Musical performances.
Overview
| Works: | 274 works in 0 publications in 0 languages | |
|---|---|---|
Titles
Infusion of Exotic Influences in Selected Collaborative Piano Repertoire.
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The Collaborative Pianist's Role In An Integrated-Arts Setting: Dance, Music, and Visual Arts.
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Music for three stages: Performance preparation for opera, operetta and recital.
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Crossing over: Examining the challenges of a classically trained female performing music theater repertoire.
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Dr. Aban Mistry, a Renowned Tabla Maestro of Farukhabad Gharana: A Comprehensive Study.
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H. Leslie Adams' Twenty-Six Etudes for Solo Piano: A performance and stylistic analysis.
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Two unfamiliar works of Franz Liszt (1811--1886): A comparison of Liszt's "Grosses Konzertsolo" (1849--1851) and "Concerto pathetique" (1856).
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The Evolution of Rachmaninov's Pianistic Style from 1892 to 1941 as Seen in Selected Original Works and Transcriptions for Piano.
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Conducting from the Piano: A Tradition Worth Reviving?: A Study in Performance Practice: Mozart's Piano Concerto in C minor, K. 491.
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A Ne W Method to Estimate the Impact on the L5/Si Spinal Disc from Speed Lifting of Unstable Loads, Asymmetrically.
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The Effects of Tempo and Tonality on Emotion: A Musicological Approach to Mass Communication Research on Music Effects.
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A 'Bohemian' Premiere? Smetana's "The Bartered Bride" and National Identity in 1909 New York.
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"Night and Silence - Who Is Here?": The Impact of Vocal Variety in Arnold Schoenberg's Early Sprechstimmen.
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A History of Keyboard Hand Division: Note (Re)Distribution in Keyboard Music from the Renaissance to the Twentieth Century.
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Modeling and Analyzing Parasitic Parameters in High Frequency Converters.
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Franz Liszt as Transcriber and Editor: An Historical Overview and Analytical Study of His Three Versions of Franz Schubert's "Wanderer Fantasy," D.760.
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Rachmaninoff's Performance Style as Heard in His Recordings: An Artistic and Technical Survey.
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Reger's Variations and Fugue on a Theme by Telemann, Op. 134 and Its Relationship to Brahms's Variations and Fugue on a Theme by Handel, Op. 24.
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Franz Schubert's Unfinished Thoughts: Recurrent Strategies in His Last Sonata Forms.
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Transformational Festivals and the Enchantment Economy: Performance and Race in Neoliberal Times.
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Compositional Use of Contemporary Techniques for Clarinet and Bass Clarinet : = A Study of Literature.
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Luciano Berio's "Six Encores Pour Piano" : = A Guide for Performance Preparation.
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The Choral Conductor-Composer : = A Symbiotic Relationship of Musical Disciplines.
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Symphonic Effects and a Performance Guide in Richard Strauss's Violin Sonata in E-flat Major, Op. 18.
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Cello-Piano Duos : = Analytical, Practical and Rehearsal Strategies for the Collaborative Pianist.
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Abstract Music for an Imaginary Film: Nos. 1-9 for Two Pianos and Two Percussion, and Composing Memory: Sarah Kirkland Snider's Unremembered.
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理查‧史特勞斯《大提琴奏鳴曲作品6》之樂曲分析與演奏詮釋 = = Music Analysis and Performance Interpretation of Richard Strauss' Cello Sonata in F Major, Op. 6.
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Opera Chunhyangjeon [ˈɔpera tɕʰuncanʥʌn]- An Introduction to South Korea's First Changjak Opera, Opera Chunhyangjeon (1949), Including a Korean Lyric Diction Guide with a Complete IPA Transcription of the Libretto for Non- Korean Speakers.
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Stories and Significations: Interpreting the Legacies of Count Basie and His Music.
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The performer's influence on Franco-Belgian compositions from 1870 to 1930.
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Piano Performance in Musical Symbolism: Interpretive Freedom through Understanding Symbolist Aesthetics.
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Tracing neoclassical influences in selected solo and chamber music for the clarinet.
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Unity Through Variety: Exploring the Cyclic Principle in Selected Works for Piano.
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Taiwanese Composer Tyzen Hsiao: Pedagogical Aspects of Selected Piano Solo Works.
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The Voice and Architecture: Translating the Fundamentals of Vocal Mechanism in the Design of a Music Performance Hall Facility.
