東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁 到查詢結果 [ subject:"Philosophy in motion pictures." ]

切換: 標籤 | MARC模式 | ISBD

Philosophy in Stan Brakhage's Dog st...

Baracco, Alberto.

FindBook

Google Book

Amazon

博客來

Philosophy in Stan Brakhage's Dog star man = world, metaphor, interpretation /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Philosophy in Stan Brakhage's Dog star man/ by Alberto Baracco.
其他題名:	world, metaphor, interpretation /
作者:	Baracco, Alberto.
出版者:	Cham :Springer International Publishing : : 2019.,
面頁冊數:	xviii, 144 p. :ill., digital ;24 cm.
內容註:	Chapter 1: Introduction -- Chapter 2: DSM and Philosophy -- Chapter 3: Understanding DSM's Film World -- Chapter 4: Explaining DSM's Film World -- Chapter 5: Critical Understanding of DSM's Film World -- Chapter 6: Conclusion.
Contained By:	Springer eBooks
標題:	Experimental films - History and criticism. -
電子資源:	https://doi.org/10.1007/978-3-030-12426-7
ISBN:	9783030124267

Philosophy in Stan Brakhage's Dog star man = world, metaphor, interpretation /
Baracco, Alberto.

Philosophy in Stan Brakhage's Dog star manworld, metaphor, interpretation /[electronic resource] :by Alberto Baracco. - Cham :Springer International Publishing :2019. - xviii, 144 p. :ill., digital ;24 cm.

Chapter 1: Introduction -- Chapter 2: DSM and Philosophy -- Chapter 3: Understanding DSM's Film World -- Chapter 4: Explaining DSM's Film World -- Chapter 5: Critical Understanding of DSM's Film World -- Chapter 6: Conclusion.

This book shows how a masterpiece of experimental cinema can be interpreted through hermeneutics of the film world. As an application of Ricœurian methodology to a non-narrative film, the book calls into question the fundamental concept of the film world. Firmly rooted within the context of experimental cinema, Stan Brakhage's Dog Star Man was not created on the basis of a narrative structure and representation of characters, places and events, but on very different presuppositions. The techniques with which Brakhage worked on celluloid and used frames as canvases, as well as his choice to make the film without dialogue and sound, exhort the interpreter to directly question the philosophical language of moving images.

ISBN: 9783030124267

Standard No.: 10.1007/978-3-030-12426-7doiSubjects--Personal Names:

3385910
Brakhage, Stan.
Dog star man.Subjects--Topical Terms:

744024
Experimental films
--History and criticism.

LC Class. No.: PN1995.9.E96 / B37 2019

Dewey Class. No.: 791.436

Philosophy in Stan Brakhage's Dog star man = world, metaphor, interpretation /
LDR:01961nmm a2200325 a 4500 001 2180134
003 DE-He213
005 20190301163922.0
006 m d
007 cr nn 008maaau
008 191122s2019 gw s 0 eng d
020 $a 9783030124267 $q (electronic bk.)
020 $a 9783030124250 $q (paper)
024 7 $a 10.1007/978-3-030-12426-7 $2 doi
035 $a 978-3-030-12426-7
040 $a GP $c GP
041 0 $a eng
050 4 $a PN1995.9.E96 $b B37 2019
072 7 $a HPCF3 $2 bicssc
072 7 $a PHI018000 $2 bisacsh
072 7 $a QDHR5 $2 thema
082 0 4 $a 791.436 $2 23
090 $a PN1995.9.E96 $b B223 2019
100 1 $a Baracco, Alberto. $3 3264965
245 1 0 $a Philosophy in Stan Brakhage's Dog star man $h [electronic resource] : $b world, metaphor, interpretation / $c by Alberto Baracco.
260 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Pivot, $c 2019.
300 $a xviii, 144 p. : $b ill., digital ; $c 24 cm.
505 0 $a Chapter 1: Introduction -- Chapter 2: DSM and Philosophy -- Chapter 3: Understanding DSM's Film World -- Chapter 4: Explaining DSM's Film World -- Chapter 5: Critical Understanding of DSM's Film World -- Chapter 6: Conclusion.
520 $a This book shows how a masterpiece of experimental cinema can be interpreted through hermeneutics of the film world. As an application of Ricœurian methodology to a non-narrative film, the book calls into question the fundamental concept of the film world. Firmly rooted within the context of experimental cinema, Stan Brakhage's Dog Star Man was not created on the basis of a narrative structure and representation of characters, places and events, but on very different presuppositions. The techniques with which Brakhage worked on celluloid and used frames as canvases, as well as his choice to make the film without dialogue and sound, exhort the interpreter to directly question the philosophical language of moving images.
600 1 0 $a Brakhage, Stan. $t Dog star man. $3 3385910
650 0 $a Experimental films $x History and criticism. $3 744024
650 0 $a Philosophy in motion pictures. $3 776067
650 1 4 $a Phenomenology. $3 533816
650 2 4 $a Film Theory. $3 2191773
650 2 4 $a Hermeneutics. $3 518283
710 2 $a SpringerLink (Online service) $3 836513
773 0 $t Springer eBooks
856 4 0 $u https://doi.org/10.1007/978-3-030-12426-7
950 $a Religion and Philosophy (Springer-41175)