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Theatricality, dark tourism and ethi...

Willis, Emma,

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Theatricality, dark tourism and ethical spectatorship : = absent others /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Theatricality, dark tourism and ethical spectatorship :/ Emma Willis.
其他題名:	absent others /
作者:	Willis, Emma,
面頁冊數:	1 online resource.
內容註:	Notes for the Traveller: An introduction to the Journey Ahead -- 1.Landscapes of Aftermath -- 2.Performing Museums and Memorial Bodies: Theatre in the Shadows of the Crematoria -- 3.Vietnam: 'Not the Bullshit Story in the Lonely Planet' -- 4.Here was the place: (Re)Performing Khmer Rouge Archive of Violence -- 5.Lost in our own Land: Reenacting colonial Violence -- 6.The World Watched: Witnessing Genocide -- Phantom Speak -- Works Cited.
標題:	Theater and society. -
電子資源:	http://link.springer.com/10.1057/9781137322654
ISBN:	1137322659 (electronic bk.)

Theatricality, dark tourism and ethical spectatorship : = absent others /
Willis, Emma,

Theatricality, dark tourism and ethical spectatorship :absent others /Emma Willis. - 1 online resource.

Notes for the Traveller: An introduction to the Journey Ahead -- 1.Landscapes of Aftermath -- 2.Performing Museums and Memorial Bodies: Theatre in the Shadows of the Crematoria -- 3.Vietnam: 'Not the Bullshit Story in the Lonely Planet' -- 4.Here was the place: (Re)Performing Khmer Rouge Archive of Violence -- 5.Lost in our own Land: Reenacting colonial Violence -- 6.The World Watched: Witnessing Genocide -- Phantom Speak -- Works Cited.

"Theatricality, Dark Tourism and Ethical Spectatorship: Absent Others" builds upon recent literature concerning theatre and ethics and offers a uniquely interdisciplinary approach. With a focus on spectatorship, it brings together analysis of dark tourism -- travel to sites of death and disaster -- and theatrical performances. At dark tourism sites, objects and architecture are often personified, imagined to speak on behalf of absent victims. Spectators are drawn into this dialogical scenario in that they are asked to 'hear' the voices of the dead. Theatrical performances that depict grievous histories similarly gain power through paradoxically demonstrating the limits of their representational ability: spectators who must grapple with absences and incomprehensibilities. This study asks whether playing the part of the listener can be understood in ethical terms. Sites surveyed span a broad geographical scope -- Germany, Poland, Vietnam, Cambodia, New Zealand and Rwanda ₆ and are brought into contrast with performances including: Jerzy Grotowski's "Akropolis", Catherine Filloux's "Photographs from" "S21", Adrienne Kennedy's "An Evening with Dead Essex" and" Erik Ehn's "Maria Kizito".

ISBN: 1137322659 (electronic bk.)

Source: 663380Palgrave Macmillanhttp://www.palgraveconnect.com

Nat. Bib. Agency Control No.: 016662740UkSubjects--Topical Terms:

619070
Theater and society.
Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: PN2049

Dewey Class. No.: 792.01

Theatricality, dark tourism and ethical spectatorship : = absent others /
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505 0 $a Notes for the Traveller: An introduction to the Journey Ahead -- 1.Landscapes of Aftermath -- 2.Performing Museums and Memorial Bodies: Theatre in the Shadows of the Crematoria -- 3.Vietnam: 'Not the Bullshit Story in the Lonely Planet' -- 4.Here was the place: (Re)Performing Khmer Rouge Archive of Violence -- 5.Lost in our own Land: Reenacting colonial Violence -- 6.The World Watched: Witnessing Genocide -- Phantom Speak -- Works Cited.
520 $a "Theatricality, Dark Tourism and Ethical Spectatorship: Absent Others" builds upon recent literature concerning theatre and ethics and offers a uniquely interdisciplinary approach. With a focus on spectatorship, it brings together analysis of dark tourism -- travel to sites of death and disaster -- and theatrical performances. At dark tourism sites, objects and architecture are often personified, imagined to speak on behalf of absent victims. Spectators are drawn into this dialogical scenario in that they are asked to 'hear' the voices of the dead. Theatrical performances that depict grievous histories similarly gain power through paradoxically demonstrating the limits of their representational ability: spectators who must grapple with absences and incomprehensibilities. This study asks whether playing the part of the listener can be understood in ethical terms. Sites surveyed span a broad geographical scope -- Germany, Poland, Vietnam, Cambodia, New Zealand and Rwanda ₆ and are brought into contrast with performances including: Jerzy Grotowski's "Akropolis", Catherine Filloux's "Photographs from" "S21", Adrienne Kennedy's "An Evening with Dead Essex" and" Erik Ehn's "Maria Kizito".
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650 0 $a Theater and society. $3 619070
650 0 $a Theater $x Moral and ethical aspects. $3 2078335
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856 4 0 $3 Palgrave Connect $u http://link.springer.com/10.1057/9781137322654