東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁 到查詢結果 [ subject:"Memory in motion pictures." ]

切換: 標籤 | MARC模式 | ISBD

Memory and imagination in film = Sco...

Lombardo, Patrizia.

FindBook

Google Book

Amazon

博客來

Memory and imagination in film = Scorsese, Lynch, Jarmusch, Van Sant /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Memory and imagination in film/ Patrizia Lombardo.
其他題名:	Scorsese, Lynch, Jarmusch, Van Sant /
作者:	Lombardo, Patrizia.
出版者:	Basingstoke :Palgrave Macmillan : : 2014.,
面頁冊數:	264 p. :25 figures.
附註:	Electronic book text.
內容註:	List of Figures Acknowledgments Abbreviations Introduction PART I: THE WONDER OF CINEMA: SCORSESE 1. Living in Manhattan in the 19th Century 2. Memory and Astonishment in Shutter Island 3. Style and Signature in Film 4. Bazin, Bresson and Scorsese: Performatives in Film Intermezzo 5. Jim Jarmusch's Philosophy of Composition PART II: EXPERIMENTING TIME AND SPACE: VAN SANT AND LYNCH 6. Minimalist Aesthetics in Gerry 7. Space and Long Takes in Paranoid Park 8. Lives on film: Gus Van Sant's Milk 9. David Lynch: Painting in Film Filmography Bibliography Notes.
標題:	Imagination in motion pictures. -
電子資源:	http://link.springer.com/10.1057/9781137319432Online journal 'available contents' page
ISBN:	1137319437 (electronic bk.) :

Memory and imagination in film = Scorsese, Lynch, Jarmusch, Van Sant /
Lombardo, Patrizia.

Memory and imagination in filmScorsese, Lynch, Jarmusch, Van Sant /[electronic resource] :Patrizia Lombardo. - 1st ed. - Basingstoke :Palgrave Macmillan :2014. - 264 p. :25 figures. - Language, discourse, society.

Electronic book text.

List of Figures Acknowledgments Abbreviations Introduction PART I: THE WONDER OF CINEMA: SCORSESE 1. Living in Manhattan in the 19th Century 2. Memory and Astonishment in Shutter Island 3. Style and Signature in Film 4. Bazin, Bresson and Scorsese: Performatives in Film Intermezzo 5. Jim Jarmusch's Philosophy of Composition PART II: EXPERIMENTING TIME AND SPACE: VAN SANT AND LYNCH 6. Minimalist Aesthetics in Gerry 7. Space and Long Takes in Paranoid Park 8. Lives on film: Gus Van Sant's Milk 9. David Lynch: Painting in Film Filmography Bibliography Notes.

Document

Inspired by Baudelaire's art criticism and contemporary theories of emotions, and developing a new aesthetic approach based on the idea that memory and imagination are strongly connected, Lombardo analyzes films by Scorsese, Lynch, Jarmusch and Van Sant as imaginative uses of the history of cinema as well as of other media.Lombardo expands upon the intuitions of Baudelaire, proposing a new understanding of cinephilia as the interplay of the memory and the imagination of both filmmakers and spectators. Films by Scorsese, Lynch, Jarmusch and Van Sant are presented as imaginative uses of the history of cinema, as well as the histories of painting, music, literature and photography. Quotations, allusions, and more complex stylistic devices combine to become conscious or unconscious re-elaborations of works from the past and the present. The question of spectators' participation is discussed at length, alongside detailed analysis that aims to disentangle the various elements within specific film sequences.

PDF.

Patrizia Lombardo has taught at Princeton University and the University of Pittsburgh, USA. She now teaches French, comparative literature and film, and leads the project 'Affective Dynamics and Aesthetic Emotions', at the Swiss Center for Affective Sciences at the University of Geneva, Switzerland. Her publications include The Three Paradoxes of Roland Barthes; Cities, Words and Images: From Poe to Scorsese; (with Rallo Ditche and Fontanille) Dictionnaire des passions litteraires; (with Saetre and Gullestad) Exploring Textual Action; and (with Saetre and Zanetta) Exploring Text and Emotion.

