東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁 到查詢結果 [ subject:"Television adaptations." ]

切換: 標籤 | MARC模式 | ISBD

Adaptation in visual culture = image...

Grossman, Julie.

FindBook

Google Book

Amazon

博客來

Adaptation in visual culture = images, texts, and their multiple worlds /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Adaptation in visual culture/ edited by Julie Grossman, R. Barton Palmer.
其他題名:	images, texts, and their multiple worlds /
其他作者:	Grossman, Julie.
出版者:	Cham :Springer International Publishing : : 2017.,
面頁冊數:	xvi, 285 p. :ill. (some col.), digital ;22 cm.
內容註:	1. Constantine Verevis, "Film Novelization" -- 2. Laurence Raw, "What Can Adaptation Studies Learn from Fan Studies?" -- 3. Glenn Jellenik, "The Task of the Adaptation Critic" -- 4. Thomas Leitch, "Mind the Gaps" -- 5. R. Barton Palmer, "Continuation, Adaptation Studies, and the Never-Finished Text" -- 6. Kamilla Elliott "Unfilmable Books." -- 7. Sarah Cardwell, "A Dickensian Feast: Visual Culture and Television Aesthetics" -- 8. Deborah Cartmell, "Star Adaptations: Queen Biopics of the 1930s" -- 9. Jack Boozer, "Between a Sequel and a Market Crash: Wall Street: Money Never Sleeps" -- 10. Christine Geraghty, "Dissolving Media Boundaries: The Interaction of Literature, Film and Television in Tender is the Night (1985)" -- 11. Julie Grossman, "Fargos" -- 12. Mark Osteen, "Alfred in Wonderland: Hitchcock through the Looking-Glass" -- 13. Homer B. Pettey, "Japanese Avant-garde and the moga ('modern girl')" -- 14. Nancy West, "The Worlds of Downton Abbey".
Contained By:	Springer eBooks
標題:	Literature - Adaptations. -
電子資源:	http://dx.doi.org/10.1007/978-3-319-58580-2
ISBN:	9783319585802

Adaptation in visual culture = images, texts, and their multiple worlds /
Adaptation in visual cultureimages, texts, and their multiple worlds /[electronic resource] :edited by Julie Grossman, R. Barton Palmer. - Cham :Springer International Publishing :2017. - xvi, 285 p. :ill. (some col.), digital ;22 cm. - Palgrave studies in adaptation and visual culture. - Palgrave studies in adaptation and visual culture..

1. Constantine Verevis, "Film Novelization" -- 2. Laurence Raw, "What Can Adaptation Studies Learn from Fan Studies?" -- 3. Glenn Jellenik, "The Task of the Adaptation Critic" -- 4. Thomas Leitch, "Mind the Gaps" -- 5. R. Barton Palmer, "Continuation, Adaptation Studies, and the Never-Finished Text" -- 6. Kamilla Elliott "Unfilmable Books." -- 7. Sarah Cardwell, "A Dickensian Feast: Visual Culture and Television Aesthetics" -- 8. Deborah Cartmell, "Star Adaptations: Queen Biopics of the 1930s" -- 9. Jack Boozer, "Between a Sequel and a Market Crash: Wall Street: Money Never Sleeps" -- 10. Christine Geraghty, "Dissolving Media Boundaries: The Interaction of Literature, Film and Television in Tender is the Night (1985)" -- 11. Julie Grossman, "Fargos" -- 12. Mark Osteen, "Alfred in Wonderland: Hitchcock through the Looking-Glass" -- 13. Homer B. Pettey, "Japanese Avant-garde and the moga ('modern girl')" -- 14. Nancy West, "The Worlds of Downton Abbey".

This book gathers together essays written by leading scholars of adaptation studies to explore the full range of practices and issues currently of concern in the field. The chapters demonstrate how content and messaging are shared across an increasing number of platforms, whose interrelationships have become as intriguing as they are complex. Recognizing that a signature feature of contemporary culture is the convergence of different forms of media, the contributors of this book argue that adaptation studies has emerged as a key discipline that, unlike traditional literary and art criticism, is capable of identifying and analyzing the relations between source texts and adaptations created from them. Adaptation scholars have come to understand that these relations not only play out in individual case histories but are also institutional, and this collection shows how adaptation plays a key role in the functioning of cinema, television, art, and print media. The volume is essential reading for all those interested both in adaptation studies and also in the complex forms of intermediality that define contemporary culture in the 21st century.

