Literature, African.
Overview
| Works: | 154 works in 0 publications in 0 languages | |
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Titles
Relating the themes of myths and traditional stories to student narratives.
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Cities of affluence and anger: Urbanism and social class in twentieth century British literature.
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Epistolary revelations: Reading letters in nineteenth-century British novels.
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From orality to literacy: Translating traditional Ugandan oral forms into texts for children.
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From Muse to militant: Francophone women novelists and Surrealist aesthetics.
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Queer constitutions: Postcolonial sexualities in modern South African writing.
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At the Crossroads of Identity: Intersections Between Adoption and Colonization in Nineteenth Century French and Twentieth Century Francophone Literature.
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Dismantling the center from the margins: Patriarchy and transnational literature by women.
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Rethinking Greek tragedy in African contexts: A study of Ola Rotimi and Wole Soyinka.
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History, horror, reality: The idea of the marvelous in postcolonial fiction.
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National allegories, personal stories: The use of domestic narratives in India and Algeria.
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Se representer entre deux cultures: L'autorepresentation de la femme artiste en litterature et en peinture.
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Searching for home: The expatriate African woman writer as nomad (Calixthe Beyala, Cameroon, Ken Bugul, Senegal, Assia Djebar, Algeria, Buchi Emecheta, Nigeria, Lauretta Ngcobo, South Africa).
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Diaspora's daughters: Buchi Emecheta, Julie Dash, Edwidge Danticat and the remapping of mother Africa (Nigeria, Haiti).
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The secret agent: An ethical-stylistic study of agency and the rhetoric of dissociation in narrative.
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Doctoring the empire: Plague in literature since the 1890s (Daniel Defoe, Bram Stoker, H. G. Wells, Louis-Ferdinand Celine, Albert Camus, France, Algeria, Andre Philippus Brink, South Africa).
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Ghanaian popular theater: A historical ethnography of the concert party, 1895 to 1965.
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The political awakening novels of Margaret Atwood, Doris Lessing, and Michelle Cliff: Narrative strategy, reader response, and utopian desire (Zimbabwe, Jamaica).
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Representations of the disabled in Arab/Islamic culture and literature from North Africa and the Middle East.
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The female self, body and food: Strategies of resistance in Doris Lessing, Margaret Atwood, Zhang Jie and Xi Xi (China, Zimbabwe).
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World literature, narrative ethics, and the discourse of human rights.
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Sophocles' "Antigone": An exploration of modern and contemporary versions.
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The unsent/unanswered letter in epistolary fiction by modern women writers of color.
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Bordering on the impossible: Articulations of community in "Third World" films and fiction.
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The rhetoric of posthumanism in four twentieth-century international novels.
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Figurations of catastrophe: The poetics and politics of AIDS loss.
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The portrayal of the girl child in selected African female Bildungsromane.
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An African in Paris...and New York and Rome: Bernard Dadie and the postcolonial travel narrative.
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Orphans and origins: Family, memory, and nation in Argentina and South Africa, 1983--2005.
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Writing violence and violence writing: The Haitian and African French novel between the nineteenth and twentieth century. A comparative study.
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The Politics of Creation: The short story in South Africa and the US.
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Writing Paris: Transformations of urban geography from Haussmann to the Medina.
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Global romance as political aesthetic and transnational commodity.
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The terms of refuge: Collectivity in contemporary global Anglophone fiction.
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The erotic of imperialism: V. S. Naipaul, J. M. Coetzee, Lewis Nkosi.
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Apocalyptic futures: Inscribed bodies and the violence of the text in twentieth-century culture.
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THE INTERNATIONAL NOVEL: ASPECTS OF ITS DEVELOPMENT IN THE TWENTIETH CENTURY WITH EMPHASIS ON THE WORK OF NADINE GORDIMER AND V. S. NAIPAUL.
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THE IMPERIAL THEME: A STUDY OF COLONIAL ATTITUDES IN ENGLISH NOVELS SET IN AFRICA.
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Writers and responsibility: George Orwell, Nadine Gordimer, John Coetzee and Salman Rushdie.
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White Eve in the 'petrified garden': The colonial African heroine in the writing of Olive Schreiner, Isak Dinesen, Doris Lessing and Nadine Gordimer.
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Unruly subjects: Nationhood, home and colonial consciousness in Olive Schreiner and Jean Rhys.
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By Europe, out of Africa: White women writers on farms and their African invention.
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"My heart's land": The significance of topography and the natural world in the works of Olive Schreiner, Isak Dinesen, Beryl Markham, and Nadine Gordimer.
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Taking objects for origins: Cultural fetishism and visions of Africa in the late imperial novel.
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A people without a past: Isolation in selected post-colonial novels.
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The uncanny as "home": Doris Lessing, Toni Morrison, Keri Hulme, and Sheri Reynolds.
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At the margin of the margin: Female identities within Beur literature and film.
