Literature, Classical.
Overview
| Works: | 202 works in 0 publications in 0 languages | |
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Titles
Studies in the syntax and semantics of the reduplicated presents in Homeric Greek and Indo-European.
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Mournful welcome: Strangeness, tragic lamentation, and the poetics of modern hospitality.
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Language, thought, and reality in Aristotle's "De Interpretatione" and "De Anima".
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Poetry and philosophy in Aristophanes' "Clouds" and Plato's "Republic".
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"Bitch that I am.": An examination of women's self-deprecation in Homer and Virgil.
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"What virtue and wisdom can do": Homer's "Odyssey" in the Renaissance imagination.
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Maintaining the boundaries of nomos: Phthonotic responses to sociopolitical perturbations in Herodotus' Histories.
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Beauty's heartbeat: Ornamentation and sentence-length in Cicero's Ninth Philippic.
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Rethinking Greek tragedy in African contexts: A study of Ola Rotimi and Wole Soyinka.
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Tragedy's queer afterlives: Place, time, and theatrical adaptation.
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Homeric catalogue: Tradition, paradigm and the limits of narrativity.
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Orality and the narrative techniques of the Acts of the Apostles, the Homeric epics, Greco-Roman novels and Greco-Roman historiography: A comparative approach.
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Reception, gifts, and desire in Augustine's "Confessions" and Vergil's "Aeneid".
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The rudiments of eloquence: Pedagogy and literary practices in the English Renaissance.
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The Double and its theatre: Towards a dramaturgy of the Doppelgaenger motif.
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How to Do Things with Hard Words: The Uses of Classical Borrowings in the English Renaissance.
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The allegorical matrix: Technique and tradition in Renaissance allegory.
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Refiguring the Landscape: Transforming Virgil's Georgics in Early Modern England.
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Harbinger of sequestered intent: Language theory and the author in traditional Chinese discourse.
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Rewriting the Greeks: The translations, adaptations, distant relatives and productions of Aeschylus' tragedies in the United States of America from 1900 to 2009.
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James Thomson's "Seasons" and the imitation of Vergil's "Georgics".
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Transformations of tradition: Diachronic aspects of early Greek poetry.
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Being one's self: Narrative art and taxonomy of human nature in the "Shih-shuo hsin-yu".
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Early medieval rhetoric: Epideictic underpinnings in Old English homilies.
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The oral tradition of bianwen: Its features and influence on Chinese narrative literature.
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Acts of the imagination: Racial sentimentalism and the modern American novel (Frederick Douglass, Charles Waddell Chesnutt, Nella Larsen, Richard Wright).
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Negotiating identity: Greek emporia in the Archaic and Classical Mediterranean.
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Social status and sartorial symbols: The use and abuse of clothing in ancient Rome.
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The waiting game: Gender and time in Latin love elegy (Ovid, Sextus Propertius, Roman Empire).
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Rhapsoidos, prophetes, and hypokrites: A diachronic study of the performance of Homeric poetry in ancient Greece (Aristotle).
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The maiden of the straits: Scylla in the cultural poetics of Greece and Rome.
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Herding Homer: Rare epic vocabulary and the origins of bucolic poetry in Theocritus (Greece).
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The production of subjectivity: Marx and contemporary continental thought.
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The quarrel between poetry and philosophy (Plato, Dante, Giambattista Vico, Italy, William Butler Yeats, Ireland, Martin Heidegger).
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Two translations of Aeschylus's "Prometheus Bound" by Elizabeth Barrett Browning.
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Transgressing motherhood: Contesting patriarchal constructions of infanticide (Euripides, Greece, Johann Wolfgang von Goethe, Christa Wolf, Toni Morrison, Sandra Cisneros).
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"That customary magnificence which is your due": Constantine and the symbolic capital of Rome.
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Homosexuality and the Roman man: A study in the cultural construction of sexuality. (Volumes I and II).
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Galen "On the Constitution of the Art of Medicine": Introduction, translation and commentary.
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Lucifer of Cagliari and Constantius II: A study in religious and political power in the fourth century.
