Film studies.
概要
| 作品: | 839 作品在 0 項出版品 0 種語言 | |
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書目資訊
You had to have been there: Experimental film and video, sound, and liveness in the New York underground.
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Jane Campion presents: Film festivals and the mentorship of Julia Leigh's Sleeping Beauty (2011).
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Cinematic prophylaxis: Globalization and contagion in the audiovisual discourse of world health.
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Upturning senses: Sensational interactions at the meeting of cinema's music, sounds, images, and audience.
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Ideological, dystopic, and antimythopoeic formations of masculinity in the Vietnam War film.
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Unoriginal Sin: Transborder Media Flow, Visual Consumption, and the Emergence of the Chinese Global Shoppers.
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Infrastructure, Production, and Archive: American and Japanese Video Art Production of 1960s and 1970s.
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Voice and silence of the subaltern: Rural women in the public culture of post-socialist China.
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Urban Strangers: Representations of Migrant Workers in Contemporary Chinese Literature, Film, and Popular Culture.
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Treating Attachment Trauma: Incorporating the Feminine Principle and the Wisdom of the Body in Psychotherapy.
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Deconstructing "the abyss of the future:" Theatre, performance, and holes in the discourse of 9/11.
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Selective Exposure to Prestigious and Popular Media: Anticipated Taste Performances and Social Influences on Media Choice.
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Long may she reign: A rhetorical analysis of gender expectations in Disney's "Tangled" and Disney/Pixar's "Brave".
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Madame Butterflies and Dragon Ladies in "The Wolverine": A Close Textual Analysis of Female Asian Stereotypes in Hollywood.
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Keeping the 'he' in 'heroes': A feminist political economic look at DC and Marvel superhero film adaptations.
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The Impact of Digitalization on Cinematic Aesthetics and The "Spectrum of Cultural Representations": The Case of Hong Kong.
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Russians in post-cold war American films: Still a foe or a friend-to-be? Looking for a cultural "reset" button.
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Conceptualizing "The Original": Artifact, Intent, Experience, and Process in Avant-Garde Film Preservation.
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The audible future: Dolby Atmos and the immersive sound of science fiction in contemporary science fiction.
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From everyman to hero: The inculturation and propaganda of the "Adventures of Captain Marvel" and "Spy Smasher" serials.
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From script to screen to syllabus: The path to curriculum design for undergraduate film production programs.
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"The Story You Are About to Hear Is True": Dragnet, Transmedia Storytelling, and the Postwar Police Procedural.
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Knowing and being known: Sexual delinquency, stardom, and adolescent girlhood in midcentury American film.
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The big [motion] picture: Analyzing the factors affecting the international motion picture industry.
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Overlooking the Evidence: Gender, genre and the Woman Detective in Hollywood Film and Television.
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Les formes de l'humain. Volatilite des frontieres dans le Roman Francophone autofictionnel contemporain.
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Moving pictures: Visual media's role promoting emotional student response regarding immigration.
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South Korean Cinema Between the Wars: Screening Resistance and Containment under U.S. Intervention and Influence, 1945-60.
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Does the presence of Joseph Campbell's Monomyth predict any variance in the box office for big budget movies?
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Veg-gendered: A cultural study of gendered onscreen representations of food and their implications for veganism.
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Everyday intimacies: The politics of respectability in post-recessionary southern reality television.
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Social touch behavior and emotions conveyed by touch in top-grossing films: Spotlight on sympathy, anger, and aggression.
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Ideological trends in film adaptations of children's literature: Children's books on the big screen.
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The affective politics of home: Queer familial imaginations in 20th and 21st century Chinese theatre and film.
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Seeing "developing" countries through American animated films --- An analysis of "Kung Fu Panda," "Rio," and "Madagascar".
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Transformations of a Hungry Cinema: Images and Visibility of Hunger in Brazilian Cinema 1960s-2000s.