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An Introduction to Contemporary Characteristics in Twentiethcentury Piano Music for the Lat E-Intermediate Student: A Pedagogical Analysis of the Bagatelles, Opus 5 by Alexander Tcherepnin.
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In Concert with...: Concert Audio Engineers and Arena Sound Systems, 1965-2018.
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Summary of Dissertation Recitals Three Programs of Collaborative Piano Music.
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The Grateful Dead and Their World: Popular Music and the Avant-Garde in the San Francisco Bay Area, 1965-75.
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Three Empirical Studies on the Evolution of Musical Syntax in Popular Music from the 1960s.
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Preserving the Narrative of 20th Century Art Song: A Guide for Instrumental Transcriptions of Vocal Music.
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Transcribing Orchestral Excerpts for Concertmaster Solo into Piano Reductions.
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Harmonica-Inspired Digital Musical Instrument Design Based on an Existing Gestural Performance Repertoire.
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Hearing in Time: Bergsonian Concepts of Time in Maurice Ravel's L'Heure Espagnole.
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Music Experience and Achievement of Students in Thai Public, Private, and International Schools.
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Sholawat and the Sounds of Islam Nusantara: Music and Religious Authority in Contemporary Indonesia.
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The Curating City: A Functional Account of the Agglomeration of Creative Industries.
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Novel Semi-Monolithic Tandem Device Architecture for Photovoltaic and Photoelectrochemical Devices.
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Seven Nocturnes for Solo Piano: An Original Composition with Critical Essay and Suggestions for the Performer.
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Performance Guide to Selected Solo Violin Works of Sergei Prokofiev and Krzysztof Penderecki.
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A Comprehensive Study of Three Compositions for Percussion by Composer Jonathan Leshnoff, Run (2003), "...without a chance" (2003), and Concerto for Two Percussionists and Orchestra (2011), including a Structural and Aesthetic Analysis.
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"Play Your Broken Music to My Broken Song?" Contemporary Implications of Performing Schubert Lieder in English Translation.
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The Music Festival: A Case Study on the Establishment, Development, and Long-Term Success of an Instrumental Music Education Event From a Logistical Perspective.
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An Instrumental Song without Words about Hope: A Melodic Motivic Analysis of the Third Violin Sonata by Charles Ives (1874-1954).
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Bohuslav Martinu's Oboe Concerto, H. 353: A New Piano Reduction of the Orchestral Score.
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German Opera and Operetta at the new Orleans National Theatre, 1866--1878.
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A History of the First and Second Varieties Theatres of New Orleans, Louisiana, 1849 to 1870. (Volumes I and II).
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Non-Tonal Pitch Hierarchies and Dramatic Narratives in Oliver Knussen's Variations, Op. 24.
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Chamber Music Fundamentals and Rehearsal Techniques for Advancing String Students.
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The Music Industry in the Streaming Age: Predicting the Success of a Song on Spotify.
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Computational Analysis and Modeling of Expressive Timing in Music Performance.
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Built for Performance: Designing Digital Musical Instruments for Professional Use.
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The Memorization, Preparation, and Performance of Piano Music: Cognitive Foundations and Current Neuro-Music Research.
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Beethoven's Egmont, Count Egmont: An Imaginary Reading of Beethoven's Overture.
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An Analytical Study of Isang Yun's Oboe and Oboe D'Amore Concerto : = The Intercultural Adaptation of Sigimsae for the Korean Piri with Modern Western Compositional Techniques for the Oboe.
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A Performer's Analysis of Isang Yun's Monolog for Bassoon with an Emphasis on the Role of Traditional Korean Influences.
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The World of Tan Dun : = the Central Importance of Eight Memories in Watercolor, Op. 1.
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Understanding Tattoos from the Indonesian Underground Music Scene of the Surabaya Region.
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A Performance Practice Guide for :only.just.almost.never for Solo Vibraphone by Jay Alan Yim.
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Heterojunction Bipolar Transistor Parameter Extraction and Small Signal Modeling.
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Beyond Boundaries : = The Aesthetics of the Scream in the Music of the Second Viennese School.
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Contemporary Music Notation for the Flute : = A Unified Guide to Notational Symbols for Composers and Performers.
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An Introduction to Contemporary Violin Techniques : = A Practical Guide with Exercises for Students and Teachers.
