Music history.
概要
| 作品: | 290 works in 0 publications in 0 languages | |
|---|---|---|
Titles
Orality, Literacy, and the Learning of Instruments: Professional Instrumentalists and Their Music in Early Modern Italy.
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Cultural Influences upon Soviet-Era Programmatic Piano Music for Children.
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Networks of Performance and Patronage: Russian Artists in American Dance, Vaudeville, and Opera, 1909-1947.
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Musical Creative Frameworks in the Late Fifteenth and Early Sixteenth Centuries.
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"Rather a Hundred Singing Laborers than a Single Professional": Imagining the Japanese Masses in the Utagoe Movement, 1948-Present.
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Aesthetics of the Unseen: The Sacred Music of Grzegorz Gorczycki in Turbulent Times of Eighteenth-Century Krakow, Poland.
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Reflections on the Wanderer Archetype in Early German Romanticism: Revisiting Franz Schubert's Piano Sonata in a Major, D. 959, through the Landscape Painting of Caspar David Friedrich (1774-1840).
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Recording Studios on Tour: The Expeditions of the Victor Talking Machine Company Through Latin America, 1903-1926.
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Preserving the Narrative of 20th Century Art Song: A Guide for Instrumental Transcriptions of Vocal Music.
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Planal Analysis and the Emancipation of Timbre: Klangfarbenmelodie and Timbral Function in Mahler, Schoenebrg, and Webern.
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The Musical Turn: a New Dramaturgy for Stage Instruments and Actor-Musicianship in Twentieth-Century Irish Drama.
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Composers of the Piano Cycle during Wartime, 1936-1945: Joaquin Rodrigo, Emile Goue, and Samuel Barber.
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The Improvised Text : = Bodily Regimes of Piano Performance in the Nineteenth Century.
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"Always with Kindness" : = The Life and Career of Music Educator and Conductor, Anthony Maiello.
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The Life and Music of Roland Marvin Carter: American Composer, Arranger, Conductor, Educator.
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The Piccolo in the 21st Century: History, Construction, and Modern Pedagogical Resources.
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Giambattista Velluti in London (1825-1829): Literary Constructions of the Last Operatic Castrato.
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Use of Parody Techniques in Jacques Offenbach's Operettes and Germaine Tailleferre's "Du Style Galant au Style Mechant".
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The Names of Minimalism: Authorship and the Historiography of Dispute in New York Minimalism, 1960-1982.
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Objects of Veneration: Music and Materiality in the Composer-Cults of Germany and Austria, 1870-1930.
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Triangles of Soul---Schubert the "Wanderer" and His Music Explained by Neo-Riemannian Graphs.
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Joining Forces in Technology: Three Analytical Case Studies of Early Corporate-Sponsored Electronic Music.
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"Melinda and Her Sisters": Reconsidering a Suffrage Operetta as Pageantry.
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The Future of the French Bassoon: Changing Perception through Innovation.
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The Buddha's Voice: Ritual Sound and Sensory Experience in Medieval Chinese Religious Practice.
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Bela Bartok's Sonata for Solo Violin: A Study of Variant Readings in the Sources.
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From Pre-recorded Tape to Live Computer Processing: Piano Music from Davidovsky to the Present Day.
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Defining Sound, Confronting Hierarchies: A Study of the American Wind Ensemble Community.
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The Influences of Argentinean Criollo Dance and Folk Music in the Orchestral Works of Alberto Ginastera.
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An Introduction to an Operetta: Pauline Viardot's Le Dernier Sorcier for the Young Opera Studio.
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The Making of a Nationally Recognized Band in a Small, Private Liberal Arts University: The Historical Significance of the Bobby L. Adams Years, 1987-2012.
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Speaking of Magic: Enchantment and Disenchantment in Music's Modernist Ordinary.
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Rethinking Interaction: Identity and Agency in the Performance of "Interactive" Electronic Music.