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From the heart of Brahma: Preserving, innovating and queering Cambodian classical dance.
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Competitive dynamics and the distribution of box office revenues in motion pictures: The stable -Paretian hypothesis.
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Disruptive Convergence: The Struggle Over the Licensing and Sale of Hollywood's Feature Films to Television Before 1955.
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Postmodern Queer Subjectivity: Domestic Ethnography and Anti-authorial Authoriality in Su Friedrich's "Sink or Swim".
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Glitching modernism: Broken machinery and textual malfunction in modernism and new media.
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The Black Gothic Imagination: Horror, Subjectivity, and Spectatorship from the Civil Rights Era to the New Millennium.
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"The Battle of Maldon": A medieval screenplay. History and Heroism in the Cinematic Adaptation of an Old English Poem.
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Embodied Cognition and Cinema: The Sensory-Motor Grounding of Abstract Meaning in Film.
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I was never an American: Rejection and Disaffiliation in Twenty-First Century Immigration Narratives.
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(Re)presentation: An affective exploration of ethnographic documentary film production.
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Mercenary mamas and rising sons: The figure of the controlling mother in modern Japanese literature.
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The General Cinema Northpark I & II: A case study of a third generation movie theater.
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"An amorous history of the silver screen": Film culture, urban modernity, and the vernacular experience in China, 1896-1937.
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The Birth, Death, and Re-Birth of an Auteur: The Analog to Digital Conversion of Carl Theodor Dreyer's Films.
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Regional Lockout: Geographic Restrictions, Digital Entertainment Platforms, and Global Cultural Difference.
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Turning the page: Fandoms, multimodality, and the transformation of the "comic book" superhero.
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Beyond The Screen: Bridging the Gap between Documentary Film and Audience to Enhance the Storytelling Experience.
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The Cinema of Leakage: Student Movements in Japan, Subjectivity and the Thinking Cinema of Oshima Nagisa.
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Framing Perceptions of Violence against Women in Film: "Les Silences du Palais" and "Incendies".
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Visual poetics and cinematic patterns in Vladimir Nabokov's "Invitation to a Beheading".
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"Basically a True Story": "The Beginning or the End," "Fat Man and Little Boy," and American Remembrance of the Atomic Bomb.
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On the Convergence of Cinema and Theme Parks Developing a Predictable Model for Creative Design.
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The reimagined paradise: African immigrants in the United States, Nollywood film, and the digital remediation of 'home'.
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"To Know the Words to the Music": Spatial Circulation, Queer Discourse and the Musical.
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Transmedia arts activism and language revitalization: Critical design, ethics and participation in third digital documentary.
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(Mis)representation at the movies: Film, pedagogy, and postcolonial theory in the secondary English classroom.
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Reclaiming the city as home in postcolonial Hong Kong: Art and politics in the contestation of urban space (1997-2014).
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The societal allure of fear: Horror films as representations of current day cultural fears.
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The pen is mightier than the bomb: Representations of right-wing terrorism in fictional works.
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The Development of the Post-Classical Hollywood Sports Business Film Trend: A Socio-Historic Approach.
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Aurality and the Image: Irish Perspectives on Listening and Non-listening in the Twentieth Century.
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Aesthetics of historiophoty: The uses and affects of visual effects for photography in the historical documentary film.
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Cross-border film production: The neoliberal recolonization of an exotic island by Hollywood pirates.
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Being a thing immortal: Shakespeare, young adult culture, and the motifs of the undead.
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Critical topographies of two films: Aura, temporality, and place in El Sol del Membrillo and rivers and tides.
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The major developments and their ideological implications of Chinese film and film education since the Cultural Revolution.
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Unfolding Time to Configure a Collective Entity: Alternative Digital Movies as Malaysian National Cinema.
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The rise and fall of the New Chinese Cinema during the Chinese reformation in the 1980s.
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A study of cross-cultural communication factors in selected documentaries about China.