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A New Edition of Anlun Huang's A Requiem in Chinese with an English Translation and International Phonetic Alphabet Transliteration.
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Technical Efficacy for Violin Improvisation : = How Not to Run Out of Fingers.
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Psychoacoustic Studies of Music Spatialization Strategies in Different Listening Contexts.
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A New Liberation : = Reviving the Piano Literature of Classical-Era Women Composers through Online Teaching Resources.
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The Use of Orchestration and Structure in the Exploration of Fluid Musical Hierarchies.
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Qin yun zai xian wu zheng ming : = yi Fan Weici gai bian zhi "Guangling San" ji "Longshuo Cao" wei li = The Charm of Guqin Menifasted in Guzeng Music : A Case Study on The Guangling San and Longshuo Cao Arranged by Wei-Tsu Fan.
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Shuman zhu ti bian zou qu : = Kelala Shuman zuo pin 20 yu Bulamusi zuo pin 9 de tong ti yi yun = Variations on a Theme of Robert Schumann : The Thoughts between Clara Schumann's Op.20 and Johannes Brahms' Op.9.
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A Comprehensive Remedial and Enhancing Cello Method for Professors and Undergraduate Students : = Conformation-Based Theoretical Methodology and Sequential Practical Solutions.
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"Stateside : = An Opera in One Act" on the Experiences of the Military Spouse.
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Sound Judgements : = Music Education Framework for Guiding Digital Mixing Practice.
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A Study of Traditional Korean Rhythm and Its Potential for Western Art Music.
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A Content Analysis : = Composer Representation in Choral Conducting Textbooks Published in the United States from 1983-2011.
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Contemporary Improvised Music Methodologies, Modes of Reading, and Hybridity of Notation in Burr Van Nostrand's Voyage in a White Building I and Ae.M/Four-Mile Run for Fixed Media and Optional Performers.
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Learning and Teaching Conducting Through Musical and Non-Musical Skills : = An Evaluation of Orchestral Conducting Teaching Methods.
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Live Processing into the 21st Century : = Delay-Based Performance and Temporal Manipulation in the Music of Joel Ryan, Radiohead, and Sam Pluta.
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Jeff Scott's "Startin' Sumthin', Composed for the Monmouth Winds," Transcribed for Full Wind Band.
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The Message of Music : = Music as Communication in the Multimedia Composition : Reflex 2/3 Self-Portrait.
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Whistling in the Workplace : = How Music Improves Motivation and Impacts Performance.
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Chinese Art Songs in the 1930s : = An Analysis and Interpretive Guide of Six Selected Songs by Huang Zi (1904-1938).
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Philosophies on Arranging for Marching Percussion : = Santa Clara Vanguard Drum and Bugle Corps, 1968 to 2023.
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On Wings of Song: Exploring the First-Generation Chinese Art Song Composer Ellinor Valesby (1894-1969).
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Interactive Multimedia Devices: An Exploration Relating to Disability and Performance.
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Finding Messiaen's Blackbird: An Investigative Analysis of Birdsong and Other Techniques Used in Le Merle Noir.
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How a Schenkerian Analysis may Inform the Interpretation and Performance of J. S. Bach's Lute Music on the Guitar using Selective Movements of Bach Lute Suite No. 4 in E Major (Bwv1006a) as a Demonstration.
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Two Lecture Recitals: 1. Exploring the Inspiration and Style of Cheryl Frances-Hoad's Homages, Book I and Caroline Shaw's Gustave Le Gray 2. Musical Techniques and Religious Symbolism in Olivier Messiaen's Vingt Regards sur l'Enfant-Jesus.
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Fostering Flow: Investigating Flow Experiences in Vocal and Choral Music Education.
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The Influence of Girolamo Frescobaldi on Keyboard Music in the Baroque Era.
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The Paradoxical Twenty-Fifth: Performance, Race, and Conditional Belonging on the American Imperial Frontier, 1882-1918.
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Unconventional Wisdom in Resonating Echoes of the Past: a Memoir on the Life and Music of Royal Hartigan.
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Playing With Shadows: Tools for Interactive DMX Design in Max/MSP for Musical Composition.
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The Interdisciplinary Music Degree: Music Education, Music Performance, and Music and Fine Arts Administration.
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An Investigation of the Musical Characteristics of Two Brass Quintets From the 1990s by Robert Suderburg and an Assessment of Their Validity for Inclusion in Musical Performance.
