Literature, Slavic and East European.
Overview
| Works: | 108 works in 0 publications in 0 languages | |
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Titles
Margins and marginality: Marginalia and colophons in South Slavic manuscripts during the Ottoman period, 1393--1878.
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Ghost images: Representations of second-generation memory in contemporary children's literature.
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Performing for Europe at its borders: Gender, nation and the Roma minority in post-communist Romania.
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Owning property, being property: Medieval and modern women shape the narratives of marriage.
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Sacrifice and salvation: Twentieth-century Russian literature and Soviet ideology of the body.
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The Eternal Stranger: The Superfluous Man in Nineteenth-Century Russian Literature.
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Teaching Russian verbal aspect: A survey of materials for proficiency-oriented curricula.
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Murder in the name of theory: Theoretical paradigms and ethical problems in works by Dostoevsky, Gide and DeLillo.
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A creative passion: Revolutionary terrorism in Dostoevsky's "Demons" and beyond, 1871--1916.
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The underside of politics: Postmodernism, political mythology and the Cold War.
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God and the devil are fighting: The scandal of evil in Dostoyevsky and Camus.
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An acoustic analysis of word boundaries in contemporary standard Russian.
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Moonlighter's paradise: From the land of iron and steel to the land of irony and stealing.
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Post-traumatic collections: The chronotope of life as continuous death.
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Gogol's Ghosts On the History of Nikolai Gogol in Russian Literary Criticism (1891--1944).
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The political forms and figures of Russian Futurism: Manifestos and media blitz, 1908--1914.
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Truth, time and the novel: Veridiction in Tolstoy, Dostoevsky and Balzac (Leo Tolstoy, Fyodor Dostoyevsky, Russia, Honore de Balzac, France).
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Wonderlands of the Russian avant-garde: Technology and the arts in the 1920s.
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Empire by invitation? Russian empire-building in the Caucasus in the reign of Catherine II.
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Sexual revolutions: Desire as redemption in the twentieth-century dystopian novel.
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Poets of the crossroads: Politics and the deliberation of poetry in the 1930s.
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Writing on the margins: The experimental poetry of Lyn Hejinian, Yang Lian, and Arkadii Dragomoshchenko (China, Russia).
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A cut above: Fashion as meta-culture in early-twentieth-century Russia.
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Related, strictly speaking: The problem of family in the prose of Anton Chekhov.
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Vladimir Nabokov as translator: The multilingual works of the Russian period.
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"Police aesthetics": Literature, film, and the secret police archives in Eastern Europe (Russia, Romania, Viktor Shklovsky, Dziga Vertov, Alexander Medvedkin).
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The heteroglossic narratives of national history: Mythified histories and the postcolonial condition.
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Constructing the other: Defining the nation and defining the self in early Soviet and British modernist prose.
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Strangers in stranger tongues: Vladimir Nabokov and the writing of exile, with reference to Joseph Conrad, Hakob Asadourian, and Roman Jakobson.
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Joseph Brodsky as self-translator: Analysis of lexical changes in his self-translations.
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The grammar of have in a have-less language: Possession, perfect, and ergativity in North Russian.
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'Yung-Vilne': A cultural history of a Yiddish literary movement in interwar Poland (Leyzer Volf, Chaim Grade, Abraham Sutzkever).
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Bringing about consequence accusatives: A semantically non-vacuous approach.
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Literary ventriloquism: Pound, Celan, Mandelstam and twentieth-century poetic translation.
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Vaclav Havel: Political resistance, modern individualism and the responsibilities of citizenship.
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Fantasy, irony, and the grotesque: E. T. A. Hoffmann and Russian modernist theatre, 1910--1922.
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Handwriting, typography, illustration: The visual word of the Russian avant-garde.
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Secularism and its discontents: Religion and modernity through the eyes of Maxim Gorky and Vasily Rozanov.
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Influence, discourse and synthesis in Alexander Pushkin's dramaturgy, with an epilogue on novelistic discourse in "Hordubal", Karel Capek's adaptation of the "Oresteia".
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The postmodern ORANUS: Carnival and abjection in Victor Pelevin's "Homo Zapiens".
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Surviving in post-Soviet Russia: Magical realism in the works of Viktor Pelevin, Ludmila Petrushevskaya, and Ludmila Ulitskaya.
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The trauma of Stalinism narrated in Varlam T. Shalamov's "Kolymskie rasskazy": Missiological implications for contemporary Russia.
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Literary recreations of the Eastern European past in contemporary Jewish fiction.
