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A pathognomy of performance

Bayly, Simon, (1965-)

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A pathognomy of performance

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	A pathognomy of performance/ Simon Bayly.
作者:	Bayly, Simon,
出版者:	Basingstoke ;Palgrave Macmillan, : 2011.,
面頁冊數:	1 online resource (x, 246 p.) :ill.
內容註:	List of Illustrations -- Acknowledgements -- Introduction -- Strains of Thought -- Points of Suspension -- Instants of Affection -- Anomalous Appearances -- The Borrowed Masks of Being -- Logics of Expression -- Wrinkles, Furrows and Folds -- The Tonic of the Sonic -- Deleted Expletives -- Peals of Appeal -- Bibliography -- Index --.
內容註:	Machine generated contents note: -- List of Illustrations -- Acknowledgements -- Introduction -- Strains of Thought -- Points of Suspension -- Instants of Affection -- Anomalous Appearances -- The Borrowed Masks of Being -- Logics of Expression -- Wrinkles, Furrows and Folds -- The Tonic of the Sonic -- Deleted Expletives -- Peals of Appeal -- Bibliography -- Index.
標題:	Performing arts - Philosophy. -
電子資源:	http://www.palgraveconnect.com/doifinder/10.1057/9780230306936
ISBN:	9780230306936 (electronic bk.)

A pathognomy of performance
Bayly, Simon,1965-

A pathognomy of performance[electronic resource] /Simon Bayly. - Basingstoke ;Palgrave Macmillan,2011. - 1 online resource (x, 246 p.) :ill.

Includes bibliographical references and index.

List of Illustrations -- Acknowledgements -- Introduction -- Strains of Thought -- Points of Suspension -- Instants of Affection -- Anomalous Appearances -- The Borrowed Masks of Being -- Logics of Expression -- Wrinkles, Furrows and Folds -- The Tonic of the Sonic -- Deleted Expletives -- Peals of Appeal -- Bibliography -- Index --.

A Pathognomy of Performance stages an encounter between performance and philosophy to investigate notions of the event, ephemerality and democracy that have perpetually marked the engagement of thought and the theatrical. Reanimating the antique concept of pathognomy as the art of tracking the fleeting or anomalous across varied terrain,�the author�brings together a wide variety of source material drawn from theatre and performance studies, philosophy, neuroscience, biology, the and the visual arts to offer new perspectives on an ethics and aesthetics shaped by the forces of undoing and interruption. Weaving together a series of surprising conversations between the work of major philosophers, from Levinas and Deleuze through to Badiou and Ranc�ire, and an eclectic range of phenomena, from the celebrity on stage to the theatricality of the laugh, grimace and sneeze, he explores how 'the passion for the real' that continues to grip contemporary thought finds itself expressed in everyday acts of failure, accident and collapse which continually redraw the boundaries around the human and humane.

ISBN: 9780230306936 (electronic bk.)

Source: 413174Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:

680388
Performing arts
--Philosophy.Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: PN1584 / .B35 2011

Dewey Class. No.: 792.01

A pathognomy of performance
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505 0 $a List of Illustrations -- Acknowledgements -- Introduction -- Strains of Thought -- Points of Suspension -- Instants of Affection -- Anomalous Appearances -- The Borrowed Masks of Being -- Logics of Expression -- Wrinkles, Furrows and Folds -- The Tonic of the Sonic -- Deleted Expletives -- Peals of Appeal -- Bibliography -- Index --.
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520 $a A Pathognomy of Performance stages an encounter between performance and philosophy to investigate notions of the event, ephemerality and democracy that have perpetually marked the engagement of thought and the theatrical. Reanimating the antique concept of pathognomy as the art of tracking the fleeting or anomalous across varied terrain,�the author�brings together a wide variety of source material drawn from theatre and performance studies, philosophy, neuroscience, biology, the and the visual arts to offer new perspectives on an ethics and aesthetics shaped by the forces of undoing and interruption. Weaving together a series of surprising conversations between the work of major philosophers, from Levinas and Deleuze through to Badiou and Ranc�ire, and an eclectic range of phenomena, from the celebrity on stage to the theatricality of the laugh, grimace and sneeze, he explores how 'the passion for the real' that continues to grip contemporary thought finds itself expressed in everyday acts of failure, accident and collapse which continually redraw the boundaries around the human and humane.
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