東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁 到查詢結果 [ subject:"Milton, John,- Paradise lost." ]

切換: 標籤 | MARC模式 | ISBD

Milton's visual imagination = imager...

Dobranski, Stephen B.

FindBook

Google Book

Amazon

博客來

Milton's visual imagination = imagery in Paradise Lost /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Milton's visual imagination/ Stephen Dobranski.
其他題名:	imagery in Paradise Lost /
作者:	Dobranski, Stephen B.
出版者:	Cambridge :Cambridge University Press, : 2015.,
面頁冊數:	xiii, 219 p. :digital ;24 cm.
附註:	Title from publisher's bibliographic system (viewed on 11 Nov 2015).
內容註:	Introduction: of things invisible -- Free will and God's scales -- Heaven's gates -- Pondering satan's shield -- What do bad angels look like? -- Transported touch -- Clustering and curling locks -- Images of the future and the son -- Postscript.
標題:	Visual perception in literature. -
電子資源:	https://doi.org/10.1017/CBO9781316146149
ISBN:	9781316146149

Milton's visual imagination = imagery in Paradise Lost /
Dobranski, Stephen B.

Milton's visual imaginationimagery in Paradise Lost /[electronic resource] :Stephen Dobranski. - Cambridge :Cambridge University Press,2015. - xiii, 219 p. :digital ;24 cm.

Title from publisher's bibliographic system (viewed on 11 Nov 2015).

Introduction: of things invisible -- Free will and God's scales -- Heaven's gates -- Pondering satan's shield -- What do bad angels look like? -- Transported touch -- Clustering and curling locks -- Images of the future and the son -- Postscript.

Critics have traditionally found fault with the descriptions and images in John Milton's poetry and thought of him as an author who wrote for the ear more than the eye. In Milton's Visual Imagination, Stephen B. Dobranski proposes that, on the contrary, Milton enriches his biblical source text with acute and sometimes astonishing visual details. He contends that Milton's imagery - traditionally disparaged by critics - advances the epic's narrative while expressing the author's heterodox beliefs. In particular, Milton exploits the meaning of objects and gestures to overcome the inherent difficulty of his subject and to accommodate seventeenth-century readers. Bringing together Milton's material philosophy with an analysis of both his poetic tradition and cultural circumstances, this book is a major contribution to our understanding of early modern visual culture as well as of Milton's epic.

ISBN: 9781316146149Subjects--Personal Names:

598467
Milton, John,
1608-1674.Paradise lost.Subjects--Topical Terms:

618441
Visual perception in literature.

LC Class. No.: PR3562 / .D64 2015

Dewey Class. No.: 821.4

Milton's visual imagination = imagery in Paradise Lost /
LDR:02031nmm a2200277 a 4500 001 2223769
003 UkCbUP
005 20151111030920.0
006 m d
007 cr nn 008maaau
008 210115s2015 enk o 1 0 eng d
020 $a 9781316146149 $q (electronic bk.)
020 $a 9781107094390 $q (hardback)
020 $a 9781107476240 $q (paperback)
035 $a CR9781316146149
040 $a UkCbUP $b eng $c UkCbUP $d GP
041 0 $a eng
050 4 $a PR3562 $b .D64 2015
082 0 4 $a 821.4 $2 23
090 $a PR3562 $b .D634 2015
100 1 $a Dobranski, Stephen B. $3 3463584
245 1 0 $a Milton's visual imagination $h [electronic resource] : $b imagery in Paradise Lost / $c Stephen Dobranski.
260 $a Cambridge : $b Cambridge University Press, $c 2015.
300 $a xiii, 219 p. : $b digital ; $c 24 cm.
500 $a Title from publisher's bibliographic system (viewed on 11 Nov 2015).
505 0 $a Introduction: of things invisible -- Free will and God's scales -- Heaven's gates -- Pondering satan's shield -- What do bad angels look like? -- Transported touch -- Clustering and curling locks -- Images of the future and the son -- Postscript.
520 $a Critics have traditionally found fault with the descriptions and images in John Milton's poetry and thought of him as an author who wrote for the ear more than the eye. In Milton's Visual Imagination, Stephen B. Dobranski proposes that, on the contrary, Milton enriches his biblical source text with acute and sometimes astonishing visual details. He contends that Milton's imagery - traditionally disparaged by critics - advances the epic's narrative while expressing the author's heterodox beliefs. In particular, Milton exploits the meaning of objects and gestures to overcome the inherent difficulty of his subject and to accommodate seventeenth-century readers. Bringing together Milton's material philosophy with an analysis of both his poetic tradition and cultural circumstances, this book is a major contribution to our understanding of early modern visual culture as well as of Milton's epic.
600 1 0 $a Milton, John, $d 1608-1674. $t Paradise lost. $3 598467
650 0 $a Visual perception in literature. $3 618441
856 4 0 $u https://doi.org/10.1017/CBO9781316146149