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New Argentine and Brazilian cinema =...

Andermann, Jens.

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New Argentine and Brazilian cinema = reality effects /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	New Argentine and Brazilian cinema/ edited by Jens Andermann and �Alvaro Fern�andez Bravo.
其他題名:	reality effects /
其他作者:	Andermann, Jens.
出版者:	New York :Palgrave Macmillan, : [2013],
面頁冊數:	1 online resource.
內容註:	1. �Cmera �lcida; Jo�s Carlos Avellar -- 2. Footprints: Risks and Achievements in New Argentine Cinema David Oub�ia -- PART I: RETURNS OF THE REAL: RE-ENACTMENT, MEMORY, AND THE UNCANNY -- 3. Documentary Cinema and the Return of Past Events; And�ra Fra�na -- 4. Re-Enactment and Transmission in Contemporary Cinema; Ivone Margulies -- 5. The Return of the Natural: Landscape, Nature and the Place of Fiction; Edgardo Dieleke -- 6. Beyond Reflexivity: Acting and Experience in L�en, Rejtman and Coutinho; Joanna Page -- 7. The Scene and the Inscription of the Real; Cesar Guima�res -- PART II: ARCHIVES OF THE PRESENT -- 8. Global Periphery; Ivana Bentes -- 9. Exploding Buses: Jose Padilha and the Hijacking of Media; Tom Cohen -- 10. December's Other Scene: New Argentine Cinema and the Crisis of 2001; Jens Andermann -- 11. Archival Images - Memories of Labor: Citation, Recycling and Appropriation in Contemporary Argentine Cinema; Mariano Mestman -- 12. In Praise of Difficulty: Notes on Realism and Narrative in Contemporary Argentine Film; Domin Choi -- 13. The I as Other: the Real, the Archive and the Witness; Alvaro Fer�nndez Bravo -- 14. The Documentary Between the First and the Third Person; Gonzalo Aguilar.
標題:	Motion pictures - Argentina. -
電子資源:	http://www.palgraveconnect.com/doifinder/10.1057/9781137304834
ISBN:	9781137304834 (electronic bk.)

New Argentine and Brazilian cinema = reality effects /
New Argentine and Brazilian cinemareality effects /[electronic resource] :edited by Jens Andermann and �Alvaro Fern�andez Bravo. - New York :Palgrave Macmillan,[2013] - 1 online resource. - New directions in Latino American cultures. - New directions in Latino American cultures..

Includes bibliographical references.

1. �Cmera �lcida; Jo�s Carlos Avellar -- 2. Footprints: Risks and Achievements in New Argentine Cinema David Oub�ia -- PART I: RETURNS OF THE REAL: RE-ENACTMENT, MEMORY, AND THE UNCANNY -- 3. Documentary Cinema and the Return of Past Events; And�ra Fra�na -- 4. Re-Enactment and Transmission in Contemporary Cinema; Ivone Margulies -- 5. The Return of the Natural: Landscape, Nature and the Place of Fiction; Edgardo Dieleke -- 6. Beyond Reflexivity: Acting and Experience in L�en, Rejtman and Coutinho; Joanna Page -- 7. The Scene and the Inscription of the Real; Cesar Guima�res -- PART II: ARCHIVES OF THE PRESENT -- 8. Global Periphery; Ivana Bentes -- 9. Exploding Buses: Jose Padilha and the Hijacking of Media; Tom Cohen -- 10. December's Other Scene: New Argentine Cinema and the Crisis of 2001; Jens Andermann -- 11. Archival Images - Memories of Labor: Citation, Recycling and Appropriation in Contemporary Argentine Cinema; Mariano Mestman -- 12. In Praise of Difficulty: Notes on Realism and Narrative in Contemporary Argentine Film; Domin Choi -- 13. The I as Other: the Real, the Archive and the Witness; Alvaro Fer�nndez Bravo -- 14. The Documentary Between the First and the Third Person; Gonzalo Aguilar.

