Music history.
Overview
Works: | 126 works in 0 publications in 0 languages |
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Titles
Orality, Literacy, and the Learning of Instruments: Professional Instrumentalists and Their Music in Early Modern Italy.
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Cultural Influences upon Soviet-Era Programmatic Piano Music for Children.
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The Influences of Argentinean Criollo Dance and Folk Music in the Orchestral Works of Alberto Ginastera.
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The Status of AI in Music: A Study of the Musical Metacreation Conferences, 2012-2018.
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At the Crossroads of Race, Class and Culture: Identifying the Unintended Consequences of Technology on the Agency of Blues Musicians.
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"Buy, Reade, Regard": Learning to Sing and Play Through the Printed Page in Early Modern England.
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Chamber Music, Cyclic Form, and the Ideal of the Absolute in French Music and Literature, 1890-1918.
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From Ut Re Mi to Fourteen-Tone Temperament: The Global Acoustemologies of an Early Modern Chinese Tuning Reform.
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Mozart's "Mezzos": A Comparative Study between Castrato and Female Roles in Mozart's Operas.
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Interpreting Musical Character in the Dances of Seventeenth-Century ballets de cour.
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Aesthetics of Arrangement: Beethoven Through the Eyes of His Close Contemporaries.
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The "American Sublime" in Symphonic Music of the United States: Case Study Applications of a Literary and Visual Arts Aesthetic.
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Opera in Warsaw, 1765-1830: Operatic Migration, Adaptation, and Reception in the Enlightenment.
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Music, the Market, and the Marvelous: Parisian Feerie and the Emergence of Mass Culture, 1864-1900.
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Looking Through Trees, Finding Squirrels: Healing Traumas in Native America with Traditions, Song, and Dance.
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Sounding Sapmi in Multimedia: Gender, Politics, and Indigenous Solidarity in Contemporary Sami Music.
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Melodrama, Liederspiel and Revolution: Robert Schumann's Domestication of Theater after 1848.
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The American Symphony Orchestra Today: Problems in Community, Diversity and Representation.
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New Chinese Music in New York City: From Revival to Musical Transnationalism.
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Hearing in Time: Bergsonian Concepts of Time in Maurice Ravel's L'Heure Espagnole.
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The Names of Minimalism: Authorship and the Historiography of Dispute in New York Minimalism, 1960-1982.
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The Life and Music of Roland Marvin Carter: American Composer, Arranger, Conductor, Educator.
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The Piccolo in the 21st Century: History, Construction, and Modern Pedagogical Resources.
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Giambattista Velluti in London (1825-1829): Literary Constructions of the Last Operatic Castrato.
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Use of Parody Techniques in Jacques Offenbach's Operettes and Germaine Tailleferre's "Du Style Galant au Style Mechant".
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Objects of Veneration: Music and Materiality in the Composer-Cults of Germany and Austria, 1870-1930.
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The Buddha's Voice: Ritual Sound and Sensory Experience in Medieval Chinese Religious Practice.
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Bela Bartok's Sonata for Solo Violin: A Study of Variant Readings in the Sources.
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From Pre-recorded Tape to Live Computer Processing: Piano Music from Davidovsky to the Present Day.
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Defining Sound, Confronting Hierarchies: A Study of the American Wind Ensemble Community.
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From Screen to Concert Hall: Solo and Chamber Works for Horn A Full-Length Recording of the Concert Works of Film Composers and History of the Horn in Film Scores.
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"Come, Ask My Heart": Voice, Meaning, and Affect among Algerian Sha'bi Musicians in Paris = = «Venez, demandez a mon coeur»: voix, signification et affect parmi les musiciens de chaabi algeriens a Paris.
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114 Years in Oblivion: The History and Development of International Flute Festivals in Central America.
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Study on Confucian "Musical-Cultivation" in Pre-Qin Dynasty: Focusing on "The Record of Musicals".
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Black Artists and White Space: Race and Political Economy in Louis Armstrong's Career.
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Radical Reclamations and Musical Resonances in Hamilton: An American Musical.
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Musical Creative Frameworks in the Late Fifteenth and Early Sixteenth Centuries.
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Americans at the Leipzig Conservatory (1843-1918) and their Impact on American Musical Culture.
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Showcase the Obscure: Forgotten Trombone Solos from the Paris Conservatory.
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Early Twentieth Century Vocal Performance Practice and the French School: An Exploration of the Lectures and Selected Songs by Reynaldo Hahn.
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A Performance Guide to the Clarinet Works of Henri Tomasi: Concerto, Sonatine Attique, Introduction et Danse, Danse Nuptiale, Complainte du Jeune Indien, Chant Corse, and Nocturne.
