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Roger Fry, Clive Bell and American m...

Maddock, David.

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Roger Fry, Clive Bell and American modernism

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Roger Fry, Clive Bell and American modernism/ David Maddock.
作者:	Maddock, David.
出版者:	New York :Peter Lang, : 2020.,
面頁冊數:	xviii, 273 p. :ill., digital ;24 cm.
標題:	Modernism (Aesthetics) - United States. -
電子資源:	https://www.peterlang.com/document/1057736
ISBN:	9781788749244

Roger Fry, Clive Bell and American modernism
Maddock, David.

Roger Fry, Clive Bell and American modernism[electronic resource] /David Maddock. - New York :Peter Lang,2020. - xviii, 273 p. :ill., digital ;24 cm. - Cultural interactions : studies in the relationship between the arts ;v.44. - Cultural interactions : studies in the relationship between the arts ;v.44..

Includes bibliographical references and index.

"When the Bloomsbury critics, Roger Fry and Clive Bell, introduced an aesthetically-conservative English public to recent Parisian avant-garde painting, they explained its disconcerting imagery by way of a late-nineteenth-century metaphysical tradition which had long intrigued musicians and Symbolist writers on the European continent. The Post-Impressionist aesthetic they devised advocated a direct response to the formal ingenuity of the work of art without recourse to prior knowledge and it emphasized the significance of visionary genius albeit to the detriment of narrative acuity and technical accomplishment, values hitherto upheld by the Edwardian art Establishment. The provocation was calculated, the author suggests, and its domestic ramifications were predictable: the reaction of an Anglo-conformist public in New York, on the other hand, was anything but. Recreating an Anglo-American dialogue inspired by Fry and Bell, and framed within a period encompassing Fry's Manet and the Post-Impressionists exhibition in 1910 and Alfred Barr Jr's Cubism and Abstract Art exhibition in 1936, the author demonstrates how key components of Bloomsbury's aesthetic bypassed a pre-existent modernist practice in New York and were taken up instead by an urban intelligentsia which adapted them to the requirements of an increasingly professionalised institutional practice during the 1920s"--

ISBN: 9781788749244

LCCN: 2019033928Subjects--Topical Terms:

725046
Modernism (Aesthetics)
--United States.

LC Class. No.: BH301.M54 / M33 2020

Dewey Class. No.: 709.041

Roger Fry, Clive Bell and American modernism
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520 $a "When the Bloomsbury critics, Roger Fry and Clive Bell, introduced an aesthetically-conservative English public to recent Parisian avant-garde painting, they explained its disconcerting imagery by way of a late-nineteenth-century metaphysical tradition which had long intrigued musicians and Symbolist writers on the European continent. The Post-Impressionist aesthetic they devised advocated a direct response to the formal ingenuity of the work of art without recourse to prior knowledge and it emphasized the significance of visionary genius albeit to the detriment of narrative acuity and technical accomplishment, values hitherto upheld by the Edwardian art Establishment. The provocation was calculated, the author suggests, and its domestic ramifications were predictable: the reaction of an Anglo-conformist public in New York, on the other hand, was anything but. Recreating an Anglo-American dialogue inspired by Fry and Bell, and framed within a period encompassing Fry's Manet and the Post-Impressionists exhibition in 1910 and Alfred Barr Jr's Cubism and Abstract Art exhibition in 1936, the author demonstrates how key components of Bloomsbury's aesthetic bypassed a pre-existent modernist practice in New York and were taken up instead by an urban intelligentsia which adapted them to the requirements of an increasingly professionalised institutional practice during the 1920s"-- $c Provided by publisher.
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