Literature, Germanic.
Overview
| Works: | 268 works in 0 publications in 0 languages | |
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Titles
Hippokratischer keunstler, philosophischer kopf. Toward a philosophy of history in Friedrich Schiller's early works.
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Children of chaos: Historical atrocity and youth survival in the literature of American slavery and the Holocaust.
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Studies in early Germanic Biblical literature: Medieval rewritings, medieval receptions, and modern interpretations.
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Mystical modernisms: Trauma and the poetics of ineffability in T. S. Eliot, Rainer Maria Rilke, and W. B. Yeats.
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The concept of nature in American Transcendentalism: Emerson and Thoreau appropriating Kant.
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Rewriting home and migration: Spatiality in the narratives of Barbara Honigmann and Emine Sevgi Ozdamar.
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Epistemic strategies in twentieth-century German theatre: Brecht, Weiss, Mueller.
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Context effects in spoken word recognition of English and German by native and non-native listeners.
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Self-consciousness and music in early Romanticism: Hoelderlin, Hegel, Wordsworth, and Beethoven.
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Negativity, transition and crossing: Communication of differences in the poetry of Shelley, Hoelderlin and Baudelaire.
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The destinies of the work of art: Aesthetic theories in Hoelderlin and Adorno.
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Francois Hemsterhuis' 'Vereinigungsphilosophie' in Friedrich Hoelderlin's novel "Hyperion": Conceptual parallels and textual correspondences.
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Hoelderlin's skeptical horizon: Negation and the renunciation of dialectical production in "Hyperion".
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"Fragmentary extravagance": Modernist readings of Kierkegaard in Kafka, Rilke and Adorno.
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Die Orphische Weltanschauung der Antike und ihr Erbe bei Den dichtern Nietzsche, Hoelderlin, Novalis und Rilke.
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The sublime writer and the lure of action: Malraux, Brecht, and Lu Xun on China and beyond.
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Diaspora and representation: Jewish Argentine, Turkish German, and Chinese American women writers.
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The history behind fairy tales: The Chinese translation and dissemination of western fairy tales in 1900--1937.
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Perspectives on technology in eighteenth-century encyclopedias, travel literature, and utopian fiction.
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Engendering space: Architectures of sexual difference in early twentieth-century Germany.
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Female acts of violence: French revolutionary theater in British and German Romantic drama.
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From family to society: Nature, reflection, and dramatic form in G. E. Lessing and J. M. R. Lenz.
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Domestic empires: Literary representations of imperialism in the Malay world (Multatuli, Joseph Conrad, Maria Dermout, Pramoedya Ananta Toer, The Netherlands, Indonesia).
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Theodor W. Adorno's poetics of dissonance: Music, language and literary modernism.
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Subversive women: Female performing artists in Zuerich Dada (Switzerland, Emmy Hennings, Sophie Taeuber, Katja Wulff, Suzanne Perrottet).
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Beyond Babel: Translating the Holocaust at century's end (Italy, Switzerland, Translation, Primo Levi, Roberto Benigni, Binjamin Wilkomirski).
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Lyric diplomacy: Cold War poetics in the United States and West Germany 1945--1955.
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Beyond the "year of song": Text and music in the song cycles of Robert Schumann after 1848.
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The influence of English on German business language: A corpus-based study of the use of Anglicisms in the German business press.
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Representing reality: Literature, film, and the construction of Turkish-German identity.
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Ultimate attainment in second language phonological acquisition: Evidence from adult learners of German.
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Turns of phrases: Formulaic directionals and grammaticalization in Dutch language change and German second language acquisition.
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Crises of the imagination: Romanticism at the limits of philosophy.
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The modern savage: Figures of the fascist 'primitive' in interwar Europe.
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Grotesque visions: Art, science, and visual culture in early-twentieth-century Germany.
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The Old Saxon Leipzig "Heliand" manuscript fragment (MS L): New evidence concerning Luther, the poet, and Ottonian heritage.