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The dream palaces of Shanghai: American films in China's largest metropolis, 1920-1950.
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The Myth of Voluntary Death: The Representation of Sacrifice and Martyrdom in the Maoist Films (1949-1976).
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Framing China's national image through film: Chinese political films in the 1980s and the 2000s.
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Concrete Futures: Science Fiction Cinema and Modernist Architecture at the Dawn of Postmodernity.
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Between Free Speech and Propaganda: Denaturing the Political in the Early American Movie Industry.
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The sensibility of the adopted: Trauma and childhood in the contemporary literature and cinema of East Asia and its Diaspora.
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Saving innocents: Tracing the human monster hunter's hetero-normative agenda from the 1970s to today.
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The global dystopian: Twenty-first century globalization, terrorism, and urban destruction.
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Re-Presenting the Zombie: Genre, Gender, and Social Protest from Romero's Night of the Living Dead to AMC's The Walking Dead.
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Imaging Communities: Location Shooting as Place-making in Contemporary Chinese and Taiwanese Cinemas.
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Time after Modernism: Postcoloniality and Relational Time-Based Practices in Contemporary Art.
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Time-space transfiguration and the unfolding of the (frame);: (A theory of Filmtheatre).
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Father of all destruction: The role of the white father in contemporary post-apocalyptic cinema.
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Can you say it more southern?: Renewing Hollywood's media colony in southern reality television.
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Turkish fantasy fiction films then and now: An analysis of fantasy films produced in early 1970s Turkey.
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Between patriotism and pacifism: Jacob Lawrence, John Huston, Bill Mauldin, and Walt Disney during World War Two.
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Music as a Procedural Motive in the Filmmaking of Darren Aronofsky, Sofia Coppola, and Paul Thomas Anderson.
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Threatened masculinity in English fiction (1883-1915) and Cold War German cinema (1966-1986).
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Moving words/motion pictures: Proto-cinematic narrative in nineteenth-century British fiction.
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Extending Active Imagination for Creative Formulation: A Depth Psychological Approach.
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Just Say No: Authority, Disobedience, and Individuation in Some of Sam Peckinpah's Minor Films.
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A' Oor Ain: The Making of a Scottish National Cinema Through Short Fiction Films 1930-2016.
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Representations of Transnational Violence: Children in Contemporary Latin American Film, Literature, and Drawings.
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Fabrication of block copolymer templated mesoporous metal oxide composites for energy storage applications.
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From Garden to Kino: Evgenii Bauer, Cinema, and the Visuality of Moscow Amusement Culture, 1885 -- 1917.
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Conducting experiments: On the connections between experimental art praxes and performance studies.
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Modern Wild Natures. Cultures of Nature and Iberian Wildlife in Twentieth-Century Spain (1940-1980).
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Producing Reality Stardom: Constructing, Programming, and Branding Celebrity on Reality Television.
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Working on My Hair: A Visual Analysis of Natural Hair and Black Women Professionals in Popular Television Programming.
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Fragmented Allegories of National Authenticity: Art and Politics of the Iranian New Wave Cinema, 1960-79.
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The Not So Tender Trap: Romantic Comedy and Revolt in the Fifties and Fifty Years Later.
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Denaturalizing the market, revaluating the body: Neoliberal biopolitics in Latin American literature and film, 1990--2010.
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Warhol's transgender superstars: A materialist examination of the body in cinematic text.
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Affective Aesthetics and the Social Politics of Neoliberalism in New Extremism Cinema.
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May hammers and hearts ring out in unison. Exploring Heimat in GDR literature and film of the 1950s and 1960s.
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Cinematic portrayals of ancient women: Cleopatra VII, Livia Augusta, Servilia Caepionis and the three waves of feminism.
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"There's a Real Hole Here": Female Masochism and Spectatorship in Michael Haneke's La Pianiste.
