Literature, Latin American.
Overview
| Works: | 242 works in 0 publications in 0 languages | |
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Titles
Carnaval in Brazil, Samba Schools and African culture: A study of Samba Schools through their African Heritage.
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Tiempo y mito en tres obras posmodernas de Carlos Fuentes: "Gringo Viejo", "La Campana", y "El naranjo".
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Performing identities: Chicana and Mexicana performance art in the 90s.
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An archetypal understanding of solitude: Garcia Marquez, Campbell, Frye and magical realism.
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The renaissance of Mexican indigenous literature: Resistance, reaffirmation and revision.
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Legacies of the Indianist imagination and the failures of indigenist politics: "Indians," "intellectuals," and "education" in Peru and Brazil, 1910--2000 (Darcy Ribeiro, Jose Maria Arguedas).
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Configuraciones y desfiguraciones de lo nacional en la literatura dominicana contemporanea (Spanish text).
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Counterfeit politics: The conspiracy narrative in twentieth-century United States and Argentine literature.
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Orphans and origins: Family, memory, and nation in Argentina and South Africa, 1983--2005.
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Decolonizing modernism: James Joyce and the development of contemporary Spanish American narrative.
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Baroque and neobaroque in contemporary Spanish American and Spanish literature. A study of two trajectories: Jose Donoso and Alvaro Cunqueiro.
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El discurso latinoamericano del exilio: Extraterritorialidad y novela en Argentina y Cuba desde los anos setenta.
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Correspondencias: The intertwining letters, lives, and literature of Jorge Carrera Andrade and Pablo Neruda.
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La alquimia poetica de Octavio Paz: (La) Gran Obra en transformacion y movimiento.
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Writers and responsibility: George Orwell, Nadine Gordimer, John Coetzee and Salman Rushdie.
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Discursos Mayas y desafios postcoloniales en Guatemala: Colonialidad, modernidad y politicas de la identidad.
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Postcards from the edge-city: Mass-media and photographic images in contemporary novels of the Black diaspora.
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Objects, Memory and Narrative: Threads to Construct and Reify Identity.
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A place in the world: Literature, knowledge and autonomy in three end-of-20th-century Colombian novels.
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Lugares literarios e intelectuales: Una busqueda de espacios de representacion femenina en la prosa Hispanoamericana temprana del siglo XX.
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El personaje femenino chileno de mediados del siglo XX como promotor de un discurso constructivo y desmantelador del discurso patriarcal.
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Power, language, and culture: Teresa de la Parra in Latin American feminism.
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Gender on display: Advertising the body of contemporary Spanish women's narrative (Paloma Diaz-Mas, Lourdes Ortiz, Cristina Peri Rossi, Esther Tusquets, Almudena Grandes, Uruguay).
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Expanding boundaries, alternative visions: Staging representations of popular urban women in contemporary Mexican chronicle, film and photography.
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Malvinas myths, Falklands fictions: Cultural responses to war from both sides of the Atlantic (Argentina, United Kingdom).
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Fin de siecle snapshots: National fictions, landscapes and multitudes (Spanish text, Argentina, Mexico).
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Men on the market: Jose Marti and Jose Asuncion Silva in the worlds of commerce and literature (Cuba, Colombia).
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Bodies in transition: Identity and the writing process in the narrative of Carmen Boullosa (Mexico).
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Communication through interruption: The dislocated conversation of writing and reading.
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Knowledge morena and literacies de colores: Toward the embodiment of life-giving knowledges in the arts, poetry and song.
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The multiple voices of indenture history: The South Asian diasporic novel in English.
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The subject in crisis in contemporary Chinese literature (Han Shaogong, Can Xue, Tashi Dawa, Ma Yuan).
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Romancing the stones: Textual representations of Mexican archeological sites, 1785-1880.
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Privilegio y uso de la palabra: Los ensayos (extra)ordinarios de Rosario Castellanos (Mexico, Spanish text).
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Constructing new men and women: The search for modern gender roles in contemporary Latin American fiction (Julio Cortazar, Argentina, Rosario Castellanos, Carlos Fuentes, Angeles Mastretta, Mexico).
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Performative bodies, hybrid tongues: Race, gender, sex and modernity in Latin America and the Maghreb (Tunisia, Morocco, Algeria).
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Desde los confines de la soledad: Un estudio sobre el amor en la poesia y el teatro de sor Juana Ines de la Cruz (Mexico, Spanish text).