ISBN: 9783319585802

Standard No.: 10.1007/978-3-319-58580-2doiSubjects--Topical Terms:

785870
Literature
--Adaptations.

LC Class. No.: PN171.A33 / A336 2017

Dewey Class. No.: 809

Adaptation in visual culture = images, texts, and their multiple worlds /
LDR:03151nmm a2200301 a 4500 001 2112817
003 DE-He213
005 20171206134125.0
006 m d
007 cr nn 008maaau
008 180719s2017 gw s 0 eng d
020 $a 9783319585802 $q (electronic bk.)
020 $a 9783319585796 $q (paper)
024 7 $a 10.1007/978-3-319-58580-2 $2 doi
035 $a 978-3-319-58580-2
040 $a GP $c GP
041 0 $a eng
050 4 $a PN171.A33 $b A336 2017
082 0 4 $a 809 $2 23
090 $a PN171.A33 $b A221 2017
245 0 0 $a Adaptation in visual culture $h [electronic resource] : $b images, texts, and their multiple worlds / $c edited by Julie Grossman, R. Barton Palmer.
260 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Macmillan, $c 2017.
300 $a xvi, 285 p. : $b ill. (some col.), digital ; $c 22 cm.
490 1 $a Palgrave studies in adaptation and visual culture
505 0 $a 1. Constantine Verevis, "Film Novelization" -- 2. Laurence Raw, "What Can Adaptation Studies Learn from Fan Studies?" -- 3. Glenn Jellenik, "The Task of the Adaptation Critic" -- 4. Thomas Leitch, "Mind the Gaps" -- 5. R. Barton Palmer, "Continuation, Adaptation Studies, and the Never-Finished Text" -- 6. Kamilla Elliott "Unfilmable Books." -- 7. Sarah Cardwell, "A Dickensian Feast: Visual Culture and Television Aesthetics" -- 8. Deborah Cartmell, "Star Adaptations: Queen Biopics of the 1930s" -- 9. Jack Boozer, "Between a Sequel and a Market Crash: Wall Street: Money Never Sleeps" -- 10. Christine Geraghty, "Dissolving Media Boundaries: The Interaction of Literature, Film and Television in Tender is the Night (1985)" -- 11. Julie Grossman, "Fargos" -- 12. Mark Osteen, "Alfred in Wonderland: Hitchcock through the Looking-Glass" -- 13. Homer B. Pettey, "Japanese Avant-garde and the moga ('modern girl')" -- 14. Nancy West, "The Worlds of Downton Abbey".
520 $a This book gathers together essays written by leading scholars of adaptation studies to explore the full range of practices and issues currently of concern in the field. The chapters demonstrate how content and messaging are shared across an increasing number of platforms, whose interrelationships have become as intriguing as they are complex. Recognizing that a signature feature of contemporary culture is the convergence of different forms of media, the contributors of this book argue that adaptation studies has emerged as a key discipline that, unlike traditional literary and art criticism, is capable of identifying and analyzing the relations between source texts and adaptations created from them. Adaptation scholars have come to understand that these relations not only play out in individual case histories but are also institutional, and this collection shows how adaptation plays a key role in the functioning of cinema, television, art, and print media. The volume is essential reading for all those interested both in adaptation studies and also in the complex forms of intermediality that define contemporary culture in the 21st century.
650 0 $a Literature $v Adaptations. $3 785870
650 0 $a Film adaptations. $3 555639
650 0 $a Television adaptations. $3 660630
650 1 4 $a Cultural and Media Studies. $3 2165732
650 2 4 $a Movie and TV Adaptations. $3 3242374
650 2 4 $a Film Theory. $3 2191773
650 2 4 $a Fine Arts. $3 891065
700 1 $a Grossman, Julie. $3 3270849
700 1 $a Palmer, R. Barton. $3 3206117
710 2 $a SpringerLink (Online service) $3 836513
773 0 $t Springer eBooks
830 0 $a Palgrave studies in adaptation and visual culture. $3 3206119
856 4 0 $u http://dx.doi.org/10.1007/978-3-319-58580-2
950 $a Literature, Cultural and Media Studies (Springer-41173)