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The Open Theatre: Its development and its potential contribution to the Arabic theatre in North Africa and the Middle East.
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Contemporary sub-Saharan theater in French and the aesthetics of the mask.
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The figure of woman and the distractions of desire: Psychoanalysis, postcolonial theory and the translation of difference.
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Confronting the void: Murder and authenticity in existentialist literature.
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Transatlantic retrospections: Postcolonial engagements with the British eighteenth century.
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People's poet: Mzwakhe Mbuli and the power of the poet in the liberation struggle and in the "new" South Africa.
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Modernity in translation: Figures of empire in the works of Mary Shelley, Samuel Beckett, and Assia Djebar.
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Postcards from the edge-city: Mass-media and photographic images in contemporary novels of the Black diaspora.
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Les (en)jeux de la femme: Conflits et (re)solutions dans la litterature vietnamienne et senegalaise d'expression francaise.
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Speaking up, speaking out: The revolutionary potential of the adolescent girl in postcolonial African women's literature.
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Declarative moments: Literature, law and transatlantic postcolonialism, 1776--1996.
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Remembering bodies: Gender, race, and nationality in the French-Algerian War.
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(Re)placing nation: Postcolonial women's contestations of spatial discourse.
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Pioneer or invader? Situational metafiction in the settler nations.
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Subaltern modernisms: The poetics and politics of banality in transnational fictions (James Joyce, Ireland, Katherine Mansfield, New Zealand, Zoe Wicomb, South Africa, Shashi Deshpande, Amit Chaudhuri, India).
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The nation rewritten: History, fiction, translation and the Francophone novel in the Maghreb (Driss Chraibi, Tahar Djaout, Morocco, Algeria).
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Double agent: Fatima Mernissi's interventions in the narratives of the self, the nation, and the Other (Morocco).
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The foundation of an apparel factory: Culture's place becomes a practiced space.
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Rebellion and nihilism in the works of Leila Sebbar and V. S. Naipaul (Algeria, Trinidad and Tobago).
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Breaking the silence: Manifestations of the oral tradition in twentieth century Anglophone literature.
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The politics of violence in colonization and decolonization: A Fanonian study of selected postcolonial drama (Frantz Fanon, South Africa, Nigeria).
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South Africa in transition: Theorizing post-colonial, post-apartheid and post-communist cultural formations (J. M. Coetzee, Ivan Vladislavic, Zoe Wicomb).
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What children say: Childhood in francophone literature of the French Antilles and North and West Africa (Patrick Chamoiseau, Martinique, Maryse Conde, Guadeloupe, Malika Mokeddem, Algeria, Ahmadou Kourouma, Cote d'Ivoire).
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Tarrying with the transcendent: Forms of religious experience in twentieth-century literature.
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Towards a transnational aesthetics: Literary displacement and translation as a transnational narrative space.
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Neocolonialism, postcolonial ecology, and ecofeminism in the works of Native American, Chicano/a, and international writers.
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Power relations and conflict in selected works of Tayeb Salih: Implications for a new history.
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The Devil's art: The empty confession and the aesthetics of evil (Fyodor Dostoyevsky, Russia, Joseph Conrad, Albert Camus, Algeria, Walker Percy).
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Poetry and decolonization: Tagore, Yeats, Senghor, Cesaire, and Neruda, 1914--1950 (Rabindranath Tagore, India, William Butler Yeats, Ireland, Leopold Sedar Senghor, Senegal, Aime Cesaire, Martinique, Pablo Neruda, Chile).
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Venus: Isotopies animales dans les oeuvres poetiques de Charles Baudelaire et de Leopold Sedar Senghor (French text, Senegal).
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Kemetic character(s) in African, Caribbean and American novels (Toni Morrison, Michelle Cliff, Jamaica, Ayi Kwei Armah, Ghana).
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'On the far side of revenge': Reconciliation through classical appropriation in postcolonial literature (James Joyce, Ireland, Derek Walcott, St. Lucia, Wole Soyinka, Nigeria, Seamus Heaney, Northern Ireland).
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Worldwise: Global change and ethical demands in the cosmopolitan fictions of Kazuo Ishiguro, Jamaica Kincaid, J. M. Coetzee, and Michael Ondaatje (Antigua, South Africa).
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The ethics of exile: Levinas, colonialism and the fictional forms of Charles Brockden Brown and J. M. Coetzee (South Africa, Emmanuel Levinas).
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Paris, race and universalism in the Black Atlantic: Leopold Sedar Senghor, Simone de Beauvoir, Boris Vian and Richard Wright (France).
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Society of the specter: A spectropoetics of Atlantic modernism (James Joyce, Ireland, T. S. Eliot, Kenneth Slessor, Australia, Amos Tutuola, Nigeria).
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The multiple voices of indenture history: The South Asian diasporic novel in English.