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Transgresion y compromiso: La mujer como protagonista y eje en seis cuentos de la coleccion "Pez de vidrio" de Mayra Santos Febres (Spanish text, Puerto Rico).
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Haunted cartographies: Ghostly figures and contemporary epic in the Americas (St. Lucia, Uruguay, Eduardo Galeano, Leslie Marmon Silko, Derek Walcott).
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Urban/e forms of narrative consciousness: Concentric memory, eccentric madness and the making of the modern novel (Nikolai Gogol, Russia, Machado de Assis, Brazil, Victor Hugo, Marcel Proust, France).
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Representing resistance: Women's novels of the Americas and human rights (Toni Morrison, Rosario Castellanos, Mexico, Joy Kogawa, Paule Marshall, Barbados).
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The postcolonial Mayan scribe: Contemporary indigenous writers of Guatemala.
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Infinity plus one: "The Thousand and One Nights" as a model for infinite narrative in Borges, Calvino, Barth and Rushdie.
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History, horror, reality: The idea of the marvelous in postcolonial fiction.
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Le retour a l'enfance: Une analyse de la litterature Francaise du dix-neuvieme et vingtieme siecle et son effet sur les Ameriques.
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Postcolonialism, magic realism, and metafiction in "The Satanic Verses" and "One Hundred Years of Solitude".
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Who are we to become if we are not this: Madness, anti-psychiatry and literature.
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El nuevo escritor caribeno y su puesto en la narrativa latinoamericana contemporanea: A proposito de tres antologias del cuento reciente.
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Diaspora and representation: Jewish Argentine, Turkish German, and Chinese American women writers.
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To tell their own stories: Transformations of narrative form by Caribbean women novelists (Sylvia Wynter, Michelle Cliff, Erna Brodber, Zee Edgell, Merle Hodge, Jamaica, Trinidad and Tobago, Belize).
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Chaos and pattern in three postmodern novels (and); "Abishag" (a postmodern novel). (Original writing);.
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Indianism: The construction of the image of indigenous peoples in nineteenth-century Mexican, Peruvian, and Dominican literature.
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Ethnopolitical representation of indigenous peoples: Comparative perspectives of the Americas (Spain, Peru).
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Postmodernism and the culture of the 1960s: The examples of Carlos Fuentes and Thomas Pynchon (Mexico).
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Golden lands, magic cities: (Trans)figurations of utopia in Caribbean literature.
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Masculinidad en crisis: Representacion masculina en cuatro novelas latinoamericanas (Spanish text, Manuel Puig, Argentina, Mario Vargas Llosa, Peru, Pedro Juan Gutierrez, Cuba).
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Modernismo y modelos estetico-sexuales de la cultura: La degeneracion del Novecientos (Spanish text, Uruguay).
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From revolution to evolution: A study in alienation and oppression of Mexican-American women through their literature (Estela Portillo Trambley, Sandra Cisneros, Pat Mora).
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Toward an understanding of the matrix linking human rights and testimony witnessing and peace (Consuelo Avila, Maria Eugenia Vasquez, Colombia).
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Cubanidad and the performance of blackness in the theater of Cuba's "special period".
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The demythification of traditional female roles in Carmen Boullosa.
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Las mujeres del teatro de Alfonsina Storni: El manejo de la ideologia patriarcal.
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Internal diversity in contemporary Chicana literature: The "Other Within" in the works of Cherrie Moraga and Sandra Cisneros.
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Literatures of urban development: World Bank literature and the chronicles of Rio de Janeiro and Mexico City.
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Transnational lives and texts: Writing and theorizing United States/Central American subjectivities.
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Desde las faldas de la madre: Mexican women's contestatory voices, 1900--1940.
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From Puerto Rican nationalism to latinidad: The life and work of Julia de Burgos.
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AUGUSTO ROA BASTOS: DE LA ESCRITURA HISTORICA EN "YO EL SUPREMO." (SPANISH TEXT) (PARAGUAY).
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Permeabilidad y resignificacion: La escritura transparente de "Yo el Supremo".
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La conciencia historico-literaria en "Yo el Supremo" de Augusto Roa Bastos. (Spanish text);.
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La palabra como instrumento de creacion y destruccion en "Yo, el Supremo".
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La ultima palabra: La lectura, la escritura y la reescritura en "Yo el Supremo" de Augusto Roa Bastos.
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El dialogo del poder y el poder del dialogo en "El senor presidente", "Yo, el Supremo" y "El gran elector".
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Regionalism and modernism in the short stories of William Faulkner, Joao Guimaraes Rosa, and Juan Rulfo.