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FROM DYNAMIC TO DEFICIENT STILLNESS. PHILOSOPHICAL CONCEPTIONS OF RUHE IN SCHILLER, HOELDERLIN, AND BUECHNER (GERMANY).
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JAMES JOYCE AND FRIEDRICH HOELDERLIN IN CONTEMPORARY FRENCH CRITICISM.
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Vision and the limits of language: The poetics of Blake and Hoelderlin.
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The abyss above: Poetry, philosophy, and madness in Plato, Hoelderlin, and Nietzsche.
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'In Stuermen der Zeit': Poetics and revolution in the works of Friedrich Hoelderlin.
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A comparative study of Friedrich Hoelderlin poetry in the twentieth-century lieder of Fortner, Hauer, Hindemith, Pfitzner, and Reutter.
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"The poetics of everyday life": The sublime as an aesthetic force in the lyric poetry of Emily Dickinson and Annette von Droste-Hulshoff.
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The language of real life: Self-possession in the poetry of Paul Celan, T. S. Eliot, Rainer Maria Rilke, and Paul Valery.
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The interplay of Buddhism and Taoism in "The Dream of the Red Chamber" and Hermann Hesse's "Demian".
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The hermeneutical tyrant and his impotent subject: Interpretation, violence, and power in the works of Franz Kafka (Austria).
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Ghosts in the machine: Modernism's religious other (Soren Kierkegaard, Denmark, Joseph Conrad, Gertrude Stein).
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Walden's "Conclusion": Henry David Thoreau's transcendental synthesis of the classical peroration and early-romantic "combinational writing".
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Figuring gender: Photomontage and cultural critique in Germany's Weimar Republic (Walter Benjamin, Siegfried Kracauer, Otto Dix, Marianne Brandt, Alice Lex).
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The rule of nature: Dance, physiocracy, and poetic language in Hoelderlin's "Hyperion" (Friedrich Hoelderlin, Germany).
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Corrupting the fountains of knowledge: Language and error from Locke to Schlegel (John Locke, Germany, Friedrich Schlegel, Novalis).
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Parole Danemark: Symbolic re-presentations of Denmark in fin-de-siecle German and Austrian literature (Thomas Mann, Arthur Schnitzler, Rainer Maria Rilke, Theodor Fontane, Georg Brandes).
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Personifying capitalism: Economic imagination, the novel, and the entrepreneur (Honore de Balzac, France, William Faulkner).
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Representations of Greece on the German stage (1755--1807): German drama in the wake of Winckelmann (Johann Joachim Winckelmann).
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The encoding of desire: Reflections of contemporary Messianism in German Expressionist drama (Ernst Barlach, Georg Kaiser, Ernst Toller, Franz Werfel).
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Toward a vision of the Devil's rights in the theater of late medieval Europe.
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The salvation plot: Protestantism and the genesis of the novel (Martin Luther, John Bunyan, Samuel Richardson, Sarah Fielding).
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Blake and allegory (William Blake, Johann Joachim Winckelmann, E. A. Swedenborg, John Bunyan, Edmund Spenser).
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Casting off the shackles of family: Ibsen's Nora character in modern Chinese literature, 1918-1942 (Lu Hsun, Mao Tun, Ting Ling).
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Models and modes of musical representation in Benjamin Britten's "Death in Venice": Musical, historical, and ideological contexts (England).
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Narratives of 'incidental' music in German Romantic theater (Ludwig van Beethoven, Felix Mendelssohn-Bartholdy, Robert Schumann).
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Escribir en la posguerra: La novela neopicaresca en la literatura europea (1942--1963) (Spanish text, Germany).
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Places of interest: The rhetoric of space in high-medieval courtly romance and late-medieval love discourse.
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Von "nie wieder Krieg" ueber "nie wieder Auschwitz" zu "Krieg ohne Hitler": Geschichtliche Dimensionen der deutschen Bundeswehreinsatzdebatten in den neunziger Jahren im Pressediskurs (German text).
