東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁 到查詢結果 [ subject:"Theater audiences- History- 16th century.- England" ]

切換: 標籤 | MARC模式 | ISBD

Shakespeare and the materiality of p...

Lin, Erika T., (1972-)

FindBook

Google Book

Amazon

博客來

Shakespeare and the materiality of performance

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Shakespeare and the materiality of performance/ Erika T. Lin.
作者:	Lin, Erika T.,
出版者:	New York, NY :Palgrave Macmillan, : 2012.,
面頁冊數:	1 online resource.
內容註:	Performance effects. Introduction: materializing the immaterial -- Theorizing theatrical privilege: rethinking Weimann's concepts of Locus and Platea -- Theatrical ways of knowing. Staging sight: visual paradigms and perceptual strategies in Love's labor's lost -- Imaginary forces: allegory, mimesis, and audience interpretation in The Spanish tragedy -- Experiencing embodied spectacle. Dancing and other delights: spectacle and participation in Doctor Faustus and Macbeth -- Artful sport: violence, dismemberment, and games in Titus Andronicus, Cymbeline, and Doctor Faustus.
標題:	Theater audiences - History - 16th century. - England -
電子資源:	http://link.springer.com/10.1057/9781137006509
ISBN:	9781137006509 (electronic bk.)

Shakespeare and the materiality of performance
Lin, Erika T.,1972-

Shakespeare and the materiality of performance[electronic resource] /Erika T. Lin. - New York, NY :Palgrave Macmillan,2012. - 1 online resource.

Includes bibliographical references.

Performance effects. Introduction: materializing the immaterial -- Theorizing theatrical privilege: rethinking Weimann's concepts of Locus and Platea -- Theatrical ways of knowing. Staging sight: visual paradigms and perceptual strategies in Love's labor's lost -- Imaginary forces: allegory, mimesis, and audience interpretation in The Spanish tragedy -- Experiencing embodied spectacle. Dancing and other delights: spectacle and participation in Doctor Faustus and Macbeth -- Artful sport: violence, dismemberment, and games in Titus Andronicus, Cymbeline, and Doctor Faustus.

Many unspoken assumptions permeated the experience of performance in Shakespeare's theatre. Drawing on scientific treatises, murder pamphlets, travel narratives, dream manuals, religious sermons, festive sports, and other fascinating primary sources, Lin reconstructs playgoers' typical ways of thinking and feeling and demonstrates how these culturally-trained habits of mind shaped not only dramatic narratives but also the presentational dynamics of onstage action. Combining literary criticism, theatre history, and performance theory, this ground-breaking study explodes received ideas about mimesis, spectacle, and semiotics as it uncovers the ways in which early modern performance functioned as a material medium, revising and producing social attitudes and practices.

ISBN: 9781137006509 (electronic bk.)

Standard No.: 9786613954268

Source: 565879Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Personal Names:

3223182
Shakespeare, William,
1564-1616--AdaptationsSubjects--Topical Terms:

891889
Theater audiences
--History--England--16th century.Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: PR3095 / .L56 2012

Dewey Class. No.: 792.0942

Shakespeare and the materiality of performance
LDR:03080cmm 2200481Ka 4500 001 1313571
003 OCoLC
005 20121107094608.0
006 m d
007 cr cn|||||||||
008 231227s2012 nyu o 000 0 eng d
019 $a 812786640 $a 813397287
020 $a 9781137006509 (electronic bk.)
020 $a 1137006501 (electronic bk.)
020 $z 1137001062
020 $z 9781137001061
020 $a 6613954268
020 $a 9786613954268
024 8 $a 9786613954268
035 $a (OCoLC)812516100 $z (OCoLC)812786640 $z (OCoLC)813397287
035 $a ocn812516100
035 $a 1313571
037 $a 565879 $b Palgrave Macmillan $n http://www.palgraveconnect.com
040 $a UKPGM $b eng $c UKPGM $d OCLCO $d CDX $d YDXCP $d N$T $d IDEBK
043 $a e-uk-en
049 $a TEFA
050 4 $a PR3095 $b .L56 2012
072 7 $a PER $x 011020 $2 bisacsh
072 7 $a AN $2 bicssc
082 0 4 $a 792.0942 $2 23
100 1 $a Lin, Erika T., $d 1972- $3 1599954
245 1 0 $a Shakespeare and the materiality of performance $h [electronic resource] / $c Erika T. Lin.
260 $a New York, NY : $b Palgrave Macmillan, $c 2012.
300 $a 1 online resource.
504 $a Includes bibliographical references.
505 0 $a Performance effects. Introduction: materializing the immaterial -- Theorizing theatrical privilege: rethinking Weimann's concepts of Locus and Platea -- Theatrical ways of knowing. Staging sight: visual paradigms and perceptual strategies in Love's labor's lost -- Imaginary forces: allegory, mimesis, and audience interpretation in The Spanish tragedy -- Experiencing embodied spectacle. Dancing and other delights: spectacle and participation in Doctor Faustus and Macbeth -- Artful sport: violence, dismemberment, and games in Titus Andronicus, Cymbeline, and Doctor Faustus.
520 $a Many unspoken assumptions permeated the experience of performance in Shakespeare's theatre. Drawing on scientific treatises, murder pamphlets, travel narratives, dream manuals, religious sermons, festive sports, and other fascinating primary sources, Lin reconstructs playgoers' typical ways of thinking and feeling and demonstrates how these culturally-trained habits of mind shaped not only dramatic narratives but also the presentational dynamics of onstage action. Combining literary criticism, theatre history, and performance theory, this ground-breaking study explodes received ideas about mimesis, spectacle, and semiotics as it uncovers the ways in which early modern performance functioned as a material medium, revising and producing social attitudes and practices.
588 $a Description based on print version record.
600 1 0 $a Shakespeare, William, $d 1564-1616 $v Adaptations $3 3223182
650 0 $a Theater audiences $z England $z London $x History $y 16th century. $3 891889
650 0 $a Theater audiences $z England $z London $x History $y 17th century. $3 891890
650 0 $a Theater and society $z England $x History $y 16th century. $3 684908
650 0 $a Theater and society $z England $x History $y 17th century. $3 684909
650 7 $a PERFORMING ARTS / Theater / History & Criticism $2 bisacsh $3 1599551
655 4 $a Electronic books. $2 lcsh $3 542853
776 0 8 $i Print version: $a Lin, Erika T., 1972- $t Shakespeare and the materiality of performance. $d New York, NY : Palgrave Macmillan, 2012 $z 9781137001061 $w (DLC) 2012011554 $w (OCoLC)784447335
856 4 0 $3 Palgrave Connect $u http://link.springer.com/10.1057/9781137006509
938 $a Coutts Information Services $b COUT $n 23613869
938 $a YBP Library Services $b YANK $n 9700918
938 $a EBSCOhost $b EBSC $n 492591
938 $a Ingram Digital eBook Collection $b IDEB $n 395426
994 $a C0 $b TEF