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La re-vision de la historia en la ficcion de mujeres Latinoamericanas: Isabel Allende, Gioconda Belli, Carmen Boullosa y Ana Miranda.
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La reencarnacion de los dioses: Mitopoesis en la narrativa de Horacio Quiroga y Adolfo Bioy Casares.
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The postdictatorial documentaries of Patricio Guzman: "Chile, Obstinate Memory"; "The Pinochet Case" and "Island Of Robinson Crusoe".
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Criminal kinships and coming of age: The portrayal of lower-class youths in contemporary Brazilian and Colombian works of fiction.
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To sing is more than to remember: Literary and philosophical allusion in the songs of Caetano Veloso.
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Dilemmas of Andean modernity: Social morality, economy of passions and aesthetics, Bolivia and Peru (1900--1950).
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Daily practice and domestic economies in Guadeloupe: An archaeological and historical study.
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New Spain tastes like Europe Culinary contexts in Cortes, Fernandez de Oviedo and Diaz del Castillo.
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Detective novel in Puerto Rico and Cuba: The cases of Wilfredo Mattos Cintron and Leonardo Padura Fuentes.
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Relectura y reescritura de la historia: La novelistica de Mempo Giardinelli entre 1980 y 1991.
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Alternate vectors: Transpacific travels and translations of Octavio Paz and Oe Kenzaburo.
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Mass media, advertising, and reconfigurations of sense perception in the Latin American avant-garde.
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Cybercultural ecologies: Interfacing nature, virtuality, and narrative.
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Surrealismo etnografico, narrativa de la heterogeneidad y ruptura del significado como dispositivos de la moral en la obra de Miguel Angel Asturias (Guatemala, Spanish text).
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Surrealismo, mitologia y neoindigenismo en la obra temprana de Miguel Angel Asturias (Spanish text, Guatemala).
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Nihilism and transcendence in the poetry of Cesar Davila Andrade (Ecuador).
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The fabrication text in modernism: Word, image, and procedure in Gertrude Stein, Marcel Duchamp, and Jorge Luis Borges (France, Argentina).
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Epic theater and textual openness: New visibility in six plays of the Centro do Teatro do Oprimido in Rio de Janeiro (Brazil, Augusto Boal).
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Creativity and control: A comparative study of Sylvia Plath and Manuel Puig.
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Empire and American visions of the humane (Bartolome de las Casas, Spain, Garcilaso de la Vega, El Inca, Peru, Herman Melville, Walt Whitman).
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Choreographing empires: Aztec performance and colonial discourse (Toribio de Motolinia, Diego Duran, Bernardino de Sahagun, Spain, Mexico).
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Cities in ruins in modern poetry (Charles Baudelaire, France, Luis Cernuda, Spain, T. S. Eliot, United States, Octavio Paz, Mexico, Pablo Neruda, Chile).
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Towards a new realism: Caio Fernando Abreu, Cesar Aira, Sergio Chejfec y Joao Gilberto Noll (Brazil, Argentina, Spanish text).
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Neofeminist discourses in women's testimonios: Elvia Alvarado, Maria Elena Moyano, Domitila Barrios de Chungara and Maria Teresa Tula, 1975--1995.
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Art(ist) for art's sake or art(ist) for capital's sake: Aesthetic production and consumption in turn-of-the-century literature.
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Gregory Rabassa's Latin American literature: A translator's visible legacy.
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The confluence of literary and visual culture: The Mexican avant-garde movements, 1920--1940.
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Machado de Assis' "Oliveira Twist": Translation and the making of a novelist.
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The burden of the past: Visions and revisions of history in Latin America and the United States South.
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Killing Spanish: Doubles, dead mothers and other allegories of ambivalent United States Latino/a Caribbean identity (Cristina Garcia, Rosario Ferre, Loida Maritza Perez, Puerto Rico, Dominican Republic).
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Borges, Benjamin, and the allegorical writing of history (Jorge Luis Borges, Argentina, Walter Benjamin, Germany).
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History as an (im)possibility: Memory, oblivion and power in Julia Alvarez, Cristina Garcia, Ana Teresa Torres, and Ana Lydia Vega (Spanish text, Venezuela, Puerto Rico).
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Aesthetics: Beauty and the sublime in the representation of violence. An analysis of contemporary film and novel in Spain and Latin America (Colombia, Mexico).
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La intertextualidad en "Terra Nostra" de Carlos Fuentes. [Spanish text] (Mexico).
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New World orders: Natural history and genre in sixteenth-century New Spain (Bernardino de Sahagun, Francisco Hernandez, Spain, Mexico).
