Theatre History.
Overview
| Works: | 149 works in 149 publications in 149 languages | |
|---|---|---|
Titles
Contemporary Japanese women's theatre and visual arts = performing girls' aesthetics /
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(Electronic resources)
Queer dramaturgies = international perspectives on where performance leads queer /
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(Electronic resources)
Child labor in the British Victorian entertainment industry = 1875-1914 /
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(Electronic resources)
Breaking bad and dignity = unity and fragmentation in the serial television drama /
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(Electronic resources)
Gilbert and Sullivan's 'respectable capers' = class, respectability and the Savoy Operas 1877-1909 /
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(Electronic resources)
The Britannia Panopticon Music Hall and cosmopolitan entertainment culture
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(Electronic resources)
Educational theatre for women in post-World War II Italy = a stage of their own /
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(Electronic resources)
Elizabethan and Jacobean reappropriation in contemporary British drama = 'Upstart crows' /
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(Electronic resources)
Personal narratives, peripheral theatres = essays on the Great War (1914-18) /
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(Electronic resources)
Thomas Hamblin and the Bowery Theatre = the New York reign of "Blood and Thunder" melodramas /
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(Electronic resources)
Theaters of error = problems of performance in German and French enlightenment theater /
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(Electronic resources)
Racism and early blackface comic traditions = from the old world to the new /
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(Electronic resources)
Theatre and Music in Manila and the Asia Pacific, 1869-1946 = Sounding Modernities /
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(Electronic resources)
A new history of medieval Japanese theatre = noh and kyogen from 1300 to 1600 /
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(Electronic resources)
Sounding otherness in early modern drama and travel = uncanny vibrations in the English archive /
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(Electronic resources)
20 ground-breaking directors of Eastern Europe = 30 years after the fall of the iron curtain /
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(Electronic resources)
Economies of literature and knowledge in early modern Europe = change and exchange /
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(Electronic resources)
Theatre from Rhodesia to Zimbabwe = hegemony, identity and a contested postcolony /
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(Electronic resources)
Emotional settings in early modern pedagogical culture = Hamlet, The Faerie Queene, and Arcadia /
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(Electronic resources)
Eugenics and physical culture performance in the progressive era = watch whiteness workout /
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(Electronic resources)
Samuel Beckett's legacies in American fiction = problems in postmodernism /
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(Electronic resources)
From stage to screen = the legacy of traditional Chinese theatre in Chinese martial arts cinema soundtracks /
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(Electronic resources)
Dramaturgies of war = institutional dramaturgy, politics, and conflict in 20th-century Germany /
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(Electronic resources)
Bernard Shaw, Paul Ricoeur, and the Jesusian dialectics of redemptive living
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(Electronic resources)
The past, present, and future of American regional theatre = the regional ten /
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(Electronic resources)
Shakespeare and the theater of religious conviction in early modern England
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(Electronic resources)
European theatre migrants in the age of empire = personal experiences, transnational trajectories, and socio-political impacts /
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(Electronic resources)
The exhibitor as producer = stage prologues in American movie theatres, 1917-1926 /
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(Electronic resources)
The birth and growth of Chinese drama = the history of Chinese drama.. Volume 1 /
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(Electronic resources)
The builders of Chinese drama = the history of Chinese drama.. Volume 2 /
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(Electronic resources)
Formal Medieval combat and performance = the Woodville-Burgundy Emprise of 1467 /
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(Electronic resources)
Anti-war theatre after Brecht = dialectical aesthetics in the twenty-first century /
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(Electronic resources)
Women, collective creation, and devised performance = the rise of women theatre artists in the twentieth and twenty-first centuries /
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(Electronic resources)
W.C. Fields from the Ziegfeld Follies and Broadway stage to the screen = becoming a character comedian /
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(Electronic resources)
The theatre of Romeo Castellucci and Societas Raffaello Sanzio = from icon to iconoclasm, from word to image, from symbol to allegory /
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(Electronic resources)
Revisiting Shakespeare's lost play = Cardenio/Double falsehood in the eighteenth century /
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(Electronic resources)
Bernard Shaw and Beatrice Webb on poverty and equality in the Modern World, 1905-1914
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(Electronic resources)
Bernard Shaw, W. T. Stead, and the New Journalism = Whitechapel, Parnell, Titanic, and the Great War /
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(Electronic resources)
The theatre of imagining = a cultural history of imagination in the mind and on the stage /
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(Electronic resources)
The civil rights theatre movement in New York, 1939-1966 = staging freedom /
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(Electronic resources)
Transnational Chinese theatres = intercultural performance networks in East Asia /
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(Electronic resources)
The Colonial public and the Parsi stage = the making of the theatre of empire (1853-1893) /
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(Electronic resources)
Theatre and archival memory = Irish drama and marginalised histories 1951-1977 /
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(Electronic resources)
Black British women's theatre = intersectionality, archives, aesthetics /
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(Electronic resources)
Memorialising Shakespeare = commemoration and collective identity, 1916-2016 /
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(Electronic resources)
Bernard Shaw on the American stage = a chronicle of premieres and notable revivals /
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(Electronic resources)
Maxwell anderson and the marriage crisis = challenging tradition in the Jazz Age /
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(Electronic resources)
The metamorphoses of Commedia Dell'Arte = whatever happened to harlequin? /
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(Electronic resources)
Actors, audiences, and emotions in the eighteenth century = communities of sentiment /
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(Electronic resources)
Losing it = staging the cultural conundrum of dementia and decline in American theatre /
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(Electronic resources)
Failure, fascism, and teachers in American theatre = pedagogy of the oppressors /
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(Electronic resources)
British and American musical theatre exchanges in the West end (1924-1970) = the "Americanization" of Drury Lane /
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(Electronic resources)
The theatres of eighteenth-century weather = spectacle and climatological reckoning in English drama /
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(Electronic resources)
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