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Volume I Affect and Feelings: The Persuasive Power of Film Music. Volume II Quintet for Piano and String Quartet.
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The Romantic Baby Boomer: A Successful Aging Analysis of Romantic Comedy Film Trailers.
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Imagining Resistance and Solidarity in the Neoliberal Age of U.S. Imperialism, Black Feminism, and Caribbean Diaspora.
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Partners in catastrophe: The phantasmic in African American, Jewish American, and Native American trauma narratives.
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Heterolanguage in Twenty-First-Century Cinema and Literature: Transnational Mediations.
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The New Reflexivity: Puzzle Films, Found Footage, and Cinematic Narration in the Digital Age.
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Caressing Radical Alterity: For a Queer Ethic of Embodiment in Contemporary Films and Literature.
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A Comparison between User-Generated Reviews, Genre and Box-Office Revenue in the U.S. Major Motion Picture Industry.
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An Investigation Into the Detective: The Protagonist's Power to Challenge, Shape and Mend Through Social Critique.
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Reprogramming the Movies: Distribution Strategy and Production Planning in the Early Studio System, 1915-1924.
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Cinema's Motion Forms: Film Theory, the Digital Turn, and the Possibilities of Cinematic Movement.
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Rethinking the Normative: Madness, Abjection, and Awareness in American Literature and Film.
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Novel Ways of Seeing: Victorian Novels, Animated Adaptations, and the Disoriented Reader/Viewer.
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Cinematic Representation of American Indians: A Critical Cultural Analysis of a Contemporary American Indian-Directed Film.
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Speaking American: Comparing Supreme Court and Hollywood racial interpretation in the early twenty -first century.
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Making the Censored Public: The 1989 Tiananmen Square Protests in Chinese Fiction and Film.
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A Liberal Arts Education in Film Production: Instructional Assessment of Student Film Projects.
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Between Worlds: A Personal Journey of Self-Reflection while on the Path of Conocimiento.
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Re-mixing Old Character Tropes on Screen: Kerry Washington, Viola Davis, and the New Femininity.
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Smut, Novelty, Indecency: Reworking a History of Twentieth Century American "Stag Film".
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Fattitude The Movie: Theory and Praxis of Creating a Documentary that Examines Fat Representation and Fat Social Justice.
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Images never again witnessed/concepts never again thought: "(nostalgia)" and utopia in the aporia of aesthetic theory.
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Recentering Taiwan: Colonialism, the Nation, and Identity in Taiwanese Fiction and Film.
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And They Lived Happily Ever After. The End? Postfeminism and the Rebranding of the Disney Princesses.
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Themes and Aesthetic of the Victorian Era and Their Practical Application in 21st Century Storytelling.
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Re-Imagining the Black Body on Screen: Using Screendance to Contest Racist Depictions of the Black Body in Film.
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Discourses of Legitimation: Representation, Recognition, and Truth in Post-9/11 American War Films.
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We Don't Breathe Alone: Forms of Encounter in Anglophone North America since the 1970s.
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Performing Disaster: The Response to 3.11 and the Great Kanto Earthquake in Japanese Film and Theater.
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The Sorcerer's Apprentices: Authorship and Sound Aesthetics in Walt Disney's "Fantasia".
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Animating Transcultural Communities: Animation Fandom in North America and East Asia from 1906--2010.
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From Italian American Icon to Working Class Hero: Perspectives on Pietro di Donato's "Christ in Concrete".
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Making It Real: Performance Styles and Contexts in Contemporary American Microbudget Cinema.
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"Sugar in the Arsenic": Humorous Depictions of the Holocaust and Humorous Depictions in the Holocaust on Stage and Screen.
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Impressive Failures: Mavericks of Film Authorship and the Impossibility of Success in Hollywood.
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Cuban Cinema in a Global Context: The Impact of Eastern European Cinema on the Cuban Film Industry in the 1960s.