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The modernist novel in Western and Eastern Europe: Virginia Woolf, Dezso Kosztolnyi, and Mateiu Caragiale.
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A LITERARY SEARCH TO IDENTIFY FACTORS NECESSARY FOR AN INDIVIDUAL SENSE OF JUSTICE: CAPOTE'S "IN COLD BLOOD" AND SOLZHENITSYN'S "THE CANCER WARD" (UNITED STATES, SOVIET UNION).
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Predicaments and resolutions: A study of dramatic structure in Stoppard, Chekhov, and Shakespeare (Russia, Tom Stoppard, Anton Chekhov, William Shakespeare).
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A poetics of freedom: Anton Chekhov's prose fiction and modernity .
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Propaganda and aesthetics: The modern politics of avant-garde and workers culture.
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A rational transition: Economic experts and the construction of post-communist Slovenia.
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The patriotism of despair: Symbolic economies, national memory, and communities of loss in Russia.
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Imitatio or plagiarism: A quest for literary metamorphosis in the Russian chivalric romance "Bova Korolevich".
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Perception and action: Sympathy, charity and ideal communities in Eliot's "Middlemarch" and Dostoevsky's "The Brothers Karamazov".
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On the Distinctiveness of the Russian Novel: "The Brothers Karamazov" and the English Tradition.
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Theater in time: The meta-temporal drama of Chekhov, Vvedensky, and Havel (Russia, Czech Republic, Anton Chekhov, Alexsandr Ivanovich Vvedenskii, Vaclav Havel).
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Alexei Remizov's threshold art: The illustrated albums of the 1930s (Russia).
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"Morals of the story" and narrative demand: A study in Yiddish and Hebrew literature.
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Successful translation: Negotiating migratory experience in the literary works of Vladimir Nabokov, Salman Rushdie, and Milan Kundera (India, Czech Republic).
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Secret agents: Identity, detection, and the question of narrative authority.
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The "other" place of language: Identity and heterotopia in Joseph Conrad and Witold Gombrowicz (Poland).
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Crisis of poetry: Nabokov, Khodasevich, and the future of Russian literature (Vladimir Nabokov, Vladislav Khodasevich, Aleksandr Sergeevich Pushkin).
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Serious play: Representation of the Holocaust between humor and the sublime.
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Poetic text and socio-political reality in the work of Wallace Stevens and Osip Mandelstam.
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The Devil's art: The empty confession and the aesthetics of evil (Fyodor Dostoyevsky, Russia, Joseph Conrad, Albert Camus, Algeria, Walker Percy).
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Tropes in action: The rhetoric of protest and the Solidarity movement (1976--1989).
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Tolstoy's dialogue on education and art: The educational writings, "Anna Karenina", and "What Is Art?".
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In praise of falling: Writing and the experience of the body in modernity.
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The Mary Stuart myth in 20th century Russian literature (Valerii Briusov, Marina Cvetaeva, Boris Pasternak, Joseph Brodsky).
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The poetics of maturity: Autonomy and aesthetic education in Byron, Pushkin, and Stendhal (Lord Byron, Aleksandr Sergeevich Pushkin, Russia, France).
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The legacy of chronos. Temporality of revolution in culture, sciences, and politics.
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Klezmer: Music and community in 20th century Jewish Philadelphia (Pennsylvania).
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The translator's doubts: Vladimir Nabokov and the ambiguity of translation (Russia).
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To duty doubly bound: A study of melancholy in Ingmar Bergman's "Persona", Toni Morrison's "Beloved", Andrei Tarkovsky's "The Sacrifice" and Fyodor Dostoyevsky's "The Idiot" (Sweden, Russia).
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Applied multimedia resources as instructional supplements in Russian language pedagogy: A reference guide.
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Where the tale meets the bit: Computer technology and folklore research (Russia).
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Urban/e forms of narrative consciousness: Concentric memory, eccentric madness and the making of the modern novel (Nikolai Gogol, Russia, Machado de Assis, Brazil, Victor Hugo, Marcel Proust, France).
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The formation of the Russian and Polish romantic literary canons: A survey of textbooks and literary histories, 1815-1865.
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On the Threshold of Eurasia: Intersecting Discourses of Empire and Identity in the Russian Empire.
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(Post)Yugoslav Identities and East-West Paradigm: Empires and Imperialism on the Margins of Europe.
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The Dialog with Nihilism in Russian Polemical Novels of the 1860s-1870s.
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On the Crossroads of Science, Philosophy, and Literature: Andrey Bely's "Petersburg"
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