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Bodily resurrection and its significance for ethics: A study of 1 Corinthians 15.
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Hegel's speculative theory of political life: Community and tragedy in the "Phenomenology of Spirit".
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The Passions in Motion: Landscape Poetry and the Aesthetics of Change in Xie Lingyun (385-433).
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Traversing the Periphery: Focalization in Cen Shen's Frontier Settings Within the Context of Chinese Frontier Poetry.
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Narrative patterns in the "Odyssey": Repetition and the creation of meaning.
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Narrative perspective and historical representation in Bai Juyi's "Song of Eternal Sorrow".
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Die Orphische Weltanschauung der Antike und ihr Erbe bei Den dichtern Nietzsche, Hoelderlin, Novalis und Rilke.
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Justice and boundaries in ancient stories: Guidance for modern bioethics.
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The lyric as 'poiesis' and 'xiang': From local theories to cultural regimes.
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The staging of Aeschylus' "Persians", "Seven Against Thebes", and "Suppliants".
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A metaphysics of three infinities: Proclus' revision of the ancient Platonist tradition.
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Satirical theory and dramatic practice: Towards a new model of satire in performance.
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The argument against tragedy in feminist dramatic re-vision of the plays of Euripides and Shakespeare.
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Divine providence: Origins, context, and significance of the Stoic theory.
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Homicide, wounding, and battery in the fourth-century Attic orators.
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Acts and the Second Sophistic: The Politics of Imitation and Self-Presentation.
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A terrible passion and a marvelous love: Greco-Roman education and elite self-representation in the High Empire.
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Interpreting the symptom: The body between misfortune and mastery in Archaic and Classical Greek thought (Euripides).
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Electra in context: An investigation of a character in fifth century B.C. Athenian tragedy in the social context of the ritual lament and revenge (Greece, Aeschylus, Sophocles, Euripides).
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Soul as self and mediator from Plotinus to Eriugena (Roman Empire, John Scotus Eriugena, Ireland).
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The compilation and dissemination of "The Life of Antony" (Saint Athanasius,Patriarch of Alexandria).
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Iambic configurations: Iambos from Archilochus to Horace (Callimachus, Greece, Roman Republic, Roman Empire).
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Bacchatur demens: Manic maiden seers and the evolution of a type (Lucan, Virgil, Roman Empire).
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Homeric epaineo: The politics of reception and the poetics of consent (Greece).
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Philos and polities: The symposion and the origins of the polis (Greece).
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Before paideia: Representations of education in Aeschylean tragedy (Greece).
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The social location of Horace's poems: Landscape, literary talks, friendship, and lyric monuments (Roman Republic, Roman Empire).
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Poetry in war and war in poetry: The martial role of song and the aesthetic representation of war in ancient Greece (Homer, Terpander, Tyrtaeus, Alcman, Alcaeus, Sappho).
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Cultural constructs: Building a visual rhetoric for understanding literature.
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Translating Chinese martial arts fiction, with reference to the novels of Jin Yong.
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Novel Ridens in Ming-Qing fiction: Pathetic humor in and of ``Honglou meng'' (Cao Xuequin, China).
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Reading and using the past: Aristotle's "Rhetoric" and its historical contexts and using the past in the present (Greece).
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A history of taste: Erotic representation and senses of propriety in the Roman Empire.
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Running with endurance: Nascent Christian use of athletic metaphors (Saint Paul).
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Generic ideologies: The intersection of empire, the epic and the novel in French West African and Latin literatures.
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Plato's Lost Lecture "On the Good." Normative Ethics and Intellectual History.
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Conceptions of likeness in the epic similes of Homer, Vergil, Dante, and Milton.
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Healing and the word: Hippocratic medicine and Sophistical rhetoric in classical antiquity.
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The mind in motion: The cultural significance of walking in the Roman world.
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Sophocles' "Antigone": An exploration of modern and contemporary versions.
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How do fables teach? Reading the world of the fable in Greek, Latin and Sanskrit narratives.
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After the fall: The funeral orations of Demosthenes and Hypereides (Greece).
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"Clio's Fictions" and the case of Walter Pater: Narrative form and historical understanding, ancient models and modern constructions.