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Concerning Virtual Reality and Corporealized Media: Exploring Video Game Aesthetics and Phenomenology.
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(Un)doing and (Un)becoming: Temporality, Subjectivity, and Relationality in Twenty-First-Century German Literature and Film.
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Silver Screen Sovereignty: Mexican Film and the Intersections of Reproductive Labor and Biopolitics.
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Starting with Snow White: Disney's Folkloric Impact and the Transformation of the American Fairy Tale.
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Perfect Contagion Machine: Digital Media, Scientific Evidence, and Emergent Outbreaks on Screen.
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The Production of Hypermobility: Digital Media and Science Fiction Television in the Long 1990s.
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John Sayles and James Cameron: Mastering Autonomy in Mainstream and Independent American Cinema.
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Representation, meaning, and experience in the cinema: A critical study of contemporary film theory.
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Time material: Temporality, narrative, and modernity in silent film and American naturalism.
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The Role of Fan-Subtitle Groups in the Process of Introducing US Television Programs Into China: A Case Study.
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From Attendance to Performance: Spectatorship, "Liveness," and the Emergence of Live Cinema.
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From Prison Yard to Field of Play: Documentary Histories of Race and Movement in Film, Television and New Media.
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Creating the Third Reich through film, press, and pageantry (1933--1934): A myth-ritual analysis.
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Filmic discourse on women in Chinese cinema (1949-1965): Art, ideology and social relations.
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Video Camera Technology in the Digital Age: Industry Standards and the Culture of Videography.
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The Work of Being Human: Transnational Labor in Contemporary South Korean Film and Literature.
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Feel It All Around: Art Music Video, Art Cinema, and Spectatorship in the Streaming Era.
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The Culture of Conspiracy: Evolving Media Technology and Its Relationship to Conspiracy Theories.
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Displaced Cinema: Militant Film Culture and Political Dissidence in Spain (1966-1982).
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The Circulation of Chinese Cinemas in the UK: Studies in Taste, Tastemaking and Film Cultures.
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Selfie Aesthetics: Form, Performance, and Transfeminist Politics in Self-Representational Art.
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Of Clouds and Bodies: Film and the Dislocation of Vision in Brazilian and Japanese Interwar Avant-Gardes.
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Powerful Silences: Examining the New Woman's Femininity and Relationships in Silent Films.
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The Page in the Screen: Visualized Information and the Aesthetics of the Digital Image.
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The motion picture industry, Hollywood self-representations, and a rhetoric of actions.
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Transmedia Storytelling through the Lens of Independent Filmmakers: A Study of Story Structure and Audience Engagement.
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Create, Reboot, Repeat: Franchise Management and Textual Evolution in the Cultural Industries.
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"It's a creative business": The ideas, practices, and interaction that made the Hollywood film industry.
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Memorial Cinema in Latin America: Filmic Depictions of the Dirty Wars in Brazil and Mexico.
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Rethinking Stereotypes: Representations of Gender in Brazilian Comedies of the Post-Retomada.
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"The Most Muscular Woman I Have Ever Seen": Bev Francis Performance of Gender in Pumping Iron II: The Women.
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Exceptionalism and Transatlanticism in Early American Literature (1760-1860) and Classic Hollywood Cinema (1930-1960).
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Projected Coevalness and Post-Colonial Tourism: The Persistence of Cultural Hierarchy in Contemporary Japanese-Taiwanese Film.
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Media Archiving as Critical Pedagogy: A Road to Awareness - Saving Home Movies Campaign in Taiwan.
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Projecting Blackness: Japan's Cinematic Encounters with the black-American Other (1948-1993).
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Life on the move: Women's migration and re/making home in contemporary Chinese and Sinophone literature and film.
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The Formation of Temporary Communities in Anime Fandom: A Story of Bottom-Up Globalization.
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"American Mice Grow Big!": The Syracuse Audiovisual Mission in Iran and the Rise of Documentary Diplomacy.