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Solo and Chamber Pieces for Viola by Female Composers: Late Nineteenth to Twenty-First Centuries.
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Transnational Historiography and Twentieth-Century Modernity: Rachmaninoff Beyond Russia.
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Breaking the Shell: Masculinity in Rock and Metal Music in America, 1990-1995.
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Seven Songs to Poems of James Joyce, Op. 54 (1926) by Karol Szymaowski: A Historical Musicology Analysis and Performance Guide.
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Tracing the Traditions and Incongruities: A Theoretical Analysis and Performance Guide of Shostakovich's Concerto for Piano, Trumpet and Strings, Op. 35.
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"New Music Ambassadors to the World": A Biography of the California E.A.R. Unit.
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Avenue Breakdown: Black Music and the Recording Industry in Shreveport 1948-1988.
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A Performance Guide to Josh Oxford's Luminous Mysteries Rosary Sonata: Situating a Commission Within Historical, Musical, Narrative, and Technical Contexts, With Violin Part in Semi-Tablature Notation.
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Touching Light: A Framework for the Facilitation of Music-Making in Mixed Reality.
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Designing and Composing for Interdependent Collaborative Performance with Physics-Based Virtual Instruments.
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Community Co-Creation and Virtual Reality in Opera: Composing Out of the Ordinary/As an nGnach.
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Resonant Simulacra: Building Artificially Intelligent Instruments, a Portfolio of Musical Compositions, and a Self-Analysis of a Cybernetic Workstream.
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Chamber Tone Poems at the Turn of the Twentieth Century: How the Harp Contributed to Their Development.
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A Multilevel Approach to the Analysis and Visualization of Timbral Brightness in Post-Tonal Music /
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Absent, but Important Characters in Opera: A Study of the Roles of Deceased Mothers in Verdi's Il Trovatore, Wagner's Parsifal, and Massenet's Werther /
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Notes on Three Dissertation Performances (Two Recitals and an Opera Role) /
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Mental Health in the Collegiate Music Studio: Applied Instrumental Faculty Perspectives.
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1. The eight preludes for piano by Olivier Messiaen. 2. The influence of J. S. Bach on Mozart's keyboard concerto style. 3. The "Kresleriana" of Robert Schumann: Its significance in Romantic piano literature [performance].
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A Comparison of Two Sets of Variations on Chopin's Prelude Op. 28, No. 20 in C Minor: Ferruccio Busoni's Ten Variations on a Theme by Chopin, BV 213a and Sergei Rachmaninoff's Variations on a Theme of Chopin, Op. 22.
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Die Politieke Sosialisering Van Universiteitstudente : 'n Teoretiese En Paneelstudie.
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Looking Back and Moving Forward: from Baillot's L'art Du Violon to Boulez's Hyper-Violin.
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Conquering the Eroica Variations: A Performer's Guide to Form, Stylistic Performance, and Technique in Beethoven's Op. 35.
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A Performance Guide for Eight Selected Chinese Art Songs Based on Song Ci from the Song Dynasty.
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From East to West: Exploration of Chinese and Western Musical Traditions in Selected Piano Solo Works by Chen Yi.
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Singing While Acting: A Mixed Methods Study of Classical Singers' Application of the Chekhov and Meisner Acting Methods.
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Servant Leader Choral Conductor: The Effect of Servant Leadership in Community Choirs and Community Partnerships.
