東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁 到查詢結果 [ subject:"Theater- Political aspects- 20th century.- United States" ]

切換: 標籤 | MARC模式 | ISBD

New Deal theater = the vernacular tr...

Saal, Ilka.

FindBook

Google Book

Amazon

博客來

New Deal theater = the vernacular tradition in American political theater /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	New Deal theater/ Ilka Saal.
其他題名:	the vernacular tradition in American political theater /
作者:	Saal, Ilka.
出版者:	New York :Palgrave Macmillan, : 2007.,
面頁冊數:	232 p.
內容註:	Brecht on Broadway: reconsidering political theater -- Disjunctive aesthetics: a genealogy ofpolitical theater -- Strike songs: working- and middle-class revolutionaries -- Plays of cash and cabbages: from proletarian melodrama to revolutionary realism -- Why sing skies above?: labor musicalsand living newspapers -- Toward postmodernism: the political theater of the 1960s.
標題:	American drama - History and criticism. - 20th century -
電子資源:	http://link.springer.com/10.1057/9780230608832access to fulltext (Palgrave)
ISBN:	0230608833

New Deal theater = the vernacular tradition in American political theater /
Saal, Ilka.

New Deal theaterthe vernacular tradition in American political theater /[electronic resource] :Ilka Saal. - 1st ed. - New York :Palgrave Macmillan,2007. - 232 p.

Includes bibliographical references (p. [183]-221) and index.

Brecht on Broadway: reconsidering political theater -- Disjunctive aesthetics: a genealogy ofpolitical theater -- Strike songs: working- and middle-class revolutionaries -- Plays of cash and cabbages: from proletarian melodrama to revolutionary realism -- Why sing skies above?: labor musicalsand living newspapers -- Toward postmodernism: the political theater of the 1960s.

New Deal Theater recovers a much ignored model of political theater for cultural criticism. While considered to be less radical in its aesthetics and politics than its celebrated Weimar and Soviet cousins, it nonetheless proved to be highly effective in asserting cultural critique. In this regard it offers a vital alternative to the dominant modernist paradigm developed in Europe. Rather than radicalizing content and form, New Deal theater insisted that the political had to be made commensurable with the language of a mass audience steeped in consumer culture. The resulting vernacular praxis emphasized empathy over alienation, verisimilitude over abstraction. By examining the culturalvectors that shaped this theater, Saal shows why it was more successful on the American stage than its European counterpart and develops a theory of vernacular political theater which can help us think of the political in art in other than modernist terms.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.

Mode of access:World Wide Web.

ISBN: 0230608833

Standard No.: 10.1057/9780230608832doiSubjects--Topical Terms:

523054
American drama
--History and criticism.--20th centuryIndex Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: PS338.P6 / S33 2007eb

Dewey Class. No.: 812.5209358

New Deal theater = the vernacular tradition in American political theater /
LDR:02522cmm 2200325 a 45 001 903818
003 OCoLC
005 20101227
006 m d
007 cr nn muauu
008 231227s2007 nyu sb 001 0 eng d
020 $a 0230608833
020 $a 9780230608832
024 7 $a 10.1057/9780230608832 $2 doi
035 $a Palgrave
035 $a 903818
040 $a UKPGM $b eng $c UKPGM $d IDEBK
041 0 $a eng
043 $a n-us---
049 $a APTA
050 1 4 $a PS338.P6 $b S33 2007eb
082 0 4 $a 812.5209358 $2 22
100 1 $a Saal, Ilka. $3 1083809
245 1 0 $a New Deal theater $h [electronic resource] : $b the vernacular tradition in American political theater / $c Ilka Saal.
250 $a 1st ed.
260 $a New York : $c 2007. $b Palgrave Macmillan,
300 $a 232 p.
504 $a Includes bibliographical references (p. [183]-221) and index.
505 0 $a Brecht on Broadway: reconsidering political theater -- Disjunctive aesthetics: a genealogy ofpolitical theater -- Strike songs: working- and middle-class revolutionaries -- Plays of cash and cabbages: from proletarian melodrama to revolutionary realism -- Why sing skies above?: labor musicalsand living newspapers -- Toward postmodernism: the political theater of the 1960s.
520 $a New Deal Theater recovers a much ignored model of political theater for cultural criticism. While considered to be less radical in its aesthetics and politics than its celebrated Weimar and Soviet cousins, it nonetheless proved to be highly effective in asserting cultural critique. In this regard it offers a vital alternative to the dominant modernist paradigm developed in Europe. Rather than radicalizing content and form, New Deal theater insisted that the political had to be made commensurable with the language of a mass audience steeped in consumer culture. The resulting vernacular praxis emphasized empathy over alienation, verisimilitude over abstraction. By examining the culturalvectors that shaped this theater, Saal shows why it was more successful on the American stage than its European counterpart and develops a theory of vernacular political theater which can help us think of the political in art in other than modernist terms.
533 $a Electronic reproduction. $b Basingstoke, England : $c Palgrave Macmillan, $d 2009. $n Mode of access:World Wide Web. $n System requirements: Web browser. $n Title from title screen (viewed on Mar. 3, 2009). $n Access may berestricted to users at subscribing institutions.
650 0 $a American drama $y 20th century $x History and criticism. $3 523054
650 0 $a Political plays, American $x History and criticism. $3 677931
650 0 $a Politics and literature $z United States $x History $y 20th century. $3 549699
650 0 $a Theater $x Political aspects $z United States $y 20th century. $3 1083810
655 7 $a Electronic books. $2 lcsh $3 542853
710 2 $a Palgrave Connect (Online service) $3 1081578
856 4 0 $3 Palgrave Connect $u http://link.springer.com/10.1057/9780230608832 $z access to fulltext (Palgrave)