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Contemporary British theatre = break...

Angelaki, Vicky, (1980-)

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Contemporary British theatre = breaking new ground /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Contemporary British theatre/ Vicky Angelaki.
其他題名:	breaking new ground /
作者:	Angelaki, Vicky,
出版者:	[Basingstoke] :Palgrave Macmillan, : 2013.,
面頁冊數:	1 online resource.
內容註:	1. Exit the Author; Dan Reballato -- 2. 'And I was Struck Still By Time': Contemporary British Theatre and the Metaphysical Imagination; Chris Megson -- 3. Politics for the Middle Classes: Contemporary Audiences and the Violence of Now; Vicky Angelaki -- 4. Language Games and Literary Constraints: Playing with Tragedy in the Theatre of Caryl Churchill and Martin Crimp; Elisabeth Angel-Perez -- 5. Racial Violence, Witnessing and Emancipated Spectatorship in "The Colour of Justice", "Fallout" and "Random" ; Mireia Aragay and Enric Monforte -- 6. Old Wine in a New Bottle or Vice Versa? Winsome Pinnock's Interstitial Poetics; Elizabeth Sakellaridou -- 7. Acting In/Action: Staging Human Rights in Debbie Tucker Green's Royal Court Plays; Marissia Fragkou and Lynette Goddard -- 8. Children and the Limits of Representation in the Work of Tim Crouch; Helen Freshwater.
標題:	Theater - History - 20th century. - Great Britain -
電子資源:	http://link.springer.com/10.1057/9781137010131
ISBN:	9781137010131 (electronic bk.)

Contemporary British theatre = breaking new ground /
Angelaki, Vicky,1980-

Contemporary British theatrebreaking new ground /[electronic resource] :Vicky Angelaki. - [Basingstoke] :Palgrave Macmillan,2013. - 1 online resource.

1. Exit the Author; Dan Reballato -- 2. 'And I was Struck Still By Time': Contemporary British Theatre and the Metaphysical Imagination; Chris Megson -- 3. Politics for the Middle Classes: Contemporary Audiences and the Violence of Now; Vicky Angelaki -- 4. Language Games and Literary Constraints: Playing with Tragedy in the Theatre of Caryl Churchill and Martin Crimp; Elisabeth Angel-Perez -- 5. Racial Violence, Witnessing and Emancipated Spectatorship in "The Colour of Justice", "Fallout" and "Random" ; Mireia Aragay and Enric Monforte -- 6. Old Wine in a New Bottle or Vice Versa? Winsome Pinnock's Interstitial Poetics; Elizabeth Sakellaridou -- 7. Acting In/Action: Staging Human Rights in Debbie Tucker Green's Royal Court Plays; Marissia Fragkou and Lynette Goddard -- 8. Children and the Limits of Representation in the Work of Tim Crouch; Helen Freshwater.

"Contemporary British Theatre: Breaking New Ground" brings together a team of internationally prominent academics and delivers cutting-edge discourse on the strongly emerging tradition of experimentation in contemporary British theatre to redefine what the dramatic stands for today. The chapters focus on influential plays, playwrights and theatre practitioners to produce original and rigorous critical perspectives on the key debates informing theatre practice and scholarship today. This book places the spectator at the heart of the enquiry and examines the radical redefinition of form and content in the context of society, politics, authorship and intentionality, the metaphysical turn in drama, social interventions and resonance, expressive unpredictability, race and identity, ethics/responsibility and the boundaries of representation. Featuring contributors such as Dan Rebellato and Chris Megson, the volume discusses contemporary theatre by a range of playwrights including Martin Crimp, Caryl Churchill and Debbie Tucker Green.

ISBN: 9781137010131 (electronic bk.)

Source: 579083Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:

685109
Theater
--History--Great Britain--20th century.Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: PN2595

Dewey Class. No.: 792.0941

Contemporary British theatre = breaking new ground /
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520 $a "Contemporary British Theatre: Breaking New Ground" brings together a team of internationally prominent academics and delivers cutting-edge discourse on the strongly emerging tradition of experimentation in contemporary British theatre to redefine what the dramatic stands for today. The chapters focus on influential plays, playwrights and theatre practitioners to produce original and rigorous critical perspectives on the key debates informing theatre practice and scholarship today. This book places the spectator at the heart of the enquiry and examines the radical redefinition of form and content in the context of society, politics, authorship and intentionality, the metaphysical turn in drama, social interventions and resonance, expressive unpredictability, race and identity, ethics/responsibility and the boundaries of representation. Featuring contributors such as Dan Rebellato and Chris Megson, the volume discusses contemporary theatre by a range of playwrights including Martin Crimp, Caryl Churchill and Debbie Tucker Green.
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