東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁 到查詢結果 [ subject:"Women authors, English- 19th century." ]

切換: 標籤 | MARC模式 | ISBD

British women's writing from Bronte ...

Gavin, Adrienne E.

FindBook

Google Book

Amazon

博客來

British women's writing from Bronte to Bloomsbury.. Volume 2,. 1860s and 1870s

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	British women's writing from Bronte to Bloomsbury./ edited by Adrienne E. Gavin, Carolyn W. de la L. Oulton.
其他題名:	1860s and 1870s
其他作者:	Gavin, Adrienne E.
出版者:	Cham :Springer International Publishing : : 2020.,
面頁冊數:	xxvi, 291 p. :ill., digital ;24 cm.
內容註:	1.Introduction; Adrienne E. Gavin and Carolyn W. de la L. Oulton -- 2. A Decade of Experiment: George Eliot in the 1860s; Margaret Harris -- 3. 'Duck him!': Private Feelings, Public Interests, and Ellen Wood's East Lynne; Tara MacDonald -- 4. [Tr]ains of Circumstantial Evidence: Railway 'Monomania' and Investigations of Gender in Lady Audley's Secret; Andrew F. Humphries -- 5. 'There is great need for forgiveness in this world': The Call for Reconciliation in Elizabeth Gaskell's Sylvia's Lovers and A Dark Night's Work; Elizabeth Ludlow -- 6. 'The plain duties which are set before me': Charity, Agency, and Women's Work in the 1860s; Kristine Moruzi -- 7.'[S]mothered under rose-leaves': Violent Sensation and the Location of the Feminine in Eliza Lynn Linton's Sowing the Wind; Carolyn W. de la L. Oulton -- 8. 'Fleshly Inclinations': The Nature of Female Desire in Rhoda Broughton's Early Fiction; Tamar Heller -- 9. Crumbs from the Table: Matilda Betham-Edwards' Comic Writing in Punch; Clare Horrocks and Nickianne Moody -- 10. Transcending Prudence: Charlotte Riddell's 'City Women'; Silvana Colella -- 11. '[M]ute orations, mute rhapsodies, mute discussions': Silence in George Eliot's Last Decade; Fionnuala Dillane -- 12.'His eyes commanded me to come to him': Desire and Mesmerism in Rhoda Broughton's 'The Man with the Nose'; Melissa Purdue -- 13. '[E]mphatically un-literary and middle-classʼ: Undressing Middle-Class Anxieties in Ellen Wood's Johnny Ludlow Stories; Alyson Hunt -- 14. 'Sinecures which could be held by girls': Margaret Oliphant and Women's Labour; Danielle Charette -- 15. 'More like a woman stuck into boy's clothes': Transcendent Femininity in Florence Marryat's Her Father's Name; Catherine Pope -- 16. 'I am writing the life of a horse': Anna Sewell's Black Beauty in the 1870s; Adrienne E. Gavin -- 17. Forging a New Path: Fraud and White-Collar Crime in Mary Elizabeth Braddon's 1870s Fiction; Janine Hatter.
Contained By:	Springer Nature eBook
標題:	English fiction - History and criticism. - 19th century -
電子資源:	https://doi.org/10.1007/978-3-030-38528-6
ISBN:	9783030385286

British women's writing from Bronte to Bloomsbury.. Volume 2,. 1860s and 1870s
British women's writing from Bronte to Bloomsbury.Volume 2,1860s and 1870s[electronic resource] /1860s and 1870sedited by Adrienne E. Gavin, Carolyn W. de la L. Oulton. - Cham :Springer International Publishing :2020. - xxvi, 291 p. :ill., digital ;24 cm. - British women's writing from Bronte to Bloomsbury, 1840-1940,v.22523-7160 ;. - British women's writing from Bronte to Bloomsbury, 1840-1940 ;v.2..