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Clarifying obscurity: Heraclitean darkness in Plato and Aristotle (Greece).
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Reading early manuscripts with transmitted counterparts: Methodological problems and consequences for textual history.
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Mining, metalworking, and the epic underworld: The corruption of epic heroism and the emergence of commercial ethos as represented in the epic line from Homer to Milton.
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Philosophical advertisements: Protreptic marketing in fourth-century Greek culture.
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The uses of myth for scientific education: The case of cosmology and mythology.
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Comparative studies of the use of li to elucidate "Shijing" by Mao and Zheng (Zheng Xuan, China, Maozhuan).
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The birth of the author: Oral traditions and the construction of authorial identity in ancient Greece and China.
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Archaic Kerkyra: An historiographical examination of the formation and formulation of an ancient Greek polis.
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The influence of classical mythology and medieval mythography on the invocations of Chaucer's "Troilus and Criseyde".
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Aspects of the goddess Nephthys, especially during the Graeco-Roman period in Egypt.
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Repainting romance: Ekphrasis and otherness in Renaissance imitations of ancient Greek romance.
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Demosthenes' social discourse: The economics of politeness and subject position.
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The pragmatics of direct address in the "Iliad": A study in linguistic politeness.
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Towards the 'great man': Individuals and groups as agents of historical change in classical Greece.
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Man and woman as image bearer of God: A comparative study on the marital relationship from biblical and Confucian perspectives.
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Soundings and shapes: An inquiry into the intertextual effects of Joyce's "Ulysses" (James Joyce, Ireland, Homer, Greece).
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Inscriptions of the multitude in Hegel, Heidegger and Plato (Georg Wilhelm Friedrich Hegel, Martin Heidegger).
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The wonders of the philosopher and the citizen: Plato, Aristotle, and Heidegger (Martin Heidegger).
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The return of Hephaistos: Reconstructing the fragmented mythos of the maker.
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Surpassing the source: Roman theories of translation (Livius Andronicus, Plautus, Titus Maccius, Cicero, Aulus Gellius, Titus Maccius Plautus).
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A postcolonial perspective on James Legge's Confucian translation: Focusing on his two versions of the "Zhongyong".
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Backward to your sources, sacred rivers: A transatlantic feminist tradition of mythic revision.
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Skepticism and pluralism: Ways of living a life of awareness as recommended by the "Zhuangzi" (China).
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Fragmented faces: Nose, ear and eye imagery in Roman satire (Horace, Juvenal, Persius, Lucilius).
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Repast and representation: The trope of the culinary in the comedies of Aristophanes (Greece).
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Worthless wastrels: Prodigals and prodigality in classical antiquity (Greece, Roman Republic, Roman Empire).
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Architectures of advice: Didactic strategies of metaphor and interpretation in Aeschylean tragedy (Greece).
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Consensus and concordia in the formation of the Roman principate and their resonance in early imperial prose.
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Late Roman rule and provincial expectations: The governor and his subjects (Italy).
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Revisioning Cassandra: Defying daughters and master narratives in Florence Nightingale's "Cassandra" and Margarita Karapanou's "Kassandra and the Wolf" (England, Greece).
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The road to Delphi: Chaucerian poetics and the legacy of Apollo (Geoffrey Chaucer).
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Music, Ovid and the triumph of sound in Shakespearean drama (William Shakespeare).
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Beyond good and evil: Redefining morality from Socrates to Virgil (Greece).
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Canonization of poetry: A study of Li Panlong's literary theory, anthologies of Chinese poetry, and his own works (Chinese text).
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"It is not in heaven": Rhetoric, history, and the possibility of writing.
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Visual perversity: A rearticulation of maternal instinct (Euripides, Greece, Samuel Taylor Coleridge, Sir Alfred Hitchcock, Marquis de Sade, France).
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The study of wei (taste) in literary criticism in the Song dynasty (Chinese text).
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The Themis principle: Mystery and irrationality in the United States legal system.
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To whom it may concern: The dynamics of address in ancient Roman, Greek, and Chinese poetry.
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