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Why nation? Globalization and national culture in Finland, 1980--2001 (Leena Krohn, Aki Kaurismaki).
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Towards conspiracy theory: Revolution, terrorism and paranoia from Victorian fiction to the modern novel.
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Theaterentwuerfe deutschsprachiger Autorinnen im 20. Jahrhundert (Nelly Sachs, Gerlind Reinshagen, Else Lasker-Schueler, Marieluise Fleisser, Elfriede Jelinek, German text).
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Away from the action: Narrative rupture in "Hamlet", "Lorenzaccio" and "Danton's Death" (William Shakespeare, George Buechner, Alfred de Musset, France, England, Germany).
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Hochbegabte kinder - das unterdruckte genie - was treibt hans giebenrath unter das rad? eine neuere perspektive zu herman hesses `unterm rad,' in bezug auf die idee ,das lernen als strafe'.
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"I Have Always Said We Were Reborn in Switzerland": Swiss Refugee and Immigration Policy Explained in a Translation of "Sie waren einst Fluchtlinge".
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Once upon an ecocritical analysis: The nature-culture of German fairy tales and its implications.
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Building cultural and linguistic bridges: Interpersonal relationships and the Bronte sisters in German translation.
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Commemorating communist East Germany in the Berlin Republic: Modes of remembrance in literature, film, and memorial sites.
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Intertextualitaet als kulturelles Gedaechtnis---Exemplifiziert anhand ausgewaehlter Stellen der Kapitel "Zerfall der Werte" aus Hermann Brochs "Die Schlafwandler"
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"Spielt weiter, spielt doch weiter!" Phantasien zur Auseinandersetzung mit traumatischen Erlebnissen am Beispiel von Ilse Aichingers "Die grossere Hoffnung".
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Writing in another tongue: Contemporary German minority literature and creative writing in German as a foreign language.
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Literatur, Rasse und Geschlecht: Eine Studie zum Diskurs um die Jahrhundertwende.
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The effects of built -in comprehension aids in a CALL program on student -readers' understanding of a foreign language literary text.
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Stage of destruction: Performing violence in postdramatic theater.
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"Poems" by Josh McNair and "Speech-Grille" by Paul Celan (trans. Joshua McNair).
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Erwin Panofsky and Walter Benjamin: German Jewish cultural traditions and the writing of history in Weimar Germany.
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Mood - bodily expression - language: A configuration in fin de siecle Vienna.
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Who are we to become if we are not this: Madness, anti-psychiatry and literature.
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Secret Hoelderlin: The twentieth-century myth of the poet as authored by the George Circle, Walter Benjamin, and Martin Heidegger.
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Illness and insight: Melancholic encounters with(in) history in Rainer Maria Rilke, Walter Benjamin, and Peter Handke.
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Community and utopia: The discourse of Gemeinschaft and the search for a new modernity in Germany.
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Gravity-bound: the articulation of the body in art and the possibility of community.
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Literarische Imagination und soziologische Zeitdiagnose im wiedervereinigten Deutschland. Untersuchungen zur Funktion von 'Welthaltigkeit' im deutschsprachigen Gegenwartsroman am Beispiel von Ingo Schulzes "Simple Storys".
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Avant-garde East and West: A comparison of prewar German and Japanese avant-garde art and performance.
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Eating bodies eating texts: Metaphors of incorporation and consumption in Walter Benjamin, Dada, and futurism.
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Memory in fragments: "Gedaechtnis" and "Erinnerung" in early Romanticism (Friedrich Schlegel, Novalis).
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Seeing and being seen: Urban space and the German public, 1933--1949 (Hannah Arendt).
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Telling Grimm tales: Vestiges of German folklore and Russian formalism.
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Who cares whodunit? Anti-detection in West German cinema (Robert Siodmak, Fritz Lang, Helmut Kaeutner, Reinhard Hauff, Doris Doerrie).