Examining Brazilian and Argentine cinema of the last fifteen years, this volume charts the emergence of a new concern with the real, bringing together contributions from leading film scholars and critics from Latin America, Europe, and the United States. Comparing 'New Argentine Cinema" and the Brazilian 'Retomada,' the contributors read across the boundaries between documentary and fiction and trace new modes of deploying performance and re-enactment, found footage, and the interplay between film and television and theater. They shed light on similarities between and variations in different Latin American national cinemas' filmic discourses and production contexts and map these findings onto the larger context of current film theory.

ISBN: 9781137304834 (electronic bk.)

Source: 636922Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:

1977605
Motion pictures
--Argentina.Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: PN1993.5.A7 / N49 2013

Dewey Class. No.: 791.43/0982

New Argentine and Brazilian cinema = reality effects /
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245 0 0 $a New Argentine and Brazilian cinema $h [electronic resource] : $b reality effects / $c edited by Jens Andermann and �Alvaro Fern�andez Bravo.
260 $a New York : $b Palgrave Macmillan, $c [2013]
300 $a 1 online resource.
490 1 $a New directions in Latino American cultures
504 $a Includes bibliographical references.
505 0 $a 1. �Cmera �lcida; Jo�s Carlos Avellar -- 2. Footprints: Risks and Achievements in New Argentine Cinema David Oub�ia -- PART I: RETURNS OF THE REAL: RE-ENACTMENT, MEMORY, AND THE UNCANNY -- 3. Documentary Cinema and the Return of Past Events; And�ra Fra�na -- 4. Re-Enactment and Transmission in Contemporary Cinema; Ivone Margulies -- 5. The Return of the Natural: Landscape, Nature and the Place of Fiction; Edgardo Dieleke -- 6. Beyond Reflexivity: Acting and Experience in L�en, Rejtman and Coutinho; Joanna Page -- 7. The Scene and the Inscription of the Real; Cesar Guima�res -- PART II: ARCHIVES OF THE PRESENT -- 8. Global Periphery; Ivana Bentes -- 9. Exploding Buses: Jose Padilha and the Hijacking of Media; Tom Cohen -- 10. December's Other Scene: New Argentine Cinema and the Crisis of 2001; Jens Andermann -- 11. Archival Images - Memories of Labor: Citation, Recycling and Appropriation in Contemporary Argentine Cinema; Mariano Mestman -- 12. In Praise of Difficulty: Notes on Realism and Narrative in Contemporary Argentine Film; Domin Choi -- 13. The I as Other: the Real, the Archive and the Witness; Alvaro Fer�nndez Bravo -- 14. The Documentary Between the First and the Third Person; Gonzalo Aguilar.
520 $a Examining Brazilian and Argentine cinema of the last fifteen years, this volume charts the emergence of a new concern with the real, bringing together contributions from leading film scholars and critics from Latin America, Europe, and the United States. Comparing 'New Argentine Cinema" and the Brazilian 'Retomada,' the contributors read across the boundaries between documentary and fiction and trace new modes of deploying performance and re-enactment, found footage, and the interplay between film and television and theater. They shed light on similarities between and variations in different Latin American national cinemas' filmic discourses and production contexts and map these findings onto the larger context of current film theory.
588 $a Description based on print version record.
650 0 $a Motion pictures $z Argentina. $3 1977605
650 0 $a Motion picture industry $z Argentina. $3 1977606
650 0 $a Motion pictures $z Brazil. $3 1977607
650 0 $a Motion picture industry $z Brazil. $3 1977608
650 0 $a Motion pictures $x Philosophy. $3 550295
655 7 $a Electronic books. $2 lcsh $3 542853
700 1 $a Andermann, Jens. $3 1977603
700 1 $a Fern�andez-Bravo, Alvaro, $d 1964- $3 1977604
710 2 $a Palgrave Connect (Online service) $3 1081578
776 0 8 $i Print version: $t New Argentine and Brazilian cinema $z 9781137304827 $w (DLC) 2012040018 $w (OCoLC)818293000
830 0 $a New directions in Latino American cultures. $3 1098845
856 4 0 $3 Palgrave Connect $u http://www.palgraveconnect.com/doifinder/10.1057/9781137304834
994 $a C0 $b TEF