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Wedlock and fetters: Marriage, antislavery and abolition in eighteenth century British literature, 1759--1808.
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The postcolonial migrant intellectual: The novel as public intervention (Salman Rushdie, Bapsi Sidhwa, Buchi Emecheta, Ngugi wa' Thiong'o, Kenya, India, Pakistan, Nigeria).
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Unfinished modernities: Bakhtin and the modernist novel in postcolonial literatures (M. M. Bakhtin, James Joyce, Ireland, G. V. Desani, India, Robert Antoni, Trinidad and Tobago, Bessie Head, South Africa).
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Globalization and the female body: Media influences in Marie Redonnet, Maryse Conde, and Assia Djebar (France, Guadeloupe, Algeria, French text).
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"---All that is present and moving...": Thinking working-class writing at the limits (Mulk Raj Anand, Mahasweta Devi, India, Ambalavaner Sivanandan, Sri Lanka, Bessie Head, South Africa, Tillie Olsen).
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Performative bodies, hybrid tongues: Race, gender, sex and modernity in Latin America and the Maghreb (Tunisia, Morocco, Algeria).
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THE DIARY NOVEL AND CONTEMPORARY FICTION: STUDIES IN MAX FRISCH, MICHEL BUTOR, AND DORIS LESSING (SWITZERLAND, FRANCE, ZIMBABWE).
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Filming and the marginal space: Souleymane Cisse and the cinema of postcoloniality.
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Teaching the nation: Pedagogical strategies of postcolonial francophone women writers and filmmakers (Assia Djebar, Malika Mokeddem, Algeria, Yamina Benguigui).
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Between image and identity: Fantasy, transnational trauma, and feminist misrecognition (Leila Sebbar, Assia Djebar, Algeria, Marguerite Duras, Helene Cixous, France, Theresa Hak Kyung Cha).
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The prehensile tongue of the chameleon: Identity tactics in francophone literature and culture (Ken Bugul, Farida Belghoul, Zebda, Senegal, Algeria).
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Contemporary cinematic constructions of French and Francophone African immigrant identities: (1950--The present).
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Reading the colonial Christian mission: Postcolonialism and liberation theology in novels by Mongo Beti and Rene Philombe.
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Changing the story: Postcolonial studies and resistance (India, South Africa, France, Homi Bhabha, Frantz Fanon, Mohandas K. Gandhi).
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Toward a transnational feminist writing and reading practice: Virginia Woolf, Alice Walker, and Zoe Wicomb.
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Reading Africa into American literature: Senegambian roots, Creole routes, garrulous ghosts.
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Negotiating identity in the waters of the Atlantic: The middle passage trope in African-American and Afro-Caribbean women's writing (Barbados, Grace Nichols, Julie Dash, Toni Morrison, Paule Marshall, Guyana).
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Passing on trauma: The witnessing of the Holocaust (Elie Wiesel, Sarah Kofman, Marguerite Duras, Albert Camus, Algeria, France).
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Diasporic nationalisms, nationalist diasporas: Theorizing race in the black Atlantic (African diaspora).
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From madwomen to Vietnam veterans: Trauma, testimony, and recovery in post-colonial women's writing (Bessie Head, South Africa, Anita Desai, India, Le Ly Hayslip, Vietnam, Medbh McGuckian, Northern Ireland).
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Experiences of faculty and students integrating multimedia and Web-based technologies into university foreign language learning: A study of three languages (Japanese, Swahili, Yoruba).
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Writing, racial identification, and mental illness in A Question of Power and Wide Sargasso Sea.
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The Strange Aching of Suppressed Dives: Irony and the Representation of Trauma.
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The ambiguity of the sign: Modes of imagining Africa in Francophone African and Caribbean literatures.
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The problem with English literature: Canonicity, citizenship and the idea of Africa.
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Motherlands: Re -imagining maternal function in contemporary women's fiction.
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The representation of the cultural and social world in selected Nigerian children's literature.
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Islanders in transit: Insular migrancy and shifting identities in Atlantic narratives.
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Postcolonial discourse on African cinema: Religion, gender and African identity.
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The politics of representation in African women's literature and film: Gender, identity and nationalism.
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"The world is full of islands": Literary revision and the production of a transnational "Robinson Crusoe".
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The problematic postcolonial narrative: Intertextuality and empire in African and Afro -Caribbean fiction and film.
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Generic ideologies: The intersection of empire, the epic and the novel in French West African and Latin literatures.
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Writing "out of all the camps": J. M. Coetzee's narratives of displacement.
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When the Personal Became Political: First-Person Fictions and Second-Wave Feminism.
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The passion imperative: Marriage and self in Edith Wharton's Summer, The House of Mirth, and The Age of Innocence.
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Dislocated subjects: Transnational forced prostitution, African female bodies and corporeal resistance.
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Voicing the voiceless: Feminism and contemporary Arab Muslim women's autobiographies.
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