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The picaresque woman: Gender-bending, genre-bending, and the episodic self in "Moll Flanders", "The Runagate Courage", "Mother Courage and Her Children", and "Fear of Flying" (Germany, Daniel Defoe, Erica Jong, Bertolt Brecht, Hans Jacob von Grimmelshausen).
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Literary ventriloquism: Pound, Celan, Mandelstam and twentieth-century poetic translation.
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Allegorical renderings of the birth topos: Myth, technology, gender and selfhood in nineteenth-century poetic production.
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Sophocles' "Antigone": An exploration of modern and contemporary versions.
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Narrating the German loss: Small histories and the historiography of Fascist violence.
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Language and interpretation: A study in East-West comparative poetics.
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Cultural habits: The travel writing of Isabella Bird, Max Dauthendey and Ai Wu, 1850-1930.
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A remarkable cultural encounter: The reception of German Romanticism, Rilke, and modernism in Feng Zhi's poetry.
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Geschichte der Rezeption der deutschsprachigen Literatur in China: Von den Anfaengen bis zur Gegenwart.
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Transformation of childhood experience: Rainer Maria Rilke and Fei Ming.
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The effects of German gender essentialism on the musical production of nineteenth-century women composers.
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Playing against type: 'Actress-writers' in German literature and culture, 1775--1815.
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Performing that-which-will-become posthuman and queer bodies in the works of Heinrich von Kleist and Oscar Wilde.
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(In)variability in accent perception: A comparison of native and non-native speakers of German of varying proficiency on what constitutes "nativeness" of accent in German.
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The lyrical age: Reconfiguring metaphysics, modernity, and poetry in the thought of Martin Heidegger.
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The face of the times: Ernst Cassirer, Georg Simmel, and the development of the modern German idea of culture.
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The visual culture of surface: Berlin modernism and the pictorial public.
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Negotiating identity: Bertha Pappenheim (Anna O.) as German-Jewish feminist, social worker, activist, and author.
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Dispossessions of voice: The work of description in literature and film.
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Charakterisierung, Funktion und Repraesentation der Artusfigur in Wolframs von Eschenbach "Parzival" und Adolf Muschgs "Der Rote Ritter. Eine Geschichte von Parzival".
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Mehrfache Migration: Zum Zusammenhang zwischen Mehrsprachigkeit, Lebenswelten und Identitaetskonstruktion.
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Rewriting women's discourse across cultures: Reception and translation of Ingeborg Bachmann's prose in Poland and in the United States.
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Discours ethnologique et dissidence chez Carl Einstein et Michel Leiris: Autour de la revue "Documents".
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The politics of East German memory: Representing the Holocaust in DEFA film, 1946--1988.
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A comparative discourse analysis of output produced by learners of German in a chatroom and a face-to-face discussion group, and its potential implications for foreign language instruction.
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The use and abuse of the sublime: Joseph Beuys and art after Auschwitz.
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A study of Arnold Schoenberg's response to the poems of Richard Dehmel as revealed in selected songs from "Op.2".
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The cultural and social challenges of economic integration after German unification.
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Distorted media: The noise aesthetics of Italian Futurism and German Dadaism.
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Co-constructing social roles in German business meetings: A conversation analytic study.
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Invested identities: The economics of self-development in the "Bildungsroman".
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Mapping topographies in the Anglo and German narratives of Joseph Conrad, Anna Seghers, James Joyce, and Uwe Johnson.
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'Thou shalt not believe (me)': Nietzsche's ethics of reading and the movement for emancipation.
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Estranging poetic: On the poetic of the foreign in select works by Herta Mueller and Yoko Tawada.
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Modernism and mass culture in Botho Strauss and Antonio Munoz Molina.
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From poet's voice to composer's muse: Text and music in Webern's Jone settings.
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Brazil after Humboldt---triangular perceptions and the colonial gaze in nineteenth-century German travel narratives.