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Sonic Kinship: Listening, Protection, and Personhood in Post-Coup Myanmar /
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The Voice as Identity: How Opera has Influenced Dubbing in Italy and the United States /
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A Lifetime Learning Melodies, Rhythms & Harmonies: The Continuum of Affective, Behavioral, Cognitive, Physiological, and Spiritual Musical Performance Components in the Lives of Seniors /
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Vibrato Rate and Extent in the Baritone Voice Through the Twentieth and Early Twenty-First Century /
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An Investigation of the Slap Tongue Technique as Applied to the Performance of Selected, Original Literature for the Alto Saxophone /
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Shards of Silence: A Study of Unsuk Chin's Violin Concerto No. 2, Scherben der Stille (2021) /
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Longitudinal Evaluation of User Experience with Digital Musical Instruments: Development and Demonstration of a New Method /
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Acoustics and Copresence: Towards Effective Auditory Virtual Environments for Distributed Music Performances /
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'You Drums and Fifes, My Whole Life Long': The German Military Band and the Emotional Communities of the German Empire /
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Harmony in Collaboration: Curating Sustainability in Post-Pandemic Performing and Visual Arts /
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The Legacy of Bach's Cello Suites in Twentieth-Century Solo Cello Suites /
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Innovations in Contemporary Popular Music and Digital Media, and Reconstructions of the Music Industry in the 21st Century /
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Traditional Folk Music Influences in Classical Saxophone Repertoire: 1910-2018 /
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Alban Berg's Filmic Music: Intentions and Extensions of the Film Music Interlude in the Opera Lulu /
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Poised Between Two Worlds : Nikolai Kapustin's Piano Sonata No. 1 and the Classical and Jazz Tradition /
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The Chinese and Javanese Influences in Works That Exemplify Early Twentieth-Century Musical "Exoticism" /
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What Makes Nikolai Kapustin's Classically-Oriented Works Sound Like Jazz Improvisation by Deconstruction of His 24 Preludes in Jazz Style, Op.53 and Concert Etudes, Op.40 /
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Performance Editions of Air Vaudois Pour Flute Et Piano, Op. 108 Andante Et Allegro Pour Flute Et Piano, Op. 133 by Melanie Bonis /
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Kuhlau in the Piano Studio: A Discussion of Selected Sonatinas by Friedrich Kuhlau (1786-1832) for Intermediate-Level Piano Students /
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The music of flutist/composers: Performances of selected works for flute composed between 1852 and 2005 /
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Flute music from the mid-twentieth century by three French composers: Jean-Michel Damase, Andre Jolivet, and Henri Tomasi /
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Cultivating Appalachian Community and Creating Counter Narratives through Arts-based Pedagogies /
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Exploring the Evolving Role of the Collaborative Pianist: A Case Study of Amy Beach's Romance for Violin and Piano and Three Browning Songs /
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Yiannis Constantinidis "Petite Suite" for Violin and Piano Transcribed for Cello Quarte: Synthesizing Foreign Inspirations and Greek Folk Melodies to Shape a Distinct National and Individual Genre /
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Toward a Musical Grammar: Text-Tune Relationships and Reductive Transformations in Ligeti's Sonate pour Viola /
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21st Century American Trumpet Sonatas: The Performance Practice and Pedagogical Influences of Four Sonatas /
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Jazz and the Possessive Investment in Western Art Music: An Antiracist Argument for Sociopolitical Context in Jazz History Textbooks /
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Combating the Oppression of Women: Ben Moore's Song Cycle So Free Am I A Case Study and Selected Performance Guide /
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A Transcription of Johannes Brahms's Piano Quartet No. 1 in G Minor Op. 25 for Modern Wind Band /
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Expanding the Repertoire: A Presentation of Violin Concertos Composed by Women /
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Biocentric Composition Techniques From the Twentieth and Twenty-First Centuries /
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Six Clarinet Sonatas by Women Composers From the United States: A Recording Project /
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What is EAI? A Short History of the Style's Evolution and Development of Identifiable Characteristics /
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Collaborating Adaptably: A Pianist's Guide to Performing the Sonata in B Minor for a String Instrument and Piano, Op. 27, by Kurt Atterberg (1887-1974) /
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The Voices of American Female Composers: A Study of Daughters by Lori Laitman and Love Sweet by Jennifer Higdon for Voice and Piano Trio /
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Summary of Three Dissertation Performances: One Opera Role and Two Dissertation Recitals /
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Performance Practice Considerations in the Organ Works of Olivier Messiaen /
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On C. P. E. Bach's Late Keyboard Sonatas: Towards a Flexible Formal Analytical Approach /
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The Sonata for B-Flat Trumpet and Piano by Burnet Corwin Tuthill: A Guide to Performance Practice /