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A Familiar Curve of Vein: Poems and translations (with Original writing, Julia de Burgos, Puerto Rico, Pablo Neruda, Chile, Federico Garcia Lorca, Spain).
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Mapping memory: Cultural representations of the "proceso" in the work of Liliana Heker, Marcelo Brodsky, and Viviana Ponieman (Argentina).
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Forms of transculturation: The cultural aesthetics of modernist/vanguard poetry of the Americas (Ezra Pound, William Carlos Williams, Vicente Huidobro, Chile, Mario de Andrade, Brazil).
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Made of paper and stone: The place of Jose Marti in Cuban national identity.
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I can't believe it's not nature: Ecology and environmentalism in recent Spanish American fiction (Luis Sepulveda, Chile, Mempo Giardinelli, Argentina, Arturo Arias, Guatemala, Gioconda Belli, Nicaragua, Homero Aridjis, Mexico).
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Portraying the self: Life and literature in selected poems by Gloria Fuertes, Anne Sexton, and Olga Orozco (Spain, Argentina).
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Paisajes masculinos: Masculinidades homoeroticas en la narrativa argentina contemporanea (Spanish text, Enrique Medina, Hector Lastras, Jose Mara Borghello, Oscar Hermes Villordo, Osvaldo Lamborghini).
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Ficcion de racionalidad: La memoria como operador mitico en las esteticas polares de Jorge Luis Borges y Jose Lezama Lima (Jose Lezama Lima, Jorge Luis Borges, Spanish text, Cuba, Argentina).
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En busca de la historia: El inconsciente politico en cuatro novelas de escritoras colombianas (Spanish text, Elisa Mujica, Maria Elvira Bonilla, Fanny Buitrago, Silvia Galvis).
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Ideologia, poder y escritura: Elementos autobiograficos en "Historia verdadera de la conquista de Nueva Espana" (Spanish text, Bernal Diaz del Castillo).
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Novela mexicana contemporanea de la frontera entre Mexico y Estados Unidos: Solares, Fuentes, Ramos, Conde y Mendez (Spanish text, Ignacio Solares, Carlos Fuentes, Luis Arturo Ramos, Rosina Conde, Miguel Mendez).
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Boom, modernism y la novela de la violencia en Colombia: Voces multiples de la historia en "La Casa Grande" de Alvaro Cepeda Samudio (Spanish text).
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El discurso marginal en Venezuela: La narrativa de Renato Rodriguez como negacion de un proyecto nacional (Salvador Garmendia, Luis Britto Garcia, Adriano Gonzalez Leon, Francisco Massiani, Spanish text).
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Esclavos negros, escribas blancos: Escritura, esclavitud y colonialismo en Lima (1650--1700) (Peru, Spanish text).
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Ideology and utopianism in Isabel Allende's novels (1982--1987) (Spanish text, Chile).
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Caminos de la identidad en la literatura cubana de la segunda mitad del siglo XX: Revolucion, crisis y exilio (Spanish text, Miguel Barnet, Manuel Cofino, Zoe Valdes, Elias Miguel Munoz).
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La novela historica latinoamericana entre dos siglos. Un caso: "Santa Evita" de paseo por el canon (Argentina, Tomas Eloy Martinez).
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Cuba: Poesia, genero y revolucion (Spanish text, Carilda Oliver Labra, Fina Garcia Marruz, Georgina Herrera).
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La historia como misterio: Novela policiaca de America central y Cuba (Spanish text, Leonardo Padura, Sergio Ramirez, Nicaragua, Tatiana Lobo, Costa Rica).
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La historia silenciada: Los afroargentinos protagonistas de un drama social (Spanish text, Argentina).
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Cultural memory and the dance-dramas of Guatemala: History, performance, and identity among the Achi Maya of Rabinal.
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The power of influence: Artistic partnerships from Spain to Mexico.
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La formacion del homo sacer peruano: Violencia sistemica en cuatro relatos sobre el Peru comtemporaneo.
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Cuba y Cataluna en la segunda mitad del siglo XIX: Teatro popular e identidades (proto)nacionales.
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The testimonial world: Affect and ethics in Latin American literature and film (1969--1991).
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"The world is full of islands": Literary revision and the production of a transnational "Robinson Crusoe".
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Reframing knowledge: Indigenous video, gender imaginaries, and colonial legacies.
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Working with immigrant laborers: A case study of the utilization of indigenous literatures in educational practice.