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Troping the timeless: Ontological desires and the representation of childhood in coming-of-age narratives.
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The ghost and the corpse: Figuring the mind/brain complex at the turn of the twentieth century.
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Elise Reimarus (1735--1805), the muse of Hamburg: A woman of the German Enlightenment.
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THE DESTRUCTIVE CHARACTER: WALTER BENJAMIN AND A SITUATIONIST APPROACH TO ENGLISH LITERATURE AND POP MUSIC SINCE THE 1930S (GRAHAM GREENE, COLIN MACINNES, MARXIST CRITICISM, INTERNATIONAL, MASS CULTURE).
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Bombed-out consciousness: The negative teleology of the modern subject in Adorno, Beckett and DeLillo (Germany, Theodor W. Adorno, Samuel Beckett, Ireland, France, Don DeLillo).
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The sentence-level processing of case markings and word order by native and non-native speakers of German.
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Schumann's piano cycles and the novels of Jean Paul: Analogues in discursive strategy (Robert Schumann, Johann Paul Friedrich Richter, Germany).
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The Sacred Spring of Nature: Gustav Klimt's landscape paintings and Nietzschean tragic vision, 1887--1909 (Friedrich Nietzsche).
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Rethinking truth after 'the age of extremes': An analysis of the chronotype of anamnesis in autobiographical narratives by Pak, Klueger, and Kogawa (Austria, Korea, Pak Won-so, Ruth Klueger, Joy Kogawa).
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Sonic territories: Deleuze and the politics of sound in Kafka and Duras (Gilles Deleuze, Felix Guattari, Franz Kafka, Austria).
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Grammaticalization of politeness: A contrastive study of German, English and Korean.
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The idea of Kunstreligion in German musical aesthetics of the early nineteenth century (Wolfgang Amadeus Mozart, Austria, Ludwig van Beethoven).
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Style in motion: A dialogue between art history and literature, 1890--1935 (Germany).
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Journeys of desire: Liguria as literary landscape in Eugenio Montale, Ezra Pound, and Gottfried Benn (Italy, Germany).
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Communication through interruption: The dislocated conversation of writing and reading.
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Novellenschatz. Searching for treasure in the novellas of Gottfried Keller and George Eliot.
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Brussel - Bruxelles - Brussel: Brussels in the Flemish literary mirror from 1830 to 1932.
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Art(ist) for art's sake or art(ist) for capital's sake: Aesthetic production and consumption in turn-of-the-century literature.
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Commonplaces: Towards a political topogeography of culture: Carl Schmitt, Kant, and topics in political philosophy.
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Distant friends: Three case studies on friendship in modernity (Nietzsche, Freud, Kafka) (Friedrich Nietzsche, Sigmund Freud, Franz Kafka, Austria, German text).
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The fourth dimension: Time in the modernist novel (Thomas Mann, Germany, Virginia Woolf, Franz Kafka, Austria, William Faulkner).
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The evolution of the warrior hero in medieval literature (Geoffrey of Monmouth, Sir Thomas Malory).
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Eduard Morike among friends and "false prophets": Words, tones, and images in the Mozart novella, the poetry, and the lieder of E. F. Kauffmann and Hugo Wolf.
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Reforming the state by re-forming the family: Imagining the Romantic mother in pedagogy and letters, 1790--1813 (Johann Heinrich Pestalozzi, Jean Paul Friedrich Richter, Dorothea Schlegel, Caroline Schlegel Schelling, Germany).
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The mother as the Other: A psychoanalytic and feminist reading of motherhood in Ibsen, O'Neill and Pinter (Eugene O'Neill, Harold Pinter, Henrik Ibsen).
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Music as popular propaganda in the German Reformation, 1517-1555 (Martin Luther).
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Romantic hospitality: Theorizing the welcome in Rousseau, Kant, Coleridge, and Mary Shelley (Jean-Jacques Rousseau, Immanuel Kant, Samuel Taylor Coleridge, Mary Shelley).
