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Language, music and gesture = inform...

LMGIC (Conference) ((2021 :)

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Language, music and gesture = informational crossroads : LMGIC 2021 /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Language, music and gesture/ edited by Tatiana Chernigovskaya, Polina Eismont, Tatiana Petrova.
其他題名:	informational crossroads : LMGIC 2021 /
其他題名:	LMGIC 2021
其他作者:	Chernigovskaya, Tatiana.
團體作者:	LMGIC (Conference)
出版者:	Singapore :Springer Singapore : : 2021.,
面頁冊數:	xvii, 217 p. :ill., digital ;24 cm.
內容註:	I. Language-Music-Gesture as Semiotic Systems -- II. Language-Music-Gesture Onstage -- III. Verbalization of Music and Gesture -- IV. The Beat of Language -- V. Emotions in Linguistics and AI-Communication Systems.
Contained By:	Springer Nature eBook
標題:	Cognitive grammar - Congresses. -
電子資源:	https://doi.org/10.1007/978-981-16-3742-1
ISBN:	9789811637421

Language, music and gesture = informational crossroads : LMGIC 2021 /
Language, music and gestureinformational crossroads : LMGIC 2021 /[electronic resource] :LMGIC 2021edited by Tatiana Chernigovskaya, Polina Eismont, Tatiana Petrova. - Singapore :Springer Singapore :2021. - xvii, 217 p. :ill., digital ;24 cm.

I. Language-Music-Gesture as Semiotic Systems -- II. Language-Music-Gesture Onstage -- III. Verbalization of Music and Gesture -- IV. The Beat of Language -- V. Emotions in Linguistics and AI-Communication Systems.

This book brings together selected revised papers representing a multidisciplinary approach to language, music, and gesture, as well as their interaction. Among the number of multidisciplinary and comparative studies of the structure and organization of language and music, the presented book broadens the scope with the inclusion of gesture problems in the analyzed spectrum. A unique feature of the presented collection is that the papers, compiled in one volume, allow readers to see similarities and differences in gesture as an element of non-verbal communication and gesture as the main element of dance. In addition to enhancing the analysis, the data on the perception and comprehension of speech, music, and dance in regard to both their functioning in a natural situation and their reflection in various forms of performing arts makes this collection extremely useful for those who are interested in human cognitive abilities and performing skills. The book begins with a philosophical overview of recent neurophysiological studies reflecting the complexity of higher cognitive functions, which references the idea of the baroque style in art being neither linear nor stable. The following papers are allocated into 5 sections. The papers of the section "Language-Music-Gesture As Semiotic Systems" discuss the issues of symbolic and semiotic aspects of language, music, and gesture, including from the perspective of their notation. This is followed by the issues of "Language-Music-Gesture Onstage" and interaction within the idea of the "World as a Text." The papers of "Teaching Language and Music" present new teaching methods that take into account the interaction of all the cognitive systems examined. The papers of the last two sections focus on issues related primarily to language: The section "Verbalization Of Music And Gesture" considers the problem of describing musical text and non-verbal behavior with language, and papers in the final section "Emotions In Linguistics And Ai-Communication Systems" analyze the ways of expressing emotions in speech and the problems of organizing emotional communication with computer agents.

ISBN: 9789811637421

Standard No.: 10.1007/978-981-16-3742-1doiSubjects--Topical Terms:

903272
Cognitive grammar
--Congresses.

LC Class. No.: P165 / .L54 2021

Dewey Class. No.: 410.1835

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