Music history.
概要
作品: | 126 作品在 0 項出版品 0 種語言 |
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書目資訊
Orality, Literacy, and the Learning of Instruments: Professional Instrumentalists and Their Music in Early Modern Italy.
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The Names of Minimalism: Authorship and the Historiography of Dispute in New York Minimalism, 1960-1982.
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The Life and Music of Roland Marvin Carter: American Composer, Arranger, Conductor, Educator.
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The Piccolo in the 21st Century: History, Construction, and Modern Pedagogical Resources.
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Giambattista Velluti in London (1825-1829): Literary Constructions of the Last Operatic Castrato.
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Use of Parody Techniques in Jacques Offenbach's Operettes and Germaine Tailleferre's "Du Style Galant au Style Mechant".
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Objects of Veneration: Music and Materiality in the Composer-Cults of Germany and Austria, 1870-1930.
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Triangles of Soul---Schubert the "Wanderer" and His Music Explained by Neo-Riemannian Graphs.
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Joining Forces in Technology: Three Analytical Case Studies of Early Corporate-Sponsored Electronic Music.
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Going Old School: Using Eighteenth Century Pedagogy Models to Foster Musical Skills and Creativity in Today's Students.
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The Buddha's Voice: Ritual Sound and Sensory Experience in Medieval Chinese Religious Practice.
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An Introduction to an Operetta: Pauline Viardot's Le Dernier Sorcier for the Young Opera Studio.
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Rethinking Interaction: Identity and Agency in the Performance of "Interactive" Electronic Music.
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Networks of Performance and Patronage: Russian Artists in American Dance, Vaudeville, and Opera, 1909-1947.
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The Status of AI in Music: A Study of the Musical Metacreation Conferences, 2012-2018.
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Americans at the Leipzig Conservatory (1843-1918) and their Impact on American Musical Culture.
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The Clarinet Writing in Wagner's Parsifal as Synthesis of the Wagner-Nietzsche Relationship.
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"Buy, Reade, Regard": Learning to Sing and Play Through the Printed Page in Early Modern England.
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Chamber Music, Cyclic Form, and the Ideal of the Absolute in French Music and Literature, 1890-1918.
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Opera in Warsaw, 1765-1830: Operatic Migration, Adaptation, and Reception in the Enlightenment.
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Music, the Market, and the Marvelous: Parisian Feerie and the Emergence of Mass Culture, 1864-1900.
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Managing the Crisis: Music, Neoliberalism, and the Popular Avant-Garde in Britain, 1975-84.
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Songs for Contemporary Voices: Perspectives and Strategies of Women Making Music in the Twenty-First Century.
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Aesthetics of the Unseen: The Sacred Music of Grzegorz Gorczycki in Turbulent Times of Eighteenth-Century Krakow, Poland.
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Looking Through Trees, Finding Squirrels: Healing Traumas in Native America with Traditions, Song, and Dance.
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Sounding Sapmi in Multimedia: Gender, Politics, and Indigenous Solidarity in Contemporary Sami Music.
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Melodrama, Liederspiel and Revolution: Robert Schumann's Domestication of Theater after 1848.
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The American Symphony Orchestra Today: Problems in Community, Diversity and Representation.
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Integrating the Postmodern Avant-Garde: Art Music(s) at the Intersection of Improvisation.
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From Pre-recorded Tape to Live Computer Processing: Piano Music from Davidovsky to the Present Day.
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Defining Sound, Confronting Hierarchies: A Study of the American Wind Ensemble Community.
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The Influences of Argentinean Criollo Dance and Folk Music in the Orchestral Works of Alberto Ginastera.
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A Historical Perspective on LP Marketing and Payola in 1962: The Case of Robby and The Troubadours.
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Performing Upon Her Painted Piano: The Burne-Jones Pianos and the Victorian Female Gender Performance.
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114 Years in Oblivion: The History and Development of International Flute Festivals in Central America.
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Study on Confucian "Musical-Cultivation" in Pre-Qin Dynasty: Focusing on "The Record of Musicals".
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Black Artists and White Space: Race and Political Economy in Louis Armstrong's Career.
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From Ut Re Mi to Fourteen-Tone Temperament: The Global Acoustemologies of an Early Modern Chinese Tuning Reform.
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Mozart's "Mezzos": A Comparative Study between Castrato and Female Roles in Mozart's Operas.
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Recording Studios on Tour: The Expeditions of the Victor Talking Machine Company Through Latin America, 1903-1926.
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South Korean Popular Folk Music: The Genre that Defined 1970s Youth Culture = = 포크: 1970년대 청년문화를 정의한 장르.
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Preserving the Narrative of 20th Century Art Song: A Guide for Instrumental Transcriptions of Vocal Music.
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Planal Analysis and the Emancipation of Timbre: Klangfarbenmelodie and Timbral Function in Mahler, Schoenebrg, and Webern.
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Sholawat and the Sounds of Islam Nusantara: Music and Religious Authority in Contemporary Indonesia.
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Music Education Transformation: How Orff, Kodaly, and Suzuki Promote Academic Success.
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The Classical-period Development Section: Compositional Strategies of Haydn, Mozart, Beethoven, and Schubert.
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