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Tennessee Williams and Italy = a tra...

Clericuzio, Alessandro.

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Tennessee Williams and Italy = a transcultural perspective /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Tennessee Williams and Italy/ by Alessandro Clericuzio.
其他題名:	a transcultural perspective /
作者:	Clericuzio, Alessandro.
出版者:	Cham :Springer International Publishing : : 2016.,
面頁冊數:	xv, 225 p. :ill., digital ;24 cm.
內容註:	Foreword;John S. Bak -- Acknowledgments -- A Note on Sources -- Introduction -- Chapter One. Tennessee Williams' Italian Reputation -- Chapter Two. Luchino Visconti and Tennessee Williams -- Chapter Three. More Streetcars -- Chapter Four. The Rose and the Stone -- Chapter Five. The Golden Years -- Chapter Six. Decline and Comeback -- Appendix. List of Main Italian Productions -- Works Cited -- Index.
Contained By:	Springer eBooks
標題:	Cultural and Media Studies. -
電子資源:	http://dx.doi.org/10.1007/978-3-319-31927-8
ISBN:	9783319319278

Tennessee Williams and Italy = a transcultural perspective /
Clericuzio, Alessandro.

Tennessee Williams and Italya transcultural perspective /[electronic resource] :by Alessandro Clericuzio. - Cham :Springer International Publishing :2016. - xv, 225 p. :ill., digital ;24 cm.

Foreword;John S. Bak -- Acknowledgments -- A Note on Sources -- Introduction -- Chapter One. Tennessee Williams' Italian Reputation -- Chapter Two. Luchino Visconti and Tennessee Williams -- Chapter Three. More Streetcars -- Chapter Four. The Rose and the Stone -- Chapter Five. The Golden Years -- Chapter Six. Decline and Comeback -- Appendix. List of Main Italian Productions -- Works Cited -- Index.

This book reveals for the first time the import of a huge network of connections between Tennessee Williams and his beloved land of election, Italy. America's most thought-provoking playwright loved Italy more than any other country outside the U.S. and was deeply influenced by its culture for most of his life. Anna Magnani's film roles in the 1940s, Italian Neo-realist cinema, the theatre of Eduardo De Filippo, as well as the actual experience of Italian life and culture during his long stays in the country were some of the elements shaping his literary output. Through his lover Frank Merlo, he also had first-hand knowledge of Italian-American life in Brooklyn. Tracing the establishment of his reputation with the Italian intelligentsia, as well as with theatre practitioners and with generations of audiences, the book also tells the story of a momentous collaboration in the theatre, between Williams and Luchino Visconti, who had to defy the unceasing control Italian censorship exerted on Williams for decades.

ISBN: 9783319319278

Standard No.: 10.1007/978-3-319-31927-8doiSubjects--Personal Names:

702590
Williams, Tennessee,
1911-1983Subjects--Topical Terms:

2165732
Cultural and Media Studies.

LC Class. No.: PS3545.I5365

Dewey Class. No.: 812.54

Tennessee Williams and Italy = a transcultural perspective /
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505 0 $a Foreword;John S. Bak -- Acknowledgments -- A Note on Sources -- Introduction -- Chapter One. Tennessee Williams' Italian Reputation -- Chapter Two. Luchino Visconti and Tennessee Williams -- Chapter Three. More Streetcars -- Chapter Four. The Rose and the Stone -- Chapter Five. The Golden Years -- Chapter Six. Decline and Comeback -- Appendix. List of Main Italian Productions -- Works Cited -- Index.
520 $a This book reveals for the first time the import of a huge network of connections between Tennessee Williams and his beloved land of election, Italy. America's most thought-provoking playwright loved Italy more than any other country outside the U.S. and was deeply influenced by its culture for most of his life. Anna Magnani's film roles in the 1940s, Italian Neo-realist cinema, the theatre of Eduardo De Filippo, as well as the actual experience of Italian life and culture during his long stays in the country were some of the elements shaping his literary output. Through his lover Frank Merlo, he also had first-hand knowledge of Italian-American life in Brooklyn. Tracing the establishment of his reputation with the Italian intelligentsia, as well as with theatre practitioners and with generations of audiences, the book also tells the story of a momentous collaboration in the theatre, between Williams and Luchino Visconti, who had to defy the unceasing control Italian censorship exerted on Williams for decades.
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