ISBN: 1137319437 (electronic bk.) :£55.00Subjects--Personal Names:

2080482
Jarmusch, Jim.
Subjects--Topical Terms:

2080486
Imagination in motion pictures.

LC Class. No.: PN1993.5.U6 / L59 2014

Dewey Class. No.: 791.43

Memory and imagination in film = Scorsese, Lynch, Jarmusch, Van Sant /
LDR:03493nmm a22003972a 4500 001 1951253
003 UK-WkNB
005 20141103000000.0
007 cu||||||||||||
008 231227e201409uuxxka |s|||||||0|0 eng|d
020 $a 1137319437 (electronic bk.) : $c £55.00
020 $a 9780230241718
020 $a 9781137319432 (electronic bk.) : $c £55.00
035 $a 9781137319432
035 $a 1951253
040 $a UK-WkNB $b eng $c UK-WkNB
050 4 $a PN1993.5.U6 $b L59 2014
072 $a APFA $2 bicssc
072 7 $a APFB $2 bicssc
072 7 $a APFN $2 bicssc
072 7 $a PER $2 ukslc
082 0 4 $a 791.43 $2 23
100 1 $a Lombardo, Patrizia. $3 2080481
245 1 0 $a Memory and imagination in film $h [electronic resource] : $b Scorsese, Lynch, Jarmusch, Van Sant / $c Patrizia Lombardo.
250 $a 1st ed.
260 $a Basingstoke : $b Palgrave Macmillan : $b [distributor] Not Avail, $c 2014.
300 $a 264 p. : $b 25 figures.
365 $a 02 $b 55.00 $c GBP $d 00 $h S 45.83 20.0 55.00 9.17 $j GB $k xxk $m Palgrave Macmillan $2 onix-pt
366 $b 20140925 $c IP 20140919 $j GB $k xxk $m Palgrave Macmillan $2 UK-WkNB
490 0 $a Language, discourse, society
500 $a Electronic book text.
500 $a Epublication based on: 9780230241718.
505 0 $a List of Figures Acknowledgments Abbreviations Introduction PART I: THE WONDER OF CINEMA: SCORSESE 1. Living in Manhattan in the 19th Century 2. Memory and Astonishment in Shutter Island 3. Style and Signature in Film 4. Bazin, Bresson and Scorsese: Performatives in Film Intermezzo 5. Jim Jarmusch's Philosophy of Composition PART II: EXPERIMENTING TIME AND SPACE: VAN SANT AND LYNCH 6. Minimalist Aesthetics in Gerry 7. Space and Long Takes in Paranoid Park 8. Lives on film: Gus Van Sant's Milk 9. David Lynch: Painting in Film Filmography Bibliography Notes.
516 $a Document
520 $a Inspired by Baudelaire's art criticism and contemporary theories of emotions, and developing a new aesthetic approach based on the idea that memory and imagination are strongly connected, Lombardo analyzes films by Scorsese, Lynch, Jarmusch and Van Sant as imaginative uses of the history of cinema as well as of other media. $b Lombardo expands upon the intuitions of Baudelaire, proposing a new understanding of cinephilia as the interplay of the memory and the imagination of both filmmakers and spectators. Films by Scorsese, Lynch, Jarmusch and Van Sant are presented as imaginative uses of the history of cinema, as well as the histories of painting, music, literature and photography. Quotations, allusions, and more complex stylistic devices combine to become conscious or unconscious re-elaborations of works from the past and the present. The question of spectators' participation is discussed at length, alongside detailed analysis that aims to disentangle the various elements within specific film sequences.
538 $a PDF.
545 0 $a Patrizia Lombardo has taught at Princeton University and the University of Pittsburgh, USA. She now teaches French, comparative literature and film, and leads the project 'Affective Dynamics and Aesthetic Emotions', at the Swiss Center for Affective Sciences at the University of Geneva, Switzerland. Her publications include The Three Paradoxes of Roland Barthes; Cities, Words and Images: From Poe to Scorsese; (with Rallo Ditche and Fontanille) Dictionnaire des passions litteraires; (with Saetre and Gullestad) Exploring Textual Action; and (with Saetre and Zanetta) Exploring Text and Emotion.
600 1 0 $a Jarmusch, Jim. $3 2080482
600 1 0 $a Lynch, David. $3 2080483
600 1 0 $a Scorsese, Martin. $3 2080484
600 1 0 $a Van Sant, Gus. $3 2080485
650 0 $a Imagination in motion pictures. $3 2080486
650 0 $a Memory in motion pictures. $3 854547
650 0 $a Motion pictures $x History and criticism $z United States. $3 2080487
650 0 $a Motion pictures $x Production and direction $z United States. $3 605372
650 7 $a Film theory & criticism. $2 bicssc $3 2080180
650 7 $a Film: styles & genres. $2 bicssc $3 2080085
650 7 $a Individual film directors, film-makers. $2 bicssc $3 2080488
650 7 $a Performing Arts. $3 896022
856 4 $u http://link.springer.com/10.1057/9781137319432 $x 05 $z Online journal 'available contents' page