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Musical Features and Performance Guide of Darius Milhaud's Violin Sonata No. 2, Op. 40 /
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Exploring Liszt and Schumann: The Exterior and Interior Inspiration for Their Compositional Works /
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Creating Collective Effervescence Through Musicking at Burning Man: A Hermeneutic Phenomenological Study /
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Harmonic Expression in a Stylistic Frame = = Expressao harmonica em contexto estilistico /
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Choral Conductor Perceptions of Ensemble Success and Failure: An Application of Dimensional Attribution Theory /
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A Musical Analysis and Performance Practice Guide for Collaborative Pianists on Four Song Cycles by Arthur Honegger /
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The Space Between and Beyond Notes: Practice-led Exploration of Graphic Notation as Compositional Method for Song, Music Performance and Recordings /
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The Role of Harmony in the Construction of a Machinic Aesthetic in Electronic Dance Music /
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An Analysis and Interpretation of Richard Strauss's Violin Sonata in E-Flat Major, Op. 18 and Ein Heldenleben = = 理查．史特勞斯《降E大調小提琴與鋼琴奏鳴曲，作品18》及《英雄的生涯》作品分析與詮釋 /
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The Music Student Impostor Phenomenon Scale: Development and Implementation /
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Perspectives From Three Points in the Collegiate Experience for Music Educators of Color /
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Isandi Solwimi Lwesixhosa: A Vocal Western Classical Approach to Xhosa Language and Its Unique Click Sounds /
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Novel Designs of Slot Array Antenna for 100 GHz Applications: Using Gap Waveguide Technology /
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A Performance Guide to a Forgotten Piece by Carl Czerny: Fantaisie Sur Des Melodies De Beethoven, Op. 752 (1844) /
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The Extra-Musical Elements Involved in Achieving a Successful Public Piano Recital /
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Selected Masterworks by Bach, Beethoven, and Brahms = = 巴赫，贝多芬，勃拉姆斯，3B大师钢琴作品精选 /
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Powerful Fingers, Elegant Bodies: Reclaiming Chinese Pipa's Feminine History /
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Interpreting and Applying Research-Based Learning Strategies for Musical Practice /
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Singing Global Timbres in Children's Choir With a Focus on Vocal Health /
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A Jazz-Centered Transcultural Approach to Improvisational Studies: An Overview for Music Educators at the Middle School, High School, and University Levels /
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Game Theory Applications in Music Composition: An Approach to Musical Indeterminacy and Performer Choice /
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Music Performance, Self-Efficacy, and Social Anxiety: Does Childhood Music Performance Predict Self-Efficacy and Social Anxiety Levels in Young Adulthood? /
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Effect of Laban Movement on Gesture Recognition and Response of Seventh- and Eighth-Grade Band Students /
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Davidsbundler: Robert Schumann, Theodor Kirchner, and an Intimate Musical World /
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Bach's Chaconne, BWV 1004: A Guide to Historically Informed Performance /
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A Performer's Perspective: Rachmaninoff's Piano Sonata No. 1 in D Minor, Op. 28 /
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Prokofiev's Piano Sonata No. 4 in C Minor, Op. 29 (1917): A Performance Guide Based on Interpretations by Gyorgy Sandor and Boris Berman /
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Exploring Chinese Musical Elements in Guitar Works by Chen Yi and Tan Dun /
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Study of Narrative Effects of Each Instrumental Group in Exemplum: In Memoriam Kwangju by Isang Yun /
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Implications of Noisy and Obsolete Audio Technology in 21st-Century Music /
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Music Performance and ADHD: A Qualitative Study on the Experiences of Graduate Music Performance Students With ADHD /
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Conceptualizing Expressive Musical Performance: A Grounded Theory of Performance, Process, and Pedagogy /
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The Inclusion of Contemporary Praise & Worship in Southern Baptist Hymnals (1975, 1991, 2008) /
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Articulatory Activity of the Tongue, Jaw, and Lips During the Second Passaggio Transition of the Soprano Voice /
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Organizing Fandom: Communicative Dynamics of Global K-Pop Participatory Fan Culture /
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Musical Visuality: Embodying Meter and Overcoming Noise in the Marching Arts /
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Rank Strangers: Performing the Bluegrass Repertoire in the Contemporary Midwest /
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Text, Voice, Image: Staging the Diabolical in Early Modern Italian Musical Theater /
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Cueing Motions in a String Quartet, an Exploratory Study of Motion Trajectories /
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Mozart to Mariachi: A Self-Study Exploring a Music Educator's Journey of Acceptance Into "The Space Between" /
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All the World Is a Stage: A Global Classroom Cultivating Global Citizenship Through Travel, Culture, Music, and Social Engagement /
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A Pedagogical Analysis and Practice Methods for the Piano Suite Long and Short (1984) by Quan Ji-Hao /
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