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Class in Space: A Critical Analysis of Modern Trends in Science Fiction Film and Television.
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GRAAPHS: Graphic Representations of Abstract and Altruistic Phenomenological Hymns and Stories.
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Searching Borders of Art, Soul and Spirit: In Direction of the Film Something Borrowed, Something Blue.
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Out of the past: Public policies, political pressures, and American film preservation.
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Sexually Objectifying Microaggressions in Film: Using Entertainment for Clinical and Educational Purposes.
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Reveling in Uselessness: Queer and Trans Media, Consumptive Labour, and Cultural Capital.
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Taming the Terrible?: Transgressive Novels, Adaptation, and the Illusion of Legitimacy.
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The Post-Noir Novel: Pulp Genre, Alienation, and the Turn from Postmodernism in Contemporary American Fiction.
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Lost in Translation: A Content Analysis of the Promotional Material of Foreign-Language Films in the United States.
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YouTube as an Ally of Convenience: The Platform's Building and Breaking with the LGBTQ+ Community.
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Unexpected Journeys: At the Crossroads of Collaborative Filmmaking and Feminist Scholarship.
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Audiences, Structures, and Strategies: The Promise and Power of Environmental Documentaries.
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1977: Audiovisual Excavating and Repetition as Suspect Past Impressions in Essay Filmmaking.
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Six Post-9/11 American War Films: Towards an Evolution of Nontraditional Masculine Constructs.
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Eye/I and Eyes/We: Reflexsivity and Intersubectivity in African Glocal Visual and Auto Ethnography.
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Recording the Work of a World: Anne Charlotte Robertson's Diary Film and the Domestication of Cinema.
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Homebound: Spatializing the Immigrant Experience by Breaking Down Barriers in Virtual Reality.
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The Research and Teaching of Art Despite Its Disappearance: Art in Academia, 1957-1977.
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Making Movies: Reflexivity, the Auteur, and the Pragmatics of Contemporary Film Production.
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Before the Endless Miles of Wind and Sand and Empty Far Off Sky: Deserts in Hollywood's Silent Era.
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Adaptation as Translation: Examining Film Adaptation as a Recontextualised Act of Communication.
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The Ancient Eastern Sages Were Crypto Blackbelts: Chinese Religion in Martial Arts Films.
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Realism's Ruins: Destruction, Decay, and the Demise of Soviet Socialist Realism and Italian Neorealism.
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Film and Emotional Contagion: Audiencing, Witnessing, and Performing the Lingua Franca of Compassion.
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Colonial Sublime: Infrastructure, Landscape, and Traveling Cinemas in Korea, 1898-1926.
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How Audiovisual Composition Reveals Gendered Limitations and Possibilities in Lady Bird in the Wake of #MeToo.
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Hidden in Plain Sight: Cinematic Legacies of the Western, Greaser Cinema, and Chicanx Literature.
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On Location in Nature's Studio: Toward a Social History of Hollywood Filmmaking in the American West.
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You're Making Ideology Weird: An Analysis of the Contemporary Weird through a Marxist Lens.
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Whatever It Takes: Redemption, Individualism, Altruism and the Marvel Cinematic Universe.
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Utopias, Magic Realism and Rebellious Spirits: Films of Christine Parker 1990 to 2000.
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Recognizing the Silent Truth: Subversive Silences in Character Development of Marginalized Identities.
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Healthy realism: Paradoxical aesthetics, ideology, and nationbuilding in Taiwan cinema 1964-1982.
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Picturing Everyday Life: Politics and Aesthetics of Saenghwal in Postwar South Korea, 1953-1959.
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Forms of Illness : = Georges Canguilhem and Vital Normativity in Philosophy, Cinema, and Literature.
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The Visual Preference, Aesthetic Judgement, and Mood Response to Human-Centric Lighting in Office Spaces.
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We Would Strike : = Documentary Beyond Representation in a Post-Industrial Spanish Town.