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Indigenous experience in Mexico: Readings in the Nahua intellectual tradition.
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Translating Quechua Poetic Expression in the Andes: Literature, the Social Body, and Indigenous Movements.
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Exploring Mexico's multi-ethnic history: Juan Bautista de Pomar, Diego Munoz Camargo, and the role of the local indigenous community in sixteenth-century New Spain.
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Civilization/Barbarism: Indigenous and Criollo Receptions of Rhetoric in Latin America.
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Inconceivable Saviors: Indigeneity and Childhood in U.S. and Andean Literature.
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Indigenousness and the reconstruction of the *other in Guatemalan Indigenous literature.
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Sonata for Clarinet and Piano by Carlos Guastavino: Style analysis and folk music influence.
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"Caja negra" y "Por favor, rebobinar": Cine de culto, blockbusters, rock, pop, e intervenciones sobre el campo cultural.
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Nobody There: Acousmatics and An Alternative Economy of Meaning in Latin American Poetry of the 1970s.
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Novelando en el periodico y reporteando en la novela de America Latina.
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Avant-Garde and Socialist Dreamworlds in Latin America: Global and Local Designs, 1919--1939.
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The Historic Avant-garde, the Neo-Avant-garde and the Digital Age: Experimental Visual-Textual Forms in the Luso-Hispanic World.
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Theaters of revolution: Staging Cuban identities after the Cold War.
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Travel narratives in dialogue: Contesting representations of nineteenth-century Peru.
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Flamenco and tragedy in Alfonso Jimenez Romero's Andalusian ritual drama: A dialogue between Lorca and Melo Neto (Spain, Federico Garcia Lorca, Joao Cabral de Melo Neto, Brazil, Spanish text).
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The repetition of revolution in Mexican literature from "Los de abajo" to the Zapatista communiques (Mariano Azuela, Juan Rulfo, Hector Aguilar Camin).
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Journeys of Formation: The Spanish-American "Bildungsroman" (Ricardo Guiraldes, Roberto Arlt, Argentina, Jose Maria Arguedas, Julio Ramon Ribeyro, Peru, Rosario Castellanos, Elena Poniatowska, Mexico).
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The metafiction (and modernism) of Quiroga, Arlt and Onetti: Debunking the pre-boom lacuna (Horacio Quiroga, Juan Carlos Onetti, Uruguay, Roberto Arlt, Argentina, Spanish text).
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Playing leapfrog with Plato: Mimetic representation in the novel as described in Virginia Woolf's "The Waves", Julio Cortazar's "Rayuela" and Clarice Lispector's "Agua Viva" (Argentina, Brazil).
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Disidencias en la literatura y cine latinoamericano y peninsular (Spanish text, Clarice Lispector, Brazil, Luisa Valenzuela, Argentina, Carmen Laforet, Ana Maria Matute).
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New World romance and authorship (Edgar Allan Poe, Hart Crane, Jorge Luis Borges, Argentina, Alejo Carpentier, Cuba, Gabriel Garcia Marquez, Colombia).
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Hidden identity in the contemporary Latin American historical novel: The Conquest seen through the eyes of double agent characters.
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Nag mapu /la tierra que andamos /walking wor(l)ds: Native cosmographies of the Americas.
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Poetics of Sacrifice: The Representation of Aztec Sacrificial Rituals and The Emergence of The Spanish-American Historiographical Field.
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Hacia una genealogi´a de la transculturacion narrativa de Angel Rama.
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The mutant factor. Transformations and mutations of the monstrous in contemporary Ibero-American texts.
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(Electronic resources)
Reviewing the colony/revising the nation: Mexican and Brazilian cinematic dialogues with colonial texts.
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The Woman Question and the Man Answer in nineteenth-century Rio de Janeiro, Brazil: Ideas on race, class, and sex in medicine and literary naturalism.
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Intellectuals and Mexican satirical literature of the twentieth century.
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Symbolic exchanges: Haiti, Brazil and the ethnopoetics of cultural identity.
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Of lands, regions and zones: The poetics and politics of non-urban spaces in the 1960s in Brazil and Argentina.
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Presence of an incipient pre-nationalist consciousness in Juan de Velasco's "Natural History".
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Ecological awareness and cultural identity in twentieth-century Central American narrative.
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Seductive imperial narratives and conquest subjectivities: An alternative paradigm for reading contemporary empire.
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Through the eye of a needle: Hermeneutics as poetic transformation.
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Redemptive regionalism in the Brazilian Northeast: Forro and the flows of popular culture in a global economy.
