronic resources)
The Politics of Interpretation: Presentist and Historicist Perspectives of Othello and As You Like It.
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(Electronic resources)
Stages of Emotion: Shakespeare, Performance, and Affect in Modern Anglo-American Film and Theatre.
by:
(Electronic resources)
Reading for Enlightenment in the Beginning of Philosophical Transactions.
by:
(Electronic resources)
Objects of Affection: Intimate Exchanges in Marlowe, Shakespeare, Spenser, and Wroth.
by:
(Electronic resources)
"To Feel with Other Beings": Affect and Activism in New Wave Feminist Science Fiction.
by:
(Electronic resources)
Imprinted Memories: How Artificial Memory Practices Reimagined Mind, Memory, and the Printed Page in Nineteenth-Century Britain.
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(Electronic resources)
The Construction of Arab Women's Identities to Resist Patriarchal Oppressions in Selected Arab/Arab Diasporic Women's Novels.
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(Electronic resources)
Transgressive Migrations: Gender Roles, Space, and Place in American Novels, 1900-1999.
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(Electronic resources)
Ovidian Reconfigurations of Identity and Mortality in William Shakespeare's Julius Caesar.
by:
(Electronic resources)
Speculative Orientalism : = Zen and Tao in American New Wave Science Fiction.
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(Electronic resources)
Encouraging Activism in Secondary English : = Reading and Writing for Social Justice.
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(Electronic resources)
"She Had a Good Ende" : = Female Gender Roles, Trauma, and Subversion in Sir Thomas Malory's Le Morte Darthur and Young Adult Literature Adatpations.
by:
(Electronic resources)
Heroism in the Chivalric Code : = From Medieval to Modern and Tales of Queens and Good Women : Religion and Societal-Based Trauma.
by:
(Electronic resources)
Generosity as Generality : = The Poetics of Largeness in Renaissance Literature.
by:
(Electronic resources)
Fetishized Materialism : = Reanimating Material Things in the Early Modern Atlantic World.
by:
(Electronic resources)
Immersive Shakespeare : = Locating Early Modern Immersion in Contemporary Adaptations.
by:
(Electronic resources)
Essentially Shimmering : = Contemporary Poetics at the Edges of Materialism.
by:
(Electronic resources)
The Multistable Material of Modernism : = Perception, Objects, and Identity.
by:
(Electronic resources)
New Geographies of the Contemporary Novel : = Scale, Border, Semi-periphery, World.
by:
(Electronic resources)
Advertising, Affect, and the Avant-Garde : = The Aesthetics of Interruption and Identity Formation In American Fiction of the 1920s.
by:
(Electronic resources)
Contagious Animality : = Species, Disease, and Metaphor in Early Modern Literature and Culture.
by:
(Electronic resources)
Intervals of Grace : = Shakespeare and Chaucer's Existential Romances and the Repair of the Past.
by:
(Electronic resources)
Transference and Countertransference : = Freud's Therapeutic Frame in Narratives of Psychotherapy.
by:
(Electronic resources)
Speculating on the Terms of "Small, Foreign, and Female" : = Reimagining the Temporality of Technology through Asian American Cultural Production.
by:
(Electronic resources)
Controlling Women's Appetites : = Food and Femininity in Victorian Literature.
by:
(Electronic resources)
Documentary Knowledge, Visual Images, and Poetry in the Works of Theresa Hak Kyung Cha and Claudia Rankine.
by:
(Electronic resources)
Unspeakable Things : = The Poetics of Secrecy in Ezra Pound and H.D = La poetique du secret chez Ezra Pound et H.D.
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(Electronic resources)
"Say I Am Revenge" : = Violence, Performance, and the Figure of the Female Revenger in English Renaissance Drama.
by:
(Electronic resources)
Anti-Female Language on the Early Modern Stage : = Abuse, Degradation, and Resistance.
by:
(Electronic resources)
Misogyny & Murder : = An Examination of the Portrayal of Women in 1980's Horror Films : "Nymphomania", Stupidity, Exploitation, and Violence.
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(Electronic resources)
International Students : = Education, Emancipation and Exchange in Contemporary University Fiction.
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(Electronic resources)
Haunting at Troy : = Troy Narratives, Trauma, and Desire for the Past in Late Medieval English Literature.
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(Electronic resources)
Becoming English : = Religion, Race, and Racial Capitalism in Early English Drama.
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(Electronic resources)
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