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"Come, Ask My Heart": Voice, Meaning, and Affect among Algerian Sha'bi Musicians in Paris = = «Venez, demandez a mon coeur»: voix, signification et affect parmi les musiciens de chaabi algeriens a Paris.
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The Status of AI in Music: A Study of the Musical Metacreation Conferences, 2012-2018.
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Study on Confucian "Musical-Cultivation" in Pre-Qin Dynasty: Focusing on "The Record of Musicals".
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Branding Sound: Porter Robinson, Virtual Self and the Influence of Brand on Music.
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The Origins of Western Music and Its Influence on Modern Popular Music: Teaching Music through a Musical Exploration of Seven Countries.
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Black Artists and White Space: Race and Political Economy in Louis Armstrong's Career.
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Radical Reclamations and Musical Resonances in Hamilton: An American Musical.
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Americans at the Leipzig Conservatory (1843-1918) and their Impact on American Musical Culture.
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Showcase the Obscure: Forgotten Trombone Solos from the Paris Conservatory.
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Early Twentieth Century Vocal Performance Practice and the French School: An Exploration of the Lectures and Selected Songs by Reynaldo Hahn.
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A Performance Guide to the Clarinet Works of Henri Tomasi: Concerto, Sonatine Attique, Introduction et Danse, Danse Nuptiale, Complainte du Jeune Indien, Chant Corse, and Nocturne.
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The Clarinet Writing in Wagner's Parsifal as Synthesis of the Wagner-Nietzsche Relationship.
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At the Crossroads of Race, Class and Culture: Identifying the Unintended Consequences of Technology on the Agency of Blues Musicians.
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"Buy, Reade, Regard": Learning to Sing and Play Through the Printed Page in Early Modern England.
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Chamber Music, Cyclic Form, and the Ideal of the Absolute in French Music and Literature, 1890-1918.
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From Ut Re Mi to Fourteen-Tone Temperament: The Global Acoustemologies of an Early Modern Chinese Tuning Reform.
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Mozart's "Mezzos": A Comparative Study between Castrato and Female Roles in Mozart's Operas.
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Interpreting Musical Character in the Dances of Seventeenth-Century ballets de cour.
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Aesthetics of Arrangement: Beethoven Through the Eyes of His Close Contemporaries.
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The "American Sublime" in Symphonic Music of the United States: Case Study Applications of a Literary and Visual Arts Aesthetic.
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Televising Taste: Negotiations of European Classical Music and American Culture in the TV Performances of Leonard Bernstein, Victor Borge, and Nam June Paik.
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African American Gospel Piano Style in the 21st Century: A Collective Case Study.
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Looking Through Trees, Finding Squirrels: Healing Traumas in Native America with Traditions, Song, and Dance.
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Sounding Sapmi in Multimedia: Gender, Politics, and Indigenous Solidarity in Contemporary Sami Music.
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Melodrama, Liederspiel and Revolution: Robert Schumann's Domestication of Theater after 1848.
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The American Symphony Orchestra Today: Problems in Community, Diversity and Representation.
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New Chinese Music in New York City: From Revival to Musical Transnationalism.
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Sholawat and the Sounds of Islam Nusantara: Music and Religious Authority in Contemporary Indonesia.
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Lost without a Cue: The Progression of Music and Masculinity in Detective Film Noir.
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Music Education Transformation: How Orff, Kodaly, and Suzuki Promote Academic Success.
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Variations on a Theme of Robert Schumann: Intertextual References and Private Meaning in Clara Schumann's Opus 20 and Johannes Brahms's Opus 9.
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Hearing in Time: Bergsonian Concepts of Time in Maurice Ravel's L'Heure Espagnole.
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The Classical-period Development Section: Compositional Strategies of Haydn, Mozart, Beethoven, and Schubert.
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Harmonic Function in the Late Nineteenth-century Chromatic Tonality of Wagner and Strauss: A Study of Extensions to Classical Prolongational Practices.
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Rusalka and The Snow Maiden: A Comparative Study of Two Fairytale Operas.
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Transcendental Oscillations in Popular and Classical Music since the 1800s.