1.Introduction; Adrienne E. Gavin and Carolyn W. de la L. Oulton -- 2. A Decade of Experiment: George Eliot in the 1860s; Margaret Harris -- 3. 'Duck him!': Private Feelings, Public Interests, and Ellen Wood's East Lynne; Tara MacDonald -- 4. [Tr]ains of Circumstantial Evidence: Railway 'Monomania' and Investigations of Gender in Lady Audley's Secret; Andrew F. Humphries -- 5. 'There is great need for forgiveness in this world': The Call for Reconciliation in Elizabeth Gaskell's Sylvia's Lovers and A Dark Night's Work; Elizabeth Ludlow -- 6. 'The plain duties which are set before me': Charity, Agency, and Women's Work in the 1860s; Kristine Moruzi -- 7.'[S]mothered under rose-leaves': Violent Sensation and the Location of the Feminine in Eliza Lynn Linton's Sowing the Wind; Carolyn W. de la L. Oulton -- 8. 'Fleshly Inclinations': The Nature of Female Desire in Rhoda Broughton's Early Fiction; Tamar Heller -- 9. Crumbs from the Table: Matilda Betham-Edwards' Comic Writing in Punch; Clare Horrocks and Nickianne Moody -- 10. Transcending Prudence: Charlotte Riddell's 'City Women'; Silvana Colella -- 11. '[M]ute orations, mute rhapsodies, mute discussions': Silence in George Eliot's Last Decade; Fionnuala Dillane -- 12.'His eyes commanded me to come to him': Desire and Mesmerism in Rhoda Broughton's 'The Man with the Nose'; Melissa Purdue -- 13. '[E]mphatically un-literary and middle-classʼ: Undressing Middle-Class Anxieties in Ellen Wood's Johnny Ludlow Stories; Alyson Hunt -- 14. 'Sinecures which could be held by girls': Margaret Oliphant and Women's Labour; Danielle Charette -- 15. 'More like a woman stuck into boy's clothes': Transcendent Femininity in Florence Marryat's Her Father's Name; Catherine Pope -- 16. 'I am writing the life of a horse': Anna Sewell's Black Beauty in the 1870s; Adrienne E. Gavin -- 17. Forging a New Path: Fraud and White-Collar Crime in Mary Elizabeth Braddon's 1870s Fiction; Janine Hatter.

This five-volume series, British Women's Writing From Bronte to Bloomsbury, 1840-1940, historically contextualizes and traces developments in women's fiction from 1840 to 1940. Critically assessing both canonical and lesser-known British women's writing decade by decade, it redefines the landscape of women's authorship across a century of dynamic social and cultural change. With each of its volumes devoted to two decades, the series is wide in scope but historically sharply defined. Volume 2: 1860s and 1870s continues the series by historically and culturally contextualizing Victorian women's writing distinctly within the 1860s and 1870s. Covering a range of fictional approaches, including short stories, religiously inflected novels, and comic writing the volume's 16 original essays consider such developments as the sensation craze, the impact of new technologies, and the career opportunities opening for women. Centrally, it reassesses key nineteenth-century female authors in the context in which they first published while also recovering neglected women writers who helped to shape the literary landscape of the 1860s and 1870s.

ISBN: 9783030385286

Standard No.: 10.1007/978-3-030-38528-6doiSubjects--Topical Terms:

