LITERARY CRITICISM / European / English, Irish, Scottish, Welsh
Overview
Works: | 108 works in 0 publications in 0 languages |
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Titles
British Colonial realism in Africa = inalienable objects, contested domains /
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John Addington Symonds (1840-1893) and homosexuality = a critical edition of sources /
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Becoming the gentleman = British literature and the invention of modern masculinity, 1660-1815 /
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Loss and cultural remains in performance = the ghosts of the Franklin Expedition /
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Swift and science = the satire, politics, and theology of natural knowledge, 1690-1730 /
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Women's writing, Englishness and national and cultural identity = the mobile woman and the migrant voice, 1938-1962 /
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Children's literature and capitalism = fictions of social mobility in Britain, 1850-1914 /
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Gender and ventriloquism in Victorian and neo-Victorian fiction = passionate puppets /
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Constructions of masculinity in British literature from the Middle Ages to the present
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Lusting for London = Australian expatriate writers at the hub of Empire, 1870-1950 /
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Romantic dharma = the emergence of Buddhism into nineteenth-century Europe /
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The Countesse of Pembrokes Arcadia and the invention of English literature
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Women in journalism at the Fin de Si{grave}ecle = making a name for herself /
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Writing combat and the self in early modern English literature = the pen and the sword /
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Romanticism, medicine and the natural supernatural = transcendent vision and bodily spectres 1789-1852 /
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The genre of medieval patience literature = development, duplication, and gender /
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Reading migration and culture in context = the world of East African Indian literature /
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Visions of Britain, 1730-1830 = Anglo-Scottish writing and representation /
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Creating postcolonial literature = African writers and British publishers /
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Tradition and influence in Anglo-Saxon literature = an evolutionary, cognitivist approach /
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Empire in British girls' literature and culture = imperial girls, 1880-1915 /
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The novels of Walter Scott and his literary relations = Mary Brunton, Susan Ferrier and Christian Johnstone /
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Femininity, crime and self-defence in Victorian literature and society = from dagger-fans to suffragettes /
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Violence, narrative and myth in Joyce and Yeats = subjective identity and anarcho-syndicalist traditions /
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Ford Madox Ford and the misfit moderns = Edwardian fiction and the first World War /
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Myths of wilderness in contemporary narratives = environmental postcolonialism in Australia and Canada /
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Feminine subjects in masculine fiction = modernity, will and desire, 1870-1910 /
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Creating Romanticism = case studies in the literature, science and medicine of the 1790s /
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Decadent Poetics = Literature and Form at the British Fin-de-Si{grave}ecle /
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Literature of an independent England = revisions of England, Englishness and English literature /
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Postal plots in British fiction, 1840-1898 = readdressing correspondence in Victorian culture /
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The Celtic revival in Shakespeare's wake = appropriation and cultural politics in Ireland, 1867-1922 /
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Writing Indians and Jews = metaphorics of Jewishness in South Asian literature /
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Charles Dickens and the sciences of childhood : = popular medicine, child health and Victorian culture /
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Mixed race stereotypes in South African and American literature : = coloring outside the (black and white) lines /
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British novelists in Hollywood, 1935-1965 : = travelers, exiles, and expats /
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Welsh Writing, Political Action and Incarceration : = Branwen's Starling /
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Contemporary asylum narratives : = representing refugees in the Twenty-First century /
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A fractured landscape of modernity : = culture and conflict in the Isle of Purbeck /
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Global Jane Austen = pleasure, passion, and possessiveness in the Jane Austen community /
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Disorientation : = Muslim identity in contemporary anglophone literature /
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Literary politics : = the politics of literature and the literature of politics /
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Violent masculinities : = male aggression in early modern texts and culture /
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