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Sounding Judentum: Assimilation, Art Music, and Being Jewish Musically in 19th Century German-Speaking Europe.
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Spectacles of Sensational Science: Locating the "Real" Bodies of Verismo Opera 1880-1926.
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"Night and Silence - Who Is Here?": The Impact of Vocal Variety in Arnold Schoenberg's Early Sprechstimmen.
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Central Europe in Text: Music, Aesthetics, and Literary Discourse in the 20th Century.
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A History of Keyboard Hand Division: Note (Re)Distribution in Keyboard Music from the Renaissance to the Twentieth Century.
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Reaching Through the Iron Curtain: Practicalities in the Anglo-Soviet Cultural Exchange of Music and Musicians, 1955-1975.
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A Model for Engaging Psalms in Liturgical and Recreational Settings: A History-Based Account in Support of Transcribing Claude Goudimel's Homorhythmic Harmonization of Genevan Psalter Melodies.
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A Contemporary Adaptation of America's Musical Heritage: The American Folk Set by Steven Mark Kohn.
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How Baroque Cello Music Laid the foundation for Cello Works of the 19th and 20th Centuries.
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The Spirit Within: How Spiritual Folklore Has Influenced Western Classical Music = = El espiritu interior: Como el folklore espiritual ha influenciado a la musica occidental.
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Scythianism in Sergei Prokofiev's Second Piano Concerto in G Minor, Op.16.
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Survival Strategies: The Professional, Political, and Artistic Negotiations of Paul Hindemith, 1918-1934.
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Escaping Time: Messiaen's Musical Language, Religious Symbolism, and Undermining Time in Quatour pour la fin du Temps.
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Transcription and the Horn, with a New Transcription of Robert Schumann's Funf Stucke Im Volkston, Op. 102 for Horn and Piano by the Author.
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What Do You Mean I Have to Stay Home?: Considering the Chamber Music of Three Female Composers at the Turn of the 20th Century.
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Music Borrowing in Organ Literature Through History: Couperin, Bach, Brahms, Ives, Alain, and Cage.
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與音樂邂逅:普魯斯特於《在斯萬家那邊》和《女囚》中的虛構音樂家凡德伊 = = The Encounter with Music: The Fictive Musician Vinteuil in Proust's Swann's Way and The Captive.
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Influence and Innovation: Beethoven's Impact on the Sonatas for Piano and Cello by Mendelssohn and Chopin.
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An Instrumental Song without Words about Hope: A Melodic Motivic Analysis of the Third Violin Sonata by Charles Ives (1874-1954).
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Reframing the Wagnerian Form Debate: Continuity, Working Narrative, and Operatic Convention in Der Ring Des Nibelungen.
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Brahms's Serenade of Solitude: Kreisler's Philosophy of "The Artist in Love" and the Adagio non troppo from the Serenade in a Major, Op. 16.
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Bodies, Technologies, Viruses: Music and Social Immunity in Bio-Pop, New York City, 1980s.
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Claudio Santoro, Musica Viva, and the Emergence of German Modernism in Brazilian Music.
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Pop/Art: The Birth of Underground Music and the British Art School, 1960-1980.
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What the Ear Sees: Performing Bodies, Hollywood Spectacle, and the Mass-Mediated Musical.
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Playing Japan: The Transnational Circulation of Japan in Contemporary Video Game Music.
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Russian Jazz with Bolshevik Trimmings: Modernist Composer-Pianists in Revolutionary Russia.
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Voice of the Cathedral: Sound and Space in Twelfth-Century Notre-Dame of Paris.
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Music and Commemoration in Early Modern Europe: Visual and Sonic Intersections of Remembrance = = Musik und Erinnerungskultur im Europa der Fruhen Neuzeit: Verschrankungen visueller und klanglicher Medien.
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Centering the Sonic: Sound Mediation in Holocaust Memory, Memorials, and Museums.
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An Annotated Catalog of Flute Music by Female Composers between 1988 and 2021.
