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Virginia Woolf, Jean Rhys and the ae...

Moran, Patricia

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Virginia Woolf, Jean Rhys and the aesthetics of trauma

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Virginia Woolf, Jean Rhys and the aesthetics of trauma/ Patricia Moran.
其他題名:	Aesthetics of trauma
作者:	Moran, Patricia
出版者:	New York ;Palgrave Macmillan, : 2007.,
面頁冊數:	viii, 217 p.
內容註:	Experiences of the Body: Virginia Woolf, Jean Rhys, and the Aesthetics of Damage * Cock-a-doodle-dum: Desmond MacCarthy, Sexology, and the Writing of A Room of One's Own * The Flaw in the Centre: Writing as Hymenal Rupture in Virginia Woolf's Work * Gunpowder Plots: Sexuality and Censorship in Woolf's Later Works * When the pervert meets the hysteric: Jean Rhys's Black Exercise Book * "A doormat in a world of boots": Rhys and the Masochistic Aesthetic * Poisoned at the Source: Sexuality and Female Modernism.
內容註:	Experiences as a body : Virginia Woolf, Jean Rhys, and the aesthetics of trauma -- "Cock-a-doodle-dum" : Desmond MacCarthy, Sexology, and the writing of A room of one's own -- "The flaw in the centre" : writingas hymenal rupture in Virginia Woolf's work -- Gunpowder plots : sexuality and censorship in Woolf's later works -- When the pervert meets the hysteric : Jean Rhys's black exercise book -- "A doormat in a world of boots" : Jean Rhys and the masochistic aesthetic -- Epilogue : "The one dependable thing in a world of strife, ruin, chaos" : writing trauma, writing self.
標題:	Psychic trauma in literature. -
電子資源:	http://link.springer.com/10.1057/9780230601857access to fulltext (Palgrave)
ISBN:	0230601855

Virginia Woolf, Jean Rhys and the aesthetics of trauma
Moran, Patricia

Virginia Woolf, Jean Rhys and the aesthetics of trauma[electronic resource] /Aesthetics of traumaPatricia Moran. - New York ;Palgrave Macmillan,2007. - viii, 217 p.

Includes bibliographical references (p. [191]-208) and index.

Experiences of the Body: Virginia Woolf, Jean Rhys, and the Aesthetics of Damage * Cock-a-doodle-dum: Desmond MacCarthy, Sexology, and the Writing of A Room of One's Own * The Flaw in the Centre: Writing as Hymenal Rupture in Virginia Woolf's Work * Gunpowder Plots: Sexuality and Censorship in Woolf's Later Works * When the pervert meets the hysteric: Jean Rhys's Black Exercise Book * "A doormat in a world of boots": Rhys and the Masochistic Aesthetic * Poisoned at the Source: Sexuality and Female Modernism.

Virginia Woolf, Jean Rhys, and the Aesthetics of Trauma studies the intersections of modernism, sexuality, and subjectivity in the work of two leading women modernists. Over the course of her writing career, each came to confront those aspects of her culture and her personal history that resulted in a degraded sense of female sexuality. In particular, both explored the ways in which traumatic childhood sexual experiences informed their relationship to female corporeality and fiction writing. Their narratives about these memories?and the essays and fictions inwhich they recovered and worked through them?are all the more remarkable in that they appeared at a time when Freud?s renunciation of the seduction theory had become the authorizing narrative of psychoanalysis.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.

Mode of access:World Wide Web.

ISBN: 0230601855

Standard No.: 10.1057/9780230601857doiSubjects--Personal Names:

765035
Rhys, Jean
--Criticism and interpretation.Subjects--Topical Terms:

591913
Psychic trauma in literature.
Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: PR6045.O72 / Z8226 2007eb

Dewey Class. No.: 823.91209

Virginia Woolf, Jean Rhys and the aesthetics of trauma
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520 $a Virginia Woolf, Jean Rhys, and the Aesthetics of Trauma studies the intersections of modernism, sexuality, and subjectivity in the work of two leading women modernists. Over the course of her writing career, each came to confront those aspects of her culture and her personal history that resulted in a degraded sense of female sexuality. In particular, both explored the ways in which traumatic childhood sexual experiences informed their relationship to female corporeality and fiction writing. Their narratives about these memories?and the essays and fictions inwhich they recovered and worked through them?are all the more remarkable in that they appeared at a time when Freud?s renunciation of the seduction theory had become the authorizing narrative of psychoanalysis.
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