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Hoffmannian variations: The figure of E. T. A. Hoffmann in Baudelaire, Wagner, Freud and Kofman (Charles Baudelaire, France, Richard Wagner, Sigmund Freud, Sarah Kofman).
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Generational representations of the Holocaust: Trauma, memory, and the imagination.
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Transplanting culture through translation: A hermeneutic project (English, German).
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Two representations of the criminal in the works of Friedrich Schiller (Germany).
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Adoleszenz, Verantwortung und poetologisches konzept: Erklarungsmodelle zur Motivation Jugendlicher Angehoriger der national sozialistischen Wehrmacht in der Jugendliteratur der Nachkriegszeit (German text).
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The theatrical construction of identity in Goethe's "Wilhelm Meisters Lehrjahre" and "Die Wahlverwandtschaften" (Johann Wolfgang von Goethe).
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History, progress and continuity: Gustave Freytag and the construction of national identity in unification-era Germany (1848--1871).
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The distinguished norseman: Snorri Sturluson, the "Edda", and the conversion of capital in medieval Scandinavia (Iceland).
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Transgressing motherhood: Contesting patriarchal constructions of infanticide (Euripides, Greece, Johann Wolfgang von Goethe, Christa Wolf, Toni Morrison, Sandra Cisneros).
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Signs and symbols in the introductory German language textbook: An inclusionary perspective.
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Authoring the German "other": A semiotic, narrative discourse analysis of the culture box in beginning L2 German textbooks.
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Auf dem Weg zu einer neuen Mythologie: Die Aneignung und Umdeutung des griechischen Mythos (German text).
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The Strange Aching of Suppressed Dives: Irony and the Representation of Trauma.
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The making of modernity: The Italian Renaissance in the German historical imagination, 1860-1930.
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A poetics of "Care," or time and the "Dasein" of modernism in Thomas Mann and Martin Heidegger (1924/1947).
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Heavy weather and a slant of light: Modernity, mythos, and the metaphysical functions of poetry from Emily Dickinson to Eugenio Montale.
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Pedagogies of resistance (Sigmund Freud, Albert Camus, Tennessee Williams, Tony Kushner).
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Writing against objectification: German-Jewish identity in the works of Grete Weil and Ruth Klueger (Austria).
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Borges, Benjamin, and the allegorical writing of history (Jorge Luis Borges, Argentina, Walter Benjamin, Germany).
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A forgotten history of modernity: Fashion in German literature, the illustrated press, and photography in the Weimar Republic.
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Revitalizing Romanticism: Novalis' "Fichte Studien" and the Philosophy of Organic Nonclosure.
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Shattering fragility: Illness, suicide, and refusal in fin-de-siecle Viennese literature.
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The ontology of presentation: The infinite and the finite in early German Romantic philosophy (1795--1802).
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Curious fashion and careful generosity: Concepts connected to clothing in the works of Hans Sachs and other sixteenth-century writers.
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Shegyptology: Encounters with ancient Egypt in nineteenth-century literature and culture.
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Apocalyptic futures: Inscribed bodies and the violence of the text in twentieth-century culture.
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White Eve in the 'petrified garden': The colonial African heroine in the writing of Olive Schreiner, Isak Dinesen, Doris Lessing and Nadine Gordimer.
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Taking objects for origins: Cultural fetishism and visions of Africa in the late imperial novel.
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Writing world history: The emergence of modern global consciousness in the late eighteenth century (1760--1790).
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A pedagogical guide for the "Jugendlieder" of Alban Berg. (Volumes I and II).
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Performing the Lied, performing the self: Singing subjectivity in Germany, 1790--1832.
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Frictions, fictions, and forms: Woman's coming of age in eighteenth-century educational discourses.
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Hannah Arendt and her turn from political journalist to political philosopher.
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Talking with one's selves: Contemporary autobiography beyond self-identity.
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Educating for women's rights in three late eighteenth-century bestsellers: La Roche, Inchbald, and Rowson.