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Nation and Nurture : = Cultural Anthropology, World War II, and the Birth of National Cinema Studies.
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Blurring the Color Line : = Disrupting Race, Gender, and Historical Narratives Through Documentary Film.
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From Bestseller to the Big Screen : = The Acquisition and Development of Popular Novels in Classical Hollywood.
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Symbiotic or Destructive? An Analysis of the Metaphors About Journalism in American Films During the 1990s.
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A Cinematic Atopia: Robert Smithson and the Filmic Afterlife of the Soviet Avant-Garde.
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Cultivating Transmedia Storytelling: Real World Perceptions Derived From Popular Media.
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Seeing the Unseen: Euphemism in Animated Films. A Multimodal and Critical Discourse Study.
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From New York City to Paris. Crime Series Adaptations: A Multimodal Digital Semiotics Procedure.
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論電影的文學性與1980 年代中國電影轉型 = = On the Literary Nature of Films and the Transformation of Chinese Films in the 1980s.
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The Cartography of Hong Kong Urban Space: Living and Walking in the Cinematic Cityscapes of Fruit Chan and Ann Hui.
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Choreographing Postsocialist China: New Experiments in Screendance since the Early 1990s.
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Photographer as participant observer: Larry Clark, Nan Goldin, Richard Billingham, and Nobuyoshi Araki.
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"A Room and the Right Kind of People:" The Ideology of Romantic Comedy in Classical Hollywood Cinema.
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Locating the Sublime between Movement and Action: The Cinema of Jean-Pierre and Luc Dardenne.
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In a Nutshell: On the Design, Construction, and Simulation of Digital Costumes for Frances Glessner Lee.
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Love among the Robots: Non-biological Consciousness and the Pursuit of Kinship 1970 to the Present.
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Variations of virtual reality in theatre and film: Truth and illusion via art and technology.
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台灣現代文藝電影創作與其政治社會環境(1930~1980s) = = Modern Taiwanese Literary Films and Their Social Political Circumstances (1930~1980s).
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Beyond Memory's Limits: Resistance, Justice, and Truth in Contemporary Brazilian, Chilean, and Argentine Culture.
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Making Cinema Anew: Film Criticism and the Making of the New American Cinema, 1959- 1975.
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A Social Network Analysis Approach to Examining Gendered Character Positions in Popular Film Narratives.
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New Flesh Cinema: Japanese Cyberpunk-Body Horror and Cinema as Catharsis in the Age of Technology.
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(Neo)Liberal Re-writings of Black Radical Memory in Television Documentary: 1989-1995.
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Old Acquaintances and New Sisterhoods: Female Friendship in Classical Hollywood Cinema.
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The Art of Collecting Fancy Paper: Understanding the Assignment of Values to Collecting Alternative Movie Posters.
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Traveling abroad, writing nationalism, and performing in disguise: People on the Japanese colonial boundaries, 1909-1943.
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Communicating Graphic Design Career Experiences Using Feature Film Screenplay and Production Design.
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There Is a Body in the Sound: Timbre and Embodiment in the Overlap of Film, Music, and Dance.
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Media Ecologies and Composition: The Animated Sequence and Rhetorical Potential of Media.
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Landscape and Its Discontents - Art and Ruins, a Critical Topography in Word and Image.
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IntiIntimacy Direction: A New Role in Contemporary Theatre Makingmacy Direction: A New Role in Contemporary Theatre Making.
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Tragedy of the Teenage Girl: Female Characters in Contemporary Shakespearean Commercial Film Adaptations.
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What the Ear Sees: Performing Bodies, Hollywood Spectacle, and the Mass-Mediated Musical.
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All Roads Lead to Chicago: Encyclopaedia Britannica Films, the Institute of Design, and Nontheatrical Film.
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Decolonizing Documentary in Pakistan: Representation Through Colonial, Activist and State-Sponsored Documentaries.