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The Clarinet Writing in Wagner's Parsifal as Synthesis of the Wagner-Nietzsche Relationship.
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"Rather a Hundred Singing Laborers than a Single Professional": Imagining the Japanese Masses in the Utagoe Movement, 1948-Present.
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Aesthetics of the Unseen: The Sacred Music of Grzegorz Gorczycki in Turbulent Times of Eighteenth-Century Krakow, Poland.
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Managing the Crisis: Music, Neoliberalism, and the Popular Avant-Garde in Britain, 1975-84.
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Songs for Contemporary Voices: Perspectives and Strategies of Women Making Music in the Twenty-First Century.
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African American Gospel Piano Style in the 21st Century: A Collective Case Study.
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Preserving the Narrative of 20th Century Art Song: A Guide for Instrumental Transcriptions of Vocal Music.
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Planal Analysis and the Emancipation of Timbre: Klangfarbenmelodie and Timbral Function in Mahler, Schoenebrg, and Webern.
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Sholawat and the Sounds of Islam Nusantara: Music and Religious Authority in Contemporary Indonesia.
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Lost without a Cue: The Progression of Music and Masculinity in Detective Film Noir.
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Music Education Transformation: How Orff, Kodaly, and Suzuki Promote Academic Success.
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Variations on a Theme of Robert Schumann: Intertextual References and Private Meaning in Clara Schumann's Opus 20 and Johannes Brahms's Opus 9.
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The Classical-period Development Section: Compositional Strategies of Haydn, Mozart, Beethoven, and Schubert.
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Harmonic Function in the Late Nineteenth-century Chromatic Tonality of Wagner and Strauss: A Study of Extensions to Classical Prolongational Practices.
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South Korean Popular Folk Music: The Genre that Defined 1970s Youth Culture = = 포크: 1970년대 청년문화를 정의한 장르.
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Don't Lose Your Good Thing: the Preservation, Interpretation, and Community Engagement of Historic Recorded Music Spaces.
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Triangles of Soul---Schubert the "Wanderer" and His Music Explained by Neo-Riemannian Graphs.
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Joining Forces in Technology: Three Analytical Case Studies of Early Corporate-Sponsored Electronic Music.
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Going Old School: Using Eighteenth Century Pedagogy Models to Foster Musical Skills and Creativity in Today's Students.
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The History of the Florida State University Choral Department 1947 - 2000.
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"Melinda and Her Sisters": Reconsidering a Suffrage Operetta as Pageantry.
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The Future of the French Bassoon: Changing Perception through Innovation.
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Integrating the Postmodern Avant-Garde: Art Music(s) at the Intersection of Improvisation.
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Jazz in a Transatlantic World: Legitimizing American Jazz in Germany, 1920-1957.
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Salvaging the Style of Frei Aber Einsam in the Music of Brahms: Proposing a Historically Informed Performance Practice for the Three Sonatas for Violin and Piano of Johannes Brahms, Opp. 78, 100, and 108.
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A Historical Perspective on LP Marketing and Payola in 1962: The Case of Robby and The Troubadours.
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Performing Upon Her Painted Piano: The Burne-Jones Pianos and the Victorian Female Gender Performance.
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Singing Lyric among Local Aristocratic Networks in the Aragonese-Ruled Kingdom of Naples: Aesthetic and Political Meaning in the Written Records of an Oral Practice.
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An Introduction to an Operetta: Pauline Viardot's Le Dernier Sorcier for the Young Opera Studio.
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The Making of a Nationally Recognized Band in a Small, Private Liberal Arts University: The Historical Significance of the Bobby L. Adams Years, 1987-2012.
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Speaking of Magic: Enchantment and Disenchantment in Music's Modernist Ordinary.
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Rethinking Interaction: Identity and Agency in the Performance of "Interactive" Electronic Music.
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Networks of Performance and Patronage: Russian Artists in American Dance, Vaudeville, and Opera, 1909-1947.
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Branding Sound: Porter Robinson, Virtual Self and the Influence of Brand on Music.
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The Origins of Western Music and Its Influence on Modern Popular Music: Teaching Music through a Musical Exploration of Seven Countries.
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Reflections on the Wanderer Archetype in Early German Romanticism: Revisiting Franz Schubert's Piano Sonata in a Major, D. 959, through the Landscape Painting of Caspar David Friedrich (1774-1840).
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Recording Studios on Tour: The Expeditions of the Victor Talking Machine Company Through Latin America, 1903-1926.
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Televising Taste: Negotiations of European Classical Music and American Culture in the TV Performances of Leonard Bernstein, Victor Borge, and Nam June Paik.
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Sound Judgment: Ideologies of Listening and the Birth of English Music Criticism.
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