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Rehabilitationen Roms: Die roemische Antike in der deutschen Kultur zwischen Winckelmann und Niebuhr.
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The law of striving and demand: Goethe's "Faust" and the economic theories of Steuart, Moeser, and Schlosser (Johann Wolfgang von Goethe, Sir James Steuart, Justus Moeser, Johann Georg Schlosser, Germany).
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(Electronic resources)
Mimetischer Zauber: Die englischsprachige Rezeption deutscher Lieder in den Vereinigte Staaten von Amerika, 1830--1880 (German text).
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(Electronic resources)
Functionalism with ornament: Modernist architectural discourse in Hermann Broch's "Die Schlafwandler".
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(Electronic resources)
Talking perspective: Conversation analysis and culture in the German foreign language classroom.
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(Electronic resources)
Moveable type: Literature and communication in the early nineteenth century.
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(Electronic resources)
The writing on the screen: Images of text in the German cinema from 1920 to 1949.
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(Electronic resources)
Cardiograms of an age: German love poetry, 1895--1924 (Stefan George, Rainer Maria Rilke, Else Lasker-Schueler, Gottfried Benn).
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(Electronic resources)
The Mary Stuart myth in 20th century Russian literature (Valerii Briusov, Marina Cvetaeva, Boris Pasternak, Joseph Brodsky).
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(Electronic resources)
Islands of love: Europe, "India", and interracial romance (Luis de Camoes, Portugal, Jan Huygen van Linschoten, The Netherlands, Bartolome Leonardo de Argensola, Spain, John Fletcher, John Dryden).
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(Electronic resources)
The legacy of chronos. Temporality of revolution in culture, sciences, and politics.
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(Electronic resources)
Acting the child: Separating the infantile from the masculine in film and literature, 1835--1985.
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(Electronic resources)
Writing as revenge: Jewish German identity in post-Holocaust German literary works. Reading survivor authors Jurek Becker, Edgar Hilsenrath and Ruth Klueger.
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(Electronic resources)
POETIC REALISM AND THE HERMENEUTICAL CIRCLE: A STUDY IN INTERPRETATION THEORY AND NINETEENTH-CENTURY GERMAN LITERATURE.
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(Electronic resources)
Faces: Maps, masks, mirrors, masquerades in German Expressionist visual art, literature, and film.
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(Electronic resources)
Perspectives from the edge: The structure of perception and deception in the literary frame (Heinrich von Kleist, Ludwig Tieck, Germany).
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(Electronic resources)
THE DIARY NOVEL AND CONTEMPORARY FICTION: STUDIES IN MAX FRISCH, MICHEL BUTOR, AND DORIS LESSING (SWITZERLAND, FRANCE, ZIMBABWE).
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Origins, identity, home: Sites of subjectivity and displaced narratives in Marguerite Duras and Wim Wenders (France, Germany).
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Imagining procreation: Conception and gestation in the works of Paracelsus (1493--1541).
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(Electronic resources)
A human end to history? Hans Blumenberg, Karl Loewith and Carl Schmitt on secularization and modernity.
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(Language materials, printed)
Buechner and the Bible: Function, configuration, and development of biblical quotations in the works of Georg Buechner.
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(Language materials, printed)
Wenn madchen uberleben: Inventur im gewalthaushalt bei J.M.R. Lenz und Frank Wedekind.
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(Language materials, printed)
Aesthetic Exercises and Poetic Form in the Works of Hoelderlin, Novalis, and Rococo Poets.
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(Language materials, printed)
Pure Violence on the Stage of Exception: Representations of Revolutions in Georg Buechner, Hugo von Hofmannsthal, Heiner Mueller, and Elfriede Jelinek.
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(Language materials, printed)
Spaces of the Ear: Literature, Media, and the Science of Sound 1870--1930.
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(Language materials, printed)
Telling about the Truth: Negotiations of Credibility in German Narratives.
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(Language materials, printed)
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