537364
English fiction
--History and criticism.--19th century

LC Class. No.: PR115 / .B75 2020

Dewey Class. No.: 823.8099287

British women's writing from Bronte to Bloomsbury.. Volume 2,. 1860s and 1870s
LDR:04284nmm a2200349 a 4500 001 2255982
003 DE-He213
005 20201225153206.0
006 m d
007 cr nn 008maaau
008 220420s2020 sz s 0 eng d
020 $a 9783030385286 $q (electronic bk.)
020 $a 9783030385279 $q (paper)
024 7 $a 10.1007/978-3-030-38528-6 $2 doi
035 $a 978-3-030-38528-6
040 $a GP $c GP
041 0 $a eng
050 4 $a PR115 $b .B75 2020
072 7 $a DSBF $2 bicssc
072 7 $a LIT024040 $2 bisacsh
072 7 $a DSBF $2 thema
082 0 4 $a 823.8099287 $2 23
090 $a PR115 $b .B862 2020
245 0 0 $a British women's writing from Bronte to Bloomsbury. $n Volume 2, $p 1860s and 1870s $h [electronic resource] / $c edited by Adrienne E. Gavin, Carolyn W. de la L. Oulton.
246 3 0 $a 1860s and 1870s
260 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Macmillan, $c 2020.
300 $a xxvi, 291 p. : $b ill., digital ; $c 24 cm.
490 1 $a British women's writing from Bronte to Bloomsbury, 1840-1940, $x 2523-7160 ; $v v.2
505 0 $a 1.Introduction; Adrienne E. Gavin and Carolyn W. de la L. Oulton -- 2. A Decade of Experiment: George Eliot in the 1860s; Margaret Harris -- 3. 'Duck him!': Private Feelings, Public Interests, and Ellen Wood's East Lynne; Tara MacDonald -- 4. [Tr]ains of Circumstantial Evidence: Railway 'Monomania' and Investigations of Gender in Lady Audley's Secret; Andrew F. Humphries -- 5. 'There is great need for forgiveness in this world': The Call for Reconciliation in Elizabeth Gaskell's Sylvia's Lovers and A Dark Night's Work; Elizabeth Ludlow -- 6. 'The plain duties which are set before me': Charity, Agency, and Women's Work in the 1860s; Kristine Moruzi -- 7.'[S]mothered under rose-leaves': Violent Sensation and the Location of the Feminine in Eliza Lynn Linton's Sowing the Wind; Carolyn W. de la L. Oulton -- 8. 'Fleshly Inclinations': The Nature of Female Desire in Rhoda Broughton's Early Fiction; Tamar Heller -- 9. Crumbs from the Table: Matilda Betham-Edwards' Comic Writing in Punch; Clare Horrocks and Nickianne Moody -- 10. Transcending Prudence: Charlotte Riddell's 'City Women'; Silvana Colella -- 11. '[M]ute orations, mute rhapsodies, mute discussions': Silence in George Eliot's Last Decade; Fionnuala Dillane -- 12.'His eyes commanded me to come to him': Desire and Mesmerism in Rhoda Broughton's 'The Man with the Nose'; Melissa Purdue -- 13. '[E]mphatically un-literary and middle-classʼ: Undressing Middle-Class Anxieties in Ellen Wood's Johnny Ludlow Stories; Alyson Hunt -- 14. 'Sinecures which could be held by girls': Margaret Oliphant and Women's Labour; Danielle Charette -- 15. 'More like a woman stuck into boy's clothes': Transcendent Femininity in Florence Marryat's Her Father's Name; Catherine Pope -- 16. 'I am writing the life of a horse': Anna Sewell's Black Beauty in the 1870s; Adrienne E. Gavin -- 17. Forging a New Path: Fraud and White-Collar Crime in Mary Elizabeth Braddon's 1870s Fiction; Janine Hatter.
520 $a This five-volume series, British Women's Writing From Bronte to Bloomsbury, 1840-1940, historically contextualizes and traces developments in women's fiction from 1840 to 1940. Critically assessing both canonical and lesser-known British women's writing decade by decade, it redefines the landscape of women's authorship across a century of dynamic social and cultural change. With each of its volumes devoted to two decades, the series is wide in scope but historically sharply defined. Volume 2: 1860s and 1870s continues the series by historically and culturally contextualizing Victorian women's writing distinctly within the 1860s and 1870s. Covering a range of fictional approaches, including short stories, religiously inflected novels, and comic writing the volume's 16 original essays consider such developments as the sensation craze, the impact of new technologies, and the career opportunities opening for women. Centrally, it reassesses key nineteenth-century female authors in the context in which they first published while also recovering neglected women writers who helped to shape the literary landscape of the 1860s and 1870s.
650 0 $a English fiction $y 19th century $x History and criticism. $3 537364
650 0 $a English fiction $x Women authors $x History and criticism. $3 571765
650 0 $a Women authors, English $y 19th century. $3 886290
650 1 4 $a Nineteenth-Century Literature. $3 2182369
650 2 4 $a Fiction. $3 533979
650 2 4 $a British and Irish Literature. $3 2181926
700 1 $a Gavin, Adrienne E. $3 1600698
700 1 $a de la L. Oulton, Carolyn W. $3 3525909
710 2 $a SpringerLink (Online service) $3 836513
773 0 $t Springer Nature eBook
830 0 $a British women's writing from Bronte to Bloomsbury, 1840-1940 ; $v v.2. $3 3525910
856 4 0 $u https://doi.org/10.1007/978-3-030-38528-6
950 $a Literature, Cultural and Media Studies (SpringerNature-41173)