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Tradition, Creativity, and Polyculturalism in the Lives and Work of Musicians from Latin America, the Caribbean, and the United States.
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Breath, Gravity, Giants, and Death: Puppet-Musical Encounters from Die Zauberflote to Today.
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Composers and Publishers of Parlor Songs and Spirituals from Civil War Richmond: 1861 - 1867.
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A Comparison of Approaches to Pianoforte Technique in the Treatises of Lhevinne, Leimer, and Neuhaus.
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The Influence of Ludwig Tieck's Poetry on German Romantic Lieder: An Analysis of Selected Musical Settings of His Poem "Ruhe, Sussliebchen im Schatten".
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The Evolution of Blur: A History of Early Piano Pedaling in the Late Eighteenth and Early Nineteenth Centuries.
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Political Songs in Polite Society: Singing about Africans in the Time of the British Abolition Movement, 1787 to 1807.
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I'm Every (Black) Woman: Negotiating Intersectionality in the Music Industry.
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A Comparison of Cello and Viola Da Gamba Bow Technique and Style from 1600-1750.
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The Concert Arias of Mozart: Eighteenth-Century Operatic Culture Outside the Theater.
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Rachmaninoff's Performance Style as Heard in His Recordings: An Artistic and Technical Survey.
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"The Icelandic Grieg?": Sveinbjorn Sveinbjornsson: A Biographical Study and Edition of His Sonata for Violin and Piano.
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Rethinking Beethoven's Middle Style: Form, Time, and Disruption in the Chamber Music of 1806-15.
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Music After the Cultural Revolution : = Transnational Precarity for China's One-Child Generation.
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Recurrence and (Dis)Continuity as Identity in Chen Yi's Trans-Cultural Musical Style.
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Messiaen as the "Rhythmician" : = Study and Performance Guides of Olivier Messiaen's Quatre Etudes De Rythme.
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From Paintings to Opera : = Discovering the Reimagination of William Hogarth's A Rake's Progress in Igor Stravinsky's The Rake's Progress.
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"Next Stop Is Vietnam" : = The Power and Transnationalism of Music in the Vietnam War Era.
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Musical Rhetoric and Improvisation in the Unmeasured Fantasias of Johann Gottfried Muthel.
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A Study of Arranging Technique, Performance Guide, and Practical Application on Liszt's Schubert Song Transcriptions.
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A Miracle of Virtuosity : = Joseph Achron as a Prodigy Performer-Composer.
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Standard Practices : = Intertextuality, Agency, and Improvisation in Jazz Performances of Modern Popular Music.
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Du Fay's Magnetic Counterpoint : = Experiencing Melody, Harmony, Texture, & Form in the Tenor Masses.
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That Sound in Your Head : = Guitar Tone Values in the Entrepreneurial Age.
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Conducting with Multimedia in Live Performance : = A Framework of Techniques and Technologies.
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An Introduction to Five Selected Modern Korean Art Songs, Gagok, by Composers Guisook Lee and Jiyoun Chung.
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Evolution of the Solo Violin Concept Throughout the 17th and 18th Centuries and the Interchangeability of Treble Instruments in Works for Baroque Violin and Transverse Flute.
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Selected Sixteenth- and Seventeenth-Century Italian and English Madrigals for Use in Higher Music Education in China.
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A Historical Perspective on LP Marketing and Payola in 1962: The Case of Robby and The Troubadours.
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Performing Upon Her Painted Piano: The Burne-Jones Pianos and the Victorian Female Gender Performance.
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The Choral Conductor-Composer : = A Symbiotic Relationship of Musical Disciplines.
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Going Old School: Using Eighteenth Century Pedagogy Models to Foster Musical Skills and Creativity in Today's Students.
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The History of the Florida State University Choral Department 1947 - 2000.
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Integrating the Postmodern Avant-Garde: Art Music(s) at the Intersection of Improvisation.
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Jazz in a Transatlantic World: Legitimizing American Jazz in Germany, 1920-1957.
