東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁 到查詢結果 [ subject:"Motion pictures- Evaluation." ]

切換: 標籤 | MARC模式 | ISBD

Closely watched films = an introduct...

NetLibrary, Inc.

FindBook

Google Book

Amazon

博客來

Closely watched films = an introduction to the art of narrative film technique /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Closely watched films/ Marilyn Fabe.
其他題名:	an introduction to the art of narrative film technique /
作者:	Fabe, Marilyn.
出版者:	Berkeley :University of California Press, : c2004.,
面頁冊數:	xviii, 267 p. :ill. ;24 cm.
內容註:	The beginnings of film narrative: D.W. Griffith's The birth of a nation -- The art of montage: Sergei Eisenstein's The battleship Potemkin -- Expressionism and realism in film form: F.W. Murnau's The last laugh and Charles Chaplin's The adventurer -- The conversion to sound and the classical Hollywood film: Howard Hawks's His girl Friday -- Expressive realism: Orson Welles's Citizen Kane -- Italian neorealism: Vittorio de Sica's The bicycle thief -- Auteur theory and the French new wave: Fran簙ois Truffaut's The 400 blows -- Hollywood auteur: Alfred Hitchcock's Notorious -- The European art film: Federico Fellini's 8 1/2 -- Film and postmodernism: Woody Allen's Annie Hall -- Political cinema: Spike Lee's Do the right thing -- Feminism and film form: Patricia Rozema's I've heard the mermaids singing -- Epilogue: digital video and new forms of narrative in Mike Figgis's Timecode.
標題:	Motion pictures - Aesthetics. -
電子資源:	http://www.netLibrary.com/urlapi.asp?action=summary&v=1&bookid=119332An electronic book accessible through the World Wide Web; click for information
ISBN:	1417545100 (electronic bk.)

Closely watched films = an introduction to the art of narrative film technique /
Fabe, Marilyn.

Closely watched filmsan introduction to the art of narrative film technique /[electronic resource] :Marilyn Fabe. - Berkeley :University of California Press,c2004. - xviii, 267 p. :ill. ;24 cm.

Includes bibliographical references (p. 267-272) and index.

The beginnings of film narrative: D.W. Griffith's The birth of a nation -- The art of montage: Sergei Eisenstein's The battleship Potemkin -- Expressionism and realism in film form: F.W. Murnau's The last laugh and Charles Chaplin's The adventurer -- The conversion to sound and the classical Hollywood film: Howard Hawks's His girl Friday -- Expressive realism: Orson Welles's Citizen Kane -- Italian neorealism: Vittorio de Sica's The bicycle thief -- Auteur theory and the French new wave: Fran簙ois Truffaut's The 400 blows -- Hollywood auteur: Alfred Hitchcock's Notorious -- The European art film: Federico Fellini's 8 1/2 -- Film and postmodernism: Woody Allen's Annie Hall -- Political cinema: Spike Lee's Do the right thing -- Feminism and film form: Patricia Rozema's I've heard the mermaids singing -- Epilogue: digital video and new forms of narrative in Mike Figgis's Timecode.

Electronic reproduction.
Boulder, Colo. :
NetLibrary,
2004.

Available via World Wide Web.

ISBN: 1417545100 (electronic bk.)Subjects--Topical Terms:

627458
Motion pictures
--Aesthetics.Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: PN1995.9.E9 / F17 2004eb

Dewey Class. No.: 791.43/015

Closely watched films = an introduction to the art of narrative film technique /
LDR:01953cam a2200253 a 45 001 734698
003 OCoLC
005 20080320
006 m d
007 cr cnu---unuuu
008 080320s2004 caua sb s001 0 eng d
020 $a 1417545100 (electronic bk.)
035 $a ocm56733060
040 $a N $c N $d OCLCQ
049 $a AMFA
050 1 4 $a PN1995.9.E9 $b F17 2004eb
082 0 4 $a 791.43/015 $2 22
100 $a Fabe, Marilyn. $3 830169
245 1 0 $a Closely watched films $h [electronic resource] : $b an introduction to the art of narrative film technique / $c Marilyn Fabe.
260 $a Berkeley : $c c2004. $b University of California Press,
300 $a xviii, 267 p. : $b ill. ; $c 24 cm.
504 $a Includes bibliographical references (p. 267-272) and index.
505 0 $a The beginnings of film narrative: D.W. Griffith's The birth of a nation -- The art of montage: Sergei Eisenstein's The battleship Potemkin -- Expressionism and realism in film form: F.W. Murnau's The last laugh and Charles Chaplin's The adventurer -- The conversion to sound and the classical Hollywood film: Howard Hawks's His girl Friday -- Expressive realism: Orson Welles's Citizen Kane -- Italian neorealism: Vittorio de Sica's The bicycle thief -- Auteur theory and the French new wave: Fran簙ois Truffaut's The 400 blows -- Hollywood auteur: Alfred Hitchcock's Notorious -- The European art film: Federico Fellini's 8 1/2 -- Film and postmodernism: Woody Allen's Annie Hall -- Political cinema: Spike Lee's Do the right thing -- Feminism and film form: Patricia Rozema's I've heard the mermaids singing -- Epilogue: digital video and new forms of narrative in Mike Figgis's Timecode.
533 $a Electronic reproduction. $b Boulder, Colo. : $c NetLibrary, $d 2004. $n Available via World Wide Web. $n Access may be limited to NetLibrary affiliated libraries.
650 $a Motion pictures $x Aesthetics. $3 627458
650 $a Motion pictures $x Evaluation. $3 828035
650 $a Motion pictures. $3 527819
655 $a Electronic books. $2 lcsh $3 542853
710 $a NetLibrary, Inc. $3 542851
856 4 0 $3 Bibliographic record display $u http://www.netLibrary.com/urlapi.asp?action=summary&v=1&bookid=119332 $z An electronic book accessible through the World Wide Web; click for information
994 $a 92 $b AMF