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Yugoslav Television Between Conformity and Dissidence - Ideological Hybridity in Informational and Fiction Genres (1980-1995).
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Under Construction: Time, Space and Embodied Labor in Soviet Construction Narratives Post-Stalin.
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Documentary-Style Educational Video for Online Learners : = Student Perceptions of an Innovative Approach to Learning.
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Essays on Education and Comparative Advantage in Trade, Immigration and Gender Disparity in Film Industry.
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Radiant Sites : = Projection and the Mobile Spectator in Contemporary Moving-Image Installations.
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Taiwan Pulp! The Emergence and Consumption of Taiwan Exploitation Film in the Trans-Asian Cultural Cold War (1970s-1980s).
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Filming the Everyday : = History, Theory, and Aesthetics of Amateur Cinema in Interwar and Wartime Japan.
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Ministries of Light : = Modernism and Modernity in Indian and Iranian State-Sponsored Documentaries, 1960s-1980s.
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A Disputed Country : = Italy, Migrants, and National Identity in Contemporary Films and Documentaries.
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'Getting into / Focus' : = Mapping the Influence of Cinema in Marginal British Poetry, 1927-1950.
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Timely Representations : = The Queer Elder Figure in Canadian and U.S. American Film and Television.
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Screening Space : = The Making and Unmaking of Racialized Space in 1970s Mexican Film.
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The Elusive Subject : = Representing the Abstract and Unseen History of Place with Photography.
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Resisting Through Lenses : = An Exploration of Youth Media Production as an Act of Resistance and Democratization.
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Reclaiming the Rusalka : = Towards Multiplicities of Gender in Russian Literary and Visual Culture.
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A Study on Dramaturgy for AI Screenplays : = Writing Alternative Narratives Using GPT.
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Screen Education : = Using Exhibitions to Research Museums in Movies and Learning Through Film.
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From Curating to Cedong : = Long March : A Walking Visual Display and the Emergence of Contemporary Chinese Curating.
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Cinematic Poe : = A Survey of Films Inspired by Edgar Allan Poe and Their Importance in Film History.
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Film Stories and Empathy : = Do Prosocial Characters Make an Audience More Empathetic?
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Between Film, Video, and the Digital : = The Art of Hybrid Moving Images, Medium Specificity, and Intermediality.
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Modern Spaces and Cinema : = Movie Theaters and City Films in Wilhelmine and Weimar Berlin.
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From Creation to Preservation : = Film Laboratories in the Moving Image Archiving and Preservation Field.
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Private Film Collectors as Everyday Conservators : = A History of Film Preservation Outside of the Archive.
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"One Must Go Forth to Evil Houses" : = Kitsch, the Aesthetic Sense, and the Ethics of Negative Thinking.
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The Departed: A Departure from Early Twenty-First Century American Remakes of Asian Cinema.
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Cultures of glass in the late nineteenth-century European novel and contemporary Sinophone film.
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A Phenomenology of Closet Trauma: Visual Empathy in Contemporary French Film and Graphic Novels.
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Screening the Apocalypse: Zombies, Visual Art and the Grotesque in the Aftermath of Social Trauma.
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Why Can't We Be Friends: The Legitimization of Police Violence in the Buddy-Cop Film Genre.
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Art, Activism and Sundarbans: A Case Study of Musical Environmental Movement through Film.
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Escrituras descentralizados. Nuevos mapas de la ficcion en el campo cultural argentino.
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The Ecological Imagination : = Nature, Technology, and Criticism in Chinese Science Fiction, 1976-Today.
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The Practices of Everyday Life and the Syrian Body : = Art, Life, and Political Activism of the Syrian Crisis, 2011-2022.
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Watching the Watchers : = Contemporary Television, Complex Seriality, and Media Literacy.
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Motherhood in the Multiverse : = Melodrama and Asian American Identity in Everything, Everywhere, All at Once.
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