東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁 到查詢結果 [ subject:"Screenwriting." ]

切換: 標籤 | MARC模式 | ISBD

Screening modern Irish fiction and drama

Palmer, R. Barton.

FindBook

Google Book

Amazon

博客來

Screening modern Irish fiction and drama

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Screening modern Irish fiction and drama/ edited by R. Barton Palmer, Marc C. Conner.
其他作者:	Palmer, R. Barton.
出版者:	Cham :Springer International Publishing : : 2016.,
面頁冊數:	xv, 266 p. :ill., digital ;24 cm.
內容註:	Introduction: Modern Irish Drama and Fiction on Screen. Barton Palmer and Marc Conner -- 1. Liam O'Flaherty's The Informer and the aesthetics of terror. Homer Pettey -- 2. Deconstructing Political Adaptations: Sean O'Casey's The Plough and the Stars. Laurence Raw -- 3. Genre and Charisma in Shaw's Major Barbara. Doug McFarland -- 4. Lewin's Wilde: Aestheticism, Moralism, and Hollywood. Edward Adams -- 5. 'Wonderful and Incomparable Beauty': Adapting Period Aesthetic for The Importance of Being Earnest. Jennifer Jenkins -- 6. The Quiet Man: From Story to Film. Michael Patrick Gillespie -- 7. The Girl with Green Eyes. R. Barton Palmer -- 8. John Huston's 'The Dead'. Coilin Owens -- 9. Sheridan's Supercrip: Daniel Day-Lewis and the Wonder of My Left Foot. Tiffany Gilbert -- 10. Roddy Doyle's The Barrytown Trilogy and Filming Ireland's 'New Picture'. Julieann Ulin -- 11. 1960s Popular Culture in 1960s Provincial Ireland: Neil Jordan's The Butcher Boy. Michael Kissane -- 12. The Ritual of Memory in Friel's Dancing at Lughnasa. Marc Conner.
Contained By:	Springer eBooks
標題:	Motion pictures - Criticism and interpretation. - Ireland -
電子資源:	http://dx.doi.org/10.1007/978-3-319-40928-3
ISBN:	9783319409283

Screening modern Irish fiction and drama
Screening modern Irish fiction and drama[electronic resource] /edited by R. Barton Palmer, Marc C. Conner. - Cham :Springer International Publishing :2016. - xv, 266 p. :ill., digital ;24 cm. - Palgrave studies in adaptation and visual culture. - Palgrave studies in adaptation and visual culture..

Introduction: Modern Irish Drama and Fiction on Screen. Barton Palmer and Marc Conner -- 1. Liam O'Flaherty's The Informer and the aesthetics of terror. Homer Pettey -- 2. Deconstructing Political Adaptations: Sean O'Casey's The Plough and the Stars. Laurence Raw -- 3. Genre and Charisma in Shaw's Major Barbara. Doug McFarland -- 4. Lewin's Wilde: Aestheticism, Moralism, and Hollywood. Edward Adams -- 5. 'Wonderful and Incomparable Beauty': Adapting Period Aesthetic for The Importance of Being Earnest. Jennifer Jenkins -- 6. The Quiet Man: From Story to Film. Michael Patrick Gillespie -- 7. The Girl with Green Eyes. R. Barton Palmer -- 8. John Huston's 'The Dead'. Coilin Owens -- 9. Sheridan's Supercrip: Daniel Day-Lewis and the Wonder of My Left Foot. Tiffany Gilbert -- 10. Roddy Doyle's The Barrytown Trilogy and Filming Ireland's 'New Picture'. Julieann Ulin -- 11. 1960s Popular Culture in 1960s Provincial Ireland: Neil Jordan's The Butcher Boy. Michael Kissane -- 12. The Ritual of Memory in Friel's Dancing at Lughnasa. Marc Conner.

This book offers the first comprehensive discussion of the relationship between Modern Irish Literature and the Irish cinema, with twelve chapters written by experts in the field that deal with principal films, authors, and directors. This survey outlines the influence of screen adaptation of important texts from the national literature on the construction of an Irish cinema, many of whose films because of cultural constraints were produced and exhibited outside the country until very recently. Authors discussed include George Bernard Shaw, Oscar Wilde, Liam O'Flaherty, Christy Brown, Edna O'Brien, James Joyce, and Brian Friel. The films analysed in this volume include THE QUIET MAN, THE INFORMER, MAJOR BARBARA, THE GIRL WITH GREEN EYES, MY LEFT FOOT, THE PICTURE OF DORIAN GRAY, THE SNAPPER, and DANCING AT LUGHNASA. The introduction features a detailed discussion of the cultural and political questions raised by the promotion of forms of national identity by Ireland's literary and cinematic establishments.