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Salvaging the Style of Frei Aber Einsam in the Music of Brahms: Proposing a Historically Informed Performance Practice for the Three Sonatas for Violin and Piano of Johannes Brahms, Opp. 78, 100, and 108.
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Singing Lyric among Local Aristocratic Networks in the Aragonese-Ruled Kingdom of Naples: Aesthetic and Political Meaning in the Written Records of an Oral Practice.
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From Screen to Concert Hall: Solo and Chamber Works for Horn A Full-Length Recording of the Concert Works of Film Composers and History of the Horn in Film Scores.
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114 Years in Oblivion: The History and Development of International Flute Festivals in Central America.
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Opera in Warsaw, 1765-1830: Operatic Migration, Adaptation, and Reception in the Enlightenment.
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Music, the Market, and the Marvelous: Parisian Feerie and the Emergence of Mass Culture, 1864-1900.
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Managing the Crisis: Music, Neoliberalism, and the Popular Avant-Garde in Britain, 1975-84.
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Sound Judgment: Ideologies of Listening and the Birth of English Music Criticism.
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South Korean Popular Folk Music: The Genre that Defined 1970s Youth Culture = = 포크: 1970년대 청년문화를 정의한 장르.
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Songs for Contemporary Voices: Perspectives and Strategies of Women Making Music in the Twenty-First Century.
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Don't Lose Your Good Thing: the Preservation, Interpretation, and Community Engagement of Historic Recorded Music Spaces.
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The Historical and Cultural Influences of Gagok 가곡 (Korean Art Song) : = A Musical Guide.
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When Chinese Sounds Meet Western Instruments, Yu Ko : = Ensemble for Violin, Winds, Piano and Percussion by Chou Wen-Chung = Dang Zhongguo sheng yin yu dao xi fang yue qi, Yu Ge.
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A Citara Antiga Guqin Como Simbolismo Cultural na Tradicao Chinesa = = The Guqin Ancient Zither as Cultural Symbolism in Chinese Tradition.
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Melancholia in Twentieth-Century British Cello Concertos, Sonatas, and Solo Works : = 1900-1980.
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"Jazz Steel" : = An Ethnography of Race, Sound, and Technology in Spaces of Live Performance.
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The Intersection of Culture, Music Theory Innovation, and Ethnomusicological Ideation in Leos Janacek's Piano Sonata 1. X. 1905.
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Navigating Voices : = Song, History, and Humanity in the British Imperial Project, 1770-1836.
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Personalization or Prejudice? A Critical Analysis of Music Streaming Culture.
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The Nordic Romantic: A Contextualized Study of Niels W. Gade's Sonata No.2 in D Minor, Op. 21a, for Viola and Piano.
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Robert Schumann and "The Artist's Highest Goal": Religion, Romanticism, and Nation in the Late Choral Works.
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Counted, Earning, and Behaving as Europeans: Western Art Music and Social Capital in Late 19th Century Batavia.
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Listening for History: Studies on Retro and the Temporalities of Popular Music.
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Play Makes Perfect : = An Exploration of Game and Play Elements in Composition and Performance.
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Songs of Sorrow, Hope, and Praise : = Toward a Historical Analysis of Negro Spirituals.
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Interpreting the Journey of Orpheus : = An Exploration of Five Operas Based on the Myth of Orpheus Over Four Centuries.
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The Early Songs (1880-1885) of Claude Debussy : = An Analytical Approach to Defining a Repertoire.
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Claude Debussy Keman ve Piyano Sonati'nin Incelenmesi = = Analysis of Claude Debussy's Violin and Piano Sonata.
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Prokofiev and the Soviet Dilemma : = Censorship, Autonomy and the Piano Transcriptions.
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Debussy's Decor : = Music, the Arts, and Sociability at the Fin De Siecle.
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Mediating Sounds : = Race, Musical Appropriation, and Literary Intervention in the Cold War.
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The Order of Pitches: Music Theory, Science, and Western Learning in 17th-Century China.
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Arts, Leisure, and the Construction of "Gentlemanly" (Shi 士) Identities in 7th-14th Century China.
