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[ subject:"Portrait photography- Political aspects- 20th century.- Italy" ]
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Photographing Mussolini = the making...
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Swan, Alessandra Antola.
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Photographing Mussolini = the making of a political icon /
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Photographing Mussolini/ by Alessandra Antola Swan.
其他題名:
the making of a political icon /
作者:
Swan, Alessandra Antola.
出版者:
Cham :Springer International Publishing : : 2020.,
面頁冊數:
xx, 393 p. :ill., digital ;24 cm.
內容註:
1. Introduction -- Part I: Setting the Scene -- 2. The photograph as a source and agent of history -- 3. Images in politics before Mussolini -- Part II: Production -- 4. The image makers of the Duce -- 5. The corporate image: Istituto Luce -- 6. The press-image: photojournalists and agencies -- 7. The aesthetic image: Ghitta Carell -- Part III: Audiencing -- 8. The visual presence of the Duce -- 9. Mussolini's early photographs -- 10. Mussolini's photogenic charisma -- 11. The emotional appeal -- 12. Marketing Mussolini -- 13. Conclusion.
Contained By:
Springer Nature eBook
標題:
Portrait photography - History - 20th century. - Italy -
標題:
Italy - Politics and government - 1914-1945. -
電子資源:
https://doi.org/10.1007/978-3-030-56506-0
ISBN:
9783030565060
Photographing Mussolini = the making of a political icon /
Swan, Alessandra Antola.
Photographing Mussolini
the making of a political icon /[electronic resource] :by Alessandra Antola Swan. - Cham :Springer International Publishing :2020. - xx, 393 p. :ill., digital ;24 cm. - Italian and Italian American studies,2635-2931. - Italian and Italian American studies..
1. Introduction -- Part I: Setting the Scene -- 2. The photograph as a source and agent of history -- 3. Images in politics before Mussolini -- Part II: Production -- 4. The image makers of the Duce -- 5. The corporate image: Istituto Luce -- 6. The press-image: photojournalists and agencies -- 7. The aesthetic image: Ghitta Carell -- Part III: Audiencing -- 8. The visual presence of the Duce -- 9. Mussolini's early photographs -- 10. Mussolini's photogenic charisma -- 11. The emotional appeal -- 12. Marketing Mussolini -- 13. Conclusion.
This pioneering book offers the first account of the work of the photographers, both official and freelance, who contributed to the forging of Mussolini's image. It departs from the practice of using photographs purely for illustration and places them instead at the centre of the analysis. Throughout the 1930s photographs of the Italian dictator Benito Mussolini were chosen with much care by the regime. They were deployed to highlight those physical traits - the piercing eyes, protruding jaw, shaved head - that were meant to evoke the Duce's strength, determination and innate sense of leadership in the mind of his contemporaries. The chapters in this volume explore the photographic image in the socio-political context of the time and shows how it was a significant contributor to the development of Italian mass culture between the two world wars.
ISBN: 9783030565060
Standard No.: 10.1007/978-3-030-56506-0doiSubjects--Personal Names:
3528901
Mussolini, Benito,
1883-1945--Portraits.Subjects--Topical Terms:
3528902
Portrait photography
--History--Italy--20th century.Subjects--Geographical Terms:
582343
Italy
--Politics and government--1914-1945.
LC Class. No.: DG575.M8 / S936 2020
Dewey Class. No.: 945.091092
Photographing Mussolini = the making of a political icon /
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1. Introduction -- Part I: Setting the Scene -- 2. The photograph as a source and agent of history -- 3. Images in politics before Mussolini -- Part II: Production -- 4. The image makers of the Duce -- 5. The corporate image: Istituto Luce -- 6. The press-image: photojournalists and agencies -- 7. The aesthetic image: Ghitta Carell -- Part III: Audiencing -- 8. The visual presence of the Duce -- 9. Mussolini's early photographs -- 10. Mussolini's photogenic charisma -- 11. The emotional appeal -- 12. Marketing Mussolini -- 13. Conclusion.
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This pioneering book offers the first account of the work of the photographers, both official and freelance, who contributed to the forging of Mussolini's image. It departs from the practice of using photographs purely for illustration and places them instead at the centre of the analysis. Throughout the 1930s photographs of the Italian dictator Benito Mussolini were chosen with much care by the regime. They were deployed to highlight those physical traits - the piercing eyes, protruding jaw, shaved head - that were meant to evoke the Duce's strength, determination and innate sense of leadership in the mind of his contemporaries. The chapters in this volume explore the photographic image in the socio-political context of the time and shows how it was a significant contributor to the development of Italian mass culture between the two world wars.
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