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[ subject:"Theater." ]
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A critical edition of Thomas Heywood...
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Plotinsky, Benjamin A.
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A critical edition of Thomas Heywood's "The Royal King and the Loyal Subject".
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
正題名/作者:
A critical edition of Thomas Heywood's "The Royal King and the Loyal Subject"./
作者:
Plotinsky, Benjamin A.
面頁冊數:
438 p.
附註:
Advisers: David Bevington; Richard Strier.
Contained By:
Dissertation Abstracts International67-05A.
標題:
Literature, English. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3219568
ISBN:
9780542711435
A critical edition of Thomas Heywood's "The Royal King and the Loyal Subject".
Plotinsky, Benjamin A.
A critical edition of Thomas Heywood's "The Royal King and the Loyal Subject".
- 438 p.
Advisers: David Bevington; Richard Strier.
Thesis (Ph.D.)--The University of Chicago, 2006.
The dissertation that this abstract describes is a critical edition of Thomas Heywood's The Royal King and the Loyal Subject---a play published in London in 1637, and not edited since 1906.
ISBN: 9780542711435Subjects--Topical Terms:
1017709
Literature, English.
A critical edition of Thomas Heywood's "The Royal King and the Loyal Subject".
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A critical edition of Thomas Heywood's "The Royal King and the Loyal Subject".
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438 p.
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Advisers: David Bevington; Richard Strier.
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Source: Dissertation Abstracts International, Volume: 67-05, Section: A, page: 1743.
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Thesis (Ph.D.)--The University of Chicago, 2006.
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The dissertation that this abstract describes is a critical edition of Thomas Heywood's The Royal King and the Loyal Subject---a play published in London in 1637, and not edited since 1906.
520
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The introduction to the play argues that it was first written between 1615 and 1618, rather than around 1600, as most critics have thought. It also examines the play's sources---particularly its chief source, the fourth novel in the second volume of William Painter's The Palace of Pleasure---and what little we know of its performance history. A section entitled "The Play and Its Context" explores the play in light of two contemporary issues, the rise of the minister-favorite and the complicated virtue of liberality. The introduction concludes by describing the textual condition of the one existing quarto of the play, and by explaining the editorial procedures followed in this edition.
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A modern-language edition of the play itself follows the introduction. Two sets of notes come next. The first of these are textual notes, which show relationships among this edition's editorial decisions, those made by the play's past editors, and what is printed in the original quarto. The second are explanatory notes, which provide glosses, historical explanations, thoughts about staging, and other information to help the reader through the play. Finally, an appendix contains a collation that shows stop-press variants among several copies of the 1637 quarto.
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http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3219568
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