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Messiaen's "Traite de rythme, de couleur, et d'ornithologie": A commentary and re-presentation.
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Enlivening Baroque Solo Repertoire: Thomas Demenga's ECM Recording of J.S. Bach's Fourth Cello Suite.
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The Influence of Girolamo Frescobaldi on Keyboard Music in the Baroque Era.
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唱自己的歌：1970年代後台灣與馬來西亞客家流行歌曲發展比較 = = Singing Your Own Songs: Comparison of the Development of Hakka Popular Songs between Taiwan and Malaysia after the 1970s.
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The Big Bang of Music Patronage in the United States: The National Endowment for the Arts, the Rockefeller Foundation, and the Ford Foundation.
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理查‧史特勞斯《大提琴奏鳴曲作品6》之樂曲分析與演奏詮釋 = = Music Analysis and Performance Interpretation of Richard Strauss' Cello Sonata in F Major, Op. 6.
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"All The Evil Music Has:" Musical Representations of the Vamp in Interwar American Popular Media.
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How a Corporation Thinks: A Musicological Study of the Sony Archives at WikiLeaks.
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Sounds of Dissent: Sonic Representations of Resistance in 1960s Free Jazz.
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The Hi-Fi Man: Masculinity, Modularity, and Home Audio Technology in the U.S. Midcentury.
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Stories and Significations: Interpreting the Legacies of Count Basie and His Music.
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Synthesizer and Showiness: The Evolution of 1980s New Wave and Synth Pop.
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Transcendent Machine: An Analysis of ELiane Radigue's ARP 2500 Synthesizer Music.
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Solo and Chamber Pieces for Viola by Female Composers: Late Nineteenth to Twenty-First Centuries.
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Kaleidoscope: Selected Modern Duos for Woodwinds and Piano by American Composers Between 1900-2000.
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The Copyright Royalty Board and the Public Interest: An Examination of Stakeholder Concerns in the Rate Setting Process.
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Transnational Historiography and Twentieth-Century Modernity: Rachmaninoff Beyond Russia.
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Richard Wagner's Visual Worlds: The Gesamtkunstwerk and the Spectacle of Empire.
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Breaking the Shell: Masculinity in Rock and Metal Music in America, 1990-1995.
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Sounds on Recordings, Notes on Paper: Transcribing Popular Music in the Rock Era.
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Musical Expression in German Neo-Baroque Organ Music: Case Studies of Selected Works by Hugo Distler and Ernst Pepping.
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Tracing the Traditions and Incongruities: A Theoretical Analysis and Performance Guide of Shostakovich's Concerto for Piano, Trumpet and Strings, Op. 35.
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Urban Space, Plebe Musicians, and Buon Governo in Spanish Naples From the Mid-Sixteenth to the Early Seventeenth Century.
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Avenue Breakdown: Black Music and the Recording Industry in Shreveport 1948-1988.
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A Performance Guide to Josh Oxford's Luminous Mysteries Rosary Sonata: Situating a Commission Within Historical, Musical, Narrative, and Technical Contexts, With Violin Part in Semi-Tablature Notation.
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Chamber Tone Poems at the Turn of the Twentieth Century: How the Harp Contributed to Their Development.
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The Influence of French Salon Culture on the Complete Piano Works of Lili Boulanger.
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Conquering the Eroica Variations: A Performer's Guide to Form, Stylistic Performance, and Technique in Beethoven's Op. 35.
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The Oratorical and Operatic Oboe: An Exploration of the Oboe's Roots in Vocal Traditions and an Expansion of Chamber Music Repertoire for the Oboe and the Voice.
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The Development of the Piano Intermezzo from the Nineteenth to Twenty-First Centuries.
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Singing Through the Pain: Popstars' Trauma and Women's Labor in the Twenty-First Century.
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The Cello Sonatas of Dame Ethel Smyth: A Musical Analysis with Social and Feminist Commentary.
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Music, (Anti)nostalgia, and the Myth of American Domesticity in Twin Peaks /
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