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Argentina: El espacio urbano y la narrativa filmica de los ultimos anos.
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Limits of the book: Interfaces of literary culture in contemporary Latin America.
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Subversive frontiers: Space, gender and literature in colonial Latin America.
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Food discourses in contemporary Mexican literature and telenovelas.
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Particulas revoltosas: La infancia en la literatura fantastica mexicana del siglo xx.
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Women in the city: Female flanerie and the modern urban imagination.
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La obra de arte frente al (super)mercado: Etica, estetica, politica y consumo en el Cono Sur.
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Presencia de la episteme posmoderna en el discurso narrativo Hispanoamericano de los umbrales del siglo XXI: Carlos Fuentes Macias, Mario Vargas Llosa y Leonardo Padura Fuentes.
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Towards a new third space mothering: Motherhood and institutions in Cristina Garcia's "Dreaming in Cuban" and Ana Castillo's "So Far From God".
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Reclaiming the female body: Chicana literature's resistance to Mexican literature's traditional objectification of women.
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The 1922 Week of Modern Art and its celebrations: A study of historical reconstruction and nationalism in Brazil.
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La evolucion discontinua del pensamiento poscolonial en el siglo XX: Los conflictos de la identidad colectiva en la ensayistica de Latinos en los Estados Unidos.
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Popular music and citizenship in Brazil and Cuba: Theme, counterpoint, variation.
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Body language: The slave body and the word in African diaspora literature.
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The poet, the journalist and the politician: Critical intervention of Ruben Dario, Enrique Guzman and Augusto C. Sandino (Spanish text, Nicaragua).
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(Electronic resources)
A literature for the desert. Territorial fictions in Argentine literature.
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(Electronic resources)
Guided interpretations and the importance of signs: Text, reader, and author in Carlos Fuentes and Jorge Luis Borges (Mexico, Argentina).
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(Electronic resources)
Literatura presa, LiberArte: La escritura de cuatro prisioneros politicos latinoamericanos (Spanish text, Francisco Matos Paoli, Puerto Rico, Reinaldo Arenas, Cuba, Carmen Lora, Teresa Espaillat, Dominican Republic).
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(Electronic resources)
Tacticas de aproximacion hacia formas representativas de la presencia asiatica en la literatura latinoamericana: Trayectoria del chino-culi y el haiku (China, Spanish text).
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(Electronic resources)
Cultura y excepcion: Golpe de estado, medios visuales y literatura en Chile, 1973 (Spanish text, Pablo Neruda, Jose Donoso, Enrique Lihn, Hernan Valdes, Ariel Dorfman).
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(Electronic resources)
Poetry and decolonization: Tagore, Yeats, Senghor, Cesaire, and Neruda, 1914--1950 (Rabindranath Tagore, India, William Butler Yeats, Ireland, Leopold Sedar Senghor, Senegal, Aime Cesaire, Martinique, Pablo Neruda, Chile).
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(Electronic resources)
Embodying the ideogram: Orientalism and the visual aesthetic in Modernist poetry.
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(Electronic resources)
Posthegemony: Cultural theory and Latin America October 10th, 1492--April 13th, 2002 (Peru, El Salvador, Chile, Venezuela).
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(Electronic resources)
Vanishing borders: A cross-national survey of magical realism and the fantastic in short fiction.
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(Electronic resources)
Orientalism and the nation: Asian women in Spanish-American literature (Augusto Roa Bastos, Reina Roffe, Jessica Hagedorn, Paraguay, Argentina).
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(Electronic resources)
La subjetividad femenina en la narrativa femenina de Mexico y China (1980--1995) (Spanish text).
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(Electronic resources)
Urban solution from the literary examples of "Love in the Time of Cholera" and "The Jungle": The human body and the bios in ethics, politics, and the biopolis.
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(Language materials, printed)
Region y nacion en Guatemala: La obra de Virgilio Rodriguez Macal.
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(Language materials, printed)
Literacy, text, and performance in histories of the conquest of Mexico.
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(Language materials, printed)
Gender and identity in a community of working class Latina mothers.
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(Language materials, printed)
Humanismo y mestizaje cultural en la nueva Espana del siglo XVI los dialogos latinos de Francisco Cervantes de Salazar, en 1554.
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(Language materials, printed)
Monstruos, maniobras y mundos: Lo fantastico en la narrativa cubana, 1910--2010.
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(Language materials, printed)
Cuando llovio dinero en Macondo: Literatura y narcotrafico en Colombia y Mexico.
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(Language materials, printed)
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