ISBN: 9783319409283

Standard No.: 10.1007/978-3-319-40928-3doiSubjects--Topical Terms:

3206120
Motion pictures
--Criticism and interpretation.--Ireland

LC Class. No.: PN1993.5.I85 / S37 2016

Dewey Class. No.: 791.4309417

Screening modern Irish fiction and drama
LDR:03119nmm a2200325 a 4500 001 2082567
003 DE-He213
005 20161202192033.0
006 m d
007 cr nn 008maaau
008 170717s2016 gw s 0 eng d
020 $a 9783319409283 $q (electronic bk.)
020 $a 9783319409276 $q (paper)
024 7 $a 10.1007/978-3-319-40928-3 $2 doi
035 $a 978-3-319-40928-3
040 $a GP $c GP
041 0 $a eng
050 4 $a PN1993.5.I85 $b S37 2016
072 7 $a APFA $2 bicssc
072 7 $a PER004000 $2 bisacsh
082 0 4 $a 791.4309417 $2 23
090 $a PN1993.5.I85 $b S433 2016
245 0 0 $a Screening modern Irish fiction and drama $h [electronic resource] / $c edited by R. Barton Palmer, Marc C. Conner.
260 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Macmillan, $c 2016.
300 $a xv, 266 p. : $b ill., digital ; $c 24 cm.
490 1 $a Palgrave studies in adaptation and visual culture
505 0 $a Introduction: Modern Irish Drama and Fiction on Screen. Barton Palmer and Marc Conner -- 1. Liam O'Flaherty's The Informer and the aesthetics of terror. Homer Pettey -- 2. Deconstructing Political Adaptations: Sean O'Casey's The Plough and the Stars. Laurence Raw -- 3. Genre and Charisma in Shaw's Major Barbara. Doug McFarland -- 4. Lewin's Wilde: Aestheticism, Moralism, and Hollywood. Edward Adams -- 5. 'Wonderful and Incomparable Beauty': Adapting Period Aesthetic for The Importance of Being Earnest. Jennifer Jenkins -- 6. The Quiet Man: From Story to Film. Michael Patrick Gillespie -- 7. The Girl with Green Eyes. R. Barton Palmer -- 8. John Huston's 'The Dead'. Coilin Owens -- 9. Sheridan's Supercrip: Daniel Day-Lewis and the Wonder of My Left Foot. Tiffany Gilbert -- 10. Roddy Doyle's The Barrytown Trilogy and Filming Ireland's 'New Picture'. Julieann Ulin -- 11. 1960s Popular Culture in 1960s Provincial Ireland: Neil Jordan's The Butcher Boy. Michael Kissane -- 12. The Ritual of Memory in Friel's Dancing at Lughnasa. Marc Conner.
520 $a This book offers the first comprehensive discussion of the relationship between Modern Irish Literature and the Irish cinema, with twelve chapters written by experts in the field that deal with principal films, authors, and directors. This survey outlines the influence of screen adaptation of important texts from the national literature on the construction of an Irish cinema, many of whose films because of cultural constraints were produced and exhibited outside the country until very recently. Authors discussed include George Bernard Shaw, Oscar Wilde, Liam O'Flaherty, Christy Brown, Edna O'Brien, James Joyce, and Brian Friel. The films analysed in this volume include THE QUIET MAN, THE INFORMER, MAJOR BARBARA, THE GIRL WITH GREEN EYES, MY LEFT FOOT, THE PICTURE OF DORIAN GRAY, THE SNAPPER, and DANCING AT LUGHNASA. The introduction features a detailed discussion of the cultural and political questions raised by the promotion of forms of national identity by Ireland's literary and cinematic establishments.
650 0 $a Motion pictures $z Ireland $x Criticism and interpretation. $3 3206120
650 1 4 $a Cultural and Media Studies. $3 2165732
650 2 4 $a Film Theory. $3 2191773
650 2 4 $a British Culture. $3 2200126
650 2 4 $a British Cinema. $3 2195334
650 2 4 $a British and Irish Literature. $3 2181926
650 2 4 $a Screenwriting. $3 3201014
650 2 4 $a Cultural Policy and Politics. $3 3134693
700 1 $a Palmer, R. Barton. $3 3206117
700 1 $a Conner, Marc C. $3 3206118
710 2 $a SpringerLink (Online service) $3 836513
773 0 $t Springer eBooks
830 0 $a Palgrave studies in adaptation and visual culture. $3 3206119
856 4 0 $u http://dx.doi.org/10.1007/978-3-319-40928-3
950 $a Literature, Cultural and Media Studies (Springer-41173)